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An Art Deco influenced 3 piece bedroom suite by Waring & Gillow in walnut/burr walnut, comprising part fitted triple wardrobe with central flower panel, mirror back dressing table with 7 drawers, tallboy with cupboard over 3 long and 2 short drawers, all with Bakelite ebony and ivory coloured handles
Football, World Cup 1970, a large menu card, dated 3 May 1970, from the Victoria Sporting Club for 1970 Farewell World Cup Dinner. Card in the shape of the World Cup (Jules Rimet Trophy) and believed to have been the centre piece from the top table as the England party prepared to leave for the World Cup in Mexico. Approx. 45cm x 17cm, with set of squad & officials facsimile signatures to reverse. Unusual item (some creasing, gen gd) (1)
Ephemera, a selection of novelty cards of interest inc. George Washington cork table mat for 200th Anniversary 1932, General McArthur Novelty Pipe on card of issue, novelty cotton postcard with cotton balls attached, King Edward Bas Relief photo, U.S. Battleships Souvenir Folder, various adverts, mechanical cards, Disney & other items, interesting lot (gen gd) (48)
AN UNUSUAL AUSTRALIAN MID CENTURY ROUND DINING TABLE, PERTH, 1950S OF PROBABLY JARRAH AND POSSIBLY BY DANIEL PHILLIPS F FOULKES TAYLOR (1929-1996) WITH ROTATING CENTRAL DISC, C1960, ON SQUARE TAPERED LEGS, 73CM H; 142CM DIAM++GOOD CONDITION, WELL CARED FOR WITH ONLY MINOR KNOCKS FROM USE
ATTRIBUTED TO H & L EPSTEIN AN ART DECO WALNUT DINING SUITE, C1935 COMPRISING TABLE WITH TWO LEAVES, 104 X 177CM, SIX ANGLED BACK CHAIRS INCLUDING A PAIR OF ELBOW CHAIRS AND SIDEBOARD++MINOR WEAR AND SCRATCHES CONSISTENT WITH AGE, IN THE SAME FAMILY OWNERSHIP ALMOST CERTAINLY SINCE NEW
A pair of French gilt metal mounted ceramic table lamps, modern, the twin handled and blue glazed urn bodies with gold painted foliate decoration atop waisted circular socles, mounted on gilt and foliate cast square metal bases with concave corners, on acorn feet, 83 cm high including electrical fitments
ϒA Napoleon III Ormolu-Mounted, cut-brass-inlaid and tortoiseshell ‘Boulle’ writing-table, mid-19th century, the superstructure with pierced three quarter gallery above an arrangement of four drawers divided by a shelf, the frieze with further drawers above vase-shaped end supports with pierced rocaille cartouches, joined by a stretcher and on splayed, scrolling feet centered by shell motifs, 99cm high, 106cm wide, 70cm deep ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Victorian oak extending dining table by Howard & Sons, circa 1860, with four additional leaf insertions, the moulded frieze above turned tapering legs, brass caps and casters, one underlying stretcher stamped 'HOWARDS & SONS, BERNERS ST.', 79cm high, 321cm long fully extended, 150cm diameter unextended
‡ ϒ A nest of three padouk, hardwood and mother of pearl inlaid tables, in the manner of Gabriel Viardot for L'Escalier de Cristal, with gilt bronze and bone mounts, the largest table with a crouching figural mount supporting a scrolled end , each rectangular panel top decorated with pavilions and figures within stylised key pattern boarders on elaborate pierced end supports including a reptilian mount. 63cm wide, 81.5 high, 38cm deep ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.‡ Indicates that the lot is being sold whilst subject to temporary importation and that VAT is due at the reduced rate (5%). Please see our Terms & Conditions for more information.
‡ A continental decorated spelter and resinous faux ivory figural table lamp, 20th century, modelled as a Geisha holding a lantern, after a model by Dominique Alonzo, on a stepped marmo Portoro base, 48 cm high, base 13 cm wide and 20 cm deep ‡ Indicates that the lot is being sold whilst subject to temporary importation and that VAT is due at the reduced rate (5%). Please see our Terms & Conditions for more information.
