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Lot 230

Liberty & Co., a Moorish style walnut two tier occasional table, the rectangular top above mosharabi panels raised on turned and square section supports, Liberty ivorine label to underside and part of the original paper trade label 61 x 71 x 42cm (24 x 28 x 16in)

Lot 243

An Art Nouveau oak side table, the rectangular top above a secondary tier and stretchers united by four floral marquetry panels 67 x 76 x 60½cm (26 x 30 x 23in)

Lot 241

Charles Rennie Mackintosh (1868-1928), an oak dining chair from the Argyle Street Tea Rooms, Glasgow, 1898-99, stained oak, with slat-back and eliptical handle, re-upholstered drop-in seat 103 x 54 x 48cm (40 x 21 x 19in) Literature: Charles Rennie Mackintosh: The Complete Furniture, Furniture Drawings and Interior Designs, Roger Billcliffe, Lutterworth Press 1979 (1st Edition), pp 48, no 1897.26. Taking Tea with Mackintosh: The Story of Miss Cranstons Tea Room, Perilla Kinchin 1998, published Pomegranate Communications Inc, plate 9, page 30. The Studio 1906 XXXIX pp31-36 Other Notes: Charles Rennie Mackintosh (1868-1928), the famous Scottish architect, designer and artist is best known particularly for his work in and around Glasgow. From 1897-1912 he was commissioned by Miss Catherine (Kate) Cranston to design four different teas room in Glasgow. Miss Cranston was the daughter of a tea merchant and strong believer in temperance. She developed the idea of "art tearooms" where people could meet to drink non- alcoholic drinks in buildings designed with a strong modern aesthetic. They quickly caught on as a place to go: Edwin Lutyens described his visit in 1898, going straight from the train to "these queer funny rooms", for a breakfast "of tea, butter, jam, toasts, baps and buns - 2 sausages, 2 eggs - all for 1/1d - so clean. Most beautiful peonies on the breakfast table". He described Miss Cranston as "a dark, busy, fat, wee body with black sparky luminous eyes". Mackintosh, together with George Walton, was commissioned by Miss Cranston to design and re-style the tearooms creating a number of different rooms within each building. Mackintosh designed the furniture in the Argyle Tearooms and it was here his trademark high back chairs were first seen. This chair, with its curved top rail was used at the tables at the end of the Luncheon Room. The bold, sturdy functionality of these chairs date them to c1897-1899. There are no existing drawings of the furniture designed for the ground floor rooms but the chairs can be seen in the contemporary photos taken in April 1897 and illustrated in the The Studio 1906 and reproduced in Roger Billcliffe Charles Rennie Mackintosh: The Complete Furniture. The cross-bar design was re-used in his more famous oval back chairs which were also placed in the Argyle Luncheon Room. A similar design to this chair was subsequently used in his famous Ingram Street Tea Room with two slats rather than the three used here. Variations to this chair exist with a different shaped hand-hole; some kidney shaped and others, such as this chair, elliptical. It is thought some were commissioned by Miss Cranston as replacements for damaged chairs and not made to Mackintosh's supervision. See Christie's Important 20th Century Decorative Art & Design, 15 December 2010, Lot 320, Sold for $12,500 including premium (approx £9,500).

Lot 177

A Dunhill Aquarium table lighter, the lucite panels decorated with fish and aquatic foliage 8 x 10cm (3 x 4in) The lucite (perspex) panel decorated with fish underwater was created using the reverse intaglio technique. This engraving technique carves into the back of the perspex which is then hand painted to produce a "3D" effect. It was a popular technique during the 1940s and 1950s but few artists today have the knowledge and ability to produce these works making them a unique and collectable art form.

Lot 298

A contemporary bent plywood and pink glass console table, the rounded rectangular top on tapering shaped legs 82 x 135 x 35cm (32 x 53 x 14in)

Lot 251

A 1920's limed oak metamorphic table/chair, the rectangular top sliding and tilting to form the chair back, with chip carved edges, the arms with radial carving 55 x 53 x 53cm (21 x 21 x 21in)

Lot 175

An Art Deco shagreen cigarette box, with ivory stringing to base and ivory clasp, together with another smaller shagreen box, a shagreen three-piece dressing table set, a shagreen paper knife and a modern faux shagreen card box (7)

Lot 262

An Art Deco burr maple coffee table, possibly by Epstein, the shaped rectangular top on four swept legs with secondary tier below 47 x 104 x 43cm (18 x 41 x 17in)

Lot 271

A 1960's Danish rosewood table, probably by J. L. Moller, the circular top raised on four tapering square section legs 59 x 105cm (23 x 41in)

