A Victorian silver plated four light candelabra, by Elkington & Co, the central sconce mounted on lion mask decorated sphere above floral scrolling branches with Griffin head finials holding three further sconces, raised on reeded tapering support, the triform base decorated with three recumbent camels, marked to base ‘4219’, 55cms high. Note: Two previous auctions of matching candelabra are known. One in 2015 of a pair of candelabra bearing Elkington & Co registration diamond dated 1865, sold for £2,500 in London. The other in 2010 was a table centrepiece with candelabra garnitures, sold for $7,000 in New York.
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An Elizabeth II suite of silver cutlery, by Roberts & Belk, Sheffield 1973, in fiddle and shell pattern, for twelve places, comprising: table knives, tea knives, table forks, dessert forks, teaspoons, fish knives and forks with silver blades and tines, dessert spoons, soup spoons, two ladles and six tablespoons, 150oz gross weighable silver, in a two-tier baize lined mahogany canteen.
A Victorian silver cruet set, comprising: two table salts, a pepperette, and two mustard pots, by Hawksworth, Eyre & Co Ltd, London 1857-74, decorated with shells, gadrooning and flower-heads, salts and mustards 9cms wide; and two associated silver Kings pattern salt spoons, 21.8oz gross.
George III and later composite suite of spoons and forks, makers include: Solomon Houghman, William Eley, Joseph & Albert Savory, London 1813-1842, in old English pattern, comprising: eighteen table forks, twelve dessert forks, ten tablespoons, three dessert spoons. fifteen teaspoons, three coffee spoons and three salt spoons, with engraved pineapple crests, 102oz gross.
Victorian silver pen and inkstand, by Edward & John Barnard, London 1852, shaped rectangular form with presentation inscription, mounted by cut glass inkwells with silver covers and associated plated table bell, 26 x 17cms, 14.4oz gross (tray only); together with a 19th Century turned ivory quill , by Sampson Mordan and Co, 16.5cms long.
A set of six George III silver dessert forks, by William Eley, William Fearn & William Chawner, London 1808, in fiddle pattern with engraved initial 'E'; together with a Victorian silver table fork, by R & W Sorley, London 1896, in dog-nose pattern, engraved with initial 'R', 10.8oz gross.
FIDDLE PATTERN TABLE SILVER, VARIOUS DATES AND MAKERS, LONDON AND PROVINCIAL, 1814-1907 the terminals variously initialled, crested or plain, comprising: four tablespoons, eight table forks, twelve dessert spoons, six dessert forks, six teaspoons and a pair of sugar tongs 1875gr (60oz 5dwt) (37)
TABLE SILVER, VARIOUS DATES AND MAKERS, THE MAJORITY LONDON AND EXETER, 1794-1897 mostly Fiddle and Fiddle and Thread pattern, the terminals variously initialled or plain, comprising: seven tablespoons, twenty dessert spoons and two pairs of sugar tongs 1509gr (48oz 10dwt) (29)
VICTORIAN TABLE SILVER, CHARLES BOYTON OR CHAWNER & CO., LONDON, 1862-64 Queens pattern, comprising: six tablespoons six table forks seven dessert spoons six dessert forks and a pair of sauce ladles; together with a set of six teaspoons, Francis Higgins, London, 1860, single struck Queens pattern 2230gr (71oz 13dwt) (33)
A SET OF TWELVE GERMAN PARCEL-GILT-SILVER ICE CREAM SPOONS AND A SERVER, KOCH & BERGFELD, BREMEN, CIRCA 1898 with part lobed stems and bowls, the terminals with crossed oak sprays, engraved to the reverse with small ~R/1898~, 800 standard, retailer~s mark, in original case with retailer~s gilt printed label of Heinrich Bleyer of Chemnitz, 318gr; together with a set of twelve table knives, Belgian, circa 1900, the loaded electroplate handles stamped with scrolls and foliage, stainless steel blades, in a case (25 pieces)
MISCELLANEOUS TABLE SILVER comprising: a set of six Belgian dessert spoons with ridged and pointed stems, initialled ~F=dM~, 800 standard, mid 19th century; a set of four Danish table forks, Fiddle Shell pattern, 826 standard, Copenhagen, 1834; a set of four Pyramid pattern and a pair of Acorn pattern Danish coffee spoons, Georg Jensen, Copenhagen, import marked London, 1928/30; and the following Old English pattern: a pair of tablespoons, a dessert fork and three teaspoons, all London, 1793-1896 739gr (23oz) (22)
