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A French Mahogany Circular Occasional Table, 20th century, with pierced brass gallery, white marble top, three drawers and raised on reeded tapering supports, 67cm diameter by 70cmBrass gallery slightly mis shapen, marble top is free from cracks but with some stained ring marks, drawers and slides are running freely, general wear and scuffs to the legs
A Reproduction William Tilman Dining Suite, comprising, A Cross-Banded Mahogany Twin Pillar Dining Table, with two additional leaves, 305cm by 114cm by 73cm; together with A Set of Twelve Hepplewhite Style Shield Back Dining Chairs (including two carvers)Generally in good clean condition, the top with some scuffs and scratches, mainly to one additional leaf, one small of crossbanding replaced, upholstery good
A Victorian Mahogany Extending Dining Table, with two additional leaves, raised on reeded baluster supports, 220cm open by 108cm by 72cmThe table extends but is not a wind out extending table, additional leaves are polished, matches the main table top, free from any notable warping, general fading and superficial marks throughout, structurally sound
A Victorian Satinwood Three Part Bedroom Suite, comprising a large mirror fronted wardrobe, fitted to one side with a press cupboard, 234cm by 56cm by 209cm, a dressing table and a pot cupboard, together with A Queen Anne Style Walnut Bureau, 20th century, of small proportions, 62cm by 43cm by 101cm (4)
A 19th Century French Oak Farmhouse Kitchen Table, of rectangular form with single frieze drawer above a plain frieze, on square tapering legs (retipped), 249cm by 92cm by 80cmThe table has a nice colour and Patinasome old signs of worm typical of age-see imagesthe top natural small gap in between the two boards one corner lifting slightly with some minor splits to the topfeet have been retipped overall good condition
Alberto Giacometti, "Table festive avec bouteilles, fruits et verres", Lithographie, stempelsigniert, unter P.partout gerahmtAlberto Giacometti, 1901 Borgonovo - 1966 Chur, Schweizer Bildhauer, Maler und Grafiker der Moderne, der seit 1922 hauptsächlich in Paris lebte und arbeitete. Giacometti gehört zu den bedeutendsten Bildhauern des 20. Jahrhunderts, hier: Atelierszene mit einem festlich gedeckten Tisch mit Weinflaschen und Gläsern, Lithographie, Blatt 99 der Folge "Paris sans Fin" (1958-1965), 33 x 42 cm, numm. 19/30, stempelsign.
Marghab, Madeira, Portugal. Hand embroidered linen "Trailing Vine" set including eight placemats, eight napkins, and one table runner. With the original Marghab box and information pamphlet.Provenance: Dayton's, Minneapolis; Private Minnesota Collection.(Runner) Length: 35 1/2 in x width: 12 in. (Napkins, each) length: 16 in x width: 16 in. (Placemats, each) length: 17 1/4 in x width: 11 1/4 in.
Ward Bennett (American, 1917-2003). Mid-century modern glass top circular coffee table with chrome plated base with three legs. The base with three adjustable feet. Works by Bennett are held in the collections of Cooper-Hewitt, the National Design Museum, the Brooklyn Museum, and the Museum of Modern Art.Height: 21 in x diameter: 48 in.
EJ Victor, United States. Style 9202-20 Regency mahogany dining table. With solid mahogany, veneers, and ebonized accents. Accented with gold leaf along the pillars, frame, and feet. Included is an additional table leaf and padding to protect the table.Without leaf; height: 30 1/2 in x width: 89 1/2 in x depth: 54 1/2 in.
6 Bottles Mixed Lot Vintage Port 6 Bottles Mixed Lot Vintage Port (Quinta de Vargellas), White Port, Licor Natural and Fine, mature Portuguese Red Table wines comprising : 1 bottle Taylor’s Quinta de Vargellas Vintage Port 1978 (b/n – fine condition and presentation), 1 bottle Offley Fine White Port, 1 bottle Sandeman’s ‘Licor Beirao’ Licor Natural (25% ABV), 1 bottle Jeropiga Quinta Velha Caves Borlido Sangalhos (t/s), 1 bottle Cave Solar das Francesas Garrafeira Vinho Tinto Colheita 1968 (mus), 1 bottle Caves Dom Teodosio Bairrada Garrafeira 1980 (t/s)
Table d'époque Louis XVIMahagoni auf Mahagoni massiv, Porzellan mit farbigem Aufglasurdekor, weißer Marmor, feuervergoldete Bronze. Niedriger Beistelltisch auf ovalem Grundriss. Gerade Zarge mit vier profilierten Feldern um runde Porzellanplaketten, auch an der Innenkante beschnitzt. Verjüngte Vierkantbeine. Innenseite der Zarge ebenfalls beschnitzt mit feiner Laubkante am unteren Rand und profilierten Füllungen. Bronzeleisten gelöst, eine gebrochen, ältere Reparaturen an den Furnieren, Marmor leicht fleckig. H 58, B 44, T 33,5 cm.Paris, 1770er/ 1780er Jahre.
