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Duggleby Stephenson of York
Lot 6043

Sitzendorf ceramic table lamp base, decorated with applied cherubs, foliage and roses upon three feet, converted to electricity H27cm

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Duggleby Stephenson of York
Lot 6047

Royal Doulton 'Carlyle' pattern table ware comprising eight coffee cans and saucers, coffee pot, seven tea cups and saucers, sugar bowl and eight dessert or soup bowls (40)

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Duggleby Stephenson of York
Lot 6055

Pair of glazed pottery table lamps, each modelled as Owls, including shade H46cm

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Duggleby Stephenson of York
Lot 6062

Pair of smokey crackle glazed table lamps, each of squat baluster form, raised upon square brushed bronze base, H58cm

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Duggleby Stephenson of York
Lot 6069

Pair of green ground Bamboo form table lamps, each raised upon square brushed bronze bases, including shade H71cm

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Duggleby Stephenson of York
Lot 6075

Pair of Chinese table lamps, each of baluster form painted with Herons amongst grasses, raised upon circular hardwood base, including shade H66cm

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Duggleby Stephenson of York
Lot 6084

Pair of Chinese crackle glaze table lamps, each of baluster form, raised upon circular hardwood base, including shade H60cm

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Duggleby Stephenson of York
Lot 6098

Pair of Chinese blue and white table lamps, each of ginger jar form decorated with landscapes, raised upon circular gilt base, including shade H62cm

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Duggleby Stephenson of York
Lot 6105

Pair of Japanese Imari table lamps decorated with panels of flowers on red ground with gilt detailing, including cream silk shades with red piping H59cm

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Duggleby Stephenson of York
Lot 6119

Pair of Continental rococo style gilt metal ornate table lamps with foliate decoration featuring painted porcelain scenes on marble bases and gilt feet together with another (3)

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Duggleby Stephenson of York
Lot 6122

Canteen of rat tail pattern plated cutlery for twelve covers by Diss & Sons including bone handled knives, soup and sauce ladles 107 pieces, complete except knife rests missing, housed in a mahogany serpentine fronted table cabinet W47cm

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Duggleby Stephenson of York
Lot 6134

Pair of table lamps of square section form, incised and painted with butterflies against a plain ground, upon square hardwood base, including shade H54cm

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Duggleby Stephenson of York
Lot 6206

Moorcroft Hibiscus Moon pattern table lamp with shade, H30cm excluding fitting

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Duggleby Stephenson of York
Lot 6209

Crown Ducal Chintz pattern lamp, porcelain table lamp hand-painted with wild flowers, Chinese famille rose vase, now converted to a table lamp, together with other vintage lamps (7)

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Duggleby Stephenson of York
Lot 8505

Pair of George III silver fiddle pattern table spoons London 1817 Maker John Lias, three table spoons London 1925, single George III table spoon and two dessert spoons 16.7oz

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Duggleby Stephenson of York
Lot 8507

Pair of early 20th century silver salts with blue glass liners and spoons, by Walker & Hall, Birmingham 1929, in original fitted case, weighted silver candlestick, two silver backed dressing table brushes, approximate weighable silver 2.74 ozt

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Duggleby Stephenson of York
Lot 8516

Edwardian embossed silver dressing table tray, hallmarked The Alexander Clark Manufacturing Co, Sheffield 1905, two similar cut glass dressing table jars, one in the form of a heart, three silver mounted nail buffers and a George V mother of pearl and silver fruit knife hallmarked William Needham, Sheffield 1934, total weighable silver 2.58 ozt

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Duggleby Stephenson of York
Lot 8517

Indian white metal bowl embossed with figures D9cm, parasol handle in the form of a bat with red eyes, four piece silver mounted dressing table set and four plated pedestal salts

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Duggleby Stephenson of York
Lot 8519

George IV silver spoon fiddle pattern table spoon initialled 'M' London 1824 Maker James Wintle 3.4 toz

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Galerie Zacke
Lot 265

A MINIATURE CLOISONNE ENAMEL AND WOOD TABLE SCREEN, QING DYNASTYChina, the cloisonne c. 1750-1830, the wood fitting from the later 19th century. The screen of rectangular form, fitted with a cloisonne enamel plaque depicting a river landscape with a pavilion, bridge, fisherman, and trees, enclosed by a wood frame with vines and a stand with scrolling feet.Provenance: From a private collection in New York, USA. The underside inscribed 'China'. Condition: The cloisonne in very good condition with some wear, small nicks, minuscule losses, light scratches. The wood screen with old repairs and associated remnants of adhesive.Weight: 164.2 g Dimensions: Height 9.9 cm, Width 10.8 cm Auction result comparison:Type: RelatedAuction: Christie's London, 14 July 2006, lot 113Price: GBP 2,400 or approx. EUR 5,000 converted and adjusted for inflation at the time of writingDescription: A small cloisonne table screen, 18th centuryExpert remark: Compare the related motif and wood screen. Note the slightly larger size (13.8 cm).清代鑲掐絲琺瑯《水上獨釣》木桌屏中國，掐絲琺瑯約1750-1830年，木桌屏應爲十九世紀末。長方形桌屏，鑲有景泰藍琺瑯屏，描繪河景、亭台、小橋、漁人和樹木。木框雕刻纏枝紋和底座。 來源：美國紐約私人收藏，底部可見“China”字樣。 品相：景泰藍狀況極好，有一些磨損、小刻痕和微小的缺損。木框帶有小修補和相關黏合劑殘留物。 重量：164.2 克 尺寸：高 9.9 厘米，寬 10.8 厘米 拍賣結果比較： 形制：相近 拍賣：倫敦佳士得，2006年7月14日，lot 113 價格：GBP 2,400（相當於今日EUR 5,000） 描述：十八世紀鑲掐絲琺瑯木桌屏 專家評論：比較相近的主題和木底座。請注意尺寸稍大(13.8 厘米)。

