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After Agathon Léonard, French (1841-1923), Danseuse à l'Écharpe (Play of the Scarf), 20th century, bronze, wired as a lamp, inscribed A.Leonard, 59cm high.Sometimes called Léonard Agathon van Weydevelt he was a French Art Nouveau sculptor. He regularly exhibited across France, and was made a chevalier of the Légion d'Honneur in 1900. Some of his best-known works are studies of dancers, such as La Cothurne (Tragic Pose from Le Jeu de l'escharpe), modeled in 1895 and cast in 1900. The Play of the Scarf, executed in a characteristic fin-de-siècle manner and rendered originally in gilt, showed a dancer in a flowing gown with a billowing scarf held above her head. This piece was produced in 1897, was inspired by the renowned dancer, Lois Fuller and was displayed as a table centerpiece at the 1900 World's Fair at the Pavillon de Sèvres in Paris. This example is not gilded and may have been cast at a slightly later date. Condition reportThe bronze is re-assuringly heavy! The electrics are working in the saleroom but are not certified. Note the modern screw which has been used to fit I assume a replacement light fitting. The first casts of this famous bronze were gilded and these come to sale from time to time. I was unable to find a comparable bronze with brown patina. While the piece is inscribed, there is no obvious foundry mark. I was hoping Suisse freres were the foundry but cannot confirm that. The work is in generally good condition. It appears to have some age, based on wear to base and overall patination. I am not dating the piece but it appears to pre date 1970. From estate of a Scottish family.Overall and elegant and attractive work of art.
Fiddle pattern, engraved with a crest below motto and above crescentthe basting-spoons 30.5cm long, the table-spoons 22.3cm long, 21oz 4dwt, 659grEach marked on back of handle with maker's mark WJ twice. Further struck with marks 'A' 'B' 'D'. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the engraving on some pieces.
each piece with angular terminal, comprising:4 tablespoons8 table-forks8 dessert-forks8 soup-spoons12 small soup-spoons12 cake-forks8 teaspoons2 sauce-ladles2 shallow bowled serving-spoons85oz 15dwt, 2,667grEach fully marked on handle. With design registration number 'Rd754218'. There is some surface scratching and wear, consistent with age and use.4 table-spoons, 19408 table-forks, 19508 dessert-forks, 19408 soup-spoons, 195012 small soup-spoons, 193912 cake-forks, 19398 teaspoons, 19402 sauce-ladles, 19402 shallow bowled serving spoons, 1937
King's pattern, engraved with initials, comprising: 11 table-spoons18 table-forks12 dessert-spoons12 dessert-forks12 teaspoons6 condiment-spoons4 sauce-ladlesA soup-ladleA basting-spoonand the following with filled handles and silver plate blades:12 fish-knivesin fitted oak canteen with hinged cover and single removable traythe canteen 50cm wide, weighable silver 194oz 2dwt, 6,037grEach piece is marked on back of handle. In generally good condition with only some very minor surface scratching and wear, consistent with age and use.The initials are possibly WE. There is wear and damage to the case with one side detached and with some damage around the lockplate where the box has been forced open.11 table-spoons, by Joseph & Albert Savory, 184918 table-forks, by Joseph & Albert Savory, 184912 dessert-spoons, nine by Joseph & Albert Savory, six 1849 and three 1842; one by George Adams, 1849; one by Robert Wallis, 1843 and one Dublin, 184212 dessert-forks, by Joseph & Albert Savory, 184912 teaspoons, by Joseph & Albert Savory, 18496 condiment-spoons, by Henry John Lias & Henry John Lias, 18684 sauce-ladles, by George Adams, 1851A soup-ladle, by Joseph & Albert Savory, 1849A basting-spoon, by Joseph & Albert Savory, 184912 fish-knives, by Henry Harrison, Sheffield, Circa 1860
Queen's pattern, some engraved with an initial or a crest, comprising:11 table-spoons12 table-forks12 dessert-spoons12 dessert-forks9 teaspoons3 condiment spoonsA soup-ladleand the following with stainless steel blades and filled handles12 table-knives12 cheese-knivesweighable silver 140oz 4dwt, 4,360grEach piece marked on back of handle. There is some overall surface scratching and wear, consistent with age and use.The wear is noticeable as softening the high points and/or the engraving. Some pieces have been erased. The blades on the knives are presumably replaced.11 table-spoons, six by William Chawner, London, 1827, engraved with an initial, and five by William Robert Smily, London, 1851, unengraved12 table-forks, each engraved with a crest, eleven by Henry Holland, London, 1861, one by Hayne and Cater, London, 185812 dessert-spoons, each engraved with a crest, three by Henry Holland, London, 1861, nine by Hayne and Cater, London, 185812 dessert-forks, each engraved with a crest, three by Henry Holland, London, 1861, nine by Hayne and Cater, London, 18589 teaspoons,each engraved with a crest, by Hayne and Cater, London, 18583 condiment spoons, each engraved with a crest, by Hayne and Cater, London, 1858A soup-ladle, engraved with a crest, by Hayne and Cater, London, 1858and the following with stainless steel blades and filled handles12 table-knives, by John Oxley, Sheffield, Circa 1860, unengraved12 cheese-knives, by John Oxley, Sheffield, Circa 1860, unengraved
A Mahogany Striking Table Clock, signed E.Bellion, Liverpool, circa 1850, arched pediment, acorn side finials, side sound frets, carved floral and swag mounts, 8-inch convex painted dial with Roman numerals, twin chain fusee movement with an anchor escapement and striking on a bell, 51.5cm high, with later associated wall bracketCase with scratches in parts, case with small cracks in parts, some surfaces appear dry and need polishing, movement needs cleaning, with pendulum. Later associated wall bracket.
