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Lot 1154

A George III turnover top card table, with crossbanded edge, opening to a baize lined interior, with recessed frieze being boxwood and ebony strung and raised on four tapered legs of square section with latticework inlay and with spade feet. Width 36 ins.

Lot 1160

A Georgian mahogany oval dining table, with twin drop flaps and raised on legs of tapered circular section terminating in pad feet. Width 56 ins, length extended 59 ins.

Lot 1164

An Edwardian inlaid mahogany turnover top card table, boxwood strung and raised on tapered legs of square section terminating in spade feet. Width 30 ins.

Lot 1166

A Victorian mahogany breakfast table, circular, with moulded edge and tilt action, raised on a turned column with downswept legs terminating in scroll feet and castors.

Lot 1169

A mahogany writing table, fitted with two drawers stamped "Holland & Son", with later top.

Lot 1190

A George III mahogany turnover top tea table, with moulded crossbanded edge, with recessed frieze with centre blind tablet with latticework inlay, flanked by geometric designs and raised on four tapered legs of square section. Width 38 ins.

Lot 1196

A Regency mahogany Gillows style Pembroke table, each flap with moulded edge and rounded corners supported by a recessed frieze fitted with a single end drawer and raised on turned tapered reeded legs terminating in brass capped castors. Width 32.5 ins, depth 20 ins (see illustration).

Lot 1197

An Acornman oak coffee table, rectangular, with Adzed top, faceted supports, centre stretcher and angled feet.

Lot 113

A 19th century Worcester basket weave vase, converted to a table lamp, twin handled and with branch for feet. Height 8 ins.

Lot 425

A cased dressing table set, silver backed, comprising two brushes and mirror, Birmingham mark 1957.

Lot 429

A table cigarette box, Birmingham 1934. Width 5.25 ins.

Lot 460

A collection of silver mounted and topped dressing table accessories, comprising two hair tidies, two scent bottle mounts, five glass accessories with silver lids and pin cushion, early 20th century.

Lot 470

A table cigarette box, engine turned and monogrammed to lid, dated June 1935, Birmingham mark 1934. 512 grams gross, width 6.25 ins.

Lot 579

A table top Meccano display case, shop fitting.

Lot 603

A pair of American Regency style table lamps, each with egg and dart moulded sconce above a fluted column and raised on three angled legs with lions paw feet with triform base beneath. Overall height 30 ins.

Lot 857

An Edwardian mahogany two tier circular table centre, with knopped centre support and raised on three feet. Diameter 12 ins.

Lot 862

A Victorian mahogany table cabinet, in the form of a cupboard, opening to an interior fitted with a shelf and four short drawers, flanked by flat pilasters and raised on bracket feet. Width 18 ins.

Lot 889

A George III mahogany serpentine fronted dressing table mirror, fitted with three drawers with brass drop handles, the serpentine base with crossbanded edge and rounded corners, the oval bevelled mirror supported by carved and shaped supports. Width 18.5 ins.

Lot 915

A Regency mahogany turnover top card table, the rectangular top with rounded corners, with birds eye maple crossbanding, boxwood and ebony stringing opening to a baize lined interior, the frieze with centre birds eye maple panel and boxwood and ebony stringing, raised on flat pilasters with quatreform base and stepped downswept feet being boxwood strung and terminating in brass lions paw castors. Width 36 ins (see illustration).

Lot 916

A George III oak drop leaf gate legged dining table, oval, with single frieze drawer with brass drop handle, raised on turned legs united by stretchers and raised on stile feet. Width 52.5 ins, length 63 ins (see illustration).

Lot 918

A late Victorian Pugin style centre table, oak, octagonal, with well figured centre panel and crossbanded edge, raised on foliate carved and turned supports with cross stretchers beneath, chamfered and raised on block feet with foliate carving. Width 44 ins.

Lot 919

A Victorian mahogany wind out dining table, with one leaf, the rectangular top with moulded edge and rounded corners supported by a recessed frieze and raised on turned tapered reeded legs terminating in brass capped ceramic castors. Width 40.5 ins, length extended 58 ins.

Lot 920

A late Victorian mahogany extending dining table, with single leaf, the rectangular top with moulded edge and canted angle with recessed frieze, supported by four turned tapered legs terminating in castors. Width 41.5 ins, length including leaf 64 ins.