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Galerie Zacke
Lot 296

A LARGE DALI MARBLE-INSET 'DREAMSTONE' HUALI TABLE SCREEN, QING DYNASTYChina, 1644-1912. Of rectangular form, the natural marble of creamy-white tones suffused with alternating light and dark gray swirls, reminiscent of a dreamy landscape, evoking thoughts of mountain peaks in rising mist and clouds. Mounted in a dark huali wood frame, fitted into two grooved uprights of the matching stand with finely carved archaistic designs.Provenance: Collection of Terence Kelleher, Esq., Southold, New York. Terrance Kelleher, a graduate of Saint Peter's University in New Jersey and the Fordham Law School of Manhattan, served as a Captain in the United States Army Reserve Corp and served as a member of the United States Court of International Trade. He also served as CEO of a non-profit healthcare company and was on the board of directors of Eastern Long Island Hospital.Condition: Good condition with minor wear overall. The marble screen with small chips along the edge which are concealed by the frame. The frame is in overall good condition with small losses, age cracks as expected and minor old repairs. The wood with a fine, naturally grown patina.Dimensions: Size 38.8 x 49.4 cm (the panel and frame) and 59.5 x 56 x 30 cm (the screen)Expert's note: The use of variegated marble and other colored stones in conjunction with hardwood furniture was prevalent throughout the Ming and Qing dynasties, as the color of the stone often complimented the rich color and grain of the wood. The picturesque swirls of the marble inclusions also appealed to the creative mind of the scholarly at the time, who often saw a deeper symbolic representation in everyday objects. For a discussion of marble and other stones used in Ming and early Qing furniture, see Wang Shixiang, Connoisseurship of Chinese Furniture: Ming and Early Qing Dynasties, vol. I, Hong Kong, 1990, pages 153-54.Auction result comparison:Type: Closely relatedAuction: Christie's, Hong Kong, 3 October 2018, lot 128.Price: HKD 300,000 or EUR 38,500 converted and adjusted for inflation at the time of writingDescription: A dali marble-inset huanghuali table screenExpert remark: Compare the similar composition of the dreamstone and the related dimensions of the screen (57 x 57 x 30 cm).Auction result comparison:Type: Closely relatedAuction: Sotheby's, London, 13 May 2009, lot 103Price: GBP 8,750 or EUR 14,000 converted and adjusted for inflation at the time of writingDescription: A dream stone table screen and hardwood stand, Qing dynasty, 19th centuryExpert remark: Compare the related shades of the marble. It is also worth noting that the Sotheby's stand has been ebonized at some point, and the underlying original wood tone may be of comparable color.清代大型花梨木鑲夢石座屏中國，1644-1912年。屏花梨木為框、座，鑲嵌大理石，木框尚保留原皮殼，色澤沉穩而層次豐富。整體保存極為完整。大理石屏心，正面紋路豐富，上有黑、灰色石紋，若千山羅列，夏峰過雨，雲霧變化，洶湧澎湃。木底座雕刻精美的仿古設計。 來源：紐約州紹索爾得鎮Terence Kelleher收藏。Terrance Kelleher畢業於新澤西聖彼得大學和曼哈頓福特漢姆法學院，曾任美國陸軍預備役上尉以及美國國際法院古玩交易公司首席執行官。他還曾擔任一家非營利性醫療保健公司首席執行官，並且是東長島醫院的董事會成員。 品相：整體狀況良好，略有磨損。大理石邊緣有小磕損，但被框架隱藏。框架總體狀況良好，小缺損，有老化裂縫和小修。整體木框有自然良好的包漿。 尺寸：總 38.8 x 49.4 厘米 與 59.5 x 56 x 30 厘米 (大理石) 專家注釋：這樣的木架與石料結合的裝飾在整個明清時期都很流行，因為石材的顏色常常與木材的豐富色彩和紋理相得益彰。大理石如畫般的紋理也吸引了當時學者的創造性思維，他們經常在日常物品中看到更深層次的象徵意義。見王世襄《明式家具研究》，卷一，香港，1990年，第153-54頁。 拍賣結果比較： 形制：非常相近 拍賣：香港佳士得，2018年10月3 日，lot 128. 價格：HKD 300,000（相當於今日EUR 38,500） 描述：清黃花梨嵌大理石案屏 專家評論：比較相似的雲石和相近尺寸 (57 x 57 x 30釐米)。

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Galerie Zacke
Lot 92

A BLUE AND WHITE 'ANTIQUE TREASURES' BOTTLE VASE, KANGXI PERIODInscriptions: To the neck, 'As an accompaniment on the table, clearing the air in the Qin studio', and with two seals, '[…] quan' and 'Juanqing'.China, 1662-1722. Exceptionally well painted in neatly graduated shades of deep cobalt blue with precious objects including censers, a quadrilobed vase holding a coral branch and a peacock feather, a ruyi scepter, and a qin, as well as shaped panels enclosing landscapes. The slightly waisted neck further with a ruyi-head border. The compressed globular body supported on a massive, spreading foot.Provenance: From an English private collection, and thence by descent within the family. Condition: Good condition commensurate with age with minor wear and expected firing irregularities, including few dark spots and minute glaze recesses, a stabilized hairline and tiny old fills, the foot with few minuscule chips, minor crackling to base.Weight: 3,200 g Dimensions: Height 42.7 cmThe base with an apocryphal underglaze-blue six-character mark da Ming Jiajing nianzhi.Auction result comparison: Type: Closely related Auction: Christie's New York, 24 March 2011, lot 1658 Price: USD 35,000 or approx. EUR 43,500 converted and adjusted for inflation at the time of writing Description: An unusual large blue and white bottle vase, Kangxi periodExpert remark: Compare the closely related form and decoration. Note the near-identical size (45.7 cm).康熙時期青花博古紋長頸瓶中國，1662-1722年。青花描繪如意型開光博古紋，如香爐、花瓶、如意和琴等書房用品。長頸中央一道如意紋。 長頸，鼓腹，圈足外撇。 款識：案頭堪作伴，琴堂氣欲清。鈴印：？泉，鎸清 來源：英國私人收藏。，在同一家族保存至今。 品相：品相良好，有輕微磨損，製造瑕疵，例如黑點和微小的釉面凹陷，小修補，足部有磕損，底部有輕微的裂紋。 重量：3,200 克 尺寸：高 42.7 厘米 圈足内青花六字款，仿“大明嘉靖年製“款。 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2011年3月24日，lot 1658 價格：USD 35,000（相當於今日EUR 43,500） 描述：康熙大型青白人物場景瓶 專家評論：比較非常相近的外形和裝飾。請注意幾乎相同的尺寸(45.7 厘米)。

