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Click here to subscribeVictorian ebonised vanity case, the hinged rectangular cover with oval mother-of-pearl cartouche, initalled 'EL' in cursive script, within pewter stringing, enclosing a wine plush-lined interior fitted with mirror and folder (enclosing correspondence including 1880s chemist's prescriptions), behind ruched panel, over compartmentalised plated glass dressing table requisites, 30.5cm x 23cm x 17cm high
Fine Nicole Freres, Geneve inlaid rosewood-cased six-cylinder interchangeable musical box on stand, No 43931, the 49cm barrels playing a total of thirty-six airs (as listed on accompanying printed and handwritten card) on a two-part steel comb, stamped twice 'Nicole Freres', numbered and stamped to the bed-plate, the crossbanded and boxwood-strung box inlaid with musical trophies and birds perching amidst foliage over scrollwork, 96cm x 31.5cm x 24cm high, on original table stand with shaped drawer housing the remaining cylinders beneath sliding cover, 126cm x 64cm x 80cm high, in total 104cm highSold with handwritten presentation note to the 7 year-old recipient, dated 22nd September 1906.
Italian millefiore glass table lamp, circa 1930, the mushroom shade raised on bronzed fitment over baluster stem on spreading base, 27cm highThe shade does have a few small nibbles on the bottom rim. The base column has glue running from the top down to the wire hole. The glue is possibly from a repair or maybe residue/spillage from the bulb fitting.
Early 20th Century Chinese hardwood and mother-of-pearl inlaid three-tier occasional table, the rectangular top with inset pink marble panel within inlaid border over pierced and inlaid frieze and two under tiers, raised on square section supports with block feet, 65cm x 40cm x 76cm highThe pink marble top has a crack through it and shows signs of a glued repair. Some of the inset mother-of-pearl decoration is missing and has losses. The table is structurally sound but some of the panels are warped. Light surface scratches and wear from age and use.There are paint spot all over.
Early 19th Century inlaid mahogany tambour-front occasional table, the rectangular drop-flap top over over single frieze drawer and opposing dummy drawer over recessed inlaid tambour-fronted cupboard, raised on square section supports with brass caps and castors, 108cm x 58cm x 69cm high (extended)
Late George III inlaid mahogany serpentine Pembroke table, the rectangular top having two broad border of anthemion and foliate scroll marquetry, over conforming serpentine flaps flanking cockbeaded frieze drawer with cast wreath ring handles, on ebony and boxwood-strung square tapered supports terminating in spade feet with brass swivel castors, 65.5cm x 58cm closed / 101cm open x 72.5cm high
Early 20th Century Art Nouveau influence marquetry-inlaid two-tier occasional table in the Gallé tradition, the shaped rectangular top with shallow moulded gallery enclosing floral marquetry panel signed P Barbier, over conforming undertier raised on shaped cabriole supports, 63cm x 41cm x 70cm high
Inlaid satinwood centre table, circa 1900 in the manner of Edwards and Roberts, inlaid in the Adam Revival taste, the oval top centred with paterae of musical trophies within oak husk and ribbon border, raised on square section tapered supports united by serpentine stretchers on spade feet, 103cm x 79cm x 73cm high
William IV mahogany library table, the rectangular top with inset tooled leather skiver over four frieze drawers with dummy drawers to the sides each with cast wreath handles, raised on four ring and baluster tapered reeded supports on gilt metal caps and casters, 122cm x 90cm x 73cm high
Victorian mahogany sofa table, with rounded flaps on two frieze drawers with knob handles, between acanthus-carved square bosses, the whole raised on spreading trestle-type end standards, foliate scroll terminals, platform supports and flattened bun feet with concealed castors, 95cm closed / 151cm open x 69.5cm x 71.5cm high
Rare suite of three early 19th Century painted satinwood tables, comprising a pair of D-shaped fold-over card tables and a Pembroke table, all three with broad gilt-ground floral borders (a/f) on floral frieze and square tapered supports with simulated ebony stringing, the card tables 91.5cm x 45cm x 75cm high (closed), the Pembroke table with brass square caps and castors, 76cm x 51.5cm closed / 95cm open x 72.5cm high (3)Private collection, Clifton, Bristol.
Assortment of George III and later silver flatware comprising; six Hanoverian pattern table forks, two being London 1798, sponsor's mark RC (probably Richard Crossley), four London 1799, William Eley I & William Fearn; six Victorian lunch forks, London 1864, George William Adams (Chawner & Co.); six Old English pattern tablespoons, five being London 1824, William Chawner II, one London 1821, Henry Day; six George III dessert spoons, four being London 1804, two London 1817, all six William Eley I & William Fearn; six Fiddle pattern teaspoons, assorted makers, two Old English pattern basting spoons, London 1781, George Smith III, and London 1819, Richard Poulden, three sauce ladles, same year and maker, and two salt spoons, London 1821, Henry Day, in all 1,775g approx
Late Victorian silver vanity case, in the form of a black Morocco Gladstone bag, enclosing a wine silk-lined interior with removable racks, including five silver-lidded glass dressing table jars, London 1889-90, sponsor's mark of Moritz Wolfsky, plus extensive and mostly unused accessories including waxing set, wine Morocco-cased inkwell and match case (both gilt stamped), sewing and card cases, enclosed mirror and notebook, mother-of-pearl handled manicure set, plus three ivory-backed brushes, glove stretchers and letter opener (see permit footnote), steel shoe horn and boot pull, the case 37cm x 27cm x 25cm high (ex. handle), sold with (damaged) outer dust coverSold with AHPA ivory permit 5QGHGGDU
New Classics Creations USA, retailer Holly Hunt New York, a custom circular mahogany dining table, sunburst veneered top, ribbon base with bronze detail to the legs, 168cm diameter closed excluding leaves, with additional extension centre leaf. Note: cost price $10,700 in 2003
An ebonised and brass mounted standing vitrine, 19th Century of Empire design, raised back with double glazed doors opening to velvet lined display shelving, glazed table top base with hinged cover, tapered gilt legs terminating in ceramic castors, 150cm high, 86cm wide, 52cm deep
A George VI silver canteen of flatware, Cooper Brothers and Sons, Sheffield 1939, Dubarry Pattern, including six soup spoons, six table forks, six fish knives, six fish forks, six dessert spoons, six dessert forks, one pickle fork, two serving spoons, two sauce ladles, six tea spoons, one Soup Ladle, together with a small waiter, Adie Brothers, Birmingham 1939, and a six piece cruet set with associated spoons, Mappin & Webb, Birmingham 1935, approx 92ozt
A 19th century French kingwood crossbanded and ormolu mounted two tier occasional table; with reticulated brass galleried top with inset Sevres style painted panel decorated with exotic birds, the porcelain mounted under tier united by three slender ormolu mounted cabriole supports, 32cm diameter
A silver plated table centrepiece in the form of a a greyhound by a tree fern on a shaped base circa 1890, 23cm highResidue from silver cleaning powder throughout. Some minor knocks and scratches commensurate with age and use. Tarnishing throughout. Slight gapping on the base where the tree is attached but no evidence of this on the exterior. Tail is intact - see images
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