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A quantity of various stoneware flagons and jars including examples for The Aylesbury Brewery Company Limited, John White & Co of Leighton Buzzard, James Pettit of Aylesbury, Tadcaster Tower Brewery Co Grimsby, Robert Horne & Co Kingston, Walter and Alfred Gilbey London, W Calverley & Son North Shields etc (20) and a pestle and mortar by S Maw Son & Sons CONDITION REPORTS North Shields flagon - part of a drilled cork to the top, crack near the top of the handle. Body with many various scratches and scuffs. Various general signs of wear and tear conducive with age and use throughout. Bottom has been drilled by the back so once used as a table lamp base. Remaining flagons/jars etc all with various chips, scratches and scuffs. All show various general signs of wear and tear throughout - see images for further details. Jar marked Walter & Alfred Gilbey Pantheon Oxford Street London W approx 32 cm tall - handle missing and crack and loss to the bottom. The Robert Horne & Co Distillers Kingston of Surrey bottle - handle missing approx 49 cm tall, some crazing and possible crack to the front. The Tadcaster Tower Brewery Co Bethlehem Street Grimby bottle - various cracks to the plaque at the front, bottom has been drilled at the back as a table lamp, two chips to the rim, approx 49 cm tall. The James Pettit of Aylesbury bottle - various chips to the rim, approx 40 cm. The John White & Co Wine and Spirit Merchants of Leighton Buzzard approx 32 cm tall - a chip to the rim and The Aylesbury B22596 bottle is chipped to the rim - 26 cm tall
A narrow oak open bookcase with adjustable shelving, a beech 20th Century torchere, an oak sideboard of small proportions in the manner of Old Charm with three central drawers flanked by cupboard doors with linen fold moulded decoration above an open undertier, a similar blanket box, a pitch pine open bookcase, a Malibu white laminated chest of fiver drawers with chrome handles, an Old Charm style telephone table, a pine two door cupboard and a selection of wall mirrors
A 20th Century oak gate-leg table on barley twist supports, an oak TV cabinet with single drawer and united undertier, a 19th Century mahogany chest of two deep drawers with brass drop-ring handles, two 19th Century spindle back chair, a walnut mid 20th Century bachelors chest with brushing side over four drawers to cabriole legs, a light mahogany two tier shaped top centree table, a serpentine fronted mahogany chest with four drawers to bracket feet and shaped apron, a mahogany centre table with turned column to cabriole legs and a mahogany bookrest on four splayed supports to brass caps and castors and two Victorian mahogany balloon back chairs with plush red upholstered seats to turned supports together with one feather chair frame
A Victorian rosewood and banded gate-leg coffee table on turned and ringed supports, a nest of three oak tables, an Eastern hardwood iron bound table, a further Eastern hardwood glass top rectangular coffee table, a needlework upholstered stool, an oak gate-leg coffee table, a mahogany stool upon cabriole legs with needlework top and a body sculpture ski machine
A white painted framed stool, a beech framed side cabinet, an oak bedside cabinet and a cream painted bedside cabinet, a 19th Century oak side table with bobbin turned supports and bobbin turned base, an electroplated teapot and a modern ceramic jug, a three part dressing table mirror and mahogany framed side table with one further dressing table mirror
A 20th Century mahogany open bookcase, a mahogany 20th century canterbury, two mahogany side tables, a 19th Century mahogany and inlaid corner chair, an oak side table on barley twist supports to stretchered base, a pair of pitch pine three drawer chests, an oak rectangular coffee table, a green upholstered stool, a brass towel rail and a tubular double bed frame
A late 19th Century Chinese rosewood urn stand, the Rosso marble top over a pierced carved frieze and grotesque mask and carved cabriole legs to claw and ball feet united by stretchers and a 19th Century carved ebonised octagonal centre table on turned supports united by an undertier CONDITION REPORTS Chinese able diameter of the top approx 45 cm however the legs come out wider. Approx 47 cm tall. Variosu scratches, scuffs and marks to the marble, some discolouration. All over some rubbing to the dark stain, various scratches,scuffs and marks throughout. Some joints to the top becoming widened, some losses to the feet in various locations. Various general signs of wear and tear throughout. Victorian table is approx 74.5 cm diameter, appox 73 cm tall - various marks, scratches, scuffs etc throughout, some splits to the top. All over various general signs of wear and tear
A white wood bedroom suite comprising bow front chest of drawers, a pair of bedside cupboards, dressing table and stool, a nest of three tables, a pitch pine dressing table and stool and three part dressing table mirror, together with a 20th Century mahogany display cabinet with four shelves on a base of two drawers and two cupboard doors to plinth base
A late 19th early 20th Century pine dressing cupboard with oval mirror above single drawer and cupboard door on square section legs, an early 20th Century oak bureau, the fall front above two drawers on barley twist supports and stretchered base, a walnut single drawer side table, a floral painted fire screen, a beech towel rack, a pine framed oval wall mirror, a mahogany dressing table mirror on bobbin turned supports oval stepped base and a stained coat stand of three hooks above a rectangular mirror and box seat
