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A 19th century and later three pillar mahogany dining table with two additional leaves, the two D-end sections on turned columns and four splayed supports with brass cap casters, the centre section a later replacement with similar turned column on a tripod base, 124in. (315cm.) long fully extended, 63in. (160cm.) wide, 27½in. (70cm.) high.
A Regency mahogany sofa table the rosewood cross banded top above two ebony strung drawers with later handles, on ebony strung end columns and outswept legs joined by a ring turned stretcher with brass casters, 36 x 26in. (91.5 x 66cm.), 59in. (150cm.) long extended, 28in. (71cm.) high.
An Edwardian satinwood banded walnut envelope card table the four piece top swivelling to open on gilt brass hinges, with green baize and counter wells, over a single drawer, on four line inlaid square tapered supports with brass and china casters, 22in. (56cm.) square, 29½in. (75cm.) high.
A late Regency mahogany Pembroke table the top with reeded edge and rounded corners above a central, single boxwood strung drawer, set on a turned column and tripod reeded sabre legs terminating in brass cap castors, 36¼ x 19¼in. (92 x 49cm.), 28in. (71cm.) high, 35¾in. (91cm.) wide open.
An impressive Edwardian silver table centrepiece Walker & Hall, Sheffield 1910, in the form of an epergne, the central trumpet vase surrounded by three smaller detachable trumpet vases suspended from wire supports, three further scroll wire supports suspending swing handled sweetmeat baskets with three cast scroll and paw feet, all with pierced anthemion and foliate borders and Chippendale style rims, on a conforming spreading pedestal base, 15¾in. (40cm.) high, weight 68.5 tr.oz.
A matched part suite of Victorian silver King`s Pattern flatware makers including Benjamin Stephens, London 1838; Mary Chawner, London 1838; Chawner & Co., London 1863; and Samuel Hayne & Dudley Cater, London 1854 & 1863; comprising thirteen table spoons; eighteen table forks; thirty dessert forks; eighteen dessert spoons; eighteen tea spoons; two sauce ladles; a sifter ladle; and two pairs of sugar tongs, total weight 210 tr.oz.; together with six modern silver plated Kings Pattern table knives with steel blades. (108)
A good pair of George V silver table candlesticks Elkington & Co., London 1913, the tapered oval urn form sconces with removable drip pans on conforming tapered stems to an oval stepped base with engraved crest, 12in. (30.5cm.) high, weight 55.5 tr.oz. (2) * Condition: In good condition. No dents or creases, no splits, no repairs. A few tiny dings to edge of bases but these are not at all unsightly. Both stems are straight.
A pair of Edwardian silver table candlesticks James Dixon & Sons, Sheffield 1905, the octagonal waisted urn sconces on tapered octagonal stems to stepped square canted bases, impressed reg. design mark to base, loaded, 10¼in. (26cm.) high, gross weight 35.5 tr.oz. (2) * Condition: Drip trays not removable. A few minute dings to bases. One lacks baize from beneath base, the other worn. Otherwise in good condition, with no other damage or repairs.
A pair of silver table candlesticks William Hutton & Sons, London, date mark rubbed, early 20th century, in the Adam taste, the fluted urn socles on conforming square tapered columns to loaded square bases, 6¾in. (17.2cm.) high, gross weight 25.5 tr.oz. (2) * Condition: Marks rubbed - maker`s mark legible. A few small dents to sconce on one stick, and dings to two corners of base. The other has one small dent to sconce and a dent to one corner of base. Stems straight. Drip pans stuck in sconces with wax.
Two early 19th century silver table spoons one for John, Henry and Charles Lias London, 1830, shell fiddle thread pattern with shell back to bowl, armorial to front of handle depicting a raised forearm beside a male bust; the other for Thomas Blake, London 1819, fiddle pattern, weight 5.6 tr. oz. (2)
A Japanese carved ivory okimono Meiji period, depicting a male figure seated on the side of a low bamboo table holding aloft a box, a child to his left sat upon the table, a mask and tiffin box strewn on the table top, recessed red lacquered rectangular two character mark to underside, 4½in x 3in. (11.4 x 7.6cm.).
A French walnut serpentine console table in the Louis XV style mid-19th century, the shaped frieze with foliate scrolls and openwork shell apron, raised on cabriole supports carved with bearded masks and foliate and floral decorations on scroll feet, surmounted by a breche violette serpentine slab, 35 x 12½in. (89 x 31.75cm.), 30in. (76cm.) high.
A George III inlaid mahogany demi-lune card table the rosewood cross banded top centred by an inlaid fan patera, opening on a gateleg and lined with green baize, over a cross banded frieze, raised on square tapered supports, 36 x 17¾in. (91.5 x 45cm.), 28½in. (72.5cm.) high.
A rosewood writing table mid-20th century, the square top with pierced brass gallery, a writing slide with inset gilt tooled leather to either side, over a single frieze drawer, on reeded and turned supports united by a turned x-stretcher, centred by a brass rosette mount, 25¼in. (64cm.) square, 29in. (73.5cm.) high.
A Victorian burr walnut and marquetry centre table the oval top with ebonised moulded edge, centred with an oval floral marquetry panel, over a marquetry inlaid shaped frieze, on carved and part ebonised cabriole supports with lion mask, floral and fruit carved shoulders, 49¼ x 38in. (125 x 96.5cm.), 28½in. (72.5cm.) high.
An early 19th century and later mahogany twin pillar dining table the top with D-shaped end sections on ring turned baluster columns and moulded splayed legs with brass cap castors, together with a single additional leaf, 70in. (178cm.) long, 40in. (101.5cm.) wide, 27¾in. (70.5cm.) high, the top later.
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1181627 item(s)/page