PLAQUE RECTANGULAIRE EN PORCELAINE A DECOR D'UNE NATURE MORTE, MEISSEN, VERS 1760A MEISSEN RECTANGULAR PLAQUE, CIRCA 1760Painted with a still-life of a bird on a table with a flower vase and a bowl of fruit, within a moulded, gilt-edged frame, pierced for hanging at the top, 25.7cm by 33.5cm, crossed swords mark in underglaze-blue (minor wear to gilding)For further information on this lot please visit Bonhams.com
PETITE TABLE DE SALON D'EPOQUE LOUIS XV EN PLACAGE DE BOIS DE VIOLETTE, ESTAMPILLE DE J.C.ELLAUME MILIEU XVIIIe SIECLEA LOUIS XV KINGWOOD OCCASIONAL TABLE, J.C.ELLAUME MID-18TH CENTURY Of rectangular form, with a side drawer and on slight cabriole legs joined by a quarter-veneered undertier platform, and terminating in foliate ormolu sabots, stamped 'J.C.ELLAUME' , 39cm wide, 27cm deep, 68cm high (15in wide, 10 1/2in deep, 26 1/2in high). Footnotes:Charles Ellaume, Maître ébéniste in 1754.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
RARE GROUPE DE 'L'AVARO DERUBATO', CAPODIMONTE, VERS 1750A RARE CAPODIMONTE GROUP OF 'L'AVARO DERUBATO', CIRCA 1750Modelled by Giuseppe Gricci, a man, the 'avaro' or penurious man, standing at a table counting his money, a draw-string purse laying under his arm, a lady standing behind her, her index finger pressed against her mouth as to indicate silence, reaching below his right arm for the bag, 14.2cm high, impressed fleur de lys (some restoration to base and her right arm)Footnotes:This group is likely loosely based on the popular moralising figure of the penurious or greedy man who appears, amongst others, in a play by Moliere, L'Avare, ou l'École du Mensonge, which first appeared in 1668 as a moral and comic tale of a man obsessed with money and his trials and tribulations. In a wider sense the group goes back to the biblical worldly sins of pride, greed, lust, envy, gluttony, wrath, and sloth, but not all of these are depicted in Capodimonte porcelain. Another example of this group in the Museo Teatrale della Scala is illustrated by A. Caròla-Perrotti, Le Porcellane dei Borbone di Napoli (1986), p. 177, ill. a.For further information on this lot please visit Bonhams.com
CENTRE DE TABLE ITALIEN EN FORME D'OBELISQUE EN MARBRES ET ORNEMENTATION DE BRONZE DORE DANS LE GOUT DE LUIGI VALADIER DEBUT DU XIXe SIECLEAN ITALIAN ORMOLU-MOUNTED ROSSO ANTICO, VERDE ANTICO, GRANITO BIANCO E NERO AND LUMACHELLA OBELISK IN THE MANNER OF LUIGI VALADIER EARLY 19TH CENTURY The obelisk mounted with swagged eagles above reclining lions and a further Verde socle with ribbon-tied cornucopia resting on sphinxes, the rectangular white marble base with inset Rosso marble panel and stepped socle above a further galleried plinth with minute gilt feet, with eagle finial, 20cm wide x 20cm deep x 76 cm high, (7 1/2in wide x 7 1/2in deep x 29 1/2in high)For further information on this lot please visit Bonhams.com
PAIRE DE TORCHERES LOUIS XVI EN BOIS SCULPTE ET DORE DANS LE GOUT DE GEORGES JACOB FIN XVIIIe - DEBUT XIXe SIECLEA PAIR OF LOUIS XVI CARVED AND GILTWOOD TORCHERES IN THE MANNER OF GEORGES JACOB LATE 18TH - EARLY 19TH CENTURY The stop-fluted baluster foliate shaft surmounted by a circular tray with beaded and lappeted border above water leaves and gadrooned support, on a hexagonal recessed panelled base with delicate scrolling foliate sprays, the lower section composed of three addorsed sirens holding the reeded vase shape apron, on a concave fronted triangular plinth centred by rosette and edged with tip-leaf moulding, on bun feet, partly regilt, differences to carving , 52cm wide, 161cm high (20in wide, 63in high). Footnotes:These finely carved torcheres, or tripods for vases reflect the late 1770's fashion for decorating the grand 'Salons' of the last quarter of the 18th century in Paris. They are related to four stands commissioned for every