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A late 19th century mahogany and gilt metal mounted circular centre table by Morison & Co., of Edinburgh the crossbanded top of undulating outline, radially veneered in plum pudding figured panels within a beaded rope twist edge, the frieze with spiral twist bound edge, on cabriole legs headed by cherub masks with trailing husks and leaf scrolls at each angle, on turned feet united by a cross stretcher with central foliate boss, stamped under the frieze rail: MORISON & CO. EDINBURGH, A5870
A 19th century yellow japanned table cabinet with figural chinoiserie decoration, the hinged lid enclosing a lined compartmented interior, over two cupboard doors, opening to reveal three drawers, raised on embossed brass bracket feet; together with mother of pearl, stained and natural bone gaming counters 29cm wide, 28cm high, 25cm deep
A 17th century Spanish walnut refectory table the plank top with cleated end rails above four spirally turned and splayed legs on turned feet united by scalloped and tablet carved stretchers joined by a pair of wrought iron wrythen twist under braces 130cm wide, 80cm high, 84cm deep
A late 17th century oak refectory dining table the rectangular top composed of four well-figured planks with cleated ends, the frieze with shaped corner frets enclosing a pair of frieze drawers with turned handles, on square section legs with chamfered corners united by stretchers 164cm wide, 85cm high, 78cm deep
A walnut and crossbanded foldover games table, circa1910 in the George II manner the re-entrant cornered top enclosing a baize inset and counterwells above a concertina action frieze on front acanthus leaf carved cabriole legs and rear lappet carved tapering legs ending in pad feet 71cm wide, 72cm high, 37cm deep
A late 18th century French walnut, satinwood and tulipwood marquetry petit table the tray top decorated with books and a quill pen above a fitted frieze drawer, the sides decorated with vases, teapots and jardinieres, on square tapering legs headed by 'guttae' capitals on gilt metal capped feet 58cm wide, 68cm high, 38cm deep
A large mahogany partners' library table In the manner of Thomas Chippendale the rectangular top with gilt tooled burgundy skiver above a fluted and swag-carved frieze with a pair of arched central drawers above substantial wreath-carved pedestals, each with twin lion mask and husk carved pilaster uprights and enclosing folio racks, ending in hairy paw feet, the sides similarly carved and decorated (20th century) 200 cm wide, 83 cm high, 125 cm deep Note: This design is based upon Chippendale's celebrated 'Mahogany Library Table' made for Sir Rowland Winn at Nostell Priory in 1767. Literature: Ralph Edwards, The Dictionary of English Furniture (Antique Collector's Club:1954), p.251, fig.24
Two 18th century 'Grand Tour' veneered marble table tops one in quarter veneered agate-coloured marble with central oval verde and ochre veined panel, 123cm wide, 4.5cm high, 61cm deep, the second example match veneered in verde antico with a considerable area of lost veneer (each in distressed condition and requiring restoration) (2) 122.5cm wide, 4cm high, 61cm deep Privenance: Sothebys Castle Howard Sale 11th-13th November 1991, lot 46.
An 18th century 'Grand Tour' marble table top possibly a souvenir from Pompeii, the rectangular slab painted with an oval medallion depicting a Classical Romanesque scene, in the manner of murals at Pompeii but of an 18th century date, within its original softwood packing case with iron loop handles Provenace: Christies Nostell Priory Sale 30th April 1990 , lot 179.
A modern silver King's pattern table service, by J B Chatterley & Sons, Sheffield, 1973-1975, comprising; twenty-four table forks, (1975), twenty-four dessert forks (1974), twenty-four fish forks (1975), twenty-four dessert spoons (1975), twenty-four soup spoons (1975) twenty-four teaspoons (1974), twenty-four coffee spoons (1975), eight table spoons (1973), twenty-four fish knives (1975), twenty-four steel bladed silver handled table knives (1975), twenty-four matching cheese knives (1975), two three-piece carving sets (1975), all contained in two matching polished walnut canteen cases, 346oz excluding table knives, cheese knives and carving sets (254 pieces)
A matched service of 19th and 20th century silver fiddle and thread pattern flatware, comprising: eleven tablespoons (eight by Elizabeth Eaton, London 1845/54; two by William Eaton, London 1845/60; one by Hayne & Cater, London 1855); fourteen table forks (twelve by D & J Welby, London 1898; two indistinct, London 1842/43, crested); twelve dessert forks (ten by D & J Welby, London 1898; two by Elizabeth & John Eaton, London 1858); fourteen dessert spoons (six by Elizabeth Eaton, London 1851/53/54; four by Francis Higgins & Sons, London 1926; three by William Eaton, London 1833/41; one by Thomas & Walter Slater and Henry Holland, London1899), 120.5oz, also five electroplate tablespoons to match (56)
A silver service of King's pattern flatware, by Robert & Belk, Sheffield 1976, comprising; four tablespoons, twelve table forks, twelve dessert spoons, twelve dessert forks, twelve soup spoons, twelve teaspoons, twelve table knives (steel bladed with hollow silver handles, maker mark FB) and twelve matching cheese knives, 125oz excluding knives (88)
A Victorian blond oak breakfast table, circa 1850, stamped 'HOLLAND & SONS', the locking mechanism to the snap top stamped 'COPE & COLLINSON', 74cm (29in) high, 122cm (48in) diameter. Holland and Sons was founded in 1803 by William Holland (fl.1803-43) and Stephen Taprell (d.1847). Originally called Taprell & Holland, the firm of cabinetmakers and upholsterers was one of the largest and most prominent of the 19th century. They undertook many commissions from both the Royal Family and the British Government including Windsor Castle and the Palace of Westminster; the furniture designs for which were by Pugin, John Webb and Gillow. They worked in such revivalist styles as Gothic, Louis XV and XVI and Renaissance. They also showed at many of the important exhibitions of the 19th century including the Great Exhibition of 1851 and the Paris exhibition of 1855 in which they displayed a cabinet designed by noted German architect Gottfried Semper who sought to combine the French manner with the English character in his piece
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1181627 item(s)/page