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Click here to subscribeA 'Forest' crystal glass table lamp, designed in 2017 by Kathryn M Holford for Cameron Peters Collections, as part of the 'English Crystal Collection' manufactured by Dartington Crystal, of shouldered form, etched to the side with a forest pattern, surmounted by a drum shade, 29cm diameter46cm highCondition ReportPAT Test 16.4.24 passed
Rabih Hage (French, b.1966), a pair of 'Biblio' table lamps, each patinated metal frame surmounted by an elliptical drum shade, 60cm wide22cm deep 58cm high (2)Condition ReportPAT Test 16.4.24 passed. The shades with some minor scuffs and marks. The lamp bases themselves in good order. Appears to have seen very light usage.
A 'Wild Card' Murano glass table lamp, designed in 2017 by Alberto Brogliato and Federico Traverso for Cameron Peters Collections, as part of the 'Sommerso Collection', the bulbous body with a long tapering neck, with a core of amber-coloured sommerso, 53cm highProvenance: Cameron Peters Fine Lighting.Condition ReportVery little traces of use. A pre-production model shown at expos and fairs. With a few minor scratches to the base. The shade removable. PAT test passes on 16/4/24.
A Murano glass 'New Born' table lamp, designed in 2017 by Mariano Moro and Renzo Vianello (Ars Murano) for Cameron Peters Collections, as part of the 'Sommerso' collection, the conical base with a grey sommerso inclusion, 29cm highProvenance: Cameron Peters Fine Lighting.Condition ReportPAT Test 16.4.24 passed
A German Bauhaus table lamp, 1930s, designed by Karl Trabert for Scacho, with a domed painted metal shade, raised on an articulating metal stem with a wooden handle, on a painted metal foot, 33cm diameter 47cm highCondition ReportWith some scuffs and dents to the shade. The support with pitting. The wooden handle with wear. The foot with scuffs, scratches and marks. Re-wired for UK mains. PAT test passed on 7.2.24
A 'Traccia' side table, c.1980, designed by Méret Oppenheim in 1939, with an oval gold-leaf top with two footprints, raised on cast bronze 'stork' legs, 68cm wide 53cm deep64cm highCondition ReportSome knocks and chips to the top. With a notable scuff above the forward foot print. Some chips to the edge of the table edge. Bronze dulled. With remnants of adhesive tape to one support. Additional images uploaded.
A French Art Deco walnut and mahogany dining table, 1930s, the oval top raised on fluted baluster supports, terminating onto spherical feet,140cm wide110cm deep75cm highCondition ReportThe extending function rusted. No leaves present. The top with cracks to the veneer. With some spots of fading or sun bleaching. The edge with knocks and wear. Structurally sound. Additional images uploaded.
§ A 'Planar' console table, 1960s, designed by Robert Heritage, the rectangular top raised on curved aluminium supports,183cm wide45cm deep76cm highCondition ReportThe table veneered in rosewood. With bubbling and cracks to the veneer. The top coat of varnish is worn and flaking. The four frieze drawers run smoothly. The supports with some pitting and marks. Structurally sound. Additional images uploaded.CITES A10 no. 24GBA101C81AE
A bentwood dressing table, 1920s, after a design by Michael Thonet (German, 1796-1871), the oval mirror over a lift-up top revealing a compartment with a single drawer, over a frieze drawer, raised on scrolling bentwood supports, 59cm wide44cm deep149cm high,together with a bentwood stool,designed by Michael Thonet, 38cm diameter44 to 60cm high (2)
A Danish rosewood nest of tables, 1960s, designed by Illum Wikkelsø for CFC Silkeborg, with three fold-out tables, recessed to the side of the rectangular top, 60cm wide40cm deep50cm high (4)Condition ReportThe larger table with fading to the frame. The frieze section that houses the tables with filled in damage to the front. One table has had one dowel replaced with a screw and bolt. With general knocks, wear and marks to the frame. All frames structurally sound. Additional images uploaded.