corner of the 'Salon de Musique' of Comtesse Marie-Léopoldine Pàlffy, Princesse Kinsky (d.1794) following the building of her hôtel in rue St-Dominique in Paris in 1770. The Kinsky torchères, slightly earlier in dating, were designed by the sculptor and designer Gilles-Paul Cauvet (1731-1788), carved by Pierre Gontier and gilt by F. Mathon. The commission included also a music stand carved in the same manner, so to have a coherent designed suite to the newly furbished room. The music stand is now conserved at the Château de Versailles, illustrated in Pierre Arizzoli-Clémentel, Le Mobilier de Versailles. XVIIE et XVIIIE Siècles, Tome 2, Dijon, 2002, p.237. A pair of Kinsky torchères were sold Christie's London, 22 November 2007, lot 100, from the Collection of the Marquis and Marquise de Ravenel, (sold GBP 558.100 inlcuding buyer's premium). The torcheres here offered are stylistically reminiscent to the designs brought in by ornemanistes such as François Joseph Bélanger (1744-1818), and by Jean-Demosthène Dugourc, his brother-in-law. Belanger was the first architect of Comte d'Artois as from 1777, while Dugourc was appointed in 1780 'dessinateur du Cabinet de Monsieur, frère du Roi' for who he looked after the remodeling and embellishments of the various interiors owned the Comte d'Artois.In 1782 Dugourc published an album of ornaments entitled 'Arabesques', which opened the door to a new fashionable taste of the early 1780's. A new taste composed of mainly delicate female figures ending in lavish acanthus motifs, reminiscent of the bases carved on our torchères. A design for a project of decoration of a 'cabinet à la française' for the Pardo, project which was never executed, shows in prominent position a pair of torchères of similar style with closely related tripod bases. The fashion for the 'turqueries' or 'goût turc' was initiated by the comte d'Artois in Paris during the mid-1770's with the creation of his boudoir turc in the Palais du Temple in 1776. Georges Jacob (1739-1814) was actively carving suites of seat furniture to the new exotic designs of Etienne-Louis Boullée, a stylistic revolution was taking place at the time in Paris, characterized by the celebrated console table for the second cabinet turc of comte d'Artois at Versailles, carved with addorsed sirens at the top of the supports by the talented Georges Jacob in 1781.For further information on this lot please visit Bonhams.com
TABLE DE SALLE A MANGER EN ACAJOU ET PLACAGE D'ACAJOU XIXe SIECLEA FRENCH MAHOGANY EXTENDING DINING TABLE 19TH CENTURY Of oval form, with two extending leaves, resting on six tapering square legs terminating on ormolu caps and castors , 130cm wide, 144cm deep, 76cm high (51in wide, 56 1/2in deep, 29 1/2in high). (with two extending leaf of each 50cm wide, total width: 230 cm).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
TABLE VITRINE DE STYLE LOUIS XV EN LAQUE, ORNEMENTATION DE BRONZE DORE, EMMANUEL-ALFRED BEURDELEY (1847-1919) FIN XIXe SIECLEA LOUIS XV STYLE ORMOLU-MOUNTED JAPANNED VITRINE TABLE, EMMANUEL-ALFRED BEURDELEY (1847-1919) LATE 19TH CENTURYDecorated in imitation of Japanese lacquer, the shaped rectangular glazed hinged top with Nashiji type border and ormolu moulding, enclosing a blue silk velvet lined interior, the front, sides and back decorated respectively with a seascape with houses on an island flanked by bamboo panels, foliate motifs and bamboo sprays and flowering branches, on cabriole legs headed by foliate chutes and conforming sabots, the underside branded 'A BEURDELEY / A PARIS', 87cm wide, 41cm deep, 71cm high (34in wide, 16in deep, 27 1/2in high). Footnotes:Emmanuel-Alfred Beurdeley (dit Alfred II), was born in 1847 and took over the family business led by his father in 1875. The firm specialised in producing luxurious articles and furniture to the highest quality and was pre-eminent among the Parisian ébénistes. The firm attached a particular attention to the quality of its bronze mounts, which were finely chiselled and mercury gilt, making them difficult to distinguish from the 18th century examples. Beurdeley's shop was established at the Pavillion de Hanovre, while the workshops were located at rue Dautancourt in Paris. Beurdeley were regular exhibitors at the Internationals Exhibitions. They were awarded the Gold Medal at the Exposition Universelle of 1889 for the excellence of their work.