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19th century French small bodied guitar branded Nicolas Henry, á Mirecourt to the inner back; Back and sides; birds eye maple; Table: fine grained spruce with multi-string binding to the edges and sound hole; Fretboard: ebony, scalloped; Hardware: brass tuning strips with shaped bone buttons; Case: semi-rigid case; Overall condition: good * Previously owned and sold by the family of J.P Hodin, a European art critic and historian with major works on Edward Munch, Kokoschka, Barbara Hepworth, Ben Nicholson and others. His archive is now in the Tate and courses on his work are run at the Courtauld Institute. He left Prague in search of the greatest artists of his age and, when in Paris, spent time in discussion with Picasso, Braque, Cocteau and Matisse. He purchased this guitar on his travels and taught himself how to play
Late 18th/early 19th century violin labelled Nicolaus Gagliano fecit Neap anno 1796, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground 14 1/16", 35.70cm
French violin labelled Georges Mangenot uthier du Conservatoire Royal, Bruxelles 1898, also bearing the maker's signature on the label, the two piece back of faint medium curl with similar wood to the sides and head, the table of fine width grain and the varnish of a reddish colour on a golden ground 14 3/16", 36cm
Good French violin by and labelled Gustave Bazin, Ex-Ouvrier de M.Ch-J.-B. Colin Mezin de Paris, the one piece back of broad curl with similar wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a light reddish-brown colour on a golden ground 14 1/16", 35.70cm
Interesting early 20th century thirteen string harp guitar with heel adjustable neck; Back and sides: stained maple, repairs and re-varnishing; Table: natural spruce, various minor age related blemishes, a few hairline splits, bearing old label inscribed 'Max Lorenz, Tisova, 205'; Fretboard: rosewood, repositioned dot markers on the guitar neck; Frets: generally good; Hardware: generally good; Case: soft bag; Overall condition: good for age
Good German violin by and labelled Nicolaus Diehl, Grossherzogl:Hefischer Hoff-Lauten u Geigenmarcher in Darmstadt..., 1890, the two piece back of faint medium/fine curl with similar wood to the sides and head, the table of a very fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm, case
Good French violin by and labelled Paul Bailly, Violin Maker, Pupil of Jean Baptiste Vuillaume, 86, Wardour Street, London, W. no. 764 (ten medals - gold, silver, and bronze); also inscribed on the back under the sound post No.764, Paul Bailly 1892, the two piece back of medium curl with broad curl to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground 14 1/16", 35.70cm
Good Anglo/Hungarian violin by and labelled Szepessy Bela, London 1892, no. 79, the two piece back of faint broad curl with similar wood to the sides and head, the table of a medium/broad width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Interesting 19th century violin labelled Franciscus Chalo Alumnus Joannes Pressenda, fecit Taurini anno Domini 1882, the one piece back of faint medium curl with plainish wood to the sides and head, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 14 1/8", 35.90cm
19th century small bodied guitar; Back and sides: Brazilian rosewood, hairline split to the bass shoulder; Table: natural spruce, minor hairline splits to the lower bout, bridge reset, chevron banding to edges, mastic and pearl inlay to sound hole; Fretboard: ebony; Frets: eighteen brass frets; Hardware: good; Case: semi-rigid hard case; Overall condition: good
Viola by and labelled Aldo Zani-fece-Cesena, 1929, also signed on the label, the two piece back of faint broad curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 16 1/16", 40.80cm (restorations)
Contemporary English viola by Victor Unsworth and stamped V.H. Unsworth to the inner back, also inscribed in pencil Fecit 1982, the two piece back of medium close curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 16 3/16", 41.10cm
19th century English small bodied guitar attributed to Panormo; Back and sides: maple; Table: fine grain spruce, slight parting to the two-piece top, small hairline split between the bridge and sound hole; Fretboard: ebony; Frets: good; Hardware: replaced machines; Case: ebonised coffin hard case; Overall condition: good
Interesting good quality Spanish small bodied guitar in need of restoration, labelled Francisco Espana... Barcelona, ano 1813; Back and sides: Brazilian rosewood, cleated split to the bass side; Table: fine grain spruce, highly decorated with continuous pearl floral bands on a mastic ground, decorative engraved pearl swag bridge, two bridge pins missing; Fretboard: ebony; Frets: eighteen nickel frets; Hardware: generally good; Case: fitted wooden box in need of restoration; Other: head in need of refixing and a small section of veneer missing; Overall condition: in need of restoration
19th century French small bodied guitar labelled Grobert, Luthier, á Paris; Back and sides: birds eye maple, repaired cracks and patches to sides, back with various hairline splits; Table: spruce with ebony and string banding to the rosette and sound hole, typical wear; Fretboard: ebony; Frets: fair, two missing; Hardware: modified bridge, bridge pin missing; Overall condition: fair
19th Century French small bodied guitar by and branded Cabasse Bernard, A. Mirecourt to the inner back; Back and sides: rosewood, various splits; Table: spruce; Fretboard: ebony; Frets: mostly missing; Other: replaced machines and restorations to bridge; Overall condition: in need of restoration
1834 Rene Lacote small bodied guitar, made in Paris; Back and sides: Brazilian rosewood, repaired splits; Table: fine grained spruce, restorations; Fretboard: ebony; Frets: generally good, refret; Case: vintage fitted hard case; Other: head and bridge restorations; Overall condition: good
Early 20th century German small bodied guitar labelled 'Original Wandervogel'; Back and sides: maple, various marks expected for age; Table: spruce, alternating block binding to the edges and sound hole, five visible hairline cracks, restorations to binding; Fretboard: stained maple; Frets: good; Hardware: generally good; Other: action very high; Case: soft bag; Overall condition: in need of attention
1976 R. Sanchis Carpio Bernard Coquelet model -1A guitar; Back and sides: mahogany, hairline crack to the shoulders on each side; Table: stained spruce, two hairline cracks running towards the table from the end; Fretboard: ebony; Frets: ten gut string frets; Overall condition: fair
19th century Spanish small bodied guitar by and labelled Antonio De Lorca, Malaga; Back and sides: mahogany, hairline crack to back; Table: natural spruce, various small cracks, boxwood and ebonised banding to the sound hole; Fretboard: rosewood; Frets: refret; Hardware: generally good; Case: ebonised coffin hard case; Overall condition: fair
Interesting violoncello of the Prague School circa 1800, unlabelled, with lion's head carved scroll, the two piece back of faint medium curl with similar wood to the sides, the table of a medium width grain and the varnish of a dark brown colour on a golden ground to the table and of a light reddish-brown colour on a golden ground to the back, 29 7/8", 75.90cm, with nickel mounted bow
18th century English violoncello labelled J. and J. Simpson, Musical Instrument Makers at The Bass-Viol and Flute in Sweeting's Alley, Opposite the East Store of The Royal Exchange London; also stamped Simpson below the button, the two piece back of plainish wood with similar wood to the later head, the sides of faint medium curl, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 29", 73.70cm
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1181627 item(s)/page