Lot 922

An Edwardian inlaid mahogany wind out dining table, with recessed frieze, raised on four tapered legs of square section terminating in spade feet and castors. Length with leaf 60 ins.

Lot 924

A George III mahogany tripod occasional table, the circular top with snap action to gun barrel support, with three downswept legs terminating in pad feet. Diameter 30.5 ins.

Lot 932

A large late Victorian mahogany extending dining table, with wind out action and complete with three leaves, each end with rounded corners, with recessed frieze. Width 48 ins, length extended 120 ins (see illustration).

Lot 934

An Edwardian inlaid mahogany occasional table, circular, boxwood strung and veneered in segments, with recessed frieze and raised on legs of tapered section united by a raised shelf. Diameter 22 ins.

Lot 947

A 19th century mahogany Pembroke table, the well figured top with drop flap to either side with moulded edge and rounded corners supported by a recessed frieze with drawer with wooden knob handle and cockbeading and with opposing dummy drawer and raised on turned tapered legs. Length 34.5 ins.

Lot 962

A Victorian walnut turnover top card table, the rectangular top with moulded edge and rounded corners above a recessed frieze, with four turned supports beneath with centre raised boss and four downswept incised and scroll carved legs. Width 36 ins.

Lot 963

A Regency/William IV rosewood games table, the centre top sliding and turning to reveal a chessboard and set between kidney shaped compartments for accessories, with flat pilasters to either end and raised on shaped supports with bun feet. Width 35 ins.

Lot 965

A Victorian mahogany games topped sewing table, of shaped outline with frieze drawer, sliding bag, pierced end supports united by a raised carved stretcher and with downswept scroll legs. Width 23 ins.

Lot 973

A George III mahogany circular occasional table, with swivel top to turned column, with three downswept moulded legs terminating in brass castors. Diameter 24.5 ins.

Lot 986

A Victorian oak extending dining table, with two leaves and wind out action, the rectangular top with chamfered and canted angles supported by a recessed frieze and raised on four foliate carved turned fluted legs terminating in ceramic castors. Width 48 ins, length extended 102 ins (see illustration).

Lot 990

A large Victorian mahogany circular breakfast table, with centre faceted column and three downswept foliate carved legs terminating in scroll feet. Diameter 60 ins.

Lot 1013

A Victorian mahogany satinwood banded turnover top games table, with green baize lined playing surface, with recessed shaped frieze and raised on turned and stylised tulip centre column with quatreform base raised on lobed and turned feet. Width 36 ins.

Lot 1021

A Victorian mahogany rectangular breakfast table, the rectangular top with moulded edge with snap action to turned column with four downswept legs terminating in scroll feet. Width 41 ins, length 46 ins.

Lot 1024

A Victorian mahogany stretcher table, of shaped outline with moulded edge and turned supports with centre stretcher and raised on four foliate carved downswept legs terminating in castors. Width 35 ins.

Lot 1027

A Victorian walnut occasional table, of shaped outline, with chessboard top and raised on a turned and fluted column with three foliate carved scroll legs. Diameter 21 ins (see illustration).

Lot 1035

An Edwardian inlaid mahogany square occasional table, with centre foliate motif, boxwood and ebony strung and satinwood banded edge, raised on four tapered legs of square section united by a raised circular centre shelf. Width 16 ins.

Lot 393

Oval glass dressing table pot with silver top, London 1928 and a cylindrical glass pot with silver top, Chester 1920.

Lot 458

Twentieth century drum side table with one drawer and five dummy drawers, leather insert to top, standing on centre pedestal. 60cm diameter.

Lot 467

Twentieth century reproduction rent table with leather insert top, hand painted flower decoration to top and base, in need of renovation, 152 cm diameter.

Lot 468

Round mahogany tilt top side table on turned centre column and three splayed legs, 45cm diameter.

Lot 469

Oval tilt top side table on turned centre column and three splayed legs. Maximum top diameter 56cm.

Lot 447

An Edward VIII silver and green enamel mounted Dressing Table Set Birmingham 1936 in case and a silver mounted Brush

Lot 461

Pair of George III Table Spoons fiddle pattern engraved initials London 1798 maker: G.S.

Lot 462

Five George III Table Spoons old english pattern engraved initials London 1807 maker: I.H.

