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Click here to subscribeInteresting American mandolin with foliate engraved aluminium back, with ebony and boxwood banded spruce table, faux tortoiseshell scratchplate, signed 'The Merrill' on the head, total length 61.50cm, case *This instrument was made circa 1895 for the Aluminium Musical Instrument Company owned by Neil Merrill, the inventor of aluminium backed mandolins and guitars
Very rare and possibly unique 1922 custom Windsor baritone ukulele labelled Arthur O. Windsor...Birmingham, the ebony banded spruce table with decorative sound hole inlaid with thirty-eight alternating ebony and mother of pearl triangles, with mother of pearl dot inlay to the fretboard and with shaped head stamped B, total length 30.5" *This instrument has recently been restored by Eddie Uttley in Sheffield using his famous hand cut 'fishing line' strings. He has also restored the original 'swing bottom' case
Interesting early 19th century violin, possibly English with inked purfling, the one piece back of plainish wood with similar wood to the head, the sides of faint medium curl, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 13 7/8", 35.20cm, case
Interesting 18th century Bavarian violin of the Kloz School circa 1780, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a very fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 13 7/8", 35.20cm, case *This violin is sold with a purchase receipt from William E. Hill & Sons dated 23rd February 1944 and bears the Hill number P627 stamped to the end of the fingerboard
Very interesting 18th century violin labelled Giovanni Gaettano Pazzini, Florentinus, Anno 16**, the one piece back of plainish wood with similar wood to the head, the sides of faint medium curl, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm
French violin by and labelled fait sous la Direction de Chardon & Fils Luthiers, 6, Rue du Faubs Poissonniere 6, Paris 1907, the two piece back of faint medium/fine curl with with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a golden-brown colour, 14 1/8", 35.90cm
English violin of the Furber School circa 1810, stamped Goulding & Co, London below the button, the two piece back of very faint medium curl, with plainish wood to the sides and head, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Good English violin by and labelled William Robinson, Plumstead, London, A.D. 1943 no. 370; also bearing the maker's initials on the label, the two piece back of faint medium/broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm
English violin by and labelled Charles Adin, Manchester 1874, the two piece back of faint medium curl with similar wood to the head, the sides of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14", 35.60cm
English violin circa 1780 by and labelled Made and Sold by Chas & Saml Thompson, in St Paul's Churchyard, London; also branded Thompson's, London below the button on the back, the one piece back of medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.40cm
English violin by and labelled A.L. Scholes, Violin Maker, 6, Windsor Place, Bedford, no. 24, 1930, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 14 1/8", 35.90cm
Good German violin labelled Wilhelm Nurnberger, Geigenmacher in Mittenwald An der Isan, no. 121, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm, case
Interesting violin circa 1850, unlabelled, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm, within a Hart & Son case
Interesting 18th century violin of the Kloz School and labelled Ioan. Carol. Kloz, Mittenwald, An. 17, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.40cm, within a W.E. Hill & Sons fitted oak case
Interesting early composite violin labelled Jacobus Stainer in Absom..., the two piece back of faint medium/fine curl with similar wood to the sides, the head of plainish wood, the later table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.40cm, within a fitted leather case
German Stradivari copy violoncello circa 1900, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 30 1/8", 76.50cm (neck in need of re-gluing to the body)
Good late 19th/early 20th century violoncello, unlabelled, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium/fine width grain and the varnish of a reddish-brown colour on a golden ground, 28 3/8", 72cm, bow, hard case
Good French double bass by and stamped Paul Claudot to the upper back below the button, the two piece back of birds eye maple and wild flame, with a faint fine width curl to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a rich brownish-red colour on a golden ground, total length of back including button 46" approx and stop length 24" approx *This fine quality double bass is in need of restoration and assembly but all principal parts appear present, see images for guidance, personal viewing advised. There are also 2 spare ribs from another double bass included in the lot.
A LATE 19TH CENTURY MAHOGANY TRIPOD TABLE (2)Shaped top on turned Column 58cm wide; 69cm high and another later mahogany tripod table with dished circular top on outswept supports 47cm diameter ; 71cm highOld marks and scratches to both tables, a split to the top of the circular table measures 19cm long with some small chips to the rim of the table top. The other table has a loose top with one of the stretchers to the underside being loose, small chips to the feet on both.
A VICTORIAN MAHOGANY TRIPOD TABLE (2)With pie crust top 39cm wide; 70cm high and another late tripod table with canted rectangular 40cm wide; 68cm highBoth tables have old marks and scratches with the rectangular topped table having a split to the veneer to the top measuring 13cm long and a section of banding to the edge missing, the later table having a small chip to the pie crust edge and small chips to the feet of both tables
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