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A George II mahogany triple leaf tea and card table, the top having proud rounded corners opening to reveal polished tea table, the second leaf opening to reveal a baize lined card table with sunken chip holders, the third leaf part opening to reveal storage section above a shaped frieze, all on single gateleg rear action, the whole raised on cabriole supports, the front legs with leaf carving to the shoulders and all on pad feet, width 81.5cm
A 19th Century mahogany pedestal tripod table, the circular tilt top having a reeded edge above a birdcage action to a turned and spiral fluted urn column, the whole raised on three acanthus leaf carved hipped cabriole supports with claw and ball feet, diameter 82cm (with some old repairs)
A late 19th Century mahogany tilt top tripod table, the circular dished top having a raised piecrust rim above a birdcage action, gun barrel turned urn column with blind acanthus leaf carving to the urn, the whole raised on hipped blind carved cabriole supports of square section with claw and ball terminals (with old repairs), diameter 66cm
An Edwardian rosewood envelope card table of square section, the top with boxwood stringing and fold-out action opening to reveal baize lined playing surface above single frieze drawer and raised on square tapering supports with spade terminals and pot castors, width 52cm (closed)
A table lamp designed by Ove Sandeberg for Kosta circa 1970. The lamp having a cylindrical foot rising to a deeper cylindrical main body. The whole cased with clear over a deep grey and cut back to the interior and exterior with abstract over lapped owls in satin against a polished ground, engraved signature to the base with number 1650, height 11".
A large Victorian Bohemian table centre. The fluted circular base rising to a domed centre with facet panels set with a baluster facet column and swollen shaped cap, above a wide shallow dish with fluted edge rising again to a tapered facet column with further reduced cap and facet cut upper flute. The whole cased in a deep ruby over clear crystal and flash cut to the rim in a printie border. The body over gilded in a classical style foliate scroll design with linear panel s, height 23".
A small collection of late 19th Century pressed flint comports and table wares to comprise a part frosted comport with linear cut decoration by Molineaux & Webb, a tall footed comport withy facet stem and imitation wheel cut detail by Percival Vickers, a small oval comport with a linked chain design by Angus & Greener and a footed sugar by Edward Moore detailed with a Thistle and Daisy pattern to the circular body, (4).
CHRISTIE, Agatha. PERIL AT END HOUSE Collins Crime Club, 1932. First edition. 8vo. Original orange cloth, with black titles. Cloth soiled, spine extremities a little rubbed. CHRISTIE, Agatha. CARDS ON THE TABLE Collins Crime Club, 1936. First edition. 8vo. Original orange cloth, with black titles to spine. Spine slightly faded, neat inscription to the front free endpaper. A bright copy. (2)
Edwart Collier (Breda c.1640-1710 Leiden?) A vanitas still-life of a globe, books, an hourglass, a violin, a recorder, sheet music and a pocket watch on a draped table signed and dated 'E.Colier/fe: 1680' (strengthened, lower right) oil on canvas 32? x 28 1/8 in. (83.1 x 71.4 cm.)
Circle of Hendrick Gerritsz. Pot (Haarlem c. 1585-1657 Amsterdam) Portrait of a lady, aged 24, standing full-length, by a draped table, wearing a black dress and a lace headdress inscribed ' aetatis svae 24 Anno 1624 ' (centre left) oil on panel 16? x 11 1/8 in. (42 x 28.2 cm.)
Johann Seitz (?-after 1809) Crayfish in a porcelain bowl with oysters, lemons, flowers in a glass, a jug, a knife and a fa?on-de-Venise wine glass on a table; and Salmon in a porcelain bowl with lemons, oysters, flowers in a glass, a knife and a fa?on-de-Venise wine glass on a table the first signed and dated ' Johann.Seitz/A.1801 '; the second signed and dated ' Johann Seitz F.1801 ' (lower left) oil on copper 11? x 17? in. (29.2 x 44.3 cm.) a pair (2)
The Master of the Hercules Cassone (active Florence, late 15th Century) Five men standing in a wooded landscape, with one standing at a table handing a boy a cap: a panel from a cassone oil on panel 14? x 20 in. (37.5 x 50.8 cm.) " The panel was part of a cassone that existed at Hovingham Hall from the nineteenth century until it was broken up in 1984.
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