Lot 539

A Continental 800 standard silver Canteen of Cutlery with rococo pattern by Martin Meyer engraved initial S in oak cabinet with hinged lid above seven drawers viz: 12 table spoons 12 dessert spoons 12 jelly spoons 12 teaspoons 12 coffee spoons 11 dinner forks 12 dessert forks 12 fish knives and forks 12 dinner knives 12 dessert knives pair of fish servers 2 butter knives 4 serving spoons 2 sauce ladles 2 large serving spoons

Lot 552

Four Victorian Table Spoons fiddle pattern engraved crest London 1863 maker: G.A. 10oz

Lot 568

Pair of Victorian Table Spoons old english pattern London 1853 another fiddle pattern and two Dessert Spoons fiddle pattern 9oz

Lot 27

CHARLES RENNIE MACKINTOSH (1868-1928) (ATTRIBUTED TO) OAK DOMINO TABLE, CIRCA 1897 the circular planked top above a lower lobed tier, linked by four curved and tapering supports, linked by a corresponding circular tier below 44cm diameter to top, 77cm diameter, 67cm high Literature: The Studio, XI, 1897, p. 230. Billcliffe, Roger, `Charles Rennie Mackintosh: The Complete Furniture Drawings & Interior Designs`, Moffatt 2009, page 44, illus. 1897.7 & 8 Note: The design of this table appears to be an amalgam of scale drawings produced by Mackintosh for a domino table circa 1897 and held by Glasgow University, and a table photographed by the Studio magazine in the same year. The measurements of the current lot are broadly similar to the scale drawing, however there are certain differences, namely the shape of the lover tier has a more pronounced lobed shape and the pierced tear shape of the supports does not continue under the base tier. The example illustrated in the Studio of 1897 also demonstrates differences from the drawing including thicker leg supports and angled brackets under the circular top (also shared by this example). It is also not clear if the pierced tear shape continues under the base tier. According to Billcliffe the appearance of the example in the Studio rules it out from being included in the Argyle Street scheme and no images of a domino table appear in photos of Buchanan Street. It may have been a prototype or special commission however it remains untraced.

Lot 64

GEORGE WALTON (MANNER OF) SATIN BIRCH EXTENDING DINING TABLE, CIRCA 1910 the rectangular top above a panelled frieze to each side, and centred by cut-out heart decoration, the whole raised on square legs, two additional leaves 110cm wide, 74.5cm high, 124cm long (closed), 234cm long (extended)

Lot 65

ERNEST ARCHIBALD TAYLOR (1874-1951) FOR WYLIE & LOCHHEAD, GLASGOW MAHOGANY BEDROOM SUITE, CIRCA 1900 comprising a wardrobe, the projecting cornice above a frieze carved with Glasgow roses in bas relief, above two central doors each inset with two stained and leaded glass panels depicting Glasgow roses, over two short over two long drawers and flanked by mirrored doors raised on a plinth base, 222cm wide, 64cm deep; also a MATCHING WASHSTAND, with tiled rectangular top above twin panelled doors with corresponding carved Glasgow roses, 121cm wide, 77cm high, 56cm deep; a BEDSIDE CABINET, with three quarter gallery above a single panelled door on square legs linked by stretchers; and a WALL MIRROR, to match (formerly from a dressing table), 67cm wide x 106cm high (4) Note: E.A. Taylor was born in Greenock, Scotland, one of seventeen children. He was initially apprenticed as an engineer and designer in the shipbuilding firm Scott and Co, working there until 1898. He then began studying at the Glasgow School of Art, where his fiancée, Jessie Marion King, was also a student. Taylor began work as an interior designer, being particularly influenced by the stained glass and furniture designs of Charles Rennie Mackintosh. He gained employment with the Glasgow cabinet-makers, Wylie and Lochhead, winning great acclaim for his furniture at the 1901 Glasgow International Exhibition. This brought him two major commissions, where he made prominent use of stained glass in his interiors. In 1902, Taylor and King worked together on a series of stained glass panels for the Turin International Exhibition of Modern Decorative Art and, by 1907, Taylor was working as head of furniture design at Wragge and Co, marrying King the following year. The couple then began concentrating on art, moving to Paris where they established an art school known as the Shieling atelier. Prior to her marriage, Jessie M King had purchased a house at Kirkcudbright, and at the outbreak of World War I she and Taylor returned there. Here, they became involved in the Kirkcudbright art community, which was seen as the “Scottish St Ives.” Taylor continued to play a major part in the Kirkcudbright art scene until his death in 1951

Lot 76

CHARLES RENNIE MACKINTOSH (1868-1928) BEECH HIGH STOOL, CIRCA 1894 the circular seat raised above three turned legs linked by stretchers 28cm diameter, 68cm high Literature: Billcliffe, Roger, `Charles Rennie Mackintosh: The Complete Furniture Drawings & Interior Designs`, Moffatt 2009, page 32, illus. D1894-96.1 Note: Made for Queen Margaret Medical College, Glasgow, the treatment of the stretchers appear to echo those of the domino table designed by Mackintosh in1898 for the Argyle Street Tea Rooms. See Illustration.