A SET OF AMERICAN TABLE SILVER, TOWLE SILVERSMITHS, NEWBURYPORT MA, SECOND QUARTER 20TH CENTURY Lady Constance pattern (introduced 1922), initialled L, comprising twelve of each of the following: table forks table knives soup spoons salad forks butter knives dessert spoons and two serving implements, stamped trademarks and STERLING weighable silver 2240gr (72oz) (74)
AN IRISH MAHOGANY TABLE CLOCK, THIRD QUARTER 18TH CENTURY AND LATER the associated Irish case with stepped and shaped caddy top above moulded arches to front and rear, glazed side panels and rear door, on pad feet, the dial with silvered Roman numeral chapter ring with Arabic five minutes enclosing a false bob aperture to the matted centre above twin winding apertures (one dummy), applied mask and foliate scroll spandrels, the break arch with applied silvered boss bearing signature ~Furnace / Dublin~ flanked by further applied foliate scrolls, the Irish eight day single fusee movement with pull cord to strike the hour and quarters on two bells, the back plate with engraved chevron border and signed ~Geo. Furnace / Dublin~ within a shaped cartouche, with pendulum and key 44cm high with carrying handle raised Irish table clocks of the second half of the 18th century often seem to feature the unusual shaped top seen in this clock: for a similar Irish Georgian case (with its original movement) see Dreweatts, Newbury, 11 March 2008, lot 112. George Furnace is recorded as a clockmaker working in Dublin between 1751-73. Provenance: James McCann (1840-1904), Irish nationalist MP and stockbroker, of Simmonscourt Castle, Ballsbridge, Dublin and the Ardsallagh estate, Navan, Co. Meath; thence by family descent.
GOLD BROOCH, BOUCHERON, PARIS, LATE 20TH CENTURY designed as a chased bird perching on a branch, the eye set with a circular cut ruby, signed ~Boucheron Paris~ and numbered, French assay mark ++Measures from top of head to tail 45mm approximately. Ruby is reddish-pink with a few small abrasion to table facet, and natural rutile and crystal inclusions seen under the microscope, not visible when worn. French eagle head stamp for 18ct gold on the pin. Little gold discolouration seen. In good condition.
COLLECTION OF JEWELLERY comprising: a carved chyrsoprase cross pattée pendant with central seed pearl on a Figaro link back chain, length approximately 400mm; a bar brooch of cross over design set with a circular diamond and ruby, length approximately 46mm; a bar brooch with central oval hard stone cameo within a row of seed pearls(one deficient); a three stone ring set with a central circular sapphire between brilliant cut diamonds, London hallmarks for 18 carat gold 1978, size I 1/2; a five stone diamond ring, size K; and a band ring, Egyptian hallmarks, size J 1/2 (6) ++Chrysoprase pendant has surface reaching fractures, the colour is a bright mid green colour with some white opaque areas and black inclusions. Stamped 18 WF to the reverse. The pendant measures 14mmx12mm approximately. The central pearl is slightly off round with a white body colour and blue/pinkish overtones. The oval cabochon surmount more translucent than the cross plaques. 9 carat gold import marks. Ruby and diamond bar brooch - The diamond measures 4.5mmx4.8mmx2.5mm approximately, gauges as 0.4 carats approximately, PK clarity, I/J colour. The ruby measures 4.4mm5.4mmx2.1mm approximately, bright pinkish stone with surface cavity to table, some silk seen, a lively stone. Stamped 9ct to the reverse, some discolouration. Sapphire and diamond ring- sapphire is dark with a window to the reverse, diamonds are deceptively small as are in white gold illusion settings each gauge at 0.03 carats approximately. Light wear to shank. Cameo ring - Cameo measures 19mmx16mm approximately, two fractures within the stone behind her head also some ridges to the white but both only seen only on close inspection. The reverse is nicely fluted and suggests it might have been a ring earlier. Pearls with surface wear, low lustre, grey to beige body colour. Stamped 9ct. Some discolouration to the side of the cameo. Five ring - each diamond weighing approximately 0.04 carats, total diamond weight 0.2 carats approximately. Mount lightly worn, no apparent discolouration or gold marks/ Band ring 5.5mm wide approximately. Slightly rattles. Light scratching no apparent discolouration.
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