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Galerie Zacke
Lot 89

A FAMILLE VERTE 'LADIES' DISH, KANGXI PERIODChina, 1661-1722. The shallow dish with scalloped rim, boldly painted in gilt and bright enamels of emerald-green, apple-green, yellow, red, and aubergine, as well as iron-red. The central roundel depicting two court ladies in a garden beside a prunus tree, a table with antique treasures to their right, encircled by a band of floral sprays interspersed with four cartouches enclosing Buddhist lions and auspicious objects. The rim painted with gilt and iron-red lappets. Provenance: From the private collection of Richard and Maxine Markell. Richard Markell (1932-2021) was the son of chiropractor Maurice J. Markell, who established the family business Markell Shoes focusing on orthopedic footwear and orthotic devices. Richard and his wife Maxine (1935-2019) were avid collectors of Asian art, specializing in Chinese porcelain. Over the years, the couple amassed an extraordinary selection of extremely well-enameled pieces. They bought from some of the best dealers of their generation, and their purchases spanned 250 years of Chinese porcelain production. Their earliest works date from the beginning of the Qing dynasty, and generally reflect the Western taste for the famille verte and famille rose wares of the Kangxi, Yongzheng, and Qianlong reigns. Condition: Very good condition with only minor old wear and manufacturing flaws including pitting and dark spots, and minor fritting.Weight: 495.5 g Dimensions: Diameter 23.7 cmAuction result comparison:Type: Closely relatedAuction: Christie's New York, 26 January 2015, lot 65Price: USD 9,375 or approx. EUR 11,500 converted and adjusted for inflation at the time of writingDescription: A famille verte dish, Kangxi periodExpert remark: Compare the closely related form, motif, rim, and glaze. Note the larger size (38 cm).康熙硬彩開光人物圖盤中國，1661-1722年。折沿，淺圓腹，描金，明亮的五彩琺瑯，盤中央開光描繪了花園中的兩位婦人，右邊是一張擺放著古董珍寶的桌子；盤壁飾纏枝花卉紋以及佛獅和八寶紋。盤沿描金。 來源：Richard 與 Maxine Markell私人收藏。Richard Markell (1932-2021年) 是脊椎按摩師 Maurice J. Markell 的兒子，他建立了專注於矯形鞋類和矯形器具的家族企業 Markell Shoes。 Richard 和他的妻子 Maxine（1935-2019年）是亞洲藝術的忠實收藏家，尤其在中國瓷器方面。多年來，這對夫婦收藏了一系列精美絕倫的陶瓷。他們從那時最好的經銷商那裡購買，跨越了 250 年的中國瓷器生產，最早的藏品可追溯至清初，大致反映了康雍乾隆三個時期粉彩硬彩的發展和西方對它們的欣賞。 品相：品相極好，只有輕微的磨損和製造缺陷，包括點蝕和黑點。 重量：495.5 克 尺寸：直徑 23.7 厘米 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2015年1月26日，lot 65 價格：USD 9,375（相當於今日EUR 11,500） 描述：康熙時期硬彩開光人物圖盤 專家評論：比較非常相近的外形、主題、盤沿和釉面。請注意尺寸較大 (38 厘米)。

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Galerie Zacke
Lot 195

A POLYCHROME STUCCO FRESCO FRAGMENT DEPICTING A FLYING APSARA, YUAN TO MING DYNASTYExpert's note: This painting belongs to an important group of Buddhist stucco works dating from the Late Yuan to Early Ming dynasties, featuring 'Court' and 'Paradise' scenes from monasteries that date from the 12th to 13th centuries, containing a painting repertoire favored during the Tang dynasty. The style of painting in this fresco is reminiscent of the Tang dynasty painter Wu Daozi (c. 685-758) and was ideal for painting religious figures. Unlike earlier modes stressing precise contours, the whirling spiritual energy of this brushwork gives the impression of qi, or inner life.China, 13th-14th century. The rectangular panel painted with a winged apsara, adorned in a phoenix headdress, wearing a flowing robe with an elaborate necklace of coral and jade beads, bearing wings, and holding a long-handled ritual censer issuing clouds, all painted in polychrome pigments highlighted in finely applied gesso relief.Provenance: Boston trade. By repute acquired from an old private estate, where it was mounted in a fitted Perspex case to serve as tabletop. The table was subsequently disposed of, whereas the Perspex case is still present.Condition: An intact section of a larger wall painting in overall good condition with faint cracks, losses and fading to the pigments, showing evidence of various periods of minor retouching. The edges minimally frayed.Dimensions: 81 x 54 x 0.8 cmLiterature comparison: For a discussion on the creation of Yuan and Ming wall frescos, and their context in monasteries, see Ka Bo Tsang, Further Observations on the Yuan Wall Painter Zhu Haogu and the Relationship of the Chunyang Hall Wall Paintings to 'The Maitreya Paradise' at the ROM.” Artibus Asiae, vol. 52, no. 1/2, 1992, pp. 94-118.Auction result comparison:Type: Closely relatedAuction: Sotheby's, New York, 15 September 2010, lot 293.Price: USD 15,000 or approx. EUR 18,500 converted and adjusted for inflation at the time of writingDescription: A large polychrome fragment of a Buddhist fresco, Yuan / Ming dynastyExpert remark: Compare the closely related manner of painting with similar wings and round faces. Note the size (135.3 x 104.1 cm).Auction result comparison:Type: Closely relatedAuction: Christie's, New York, 16 September 2008, lot 378.Price: USD 20,000 or approx. EUR 25,000 converted and adjusted for inflation at the time of writingDescription: A rare painted Buddhist wall fresco, Yuan/Ming dynastyExpert remark: Compare the closely related manner of depicting the clouds, with a multitude of flowing lines and the use of peach for shading, as well as the figure, with a similar fleshy appearance and abundant trailing draperies. Note the size (77.5 x 45.5 cm).元至明代彩繪飛天灰泥壁畫中國，十三至十四世紀。長方形，精美描繪飛天神女，頭戴鳳冠，身穿飄逸長袍，配以精美的珊瑚和玉珠項鍊，長有翅膀，手持長柄香爐，彩繪突出細節，石膏浮雕。專家注釋：此畫屬於元末明初一系列重要的佛教灰泥壁畫，描繪十二至十三世紀寺院的“宮廷”和“極樂世界”場景，包含唐代流行的曲目。這幅壁畫的繪畫風格讓人想起唐代畫家吳道子（約 685-758 年），描繪宗教人物。 與強調精確輪廓的早期風格不同，這種流暢筆法更突出了人物的生動。 來源：波士頓古玩交易，據説購於一個私人老收藏，它曾被安裝在一個有機玻璃盒中作為桌面。這桌子後來被處理掉，而有機玻璃盒仍然存在。品相：一幅較大的壁畫的部分，整體狀況良好，有輕微裂縫、缺損和褪色，不同時期的輕微小修補，邊緣極少磨損。尺寸：81 x 54 x 0.8 厘米 文獻比較：討論元明壁畫的創作及其在寺院的語境，見Ka Bo Tsang，〈Further Observations on the Yuan Wall Painter Zhu Haogu and the Relationship of the Chunyang Hall Wall Paintings to 'The Maitreya Paradise' at the ROM〉，Artibus Asiae，卷52，編號1/2，1992年，頁94-118。 拍賣結果比較： 形制：非常相近 拍賣：紐約蘇富比，2010年9月15日，lot 293 價格：USD 15,000（相當於今日EUR 18,500） 描述：元 / 明代彩繪佛教壁畫 專家評論：比較非常相近有翅膀的繪畫風格和圓臉。請注意尺寸(135.3 x 104.1 厘米)。

