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Kudzanai Chiurai (Zimbabwean, born 1981)Revelations VII (Last Supper), 2011 pigment inks on cotton paper100 x 194cm (39 3/8 x 76 3/8in).Footnotes:Kudzanai Chiurai's polemical artworks are often critical of Zimbabwe's political establishment, and as a result he was expelled from the country and took exile in South Africa.The present work, Revelation VII, depicts an Communion scene. The president, seated in the centre, is presented as a messianic figure. She stares out at the viewer, a picture of sangfroid. The other figures all appear to be in the grip of strong emotion. The soldier in the left foreground places a booted foot on a man's chest, whilst threatening with his machine gun. At the end of the table, another armed man sits in front of what appears to be a suitcase of money. A ritualistic act is being performed in front of the president; the two women kneeling to his right look on fearfully. The president appears impervious to their feelings, gazing on impassively.The painting criticizes the self-interested actions of his country's politicians. We can feel the artist's frustration, and his desire to affect change.Chiurai has held numerous solo exhibitions since 2003 and participated in various local and international exhibitions, such as Figures & Fictions: Contemporary South African Photography (2011) at the Victoria and Albert Museum in London and Impressions from South Africa, 1965 to Now (2011) at the Museum of Modern Art in New York. Other notable exhibitions include The Divine Comedy: Heaven, Purgatory and Hell Revisited curated by Simon Njami at Museum für Moderne Kunst in Frankfurt (2014) and SCAD Museum of Art, Savannah USA (2015), as well as Art/Afrique, Le nouvel atelier (2017) at the Fondation Louis Vuitton in Paris, Regarding the Ease of Others (2017) at the Zeitz Museum of Contemporary Art Africa, Genesis [Je n'isi isi]- We Live in Silence at IFA in Stuttgart, Germany and Ubuntu, a Lucid Dream (2020) at the Palais de Tokyo in Paris.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
DAN MERKEL (born 1984); a group of four square wood fired stoneware 'Changing Table Boxes' with feldspathic and siliceous inclusions, impressed M mark to one, largest 8 x 8cm (4).Merkel is based in Aurora, Illinois.Additional InformationAppears good with no obvious signs of faults, damage or restoration.
IKUKO IWAMOTO (born 1971); three small slip cast porcelain bottles, painted marks, tallest 15cm (3).Born in Japan and educated in the UK, Iwamoto is a London-based Japanese artist who uses porcelain to create eccentric table top pieces and sculpture. Her fundamental inspiration comes from intricate and fragile looking structures and odd forms found in the microscopic world.Provenance: Purchased from Contemporary Ceramics, London, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration.
Chinese carved hardwood table screen, the circular central panel with depiction of a kitten looking into a goldfish bowl, raised on a pierced scroll carved frame, housed in a presentation box, the screen 35.5cm diameter, the stand 29.5cm wide, 54cm highSome splits to edge of circular frame, small amount of damage to dowels on collapsible base
SILVER AND TORTOISESHELL PART DRESSING TABLE SET, maker Goldsmiths & Silversmiths Co., comprising hair brush, clothes brush and hand mirror, along with associated pill box and jar, the hand mirror 25.5cm long, along with another silver backed hair brush and hand mirror, and a silver and guilloche enamel pill box
A GROUP OF SILVER MOUNTED DRESSING TABLE ITEMS, Including: a silver mounted dressing table mirror by Henry Hodson Plante, London 1913, engraved with an M, with four en suite silver mounted dressing table brushes; together with an assortmant of silver mounte glass jars and bottles; and other items
A MODERN SILVER DUBARRY PATTERN TABLE SERVICE BY CARR'S OF SHEFFIELD, Sheffield 1992, comprising: twelve table forks, four table spoons, twelve dessert forks, twelve dessert spoons, twelve soup spoons, eleven tea spoons, twelve coffee spoons, a sauce ladle and a pie server, approximately 5038g (162 oz) gross; together with the following with silver handles and steel blades: twelve table knives, twelve dessert knives, all engraved with initials B.B, housed in a fitted wooden case
