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A Collection of Various Coloured Glassware to include Three Codd-neck Glass with Bland & Co. Stourbridge Flask Shape Example and two Bottle Examples by The Buxton co. and Hankinson & Son Together with a Part Art Deco Style Dressing Table Items including Candlesticks in the form of Mermaids, Lidded Pots, Together with Silver Plated Pin Dish
A Regency penwork, ebonised and ivory tripod table,the octagonal top decorated in penwork with a central study of Medusa surrounded by classical scenes including Neptune, centaurs, seahorses, scrolling foliage and geometric motifs, the turned, ebonised base with ring-turned ivory mounts and ball feet,42cm diameter69cm highCondition report: Top a little warped.The top and base probably a marriage.
An unusual French silver-plated table clock,late 19th century, the dial and movement mounted in a horseshoe, supported on nickel-plated saddlery including bits and chains, the 'Japy Frères' drum movement striking on a bell,26.5cm highCondition report: Dial rubbed.With associated key.
A French giltwood serpentine console table, 18th century, with rouge marble, pierced and carved guilloché frieze and urn-mounted stretcher,99cm wide44cm deep79cm highProvenance: Horton Lodge, Windsor, Berkshire.Condition report: One back corner of the marble has lost a small section of marble. The gilding is acceptably bright, gently subdued by age.
A Regency strung mahogany centre table,the rectangular snap top on a canted square column, four reeded outswept supports, brass lion paw feet and castors,163cm wide 120cm deep79cm highProvenance: The property of a West Country gentleman.Condition report: Re-polished, the base is lighter than the top.Minor scuffs to top.Some veneer loss to edges and side of top.
A pair of Napoleon III ebonised and gilt metal urn form table lamps, each twin-handled urn on a stepped plinth base, decorated with a musical motif wreath, and with a cream pleated shade, 64cm high including shades (2)Condition report: Small scratch to patination on one side of one plinth. Some tarnish and discolouration. Rubbing, scratches and surface wear. Shades in fair order.
An Indian folding table,early 20th century, Hoshiarpur, of Moorish influence, probably of shisham wood, the octagonal top inlaid with ornate foliate motifs in ivory, the folding stand with inlaid bone flower heads and lines, with pierced panels and open arches, with 2 paper labels for 'L. Khanaya Lal Brij Lal, Ivory, Brass, Wood Work Manufacturers, P.O. Hooshiarpur',60cm across60cm highFor reference to work from this area, see: Amin Jaffer, 'Furniture from British India and Ceylon' p.285 onwards.Condition report: Top has large split and losses to bone. Base has 3 pieces of fret detached, which will need restoring.
A small Regency rosewood circular pedestal table, with split-round moulded border, on a tapering octagonal column and down scrolling triform base, with applied rosette moulded decoration,112cm diameter74cm highProvenance: Horton Lodge, Windsor, Berkshire.Condition report: Small veneer losses and lifting veneers to the toes of the scroll feet, one small veneer chip to the base and a 2cm veneer loss to the edge of the top
Edouard Moyse (French, 1827-1908)'La Bénédiction de l'Aïeul' (The Blessing of the Ancestor)signed 'Moyse' l.l., oil on canvas77 x 118cmEdouard Moyse was a Jewish painter from Nancy who specialised in painting scenes of Jewish life.This painting is of the Kiddush, the sanctification/benediction. Although the Sabbath comes round every week, it is nevertheless holier than most of the great religious festivals that occur during the rest of the year; it marks the end of the sixth day of Creation, when God rested from all his labours, and is sanctified with the Shabbat meal usually after synagogue on Friday evening. Shabbat, like all other religiously observed dates, begins, not on Saturday morning, but at sunset on the Friday evening, and ends with the sighting of the first star on Saturday evening.It marks the day when Jews should refrain from all forms of work, physical activity like carrying, playing a sport, entertainment and so on. The day should be spent in contemplation, enjoying family life, and religious study.The pater familias is on the left, reciting or singing the Kiddush, and when he is finished, he sips from the goblet, then pours some into each of the other persons’ glasses - that would include family as well as guests, and indeed many families today, especially Levantine Jews, still set an extra place for an unknown guest. After the wine, the father and the males older than 13 wash their hands, and return to the table to say the benediction over the bread (…and God brought forth bread from the Earth), before breaking the bread - not cutting it, because that would be an act of labour - and giving each person a piece, having sprinkled it with salt, which is to remind us that, on being banished from the Garden of Eden, we had to thereafter labour by the sweat of our brow. In the present painting, the father, while saying the Kiddush, is resting his hand on the Challa, the bread, ready for the next blessing.We are grateful to Joseph Mankowitz for his assistance with the catalogue entry.Condition report: Oil on canvas which has been lined. The canvas tension is good and the picture is in plane. The paint layer is stable overall. There is a scuff in the paint layers and varnish at the lower right corner. Scattered across the picture are darkened spots of age cracks, these are stable but give the painting a slightly mottled appearance in some areas. There are a few localised areas of retouching, mainly located along the left edge. The varnish is clear and even but very brittle, white spots across the surface are actually abrasion in the varnish layer. There is a light layer of dust present and some fly spots. The frame is in a good condition.
A mahogany tripod table,19th century, the shaped circular snap top with a moulded border carved with shells and foliage, the baluster column and outswept legs carved with acanthus leaves,81cm diameter71cm highProvenance: The property of a West Country gentleman.Condition report: Chips to one border shell, minor repairs to another.One leg broken off and re-attached.
A large Japanese-style porcelain baluster table lamp,contemporary, by Vaughan Designs, painted in underglaze blue with alternating panels of flowers and landscapes, on an integral gilt base,53cm high, with a pleated shadeCondition report: In fair order. Nearly new, shade lightly marked. Please see additional images. No obvious issues, in need of re-wiring. Three prong plug
A ten-seat, 17th-century-style, oak double gateleg table,19th century, on twist turned supports and stretchers,top 173 x 180cm maximum75cm highProvenance: The property of a Suffolk gentleman.Condition report: See images. No feet. Top not re-tipped, but not very old, dead colour, fixed to base with screws.Minor wear and tear as to be expected.
An Indian tripod table,early 20th century, the circular top ornately inlaid in bone or ivory with foliate bands, some in deep relief work, on a turned column and three flat profile legs, also with bone inlaid decoration,50cm diameter61cm highCondition report: Top has many missing pieces, particularly of string round edge, much of which is lost, also missing bone pieces from deep relief band Column has damage near the top, the 3 legs are loose and need strengthening, a lower finial is missing. 2 pieces missing from base of feet
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1181627 item(s)/page