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Click here to subscribeAn oak refectory style dining table with cleated four-plank top, W.79cm L.210cm H.75cm Condition: Original planking to the top has seperated leaving gaps between the planks, top is slightly curved and notably faded, underframe a fairly even dark tone with carving to the frieze and wear commensurate with age to all of the stretchers, looks to have been made up using some older timbers in places, overall fair to good condition
An Arts & Crafts circular copper top oak occasional table, Diam.52cm Condition: Top has been rubbed and polished over the years, frieze has lost much of its original colour from being rubbed with use, underframe a little wobbly but still usable, again scuffing and wear around the feet.
A French Empire mahogany centre table, with circular grey marble top, on hexagonal baluster stem and tripod base with lions paw feet, Diam.83cm Condition: Original marble top with light surface scratching commensurate with age, underframe solid, some minor scuffing, dents and wear to the base commensurate with age, so would benefit from a very light repolish.
A French mahogany centre table, with simulated marble painted pine top, W.187cm D.80cm H.76cm Condition: Top with fair wear and tear and numerous losses of original paint work and rubbing around the edges, some small loss to the timber in the corners of one end, underframe of good even rich dark mahogany tone, X shaped stretcher shows some wear and blooming in the varnish and a few small losses of veneer, the lyre shaped motif to the base has lost its central brass rods.
A George III mahogany circular tilt top table on pillar and tripod base, Diameter 84cm, H.71cm Condition: Top with a rather gingery reddish tone, looks to have been repolished relatively recently, a few dents, scuffs and paint splash marks, underframe lovely untouched old dark colour, signs of small old repairs to the underframe and block, a later catch fitted to the block, two of the feet have been re-attached at some point.
A small Regency mahogany Pembroke table, W.62cm. D.47cm (with flaps down) Condition: Even mid brown to reddish mahogany tone, but faded to one side, principally the flap, top showing fair wear and tear including some gluey residue which should be removable, drawer runs smoothly, has lock but no key.
A large 17th century style pine refectory table, on turned legs with H stretcher, W.243cm D.92cm H.75cm Condition: Top with numerous small dents, scuffs and scratches commensurate with use, some more prominent but stable splits running down one side and rather faded and water damaged at one end, remains of good solid construction and is for pine very heavy, H stretcher with wear from use as have the feet.
A George III mahogany piecrust tilt top tea table, Diameter 66cm Condition: Mid reddish brown mahogany tone to a much dark near ebonised tone underneath, top very light weight mahogany, signs of splits running from through from one side, a little bowed and lacking one of the stretchers, underframe with wear commensurate with age.
A Louis XVI style cream painted occasional table with marble top, W.67cm D.49cm H.74cm Condition: Marble top with some old but stable looking cracking and scuffs, dents and wear from use, remainder of the frame paintwork discoloured, again with chips, dents and knocks throughout, a little wobbly at the joints
Thomas and George Seddon. An early Victorian rosewood card table, with folding rectangular top, beaded turned stem, triangular platform and turned feet, W.92cm D.46cm H.76cmCondition: A little faded with the top now a light gingery tone, slightly more faded at one end than the other, some scratches, dents and scuffs to the top commensurate with age, top flap is very slightly bowed, old baize faded and tatty, some small losses of veneers around the frieze particularly at one end of both flaps, paper label for Seddon applied to underside, base scuffed commensurate with use.
Exhibited 19th C. Russian Icon, "The Mystic Supper". Tempera, Oil, Silver/Wood. In the West, this is known as the Last Supper. Christ is seated at a table with his twelve disciples. Judas (seen in the lower left) is identified as the only one without a halo, which foreshadows his betrayal of Christ. The Mystic Supper is significant in Orthodoxy because it marked the institution of the Eucharist. To the left and right in the borders are a monk (whose inscribed name is damaged) and Saint Irina. Size: 12.25 x 10.5 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Two glazed china dressing table boxes and a powder puff dish, 1920s, Pierrot head lid with black skull cap and shaped ruff of purple and yellow decoration, on shaped yellow top and purple ruff base, stamped in red HD, Anchor and Boulogne-Sur-Mer, 5” (12.5cm) high, blue with black and gold decorated powder puff box with Harliquin head to lid, signed Helchey France, 3 ½” (9cm) high and a multi-coloured powder puff dish in the shape of a clown, (3 items)
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