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Galerie Zacke
Lot 6

A SMALL CINNABAR LACQUER BOX AND COVER, YUAN TO EARLY MING DYNASTYOpinion: Recent research into the dating of carved lacquer has put forward the suggestion that boxes of this type with double key-fret decoration on the rim and relatively large figures or landscape scenes with rock formations on the cover can be dated as early as the Yuan dynasty (1279-1368). The strongest argument in favor of this early dating is the relatively recent discovery of a similar, somewhat larger box in a group of tombs near Shanghai that belonged to the Ren family, of which the latest was datable to 1351 and the earliest to 1338.China, mid-14th to 15th century. Of lobed square form, the cover finely carved in relief with a potted bamboo on a scholar's table, a plantain growing from rockwork behind a fence, and a two layered diaper ground, the upper layer with hexagons enclosing flowerheads, the lower layer of lozenge form. The sides of the cover and box with S-shaped key frets. The interior and base lacquered in black. Provenance: From an English private collection. Condition: Overall excellent condition, commensurate with age, and as expected for a cinnabar lacquer box of such high age. Old wear with an unctuous feel from centuries of handling, small age cracks, minute nicks and losses, shallow surface scratches. Beautiful, naturally grown patina.Weight: 35.9 g Dimensions: Size 5.5 x 5.5 cmAuction result comparison:Type: RelatedAuction: Christie's Hong Kong, 2 October 2017, lot 215Price: HKD 125,000 or approx. EUR 17,000 converted and adjusted for inflation at the time of writingDescription: A cinnabar lacquer 'scholar on horseback' circular box and cover, Ming dynasty, 16th centuryExpert remark: Compare the closely related S-shaped key-fret borders, two-tiered diapered ground, and manner of carving. Note the size (7.6 cm).Auction result comparison:Type: RelatedAuction: Christie's Hong Kong, 29 May 2007, lot 1559Price: HKD 96,000 or approx. EUR 18,000 converted and adjusted for inflation at the time of writingDescription: A rare finely carved cinnabar lacquer square incense box and cover, Ming Dynasty, 16th centuryExpert remark: Compare the related key-fret borders, two-tiered diapered ground, and manner of carving. Note the size (6.6 cm).元至明初剔犀小蓋盒中國，十四世紀中期至十五世紀。方形倭角，盒蓋上錦地雕刻園中書桌上的盆栽，一旁假山芭蕉；盒蓋和和外壁為雷紋。盒內和底座上黑漆。專家意見：根據近年對雕漆年代的研究，此類盒沿上的格紋，以及盒蓋上人物或較大的山水圖，最早可追溯到元代（1279-1368）。支持這種早期年代測定的最有力論據是最近在上海附近的元代任氏家族墓葬中發現了一個類似的、稍大的盒子，其中最晚的可追溯到 1351 年，最早可追溯到 1338 年。來源：英國私人收藏。 品相：整體品相完好，細小的老化裂紋、微小的刻痕和缺損、表面淺劃痕，磨損。美麗的天然包漿。 重量：35.9 克 尺寸：5.5 x 5.5 厘米 拍賣結果比較： 形制：相近 拍賣：香港佳士得，2017年10月2日，lot 215 價格：HKD 125,000（相當於今日EUR 17,000） 描述：明十六世紀剔紅高士策馬圖圓蓋盒 專家評論：比較非常相近的雷紋、兩種不同的紋地，以及雕刻風格。請注意尺寸(7.6 厘米)。 拍賣結果比較： 形制：相近 拍賣：香港佳士得，2007年5月29日，lot 1559 價格：HKD 96,000（相當於今日EUR 18,000） 描述：十六世紀剔犀蓋盒 專家評論：比較相近的雷紋、兩種不同的紋地，以及雕刻風格。請注意尺寸(6.6 厘米)。

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Galerie Zacke
Lot 554

A PAIR OF REVERSE GLASS PAINTINGS DEPICTING A MANCHU NOBLEMAN AND LADY, QING DYNASTYChina, 19th century. One painting depicting a lady seated at the window, leaning on a table, with a pipe in her left, her hair embellished with pearls, dressed in fine robes with floral patterns, calligraphy hanging in the background. The other painting with a smoking nobleman, dressed in a blue robe with floral decorations, a poem by Wan Chu depicted behind him on the wall. Both framed within a roundel reserved on a background of pomegranates, lotus, butterflies, and gourds on a dense blue and white floral ground.Inscriptions: The calligraphy on the wall behind the nobleman is from a poem titled 'Wu ri guan ji' on the beauty of a woman by the Tang poet Wan Chu.Provenance: French trade. Condition: Very good condition with minor wear to the paint. The wood frames with few small nicks, drilled holes for mounting, and expected minor age cracks. Dimensions: Size incl. frame 55 x 40.6 cm and 55.3 x 40.4 cm, Image size 48.8 x 34 cm and 48.7 x 34.5With two matching wood frames of the period. (4)Literature comparison:For a closely related example of two reverse glass portraits of a Mandarin man and woman, dated ca. 1858, a gift of Lawrence W. Jenkins to the Peabody Essex Museum, Salem, MA, accession numbers 1956 M8873 and 1956 M8874.Auction result comparison:Type: Closely relatedAuction: Bonhams Edinburgh, 10 July 2013, lot 370Price: GBP 1,750 or approx. EUR 2,800 converted and adjusted for inflation at the time of writingDescription: A reverse painting on glass of a Manchu boy 19th centuryExpert remark: Compare the closely related motif, pose, background, and size (42 x 34). Note that this lot contains only one painting.清代一對玻璃畫人物肖像中國，十九世紀。開光描畫人物。畫中的婦人鳳眼、柳葉眉、櫻桃小嘴、窄溜肩，配上華貴的髮飾和服裝，倚窗而坐，左手拿著煙斗。另一幅畫中見一貴人，身著藍色碎花長袍。四周石榴、蓮花、蝴蝶和葫蘆紋飾，濃密的藍色和白色花卉為地。 款識：背景文字取唐代萬楚《五日觀妓》：西施謾道浣溪紗，碧玉今時斗麗華。眉黛奪將萱草色。 來源：法國古玩交易。 品相：狀況極好，油漆有輕微磨損。木框輕微小刻痕、安裝用鑽孔和輕微老化裂縫。 尺寸：總55 x 40.6 厘米 與55.3 x 40.4 厘米，畫面48.8 x 34 厘米 與 48.7 x 34.5厘米 同期相配木框 (4) 文獻比較： 一件非常相近約1858年的兩件玻璃鏡畫人物像，一件為滿州男人像，另一件為女人像，Lawrence W. Jenkins贈予美國麻塞諸塞州賽勒姆的Peabody Essex Museum，館藏編號1956 M8873和1956 M8874。 拍賣結果比較： 形制：非常相近 拍賣：愛丁堡邦瀚斯，2013年7月10日，lot 370 價格：GBP 1,750（相當於今日EUR 2,800） 描述：十九世紀滿州年輕男性玻璃鏡畫 專家評論：比較非常相近的主題、姿勢、背景和尺寸(42 x 34)。請注意此畫僅有一幅。