§ A Danish rosewood dining suite, designed in 1966 by Niels Otto Møller (Danish, 1920-1982) for J L Møllers Møbelfabrik, comprising:four 'Model 79' dining chairs,each with a rattan seat, raised on tapering supports, with manufacturer's labels to the inside of the frames,50cm wide42.5cm deep73cm high, andan extending dining table,the circular top with a cushioned edge, raised on tapering supports, 123cm diameter73cm high (5)Condition ReportThe rattan to the chair with some staining and heavy patination commensurate with age throughout. No detected damages to the seats. The table top with some areas of discolouration. One chair with some surface based marks (these appear to scratch off easy and has not impacted the finish of the wood underneath). The leaf of the table slightly darker than the top. All pieces in structurally good order. Additional images uploaded.CITES A10 No. 24GBA10JLON1
An Italian brutalist brass and chrome coffee table, 1970s, designed by Alfredo Freda for Cittone Oggi, of square form, 140cm square39cm highCondition ReportThe frame with spotting and tarnish throughout. With some verdigris built up on the areas under the glass. One corner of the top with a small chip. The top worry some scratches and marks. Structurally sound. Additional images uploaded.
§ A Danish rosewood dining table, 1960s, designed by Johannes Andersen for Christian Linneberg Møbelfabrik, the rectangular top raised on rounded tapering supports, with recessed extensions to each side, 265cm wide90cm deep73cm high Condition ReportUnextended length 165CM. The top with some ringlet marks and scratches throughout. The legs with some knocks and marks. Wear commensurate with age and use. CITES A10 No. 24GBA10Q6R5FC
A 'Field' crystal glass table lamp, designed in 2017 by Kathryn M Holford for Cameron Peters Collections, as part of the 'English Crystal Collection' manufactured by Dartington Crystal, of shouldered form, etched to the side with a meadow pattern, surmounted by a drum shade, 29cm diameter46cm highProvenance: Cameron Peters Fine Lighting.
Sport - a George V silver presentation trophy shield, Fife Miners Welfare Billiards Trophy, embossed with a player at the table, crested by a Scottish thistle above a lamp and laurel wreath, oak easel mount, 38cm high overall, Walker & Hall, Sheffield 1927, fitted oak box
An associated pair of silver and guilloche enamel mounted rectangular glass scent bottles, the screw top covers in blue and pink enamel, 7cm high, Birmingham 1913 and 1914; a silver mounted rectangular dressing table bottle, glass stopper, 8cm high, Birmingham 1924; an early 19th century Derby porcelain scent bottle, later silver mount, 7.5cm high, Birmingham 1902 (4)
A William IV rosewood library table, in the manner of Gillows of Lancaster and London, rounded rectangular top with bead and reel border, above a pair of frieze drawers, lotus grasped reeded supports, turned stretcher, sledge base, brass casters, 73cm high, 137.5cm wide, 67.5cm deep, c.1835
A 19th century French Palais Royal gilt metal and porcelain mounted table top writing and stationery cabinet, painted in the manner of Sevres with courting couples and colourful summer flowers, on a bleu celeste ground, hinged cover and fall front enclosing a fitted interior, cast figural supports, engraved to verso with flowers and leafy strapwork, 35.5cm wide, c.1870
A 19th century specimen timber parquetry centre table, octagonal top inlaid with oak, satinwood, amboyna, spalted beech, bird’s eye maple, walnut, rosewood, yew and further examples, turned and fluted column, cabriole legs, scroll feet, brass casters, 74.5cm high, 67cm wide, c.1870
A Victorian oak card table, by William Constantine & Company (fl. 1834-1882), bears label FROM CONSTANTINE & CO.’S CABINET & UPHOLSTERY WAREHOUSE, LEEDS., hinged top enclosing a baize lined playing surface, panelled baluster column, cabriole legs, scroll feet, ceramic casters, 73.5cm high, 93cm wide, 46cm deep, c.1870
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