Lot 361

§ William Scott (British, 1913-1989) Table top still life signed lower left "W Scott" gouache 26 x 37cm (10 x 14in) Provenance: Given by William Scott to the sculptor William Redgrave (1903–86); (Bill) Redgrave and his wife Mary in St. Ives, Cornwall; sold by Mrs Mary Redgrave to the present owner's mother, and thence by descent Other Notes: William Scott was born at Greenock, Scotland and studied at Belfast College of Art and later at the Royal Academy between 1831 and 1935. His time spent in France in the late 1930s inspired him to paint still lifes which were more traditional than his table top still lifes of the 1950s, which saw him working in a more abstract manner. Whilst serving in the Army from 1942 to 1946 Scott painted watercolours of soldiers and the local landscape. Scott returned to painting in earnest in 1946, concentrating on still-lifes of pots and saucepans, eggs, fishes and bottles on a bare kitchen table - simple objects chosen for their contrasting shapes. In original frame and mount, with some browning round the mount.

Lot 292

A Contemporary glass topped dining table by Cattelan Italia, the rectangular top supported on an angular chrome base with variegated black marble disc, together with a set of eight Frag Zanzibar black leather and chrome dining chairs (9) 75 x 220 x 100cm (29 x 86 x 39in) 75 x 220 x 100cm (29 x 86 x 39in) Provenance: According to the vendor, this set was originally purchased from Harrods in 2008 for £9,920

Lot 276

Gordon Russell of Broadway, a walnut coffee table, the rectangular top supported on four tapering square section legs, label to underside 39 x 122 x 45cm (15 x 48 x 18in)

Lot 260

Fischel, Czechoslovakia, an Art Deco exotic timber two-tier occasional table, the oval tiers to four rectangular section legs, paper label to underside 54 x 60 x 57cm (21 x 23 x 22in)

Lot 208

An Art Deco table lamp, the chromed fluted column to a stepped circular foot with pale green glass shade 32cm (12in)

Lot 149

A WMF Art Nouveau electroplated figural table mirror, modelled as a partially draped maiden holding a pivotted circular mirror aloft, stamped marks 50½ x 27cm (20 x 11in)

Lot 261

An Art Deco walnut occasional table, the rounded rectangular top raised on U-end supports united by a stretcher below 50 x 57 x 48cm (20 x 22 x 19in)

Lot 299

After Norman Foster, a glass topped coffee table, the rectangular top supported on angled black powder coated steel and chromed rod base 43 x 70cm (17 x 27in)

Lot 259

A 1930's Art Deco walnut folding occasional table, the circular top above two folding demi-lune tiers and shaped foot 76cm (30in)

Lot 296

Julian Chichester, a mirrored verre églomisé and antiqued silver leaf 'Temple' dressing table and stool, the rectangular top above three frieze drawers 77 x 129 x 61cm (30 x 50 x 24in)

Lot 210

After a design by Jean-Michel Frank, a wrought iron table lamp base, consisting two off-set iron plates with black painted finish, unmarked 28 x 21cm (11 x 8in)

Lot 48

Jean Luce, (French, 1895-1964), a grey glazed twin branch ceramic table light, printed marks, together with an enamelled glass carafe decorated with floral design, painted marks and a deep cut and etched glass tray with shell motifs, etched mark (3)

Lot 250

An Art Deco burr walnut dressing table, the mirror back above a rounded rectangular top with two frieze drawers supprted on two square section and two rounded legs 131 x 74 x 45cm (51 x 29 x 18in)

Lot 33

A Seguso glass easel back table mirror, circa 1950, the twisted clear glass frame with brass strut support and fluted brass mount, together with a Gino Cenedese style glass aquarium tile (2) 33½ x 26cm (13 x 10in)

Lot 253

An Art Deco walnut occasional or lamp table, the circular veneered top raised on four bowed supports and circular underteer 45 x 47cm (18 x 18in)

Lot 274

A nest of three Nathan teak tables, the rectangular tops on curving cross over end supports, original trade label to underside, together with a Danish teak coffee table with ladder undertier (2) 51 x 61 x 43cm (20 x 24 x 17in)

Lot 273

Vejle Stole-og Møbelfabrik, a Danish teak metamorphic draw leaf coffee and dining table, the rise and fall rectangular top with two draw leaves and a second tier below, trade label to underside 67 x 123 x 54cm (26 x 48 x 21in)

Lot 283

A mid-20th century glass topped gilt metal faux bamboo occasional table, the circular top supported on a 'bound' tripod base with sprouting foliage 45 x 62cm (18 x 24in)

Lot 252

An Art Deco walnut occasional or lamp table, the quarter-veneered top raised on four supports with a straight grain underteer, bearing utility stamp to the underside 47 x 50 x 50cm (18 x 20 x 20in)

Lot 106

After Harry Bertoia (American, 1915-1978), a table top 'Spray' sculpture, steel and wire on a square plinth base 77½cm (30in)

