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Nest of four Chinese hardwood tables, rectangular painted tops with raised moulded edges above a frieze with open carved cherry blossoms, length 40cm, width 40cm, height 75cmCondition reportSlight dis-colouration on largest table, corner seam slight apart - see additional photographs. frieze sections slightly apart - see additional photographs
French Viola by H Derazey, circa 1860, labelled ' H Derazey A Mirecourt,' Branded Internally H Derazey, Length of back '407 mm, varnish of a orange brown colour, with nickel mounted bow, 66 grams in old leather case Condition reportInsipid cracks in bass bar area on table , and stemming from treble sound hole. Back, scroll and ribs ok, signs of wear from use and age.There is no sign of an internal sound post patch repair Bow with crack from button on shaft. Dark line along back, can not see any patches internally and seems to follow the grain.
Mahogany canteen of Mappin and Webb silver 125 piece cutlery set, including 12 Fish knives 12 Fish forks Pair fish servers 24 Table knives 12 Table forks 12 Desert forks 12 Soup spoons 12 Desert spoons 6 Serving spoons 12 Tea spoons Sugar tongs Soup ladle 2 Sauce ladles. Assay marked Sheffield 1959 Mappin and Webb, 3622 grams (weight excluding knives and servers).CONDITION REPORT:Very minor tarnish on some pieces. Case has light wear consistent with age, drawer and hinge in working order, restoration to left hand handle. Interior is in good condition, no missing pieces.Date marks on cutlery all appear to be 1959, range of years on serving utensils including 1951, 1955, 1957, 1958.
DE TUNSTALL SNEYD, FRANK. ‘Poems’ by Ralph de Tunstall Sneyd. Wilfred Edmunds, Chesterfield, 1929. Together with a number of newspaper articles relating to Sneyd and a further document on ‘The House of Sneyd’. Sneyd was a great collector of antiques, natural history and ethnography. Selff styled “seeker of the holy grail” Sneyd born in 1862 was the only son and heir of John William Sneyd of Basford Hall, an eccentric he built a Druid temple near his house in Onceote, complete with round table. He was known to perform Druid ceremonies. In addition to being a collector he was also an accomplished poet. Interesting and scarce book, with great socio-historical value to Leek, Moorlands & surrounding area.
11 Boxed Pedigree play sets / accessory sets to include Sindy's Home (44543 - tatty box), Shower (44573), Bed and Bedclothes (44503). Sink Unit (44548), Eastham E-Line Wall Cupboard (44546), Toilet (44551), Dressing Table & Stool (44505), Eastham E-Line Wall Oven (44550), Washday (44429), Armchair (44520) and Sideboard (44528), plus an unboxed Sindy Wardrobe. (Contents generally appearing gd but unchecked for completeness; some boxes with cuttings)
Mixed toys & games to include a Triang Scalextric Set 31 (with 2 slot cars & controllers), Scalextric A208 Control Tower 1, power unit, Videomaster Star Chess, Subbuteo Table Soccer Continental Club Edition, Meccano set no. 4, Lego System set and a wooden table soccer game. (Set contents all unchecked for completeness, boxes generally tatty / showing significant wear) (2)
* Embroidered fragment relating to Queen Charlotte (1744-1818), late 18th-early 19th century, small piece of cream satin backed with cotton and hand-worked in polychrome silk threads with roses, heartsease, and honeysuckle, using long and short stitch, stem stitch, and french knots, with label attached inscribed in ink in a 19th century hand 'Silk embroidery on satin - said to have been worked by Queen Charlotte's "embroidery woman"', 22.5 x 25 cm (8.75 x 10 ins), together with: a folding blue fabric case with ribbon embroidery incorporating metallised thread, lined with figured cream satin (perished at edges) incorporating 2 pockets, 23 x 44 cm (9 x 17.25 ins); a piece of cerise silk backed with linen, hand-worked with allover pattern of floral sprigs, some discolouration, 61 x 80 cm (24 x 31.5 ins); and a quantity of fragments of Regency (and later) whitework embroidery (including Dresden work) preserved from gowns and other garments, including large pieces, collars, frills, edgings, and scraps, various condition and sizes, together with a large empty wooden box, lined with blue paper, inscribed inside the hinged lid 'A Table Cloth & 14 Dinner Napkins, contained in this Box, were spun by the Honble: Jane Estcourt, previous to the year 1818, given by her to her Daughter Charlotte Estcourt', 10.5 x 61 x 30.5 cm (4.25 x 24 x 12 ins)QTY: (1 carton + wooden box)NOTE:Provenance: The Estcourt family of Estcourt House, near Tetbury, Gloucestershire.The reference to Queen Charlotte's 'embroidery woman' may refer to Phoebe Wright or her niece Nancy Pawsey. Queen Charlotte was a skilled needlewoman, and she helped establish and financially support Mrs. Wright's 'Royal School of embroidering females', with the aim of enabling genteel but impoverished girls to earn a respectable income. The Queen was a regular visitor to the school and gave it a number of royal commissions (notably the magnificent bed furnishings now at Hampton Court (RCIN 1140). Her patronage led other members of the Royal family and aristocracy to give the school commissions both for new furnishings and garments, and for the repair and conservation of old textiles. Additionally some ladies of the gentry, who wished to improve their skills beyond what they'd been taught by their governess, engaged in lessons at the school, learning the finer elements of stitchery there. Queen Charlotte also became a friend and patron of gifted needlewoman Mary Morris Knowles, who was celebrated for the breadth of her interests - for example the abolition of slavery, garden design, and mystical science - as well as her skill at 'needle painting' (see her embroidered self-portrait in the Royal Collection: RCIN 11912).
* Lace, 19th-20th century, a collection of white, cream, ivory, and black lace items, machine and hand-made, some with embroidery, 1 or 2 monogrammed, including lengths and flounces, bedcovers and table cloths (e.g. a linen table cloth and 12 matching napkins with manuscript label 'Robinson & Cleaver, Regent Str. London'), garments and garment parts, e.g. collars and modesty panels, nightdress cases, handkerchiefs, pillow and bolster cases, mats and runners, 2 panels with horses, including Tenerife lace, filet lace, drawn threadwork, tape lace, broderie anglais, duchess lace, Maltese, Irish crochet, Honiton, various condition and sizes QTY: (3 cartons)
* Victorian silver fiddle and shell pattern flatware by George Adams, London 1875, comprising 7 table forks, 1 serving spoon, 4 dessert spoons, all engraved with a dolphin family crest, total weight approximately 1086gQTY: (12)NOTE:Provenance: The David & Sarah Battie Collection.
* A sterling silver part set of silverware by Elkington & Co Ltd, Birmingham 1891, comprising of 12 forks, 12 spoons, 16 dessert spoons, 12 table forks, 4 serving spoons, a teaspoon, a sifting spoon, 2 sauce ladles, some different makers, all sterling silver approximately 3536 gramsQTY: (60)NOTE:Provenance: The David & Sarah Battie Collection.
* A Victorian occasional table, for chess, the shaped black slate top painted with a chess board within a floral border, over a black painted baluster pedestal with three scroll supports, 69 cm high, the top 42 x 45 cmQTY: (1)NOTE:Provenance: The David & Sarah Battie Collection.
* Silk velvet tablecloth, probably late 19th/early 20th century, gold crushed silk velvet tablecloth for a circular occasional table, with close-gathered skirt, lined with matching cotton twill, a few small marks to lining, but otherwise in excellent condition, diameter 76 cm (30 ins), skirt length 71 cm (28 ins)QTY: (1)NOTE:A sumptuous, probably professionally-made, tablecloth in excellent, usable, condition.
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