A French gilt bronze and cloisonné enamel table lamp in the Japonisme taste, circa 1880, the oil fitment with openwork star pattern and cartouche apron, above a pear-shaped cloisonné body adorned with polychrome flowers, butterflies, birds and insects, on four feet modelled as jewelled elephant masks, 55 cm high, base 16 cm on all sides PROVENANCE: Previously sold at Christie's, Interiors, 14 December 2016, Lot 415 CATALOGUE NOTES: A pair of of similar cloisonné oil lamps was sold at Bonhams, Europe - Defining Style, 9 Jul 2015, lot 237
‡ A pair of parcel gilt and patinated bronze vases in the Neo-Grec taste by Ferdinand Barbedienne and Ferdinand Levillain, circa 1875, of baluster form, the beaded and patterned rims above relief cast figural friezes to the waisted neck, depicting human labour, possibly the Labours of the Months, the bodies each with a maiden in Grecian attire carrying fruit and vegetables and a nude male carrying fishing nets, with cast birds, foliage and Bacchic masks, on a circular base, inscribed F. BARBEDIENNE on the base and F. LEVILLAIN on the body, 48 cm high CATALOGUE NOTES: Ferdinand Levillain (1837-1905) began his long career as a master bronze artist as an apprentice in the studio of sculptor Francois Jouffroy. In 1861, while still in his early twenties, Levillain was already exhibiting at the Paris Salon, where his work would continue to appear until 1903. Levillain's efforts as a bronze sculptor, primarily in the Neo-Grec style, did not go unnoticed. Levillain was granted a silver medal at the 1889 Paris Exposition Universelle, and was even made a Chevalier of the Legion d'Honneur. Several of his bronzes, adorned with Neoclassical motifs similar to the present vases, are currently held by major international museum collections, including the Musee d'Orsay, Paris and the Victoria & Albert Museum, London.These vases exemplify the sculptor's fruitful collaboration with bronzier Ferdinand Barbedienne, which started in 1871 and continued until circa 1890. The rich figural decoration across the vases showcases Levillain's ability to construct a narrative on the bronze surface, and to create depth and interest in his designs by playing with varying degrees of relief. The figures depicted hark back to Antiquity, and are shown engaged in different labours including hunting and harvesting. Though the larger figures on the main body of the vases are engaged in similar efforts, carrying fruit and fish, they appear graceful and statuesque. Their classical rendition clearly demonstrates Levillain's education as a sculptor, which in the nineteenth century was still strongly informed by the Academic practice of copying models from Antiquity and the Renaissance.The 1886 catalogue of works offered by Barbedienne’s gallery on 30 Boulevard Poissonniere lists several vases ‘Grecques’, and 'Etrusques’ by Levillain. This list also records a ‘Vase Agriculture’. Though it is hard to say with certainty whether this unillustrated list records the present model, the reference to the theme of agriculture, which is prominent on these vases, certainly makes this a possibility. Related literature: F. Barbedienne, A. Collas, Catalogue des Bronzes d’Art, Paris: 1886, later republished Chicago: Abage publishing, 2002, p. 20 James Mackay, The Dictionary of Sculptors in Bronze, Woodbridge: Antique Collectors' Club, 1992, p. 235 Similar Greek Revival taste bronze vases were sold at Sotheby's New York on 26 April 2017 (Luxe: the Art of the Table) and on 15 April 2011 (19th Century Furniture, Sculpture, Ceramics, Silver & Works of Art).Another pair of vases by Levillain in the same taste was sold at Christie's New York, 500 Years: Decorative Arts Europe Including Oriental Carpets, on 18-19 April 2012 ‡ Indicates that the lot is being sold whilst subject to temporary importation and that VAT is due at the reduced rate (5%). Please see our Terms & Conditions for more information.
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1181390 item(s)/page