A SELECTION OF MOSTLY VICTORIAN SILVER FLATWARE, including: five Victorian silver fiddle pattern table forks by Henry Holland, London 1854, 20.5cm (8 in) long; four Victorian silver fiddle pattern table spoons by Elizabeth Eaton, London 1845, 22.5cm (8 3/4 in) long; six Victorian silver fiddle pattern dessert forks by Henry Holland, London 1853, 17cm (6 3/4 in) long; five Victorian silver dessert spoons by William Eaton, London 1845, 17.5cm (6 3/4 in) long; and other items, 1477g (52 oz) gross
A SMALL QUANTITY OF MIXED SILVER FLATWARE, including: four Victorian silver table forks by Chawner & Co., London 1880, 20cm (7 3/4 in) long; two early Victorian silver sauce ladles by William Bateman II, London 1838, 18.5cm (7 1/4 in) long; a cased set of six silver coffee spoons by Josiah Williams & Co., London 1916, 10.5cm long; and other items, 1748g (61.6 oz) gross
A MOSTLY MATCHED SILVER FLATWARE SERVICE BY VINER'S LTD., varied date letters from 1957 to 1962, comprising: twelve table forks, six table spoons, twelve dessert forks, twelve dessert spoons, twelve tea spoons, twelve coffee spoons, two salt spoons, two mustard spoons, twelve soup spoons, two sauce ladles, a soup ladle, two serving serving spoons, twelve grapefruit spoons, one oyster fork, approximately 5177g (166 oz) gross; together with the following with stainless steel blades: twelve table knives, twelve dessert knives, twelve fruit knives, twelve fruit forks, twelve fish knives, twelve fish forks, a pair of fish servers, three carving knives, two carving forks, and a knife rasp, complete with a contemporary stained mahogany canteen stand in George II style, with hinged top, serpentine front and cabriole legs, the canteen 79cm high, 80cm wide
AN EARLY 20TH CENTURY AMERICAN SILVER FLATWARE SERVICE BY TIFFANY & CO., Flemish pattern, comprising: ten table forks, eleven dessert forks, eight dessert spoons, eighteen tea spoons, six coffee spoons, six salt spoons, ten soup spoons, seven sauce ladles, six grapefruit spoons, sic pickle forks, ten butter knives, ten fish forks, approximately 4723g (151 oz) gross; together with the following with stainless steel blades: ten table knives, ten dessert knives, in a fitted wooden case
A PAIR OF GEORGE IV PATINATED BRONZE COLZA OIL TABLE LAMPS IN THE FORM OF ANTIQUE RHYTONS, Circa 1825, in the manner of examples by Thomas Messenger & Sons, Birmingham; each with the reservoir within a cornucopia issuing amongst foliage from behind a dolphin's head, the burners issuing from the mouths, with later waisted glass shades, atop stepped rectangular bases with lacquered wood socles, height: 38cm, width: 32cm Note: Although unsigned, these distinctive lamps are related to a pair stamped 'Messenger' in the Birmingham Museum and Art Gallery. A further unstamped ormolu pair once owned by the Duke of Newcastle is held at the Leeds City Art Galleries at Temple Newsam. Both of these comparable pairs have boars' heads rather than dolphins but as a type are very similar. Thomas Messenger & Sons advertised as 'Manufacturers of Chandeliers, Tripods and Lamps of every description in bronze and ormolu', and the rhyton features on the firm's trade-card of the 1830s (see C. Gilbert and A Wells-Cole, The Fashionable Fire Place, 1660-1840, Temple Newsam House, Leeds, 1985, pp.145 and 140, fig. 95)
A CONTINENTAL GILT BRONZE TABLE LAMP IN RENAISSANCE REVIVAL TASTE, Circa 1900, modelled as a ewer, the spout exterior relief cast with grapevines, the serpentine handle rising to a seated amorini and descending to a mask at the figural relief cast body, with waisted stem and circular base, height: 67cm including pleated fabric shade
A GILT METAL TABLE LAMP IN BAROQUE STYLE, In the manner of an altarstick, early 20th century, with knopped, waisted, baluster and foliate cast shaft descending to a triform base with scrolled strapwork and three lappet cast feet; and a gilt and patinated metal columnar table lamp, 20th century, the former: 134cm high overall including glass hung fabric shade, the latter: 77cm high also including shade
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1181390 item(s)/page