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Galerie Zacke
Lot 106

A FAMILLE ROSE 'DOCTOR'S VISIT' DISH, BY CORNELIUS PRONK, EARLY QIANLONG PERIODChina, circa 1738-1740. The shallow dish painted in gilt and bright enamels after a design by Cornelius Pronk entitled 'The Doctor's Visit to the Emperor', the central roundel with a scene of four Chinese noblemen conversing in a fenced garden below a blossoming tree, a large Ming dish on the table before them and a peacock at their side, enclosed by a gilt border with geometrical design, the rim with fish encircled by scalloped green bands, interspersed with birds standing in grasses and diaper pattern, the rim lined in gilt.Provenance: S. Marchant & Son, London, 1999. Richard and Maxine Markell, acquired from the above. A copy of the original invoice from S. Marchant & Son, London, dated 10 June 1999, describing the piece as a famille rose plate painted after a design by Cornelius Pronk with the scene of the 'doctor's visit', dating it to the Yonzheng period, 1723-1735, and stating a purchase price of GBP 6,500 or approx. EUR 15,500 (converted and adjusted for inflation at the time of writing), accompanies this lot. Label 'Marchant London Yongzheng 1723-1735' to base. S. Marchant & Son was founded in 1925 by Samuel Sydney Marchant (1897-1975). It held a large stock of Asian art, but also dealt in arms and armor, paintings, and continental porcelain. In 1953, Richard Marchant joined his father and from that time onwards the partnership specialized in Asian art. Nowadays the company's focus is on Imperial Chinese Ming and Qing porcelains, jades, cloisonne, pottery, and works of art. Condition: Very good condition, the enamels still fresh and crisp, minor wear to the gilt and enamels mostly along the rim, and manufacturing flaws including pitting, dark spots, glaze recesses, and light warping.Weight: 522 g Dimensions: Diameter 25.8 cmThe scene, entitled 'The Doctors' or 'The Doctors Visiting the Emperor', was designed by Pronk in 1735 and sent to China in 1736, arriving only at the end of 1737. The finished products were sent back to the Netherlands at the end of 1738 and in 1739. A second, simpler version of the design with only three figures was sent to China in 1739. This scene was originally designed after a motif in traditional Chinese iconography, illustrating the legend of the woodcutter Wang Shi who encountered three Daoist gods playing chess in a cave.Only one of Cornelis Pronk's four official commissions for the Dutch East India Co., an original watercolor design, can still be seen in the Rijksmuseum, Amsterdam. While the experiment in commissioned designs was quickly discontinued, dinner sets, tea pieces and large jars with covers were made with the 'The Doctors' motif. See C.J.A. Joerg, Porcelain and the Dutch China Trade, pp. 99-101, and Howard & Ayers, op. cit., pp. 193-194.Literature comparison:Compare a near identical Pronk 'Doctor's visit' dish, ca. 1738, in the collection of the Victoria and Albert Museum, accession number C.43-1912.Auction result comparison:Type: Near identicalAuction: Christie's New York, 17 January 2019, lot 541Price: USD 6,875 or approx. EUR 7,700 converted and adjusted for inflation at the time of writingDescription: A famille rose 'Pronk doctors' large dish, Qianlong period, circa 1738-1740Expert remark: Compare the near identical design, crisp enamels, and gilt embellishments. Note the size (32.1 cm).乾隆早期粉彩眾博士圖中國，約1738-1740年。折沿，淺盤，圈足。盤面正中開光粉彩描繪由荷蘭的畫家考納利·普朗克（Cornelis Pronk）設計的《眾博士圖》。四位博士，其中三位圍坐在放有青花瓷盤的桌子周圍，另外一位博士站在他們身後高談闊論。畫面左邊圍欄上站立著一隻孔雀，右側的樹木枝頭上棲息著一隻鳥。折沿繪有水禽一組，其間飾以菱形開光，內各飾一條顏色各異的魚。盤邊裝飾六片黃色花口形菱花錦地紋。 來源：倫敦S. Marchant & Son藝廊，1999年；Richard 與 Maxine Markell，購於上述藝廊。隨附一份S. Marchant & Son 1999年6月10日出具的原始發票複印件，上面描繪此盤粉彩描繪仿考納利·普朗克（Cornelis Pronk）設計的《眾博士圖》，為雍正時期，1723-1735年，售價GBP 6,500 ，相當於EUR 15,500 (根據現今通貨膨脹率)。底部可見標籤 'Marchant London Yongzheng 1723-1735' 。S. Marchant & Son藝廊由 Samuel Sydney Marchant(1897-1975) 與1925年成立。該藝廊擁有大量亞洲藝術品，同時也經營武器和盔甲、繪畫和瓷器。1953 年，Richard Marchant加入了他父親藝廊行列，從那時起，藝廊專門從事亞洲藝術。 如今，該藝廊的重點是中國明清宮廷瓷器、玉器、景泰藍、陶器和工藝品。品相：狀況極好，琺瑯仍然鮮艷，邊緣的描金和琺瑯有輕微磨損，製造缺陷包括點蝕、黑點、釉面凹陷和輕微翹曲。 重量：522 克 尺寸：直徑 25.8 厘米