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
TASSE A DEUX ANSES ET SOUCOUPE, MEISSEN HAUSMALER, VERS 1725A MEISSEN HAUSMALER DOUBLE-HANDLED BEAKER AND SAUCER, CIRCA 1725Decorated in Augsburg in the Seuter workshop, the beaker with ear-shaped handles, the saucer with fluted moulding to the reverse embellished in gold with scrollwork, dots and single panels, both saucer and cup decorated with detailed chinoiserie scenes in tooled gilding including two chinoiserie figures seated at a table and the reverse with two figures admiring an elaborate tea tray placed on a low table, the saucer with three figures near a fountain, set in a quatrefoil cartouche of solid gilding, the interior of the cup also gilt, the beaker: 8.3cm high (minor rubbing) (2)For further information on this lot please visit Bonhams.com
Jan Jansson, Dutch, 1588-1664, Mappa Aestivarum Insularum, Alias Barmudas Dictarum, ad Ostia Mexicani Aestuary Jacetium...; a later hand-coloured engraved map of Bermuda, a reissue of the Hondius plate, from the Atlas Novus sive Theatrum Orbis Terrarum, Amstelodami apud Joannem Janssonium Anno, Jansson reissued Hondius` plate with his imprint between 1647 and 1666, 49.5cm x 51.5cm Provenance:With Avril Noble, London, 8 December 1992The Geoffrey and Fay Elliot collection. Note: Jansson and his brother-in-law, Henricus Hondius, published the Atlas Novus in 1637. Jansson inherited the Hondius publishing firm after Henricus’ death in 1657. This map is based on the famous survey by Richard Norwood of the Bermuda Company, also known as the Somers Isles Company, in 1618. The map shows the division into the original Tribes (a short-lived name for what became administrative parishes), named after major shareholders in the company. Also shown are the various landowners, with their names in a table below the map. There are many tiny houses shown on the map, locating settlements, as well as minute cannons marking the defensible points. The map is superimposed over a chart of the Atlantic with the coastlines of Britain, North America and Hispaniola showing the location of Bermuda. Please refer to department for condition report
A German brass mounted mahogany centre table, first half 19th century, the centre of the top later inlaid with a fruitwood patera, on tapering triangular support with tripartite platform, on brass hairy-paw feet with castors, 76cm high, 80cm diameterProvenance: Works of Art from the Schroder Collection.Please refer to department for condition report
Mariano Vasi, Intineraire Instructif de Rome Ancienne et Moderne, 2 Vols.,, with two fold-out engraved maps, full vellum, Rome: Chez l'Auteur, 1817 and 1820; H. Taine, Voyage en Italie, 2 Vols., Naples et Rome, full red leather with morocco labels, Paris: Librairie de L. Hachette et Cie, 1884; another of the same book, Vol 1. Naples et Rome, Paris: Librairie de L. Hachette et Cie, 1866; Itineraire d'Italie ou Description des Voyages par les routes les plus frequentees, with 15 folding maps and a folding table, Milan: Pierre & Joseph Vallardi, 1828; and M. Le Comte D'Haussonville, Vols. 3 and 4, half calf, Paris: Michel Levy Freres, 1869 (8)Please refer to department for condition report
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1181390 item(s)/page