Lot 54

*Mixed silver. Three long glass vases, each cut with floral decoration on sterling silver 'Duchin' bases, 25 cm high, together with eight glass coasters, each with white metal rim, 9.5 cm diameter, a sterling silver table lighter and other items (12)

Lot 208

*Mirror. A late 18th-century walnut dressing table mirror with brass vase finial, the rectangular glass on a single drawer base, 57cm high together with an Edwardian pottery mantel clock, with circular white enamel dial, black roman numerals steel hands, 26cm high (2)

Lot 161

*Table linen. A collection of assorted table linen, haberdashery, and needlework items, mostly early to mid 20th century, including table cloths, napkins, handkerchiefs, doilies and mats, an early 20th century patchwork quilt, lace trimmings, embroidery silks, etc., with examples of damask, whitework, drawn threadwork, lace and crochet, embroidery, monograms, etc., various sizes and condition (2 cartons)

Lot 475

An oak oval side table with cabriole legs 75 x 45 x 76cm

Lot 61

A Poole Pottery oven to table ware part dinner service of cream and bown design including various plates and cups together with a glass condiment tray with five sections

Lot 145

A carved icon of the Virgin Mary together with a table top bookshelf (2)

Lot 88

A table top metal specimen cabinet, black painted with metal handles and label holders 39 x 25 x 33cm

Lot 493

An Art deco style console table with curved legs and under shelf on bun feets 60x37x56cm

Lot 413

A painted pine side table with rectangular top over two short drawers with round handles on turned legs 102cmW

Lot 513

An oak drop leaf dining table on barley twist legs 106 x 150 x 73cm

Lot 392

An oak draw-leaf dining table with a central fluted stretcher and carved supports, 114 x 72 x 72cmwithout extension

Lot 412

An oak oval gate leg dining table on barley twist legs 106cmW

Lot 383

A pine side table comprising of two drawers and a shelf 110 x 45 x 45cm

Lot 382

A mahogany gate leg side table on turned legs 60cmW

Lot 440

A pine kitchen table with two short drawers on turned legs 90 x 137cm

Lot 484

A Woven rope foot stool 22 x 30 x 23 cm together with a small wooden table, top painted cream with rounded corners on four square legs painted blue 44 x 61 x 37 cm

Lot 368

A gilt demi lune console table with foliate carved design on carved cabriole leg 60cmW

Lot 470

A mid century style drop leaf small kitchen table 60cmW

Lot 478

A pair of modern pine bedside table with three drawers with round handles on pedastel base 60 x 38 x 29cm

Lot 394

A modern hall/side table with metal base of foliage design with wooden top with glass panel and undershelf 110 x 30 x 86cm

Lot 409

A Stag bedside table with drawer and brass drop handle on square tapered legs

Lot 472

A pine kitchen table with drop leaves and pull out supports 122cmL

Lot 473

A Victroian pine kitchen table with rectangular top over end drawer with round turned handle, on square tapering legs 122 x 79cm

Lot 395

A bar table in the form of a pair of mannequin legs clothed in black tights and a black mini skirtm the top decorated with skulls, 108cmH

Lot 429

A white painted Coalbrookdale style metal garden table and four chairs 105cmD

Lot 474

A Victorian pine side table with three short drawers on turned legs (af) 140 x 54 x 75cm

Lot 379

A pine side table on turned legs 61 x 46cm together with a smaller side table with carved legs

Lot 250

An Edwardian style glass beads flush ceiling lamp 25cm drop and 35cm diameter together with a table lamp with shade made of a porcelain vase with golden floral loop handle

Lot 22

A selection of Silver plated items including a sugar bowl and milk jug with applied swan handles on scrolling feet with engraved decorations,a coffe pot from James Dixon and son Sheffield of similar design, two sugar sifter spoons one with a mother of pearl handle and the other with a commemorative portrait made for the coronation in 1937 of King George VI and Queen Elizabeth, a cold meat fork with repousse handle, a silver plated table crumb pan with ivorine handle, an ear/tooth pick in white metal case together with a Victorian Sewing Hem Gauge Button Hole Knife Brass with retractable blade

Lot 205

*Dining Table. A late Victorian mahogany dining table, the top with rounded corners, three additional leaves, brass catches on turned supports with brass and ceramic castors, 76cm high x 220.5cm fully extended (1)

Lot 97

*Table cabinet. A late 19th-century Continental table cabinet in the Renaissance style, of architectural form inset with seventeen enamel panels to the exterior finely painted with classical scenes, four enamel columns each with brass putto with grapes or playing the cymbal's, the two doors enclosing inner enamel panels plus three drawers each inset with an enamel panel, 23cm high x 20cm wide x 18cm deep (would benefit from restoration) (1)

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