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Galerie Zacke
Lot 291

A SMALL LINGZHI FUNGUS TABLE SCREEN, QING DYNASTYChina, 1644-1912. The dried natural fungus head is supported on a projecting fungal growth in the back, spreading out dramatically with a lobed outline, one side with an uneven surface and naturally gnarled, the native patina of a warm brown color. Two apertures drilled to the top for suspension. Provenance: From a Dutch private collection, assembled before 2007, and thence by descent.Condition: Very good condition with extensive old wear, minor losses, minuscule chips, natural age cracks, traces of use and natural decomposition, all commensurate with age.Weight: 346.9 gDimensions: Height 14 cm, Width 14.5 cmLiterature comparison:A number of lingzhi fungus mounted in wood table screens are in the Imperial Collection, the largest of these, dated to the 18th century, is illustrated by Yang Xin and Zhu Chengru, in the exhibition catalog, Secret World of the Forbidden City: Splendors from China's Imperial Palace, The Bowers Museum of Cultural Art, Santa Ana, California, p. 61. Another smaller fungus (21.6 cm long) mounted in a zitan table screen and dated 16th to early 17th century is illustrated by P. Moss, The Literati Mode, Sydney L. Moss Ltd., London, 1986, pp. 188-9, no. 66. Auction result comparison:Type: Closely relatedAuction: Christie's New York, 18 September 2003, lot 73Price: USD 10,755 or approx. EUR 17,000 converted and adjusted for inflation at the time of writingDescription: A rare lingzhi fungus table screen, Qing dynasty (1644-1911)Expert remark: Note the larger size (29.2 cm)Auction result comparison:Type: Closely relatedAuction: Sotheby's Hong Kong, 2 April 2018, lot 3030Price: HKD 100,000 or approx. EUR 13,000 converted and adjusted for inflation at the time of writingDescription: A lingzhi fungus, Qing dynastyExpert remark: Note the larger size (32 cm)清代靈芝小桌屏中國，1644-1912年。乾燥的天然靈芝如傘狀，展現出層出不窮的年輪紋路，彎彎曲曲，宛若流雲紋理，呈現天然的暖棕色包漿。背面有兩個鑽孔並配有金屬鉤。 來源：荷蘭私人收藏，購於2007年前，保存至今。 品相：狀況極好，大量磨損、少量缺損、輕微磕損，自然年代裂痕，以及有使用痕跡。 重量：346.9 克 尺寸：高 14 厘米，寬 14.5 厘米 文獻比較： 一些靈芝小桌屏被清宮廷所收藏，最大宗的為十八世紀，見Yang Xin and Zhu Chengru，展覽圖錄《Secret World of the Forbidden City: Splendors from China's Imperial Palace》，加州聖塔安娜The Bowers Museum of Cultural Art，頁61。另一件十六至十七世紀初靈芝紫檀桌屏 (21.6 厘米長，見P. Moss，《The Literati Mode》，Sydney L. Moss Ltd.，倫敦，1986年，頁188-9，編號66。 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2003年9月18日，lot 73 價格：USD 10,755（相當於今日EUR 17,000） 描述：清代靈芝桌屏 專家評論：請注意尺寸較大(29.2 厘米)。 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2018年4月2日，lot 3030 價格：HKD 100,000（相當於今日EUR 13,000 ） 描述：清靈芝擺件 專家評論：請注意尺寸較大 (32 厘米)。

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Galerie Zacke
Lot 534

A THANGKA OF RA LOTSAWA DORJE DRAG, MONGOLIA, 19TH TO EARLY 20TH CENTURYDistemper and gilt on cloth. Depicting Ra Lotsawa seated on a tiger skin, dressed in a red and blue robe decorated with a gilt floral design, his hands held in dharmachakra mudra, a severed head with a skull crown and flaming hair in his lap, his face with a wrathful expression, open mouth bearing sharp fangs, and bulging eyes, surmounted by a shanak with flaming peaks centered by a skull, a skull bowl and dagger before him on the altar table. The background with a mountainous landscape, fruiting branches, scrolling clouds, and with the sun and moon to the upper corners.Inscriptions: To Ra Lotsawa's chest, 'Hum'. The altar table inscribed 'Drapchen Sarpa Ralo Banza Pha Namo'. To the reverse, 'Om Ah Hum Sawa Ha'.Provenance: The Triay Collection of Himalayan Art. Ian Triay is a Spanish banking executive and the Honorary Consul in Spain for the Kingdom of Bhutan. He actively participated in the establishment of diplomatic relations between Spain and Bhutan and in projects of mutual interest to both countries. Assembled over a period of 40 years with an eye for the unusual and esoteric, the Triay Collection was a unique assemblage of Himalayan art. With many works featured in the landmark exhibitions in the Fundacion “La Caixa”, Madrid in 2000, Musee Guimet, Paris in 2002, Los Angeles County Museum of Art in 2003, and the Rubin Museum of Art in New York in 2010, this collection shines a fascinating light on Buddhist ritual art.Condition: Very good condition with some old wear, little creasing, few minuscule touchups, soiling. The frame with few scratches and nicks.Dimensions: Image size 30.8 x 24.2 cm, Size incl. frame 43.3 x 36.2 cmFramed behind glass. (2)Ra Lotsawa Dorje Drag (1016-1198), born in Nyenam, is one of the most controversial Buddhist teachers in Tibetan history. While today he is universally celebrated for being the great translator who brought the Yamantaka tantras to Tibet, he was thought of as a murderer and a proliferator of the dark arts during his lifetime. He allegedly murdered thirteen Lamas, among them the famous translators Gyu Monlam Dragpa and Go Lotsawa Kugpa Lhatse.Literature comparison:Compare a closely related thangka of Ra Lotsawa Dorje Drag from a private collection, illustrated on Himalayan Art Resources, item number 60628, and on the cover of Ra Yeshe Senge, The All-prevailing Melodious Drumbeat. The Life of Ra Lotsawa, Penguin Classics, 2015.十九至二十世紀初蒙古熱譯師多吉紮唐卡布面膠彩描金。熱譯師 - 多吉紮呈寂忿相，頭飾戴骷髏冠和氈帽，手施轉法輪印，成遊戲坐坐在虎皮上，身著紅藍相間的金色花卉紋長袍，膝蓋上有一個頭髮飛揚的頭顱；熱譯師張尖咧嘴，大眼圓睜；面前的祭桌上有一個一個頭骨碗和匕首。身後山地景觀、果樹、祥雲以及太陽和月亮。 款識：熱譯師胸前有 'Hum'字樣，祭桌上'Drapchen Sarpa Ralo Banza Pha Namo'。唐卡背面'Om Ah Hum Sawa Ha'。 來源：喜瑪拉雅藝術 Triay Collection收藏。Ian Triay是西班牙銀行業高管和不丹王國駐西班牙名譽領事。他積極參與了西班牙與不丹的建交以及兩國共同關心的項目。 歷時 40 年，Triay 系列著眼於不尋常和抽象的事物，是喜馬拉雅藝術的獨特組合。 許多藏品曾在 2000 年馬德里“La Caixa”基金會、2002 年巴黎吉美博物館、2003 年洛杉磯藝術博物館和 2010 年紐約魯賓藝術博物館的展覽中展出， 使佛教儀式藝術的迷人的光芒閃耀世界。該收藏的一個特別焦點是屍林主。 在藏傳佛教藝術傳統中，死亡和來世的象徵——收藏家特別著迷的一個領域——被用來提醒人們生命轉瞬即逝，我們必須行善。 品相：狀況極好，有一些磨損，輕微摺痕，小修補，汙漬。框架有劃痕和刻痕。 尺寸：畫面30.8 x 24.2 釐米, 總43.3 x 36.2 釐米 玻璃裝框 (2) 熱譯師，全名“熱羅·多吉紮”（1016-1198），又稱“熱羅雜瓦”，簡稱“熱羅”，是藏傳佛教偉大的佛學家、高僧、大成就者。文獻比較： 比較一件非常相近的私人收藏熱譯師多吉紮唐卡，見Himalayan Art Resources，編號60628；以及封面Ra Yeshe Senge，《The All-prevailing Melodious Drumbeat. The Life of Ra Lotsawa》，Penguin Classics，2015年。