Lot 83

JESSIE MARION KING (1875-1949) FOR LIBERTY & CO SILVER DRESSING TABLE TRINKET DISH, DATED 1907 of circular form, embossed with four flowerheads and garlands of foliage, maker`s mark `L & Co.`, hallmarked Birmingham,1907 3.75 in. (9.5cm.) diameter Note: A matching dish by Jessie Marion King with enamel decoration is on display at Kelvingrove Art Gallery & Museum, Glasgow, and a similar dish is illustrated in `The Glasgow Style` by Gerald & Celia Larner, plate 199

Lot 99

SIR ROBERT LORIMER (1864-1929) FOR LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular moulded top with later inset brass metre rule, above a deep apron, raised on spirally fluted turned legs on platform stretchers linked by a stretcher and with moulded pad feet, stamped mark `8208` 152cm long, 75.5cm high, 76cm wide Provenance: Liberty & Co. London Furniture from Liberty & Co`s Tudor Shop The following collection of Arts and Crafts furniture was all made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was designed by Edwin Thomas Hall and his son, Edwin Stanley Hall, at the height of the 1920s fashion for the Tudor revival, and constructed from the timbers of two 19th century men-of-war battleships. The Liberty board wanted the new building to demonstrate craft of the highest quality and attention to detail, and to reflect the Arts and Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. Engineered around three galleried light wells, the shop was intended to emulate the great atrium spaces of Bon Marché and Printemps in Paris, whilst also remaining true to the design of the original shop in Regent Street in the series of smaller rooms which surrounded these central wells. Under the supervision of the architects, a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the 16th century style, with pegged construction and decorative details complementing the design details in the building. The finish is either a dark fumed, natural, or limed finish, also a characteristic of the wood finish of the rooms in which they once stood. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same levels of craftsmanship and attention to detail as the building itself. The tables offered here are the remaining pieces from a selection of historic furniture no longer suitable for contemporary retailing at Liberty & Co. Long attributed to Sir Robert Lorimer, they are designed in the 16th century manner, with substantial oak planked tops, either octagonal or rectangular, raised on spirally fluted legs with platform stretchers.

Lot 100

SIR ROBERT LORIMER (1864-1929) FOR LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular moulded top with later inset brass metre rule, above a deep apron with aperture for single drawer (lacking), raised on spirally fluted turned legs on platform stretchers linked by a stretcher and with moulded pad feet, stamped mark `8963`, later label `857` 152cm long, 76cm high, 74.5cm wide Provenance: Liberty & Co. London

Lot 101

SIR ROBERT LORIMER (1864-1929) FOR LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular moulded top with later inset for brass metre rule (lacking), above a deep apron with aperture for single drawer (lacking), raised on spirally fluted turned legs on platform stretchers linked by a stretcher and with moulded pad feet, stamped mark `6963` 152cm long, 76cm high, 75cm wide Provenance: Liberty & Co. London

Lot 102

SIR ROBERT LORIMER (1864-1929) FOR LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular moulded top with later inset brass metre rule, above a deep apron with aperture for single drawer (lacking), raised on spirally fluted turned legs on platform stretchers linked by a stretcher and with moulded pad feet, bears ivorine label `Liberty/ London`, later label `504 152.5cm long, 76cm high, 75cm wide Provenance: Liberty & Co. London

Lot 103

SIR ROBERT LORIMER (1864-1929) FOR LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular moulded top, with inset brass metre rule, above a deep apron with aperture for single drawer (lacking), raised on spirally fluted turned legs on platform stretchers linked by a stretcher and with moulded pad feet, stamped mark `6963`, later labels `595` and `Woollen fabrics` 152cm long, 76cm high, 75cm wide Provenance: Liberty & Co. London

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