A Mahogany Night Watchman's Table Clock, signed Slark, circa 1850, case with carrying handle, side glass panels, carved floral front mounts, silvered dial with Roman numerals, single chain fusee movement with an anchor escapement, 39cm highCase with some cracks in parts, top button is loose and one screw is missing, keys are missing to open both doors, doors are locked, with pendulum.
A Regency Mahogany Striking Table Clock, signed Chas Watts, Oxford, circa 1820, arched top case, side carrying handles and fish scale sound frets, brass inlaid front, brass ball feet, 8-inch convex painted dial with Roman numerals and signed, twin chain fusee movement with an anchor escapement and striking on a bell, 40.5cm highCase front with some cracks to the veneers, front of the case with one small piece of later added veneer next to the 9 o'clock position, some veneer has been later added to the left hand side of the case around the bezel key hole, dial with the Roman numeral black paint slightly missing in parts, dial with small scratches, movement looks complete and in going order, strike is working, with pendulum.
A Mahogany Striking Alarm Table Clock, signed Chas Broomhall, London, circa 1780, inverted bell top pediment, acorn finials, carrying side handles and fish scale side sound frets, bracket shaped feet, 8-inch arch brass dial with a silvered Roman and Arabic chapter ring, dial centre with a recessed silvered plaque signed, date aperture, central alarm disc, arch with strike/silent selection dial, twin fusee movement with a Verge escapement and striking on a bell, bob pendulum, movement backplate with scroll and floral engraving, 54cm high Case with minor chips in parts and small cracks to veneers. later added fish scale side frets, metal surfaces are discoloured, dial with small scratches and discoloured, end of the minute hand is broken and missing, movement is dirty and needs cleaning.
A 1920/30 Green and Japanned Writing Table, later labelled Harrods London, the moulded top decorated with a trellis and floral-decorated border, above an arrangement of five oak-lined drawers and wavy-shaped apron, on shell decorated cabriole legs with pad feet114cm by 64cm by 77cm
An 18th Century Joined Oak Dining Table, of two plank construction with cleated ends, the plain frieze on square tapering legs, 145cm by 72.5cm by 75cmGood colour, various old decay and splits to the top (see image). The base with some movement in joints. Numerous old decay to the underside, particularly one leg (as photographed).
An Oak Dining Table, of attractive proportions, the three-plank top with cleated ends, on standard end supports with sledge bases joined by a stretcher, the top 18th century, the base of later date146cm by 60.5cm by 78cmThe top has various natural? splits (see images). New block has been added to the platform base. Please note the platform bases to the end support are of later date.
A George II Oak Side Table, 2nd quarter 18th century, the boarded top with moulded edge with two frieze drawers, on square chamfered legs, 98cm by 54cm by 71cmAttractive colour. With various old splits to the top which have been partly filled and polished, however there are still various ring marks and some discolouration. The rear legs are rather misshapen however the stable is still structurally sound. Drawers run freely. Measurements are correct as catalogued.
An Elizabethan Style Carved Oak Refectory Extending Dining Table, the three-plank top with cleated ends and pull-out leaves above a C scroll carved frieze, on gadrooned and carved bulbous legs with block feet joined by an H stretcher197cm by 83cm by 80cmThe fully extended size is 303.5cm.
A George III Mahogany Gateleg Dining Table, circa 1800, with rounded dropleaves above a plain frieze and pivoting shell-carved cabriole legs with pad feet, the underside labelled T Lister, 33 & 34 Stonegate, York90cm by 104cm extended by 74cmRecently re-polished/re-skinned, however the top is bruised and scratched (see images). Some old decay around the framework and gatelegs. Some bruising around the pad feet.
A George III Mahogany Dining Table, late 18th century, with two oval dropleaves above two frieze drawers, on fluted legs with original castors124cm by 150cm extended by 77cmThe table is rather faded but has a uniform colour. Some general scratches and faults around the moulding on the legs consistent with age. The extended size of the table is 151cm. See further images.
A George III Mahogany Foldover Tea Table, late 18th century, the hinged leaf above an oak-lined drawer, on tapering legs with pad feet95.5cm by 37cm by 72.5cmReasonable uniform colour throughout. Some deep scratches mainly to the inside of the top leaf. One leaf possibly later which has cleated ends, whilst the other leaf is plain. Some old decay to the pine section of the pivoting gatelegs. Some repair work visible on the rear legs/faults (see images).
A Victorian Carved Oak Billiard Score Board, 3rd quater 19th century, labelled Gynne, Billiard Table Maker, 12 Kennerton Cross, Lambeth S, the carved pediment centred by a vacant cartouche above a stiff leaf carved border and acanthus scrolled frieze, all between carved marks and caryatid supports, the moulded base above a carved apron and scrolled bracket supports120cm by 90cm
A George III Style Green Painted and Marble Top D Shape Table, 19th century, with original purple veined marble top within a stiff leaf carved border, the frieze decorated with ribbons and swags centred by an urn, on square tapering legs with spade feet74cm by 33cm by 84cmtable has various old repairs but due to its green painted finish cosmetically okay, the table is structurally sound- see further images
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1177565 item(s)/page