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Galerie Zacke
Lot 4

A HUANGHUALI LOW TABLE, KANGZHUO, 17TH-18TH CENTURYChina. Superbly carved with the top panel set within a rectangular frame with a beaded 'ice-plate' (bingpanyan) edge above a shaped, beaded, and cusped apron, all raised on elegant cabriole legs carved with lion masks at the corners and terminating in claw feet, the wood of an attractive grain and color.Provenance: From the private collection of Jean-Pierre Rousset, acquired in the 1980s, and housed in his famous Parisian home ever since (see in-situ photograph). Jean-Pierre Rousset (1936-2021) was a French art dealer and the nephew of Robert Rousset (1901-1982), one of the most prominent pioneers of the Chinese art market in Paris. With no children of his own, Robert took his nephew Jean-Pierre under his wing and began grooming him to eventually take over the gallery. He loved to wander with Jean-Pierre through the gallery's exhibitions and storerooms, telling stories about each piece while cultivating his protege's eye. Jean-Pierre was also sent by his uncle to train with the great expert in Asian art and Robert's close friend, Michel Beurdeley, whose numerous publications are still commonly referenced today. When Robert passed away, his private collection was divided between Jean-Pierre and his sister, Anne-Marie, whose part was sold with great success after her death in 2019. Condition: Good condition with some wear and traces of use, expected minor age cracks, some with associated old fills, small chips, light scratches, the joints possibly reinforced.Dimensions: Size 96.5 x 59 x 29.5 cmExpert's note: Kang tables were typically used on top of a platform, kang, or a couch-bed or daybed. For a discussion on kang tables, see S. Handler, Austere Luminosity of Chinese Classical Furniture, Berkeley, 2001, pp. 169-171. See Wang Shixiang, Connoisseurship of Chinese Furniture: Ming and Early Qing Dynasties, vol. I, Hong Kong, 1990, pp. 48-52, for a discussion of different forms of kang tables.Auction result comparison: Type: Related Auction: Christie's Hong Kong, 31 May 2017, lot 3239 Price: USD 875,000 or approx. EUR 123,500 converted and adjusted for inflation at the time of writing Description: A Large Huanghuali Kang Table, Qing Dynasty, 18th CenturyExpert remark: Compare the closely related form, material, and size (94.3 x 63.5 x 25 cm)Auction result comparison: Type: Related Auction: Christie's New York, 19 March 2021, lot 742 Price: USD 37,500 or approx. EUR 37,500 converted and adjusted for inflation at the time of writing Description: A Huanghuali Kang Table, 17th Century Expert remark: Compare the related form, material, and size (104.7 x 67.6 x 32 cm). Note the related animal masks at the four corners.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK.十七至十八世紀黃花梨三彎腿炕桌中國。黃花梨三彎腿小炕桌，桌面拼板，矮束腰，桌面四周設有攔水線、冰盤沿，牙板為壺門之形，弧線圓轉自如。壺門中央處浮雕如意雲紋，兩側作卷雲紋。三彎腿，馬蹄外翻。牙板內緣起陽線，順延至腿足，隨之彎曲，至底端收卷為卷珠狀，與外翻馬蹄合為一體。 來源：Jean-Pierre Rousset收藏，購於上世紀八十年代，之後一直放置在他巴黎的家中 (見照片)。Jean-Pierre Rousset (1936-2021年) 曾是一位法國藝術經銷商，他的叔叔Robert Rousset (1901-1982) 是巴黎中國藝術市場最著名的開拓者之一。由於沒有自己的孩子，Robert把他的侄子Jean-Pierre置於其翼下，並培養他藝廊。他喜歡和 Jean-Pierre 一起逛藝廊和儲藏室，講述每件作品的故事，同時培養他的眼光。Jean-Pierre 還被他的叔叔派去師從亞洲藝術專家Michel Beurdeley，他也是Robert 的密友，他的眾多著作至今仍被廣泛引用。Robert去世後，他的私人收藏由Jean-Pierre和他的妹妹Anne-Marie平分，Anne-Marie的部分藏品在她於 2019年去世後成功售賣。 品相：狀況良好，有一些磨損和使用痕跡，年代裂痕、一些相關小修補、小刻痕、輕微劃痕，接縫可能曾加固過。 尺寸：96.5 x 59 x 29.5 厘米 專家注釋：炕桌一般會放置於炕上，詳見 S. Handler，Austere Luminosity of Chinese Classical Furniture，Berkeley，2001，169-171頁；見王世襄 《明式傢俱研究》，第一冊，香港，1990年，頁48-52。 拍賣結果比較： 形制：相近 拍賣：香港佳士得，2017年5月31日，lot 3239 價格：USD 875,000（相當於今日EUR 123,500） 描述：清十八世紀黃花梨炕桌 專家評論：比較非常相近的外形，材料和尺寸(94.3 x 63.5 x 25 厘米)。Ɏ: 此物品含有象牙、犀牛角、龜甲，或某些類型的熱帶木材，出口到歐盟之外需要申請CITES證書。此類物品通常無法出口到歐盟以外的國家，包括英國。

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Stride & Son
Lot 378

A Continental white metal novelty 'samovar' table lighter, stamped 'AM 830', 9cm high.

