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A Late 19th Century Mahogany Side Table], the rectangular top with moulded edge over a plain frieze, raised on acanthus-carved scrolled trusses, on an open base and plinth, bears the label of "Marsh, Jones and Cribbs, Leeds, workman's name Hartley, job No. 88558", 89cm by 103cm by 54cm
A Late Victorian Mahogany Occasional Table or Whatnot], of three rectangular tiers, the upper and lower with tray rims, the middle with a balustered gallery, raised on baluster and barrel-turned supports, on turned and fluted feet, bears the label of "Howard and Sons, 25, 26, 27 Berners ST, London W", 80cm by 72cm by 40cm
A 19th Century Italian Carved Giltwood and Gesso Occasional Table], the rectangular top inset with black and white veined marble within a beaded edge, on a vase pillar carved in shallow relief, the stepped, beaded and gadrooned socle and concave-sided base on ball feet, 81cm by 50cm by 50cm
A Regency Rosewood and Faux Painted Regency Games Table], the rectangular top inlaid with chess board in satinwood and coromandel within a brass string frame, upon a knopped and writhen turned stem from a concave sided triangular plinth with gilt metal foliate whorl mounts and compressed sphere feet, 72cm by 45.5cm
A French Rosewood, Marquetry Inlaid, and Ormolu Mounted Two Tier Occasional Table, circa 1900], the shaped circular top with a floral ribbon tied wreath within a satinwood frame, edged in ormolu, the slender swept French cabriole legs with further leafy ormolu mounts united by an undertier, 50.5cm by 73cm
A Victorian Rosewood and Marquetry Inlaid Octagonal Centre Table circa 1880], with a central stained sycamore and mother of pearl classical roundel within parallel line edge stringing, four ring knopped slender pillars united by an upswept undertier with circular platform, on knurled feet and castors, 75cm by 70.5cm
An Edwardian Mahogany, Satinwood-Banded and Inlaid Bedroom Suite], comprising a large wardrobe, with a moulded cornice and inlaid fluted frieze over a central mirrored full-length door, flanked on each side by half-length bowed doors over three short drawers, on a plinth 211cm by 215cm by 70cm; a dressing table, with oval mirror flanked by jewellery drawers over seven drawers about the kneehole, on square tapered legs with spade feet, 190cm by 138cm by 66cm; two single beds, with arched inlaid head and footboards, wooden rails, sprung bases and 3 foot mattress
A Cut Glass Pedestal Bowl, circa 1900], the bucket shaped bowl with notched rim and diamond cut, on a solid and compressed single knop stem and star cut circular foot, 15.5cm high; [A Pair of Wine Glasses, 19th century], the bucket bowl slice cut, 12.5cm high; [A Cut Glass Four-Division Scent Bottle, 19th century], compressed ovoid form, with four oval windows, containing two (originally of four) acorn shaped stoppers, 11.5cm high; and [A Baccarat Moulded Glass Table Candlestick, circa 1900], with baluster stem, moulded mark, 18.2cm high (5)
An English Porcelain Table Inkstand, circa 1840], of neo-rococo style, shaped square with scroll and shell borders and leaf pierced handles, comprising two lidded inks and a central trumpet vase, each piece decorated in puce, ruby and gilt with dendritic leaf scroll motifs, picked out in gilt overall, the inkwells with encrusted flowerhead finials, 33cm wide (damaged)
A Japanese Earthenware Squat Baluster Vase, late Meiji period (18681912)], painted with a pair of water birds rising from a stream near irises and blossoming shrubs, sparrows amongst flowering branches to the reverse against a midnight blue ground strewn with flowers, picked out in soft colours and gilt, seal mark in gilt (gilding rubbed), 12cm high; [An Earthenware Bowl], chrysanthemum outline, painted with overlapping leaf and mon shape panels depicting figures in interiors and practicing marti arts by the edge of the lake, enwrapped by white scaly dragons, the exterior similarly decorated, extensive character mark in gilt on black; 14.5cm diameter; and [A Small Kutani Type Bowl], circular, painted with three sages and an attendant seated at a table beneath blossoming branches, externally with radiating diaper patterns, in colours and gilt, 11.5cm diameter (3)
A Shibayama Inlaid Small Table Screen and Slotted Stand, Meiji period (1868-1912)], nearly square with slightly arched top framing, on one side a sunken inlay of two doves on a tortoiseshell branch, on the other side a classic scene of a cock and hen with chicks under a peony in gilt lacquer with mother of pearl detail, the slotted stand with ho-ho pierced sides, 21.8cm high
A Japanese Shibayama Inlaid Lacquer and Ivory Two-Fold Table Screen, Meiji period (1868-1912)], the two main panels depicting a continuous panorama of hills and temples, fronted by a gnarled blossoming weeping tree inhabited by two egrets, numerous sparrows and a kingfisher over a stream, two character mark on mother-of-pearl kakihan, mainly in mother-of-pearl against a gold lacquer ground, the panels beneath with scattered Buddhistic emblems in coral, tortoiseshell and ivory, in a repeat cash coin, cloud and crashing wave repeat patterned ivory frame, engraved white metal hinges, the reverse panels painted with long leafy autumnal stems inhabited by sparrows, each panel 27.5cm by 14.8cm, 30cm wide
A Japanese Shibayama Inlaid Lacquer and Ivory Two Fold Table Screen, Meiji period (1868-1912)], one panel depicting a group of three men boiling an iron water kettle on an open fire beneath a blossoming tree, the opposite panel with a young woman and child holding baskets of ferns and paddling in a stream, engraved single character mark on oval applied Kakihan, with abstract insect inhabited floral sprays to the panels below, within repeat cash coin lacquered ground, the panels beneath with scattered Buddhistic emblems in coral, tortoiseshell and ivory, in a repeat hinges, the back panels depicting a continuous nocturnal view of seven egrets amongst lakeside rushes, with gold sprinkled sky, each panel 33.5cm by 20.3cm, 40.6cm wide overall
A George V Part Canteen of Dubarry Pattern Cutlery], comprising, twelve soup spoons, twelve table spoons, nineteen table forks, seventeen dessert spoons, seventeen dessert forks, four sauce ladles, six sorbet spoons, thirteen teaspoons, sixteen coffee spoons, four salt spoons, four ladles, serving spoon, soup spoon and a pair of jam spoons, by Hutton & Sons, Sheffield 1915, 230oz. (128)
A Victorian Table Ink Standish], as a classical oil lamp engraved with scrolls and with eagle head terminal to the upswept handle supporting a chain to a lid enclosing a cut glass ink receptacle, supported on a cinquefoil shell stand engraved with stylised repeat anthemion motifs, numbered "2759", maker's mark "JCE", London 1861, 20.5cm wide; together with [An Associated and Later "Quill" Pen] (2)
A part canteen of silver flatware, in the kings pattern, comprising: Mainly Sheffield 1895 and 1938, nine tablespoons, eleven dessert spoons, six soup spoons , eleven table forks, twelve dessert forks, two sauce ladles, six teaspoons, four coffee spoons, seven fish knives, one butter knife, two condiment spoons, Approx 143oz (71)
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1181390 item(s)/page