An oak refectory style dining table in the 17th Century style raised on turned and ringed cup and cover supports united by a centre stretcher together with a interchangeable elm top and set of ten oak and studded leather dining chairs in the 17th century manner (8 plus 2 carvers)
A vintage (1980's) super table lamp by Martine Bedin for Memphis aka Rolling Hedgehog bearing label to underside "Memphis Milano M Bedin 1981 Made in Italy" CONDITION REPORTS Various light scratches throughout. Loss of plastic to the front - see images. Some black marks, needs re-wiring, no plug
A Yashika 44 Copal-SV twin reflex camera in leather case, a six draw telescope by A Ross of London, a Waltham table top clock, a pair of Swift Apollo Mark II 8 x 30 extra wide field binoculars, a pair of bino-prism no 5 Mark V x 7 binoculars, three various cases and a pair of canvas cased flasks
A 19th Century mahogany chest of two short over four long drawers, a pine bench of small proportions, a mahogany framed toilet mirror and two oak standard lamps, together with a pair of mahogany bedroom chairs, an Eastern hardwood coffee table, one set of Thai roof panels with carved floral heads decoration on four turned supports, an Eastern hardwood rectangular coffee table, an oak umbrella stand, a nest of three tables, an oak fire curb, a square Eastern coffee table with iron nail heads and bandings, a mahogany square two tier jardiniere stand and a 20th Century beech chest with three baskets
An oak and marble rectangular extending dining table on heavy square supports united by a centre stretcher and a Georgian oak bureau with the three quarter galleried top above a fall front with fitted interior above four long graduated drawers raised on ringed and turned feet, together with a modern single chair with striped oatmeal and blue upholstery raised on wooden square tapering legs
An embossed silver backed dressing table hand mirror decorated with cupid and psyche, a silver backed dressing table mirror with engine turned decoration, a gilt brass dessing table mirror with guilloche enamel decorated back and hand painted oval portrait study of a lady, a silver pencil holder and a bone paper knife
Photography.- Fox Talbot (William Henry) A group of nine salt prints from paper negatives, seven by Talbot, one attributed to him and one from his circle, varying tones from very pale to good, edge-mounted within single-line borders on contemporary card leaves, each 248 x 310 mm. (9 ¾ x 12 ¼ in.), four with contemporary titles in ink (3) and pencil (1) at foot, each priced in pencil at top right corner of mount, various printed labels on versos, loose in a contemporary portfolio with ties, upper cover with a mounted landscape aquatint, small folio, c.1841-1845 The pencil prices are in the style used by Nicholaas Henneman at Reading and later at London, and are attributed to him. The manuscript titles on four mounts are typical of Talbot's and may be in his hand. In the following list of subjects, references are to Professor Larry J. Schaaf's William Henry Fox Talbot Catalogue Raisonné, a work in progress, online at foxtalbot.bodleian.ox.ac.uk 1 [Seven statuettes, one of the Laocoön at top centre], c.1841 163 x 168 mm. (6 3/8 x 6 ¾ in.), verso with coloured Brooks Brothers trade card/label and letterpress label "Patent Talbotype or Sun Pictures". Schaaf 1886. 2 [Two statuettes of dancing figures], c.1841-42 86 x 102 mm. (3 ¾ x 4 in.), verso with letterpress label "Patent Talbotype or Photogenic Drawing". Schaaf 2032. 3 Table set for tea, c.1841-42 84 x 168 mm. (3 ¾ x 6 ¾ in.), verso with coloured Brooks Brothers card and letterpress label "Patent Talbotype or Sun Pictures". Schaaf 2826. 4 Boulevard des Italiens (titled "Boulevards of Paris" in pencil), 1843 168 x 173 mm. (6 ½ x 6 ¾ in.), verso with letterpress label "Patent Talbotype Photogenic Drawing". Cf. Schaaf 129, one of several close variants. Talbot visited Paris from 19 May to 12 June, 1843. 5 Avenue de la Paix (titled "Paris" in pencil), 1843 148 x 184 mm. (5 7/8 x 7 ¼ in.), corners trimmed, varnished, verso with coloured Brooks Brothers card and letterpress label " Patent Talbotype or Sun Pictures". One of several close variants in Schaaf. 6 Eglise de la Madeleine (titled "La Madeleine, Paris" in ink), 1843 144 x 199 mm. (5 5/8 x 7 7/8 in.), verso with letterpress label "Patent Talbotype or Photogenic Drawing". Schaaf 812. 7 "The Milliner's Window", before 23 January 1844 144 x 193 mm. (5 5/8 x 7 5/8 in.), verso with coloured Brooks Brothers card and letterpress label "Patent Talbotype or Photogenic Drawing". Schaaf 1924. 8 Saint Helen's Square, York (titled "York" in ink), 1845 157 x 192 mm. (6 ¼ x 7 ½ in.), corners trimmed, verso with coloured Brooks Brothers card and letterpress label "Patent Talbotype or Sun Pictures". Schaaf 2189. Attributed here to Talbot but possibly by either Richard Calvert Jones or Nicholaas Henneman all three of whom visited the city together in July 1845. 9 "The Chess Players" (printed title label numbered 35 on verso), c.1845 215 x 155 mm. (8 ½ x 6 1/8 in.), verso with title label, coloured Brooks Brothers card and letterpress label " Patent Talbotype Photogenic Drawing". Schaaf 2819. Traditionally ascribed to Talbot, Schaaf attributes to Nicholaas Henneman or possibly the photographer Antoine Claudet who is the figure here on the left. Cf. Nicholaas Henneman, Talbotypes or Sun Pictures, 1847, plate 24. See Larry J. Schaaf, The Puzzling Chess Players, online at foxtalbot.bodleian.ox.ac.uk We are grateful for information provided by Professor Larry J. Schaaf, Director of the William Henry Fox Talbot Catalogue Raisonné. http:/foxtalbot.bodleian.ox.ac.uk/
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1181627 item(s)/page