We found 1181390 price guide item(s) matching your search
There are 1181390 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
1181390 item(s)/page
A set of three tubular steel modernist Laccio style coffee tables in the manner of Marcel Breuer.Good used condition. Some chips to top of tables and pitting and rusting to frames.Largest 135x35x49cm, smaller 53x45x49cm.These are designed so the smaller fit over the larger table when nested, but it's a very tight fit so we have chosen to display them separately to avoid damage.
An early 20th century slate-bed quarter size metamorphic snooker / dining table, with label for John Bennett & Co. (incorporating W. Stevens & Sons, London), balls, four cues and score board. Playing 164x71x88cm, with cover 173x73x96cm.Minor tear to baize near one corner pocket. Some marks and deep scratches to mahogany leaves.
Dod Proctor - A.E. Brain & Co - Foley China - A cup, saucer and side plate with matched teapot and cover for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry) hand painted with stylised flowers and foliage with star and lines, Dod Proctor and Foley mark. (4) NB - This was designed by Dod Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Amphora - A late 19th Century table centre vase or planter modelled as a stylised turkey with relief moulded abstract designs and simulated jewels picked out in tonal blue and red enamels to the buff grey to brown ground, printed mark and pattern number 1509, length 30cm.
Clarice Cliff - Aura Daisy - A small collection of tea and table wares circa 1936, comprising Lyton teapot and cover, Windsor shape jug, Bon Jour shape milk and sugar and a Biarritz shape dessert service, hand painted with floral sprigs with graded borders in blue and pink, various marks, slight damage.
John Armstrong - A.E. Brain & Co - Foley China - A small circular side plate for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry) hand painted with two stylised fish with wash line border, John Armstrong and Foley mark, width 16cm. NB - This was designed by John Armstrong for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
In the manner of Epstein - A birds eye maple dining suite, to include a dining suite raised on pedestal plinth supports, together with a set of four dining chairs scalloped cloud back and a sideboard with central curve panelled front flanked by twin cupboards, table height 80cm, length 169cm, width 95cm, sideboard height 106cm, length 152cm, depth 49cm.
Allan Walton - A.E. Brain & Co - Foley China - A pair of cups and saucers for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry) with repeat ellipse and triangle design, Allan Walton and Foley mark, together with a matched side plate. (5) NB - This was designed by Allan Walton for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff - John Armstrong - A circular side plate for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry) in the Chaldean pattern with a stylised horse within banded grey borders, John Armstrong and Bizarre mark, plate width 22cm, together with a smaller side plate by Graham Sutherland and a matched saucer with green and black wave line border. (2) NB - This was designed by John Armstrong for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff - Dod Proctor - A circular side plate for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry) with stylised fish and seaweed, Dod Proctor and Bizarre mark, plate width 20cm, together with a matched sauce boat. (2) NB - This was designed by Dod Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Ruskin Pottery - A large 1930s pottery table lamp, the stepped octagonal base rising to a stepped cylindrical column, decorated with a crystalline glaze in tonal blue through white and back through blue with snowflakes and streaking, impressed marks and date for 1931, height 33cm.
-
1181390 item(s)/page