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Stride & Son
Lot 381

A Continental white metal pheasant table ornament, stamped 'VR', 17cm.

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Stride & Son
Lot 390

A Victorian silver fiddle and thread table spoon, by George Whiting, London 1859, 85g.

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Stride & Son
Lot 400

A quantity of Georgian and later silver fiddle pattern cutlery, comprising ten table spoons; six table forks; six dessert spoons and seven dessert forks, 1716g.

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Stride & Son
Lot 429

A silver novelty salmon table ornament, by Alwyn Carr, London 1929, 13cm, 36g.

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Stride & Son
Lot 432

A silver novelty lighthouse table lighter, by Grey & Co, Chester 1911, stamped retailers mark 'W Thornhill & Co, 44 New Bond Street', 13.5cm high, (a.f).

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Stride & Son
Lot 454

A Victorian silver '30th (Cambridgeshire) Regiment of Foot' table bell, by Mappin & Webb, London 1899, engraved presentation inscription, 12cm diameter, (a.f).

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Stride & Son
Lot 459

Three silver mounted dressing table items; and six silver handled items. (9)

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Stride & Son
Lot 468

A silver lidded glass preserve jar, by Hukin & Heath Ltd, Birmingham 1911, 11.5cm high; together with a silver five piece dressing table set. (6)

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Stride & Son
Lot 469

A silver three piece dressing table set, by Albert Carter, Birmingham 1963/4; together with a silver lidded cut glass circular bowl. (4)

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Stride & Son
Lot 471

An American white metal five piece dressing table set, stamped 'Sterling'.

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Duke's
Lot 14

AN INDIAN HARDWOOD OCCASIONAL TABLE the later ebonised top on a geometrically moulded and tapered column, the column possibly 17th century, 66cm high x 39cm wideProvenance: The Christopher Hodsoll Collection.

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Duke's
Lot 18

A FINE GEORGE III STYLE THREE PILLAR MAHOGANY EXTENDING DINING TABLE early 20th century, 76cm high x 122.5cm wide x 275cm long, with two additional leaves each measuring 45.5cm wideProvenance: The Christopher Hodsoll Collection.

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Duke's
Lot 19

A MAHOGANY AND CHROMED METAL SHIP'S TABLE 20th century, the oval top on a tapered column, with stepped pedestal base, 75cm high x 109cm wide x 70cm deepProvenance: The Christopher Hodsoll Collection.

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Duke's
Lot 232

A GEORGE III LIMED OAK SIDE TABLE late 18th/early 19th century, the single frieze drawer above a carved apron, on moulded block legs, 72cm high x 82cm wide x 58cm deep

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Duke's
Lot 237

A MAHOGANY COMBINED TEA AND CARD TABLE 19th century, the triple fold top opening to a plain surface, and then a green baize lined surface, on moulded and tapered legs to stepped feet, 75cm high x 83cm wide x 40cm deep

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Duke's
Lot 240

A PROVINCIAL ELM CHILD'S CHAIR 19th century, with bent wood rail above a block seat, designed for using at the kitchen table, 34cm high x 33cm wide

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Duke's
Lot 251

A WHITE-PAINTED INDIAN CENTRE TABLE 20th century, with heavily carved and pierced undulating frieze, on a similarly ornate stem, and four legs in the form of mythical beasts, 65cm high x 114cm wide

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Duke's
Lot 252

AN EDWARDIAN MAHOGANY EXTENDING DINING TABLE 20th century, the cross banded and satinwood strung top over a conforming frieze, on tapered block legs to spade feet, 71.5cm high x 144cm wide x 152cm long, together with seven leaves, the largest 65cm wide, the leaves all contained in a mahogany leaf holder, 156cm high x 38cm wide x 77cm deep

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Duke's
Lot 254

A GEORGE II MAHOGANY DROP LEAF DINING TABLE 18th century, the oval top on tapered legs to pad feet, 70cm high x 126cm wide x 143cm long (fully extended)

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Duke's
Lot 261

AN OAK CREDENCE TABLE IN JACOBEAN TASTE 20th century, with carved and moulded frieze, on turned legs, 76cm high x 81cm wide x 41cm deep

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Duke's
Lot 269

A GEORGE III STYLE MAHOGANY SOFA TABLE 20th century, with two short frieze drawers to one side, on fluted legs to brass toes and castors, 85.5cm high x 87cm wide (flaps down)

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Duke's
Lot 270

A WHITE-PAINTED AND MARBLE TOPPED CONSOLE TABLE 20th century, the frieze affixed with mirror plates, on heavily carved cabriole legs to pad feet, 74cm high x 121cm wide x 54cm deep

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Duke's
Lot 272

A GEORGE III MAHOGANY TRIPOD TABLE 18th century and later, on turned stem to downswept legs and pad feet, 65.5cm high x 73.5cm wide

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Duke's
Lot 281

A PAINTED AND PARCEL-GILT OCCASIONAL TABLE late 19th/early 20th century, decorated in the chinoiserie style with figures in a landscape, on cabriole legs and pad feet, 40cm high x 70cm diam.

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Duke's
Lot 298

A WILLIAM IV ROSEWOOD TRIPOD WINE TABLE the top moulded with gadrooned edge, raised on tri-column support, bearing label 'C Hindley & Sons' to the underside, 73cm high

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Duke's
Lot 306

A WALNUT AND GLAZED TABLE CABINET 20th century, the pierced and carved gallery decorated with flowers and foliage, with two shelves within, 65cm high x 83cm wide x 32cm deep

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Duke's
Lot 311

A REGENCY MAHOGANY DROP LEAF WORK TABLE with twin drop flaps, fitted single drawer, on twin turned end supports and splayed legs with brass paw caps and casters, 72cm high x 74cm wide x 43cm deep

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Duke's
Lot 60

A PAIR OF EBONISED AND GILT METAL MOUNTED COLUMNAR TABLE LAMPS 20th century, with Corinthian capitals, on stepped bases, both shades damaged, each 62cm high (2) Provenance: The Christopher Hodsoll Collection.

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Duke's
Lot 64

TWO BRASS TABLE LAMPS including a regency style example, 20th century, with a broken foot, 58cm high, and another similar on a stepped plinth base, 55cm high (2)Provenance: The Christopher Hodsoll Collection.

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