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A Charles I oak bench possibly Welsh with unusual chamfered legs h.50cm. w.172cm. d.27cm. Provenance Ex Clive Sherwood Collection Sotheby's Olympia 22nd May 2002 lot 386 The chamfered supports on this bench are comparable to those on a joined dining table and armchair which are illustrated by Victor Chinnery as being Welsh in origin. Victor Chinnery Oak Furniture The British Tradition Woodbridge 1979 pp. 291 and 517 figs. 3:167 and 4:233 W
Eight George IV ash ladderback chairs and a Queen Anne pine refectory table including two armchairs the table with later triple plank top alterations and restorations (9) standard chair approx.; h.98. w.52cm. armchair approx.; h.110cm. w.63cm. table; h.72cm. w.153cm. d.68cm. W
A set of eight George II laburnum dining chairs probably Scottish second quarter 18th century with vase splats and drop-in-seats on square legs with stretchers h.96cm. w.52cm. A Scottish attribution seems credible as aside from the chairs provenance the use of laburnum could well be an indicator. Unlike the small yellow flowered tree so common in England Scottish laburnum comes from a large species Cytisus Alpinus. It was (and is) one of the most prized timbers for cabinet and chair-making north of the border particularly in the East where Perth and Montrose were important centres of production. Tellingly it is commonly used in the manufacture of bag-pipes. William Boutcher in his Forest Trees published in Edinburgh in 1775 noticed that 'some preferred (it) even to mahogany for its solidity and beautiful colour ... and I myself have seen a large table and a dozen chairs of it in the possession of a noble Lord.' Indeed some of the best laburnum furniture survives in the collection of the Duke of Atholl at Blair Castle. For further examples of Scottish laburnum furniture see David Jones 'The Laburnum Tradition in Scotland' Regional Furniture History 1992 pp.1-10. W
An Edwardian mahogany bijouterie table first quarter 20th century in Chippendale manner with a rectangular glazed top above an undertier carved with blind fret decoration; together with another bijouterie table in a similar style (2) h.77cm. w.59cm. d.41cm. and h.78cm. w.60cm. d.50cm. W
A Royal Dux porcelain table centre modelled in the form of a lightly draped young woman peering into a lily pond, decorated in rose, green and gilt, 10ins high x 11.5ins overall (impressed triangular mark in pink to base and No. 598 - slight fritting to edges of lily pond and base)
Kate Hayllar (fl. 1883-1898) - “Roba di Roma” – Fine still life - Interior scene with clothes draped on a French fauteuil, and carved oak hall table supporting a pair of terracotta figures and jardinière with cyclamen plant, with a framed portrait of a young girl after Murillo to background, 13ins x 9ins, signed in full and dated 1892 to lower right corner, contained in contemporary gilt moulded and swept frame and glazed Illustrated on Front Cover
A companion pair of late Victorian and George V silver gilt pillar candlesticks of 18th Century design, the square knopped column with shell, scroll and tassel ornament, the shaped bases with cast mask pattern mounts, 8ins high, by Garrard & Co, London 1891 and 1923 (weight 29ozs - formerly fitted as electric table lamps)
A W.M.F. plated metal rectangular dressing table mirror in the Art Nouveau manner, the frame cast with a lightly draped figure of a young woman peering into the mirror, bordered by anemones, inset with bevelled mirror plate (plate marked and silvering lifting), 14.5ins x 11ins overall (marked on foot - plated surface somewhat worn - possibly formerly a photograph frame and converted later)
A W.M.F. plated metal oval two handled table centre cast in the Art Nouveau manner with the head of a young man and sinuous scrolls and loop handle, inset with original green glass liner with cut shaped rim and engraved with flower, 12ins x 5ins x 4.25ins high (marked on footrim - plating worn at highlights) (see lot 286 for illustration)
An early 20th Century Continental green and blue glazed pottery baluster shaped vase with plated metal mounts in the “W.M.F.” style, the body with streaked and mottled glazing, the mounts of sinuous form in the Art Nouveau manner, on circular moulded base, 17ins high (base drilled for electric table lamp)
A late 19th Century French bronzed spelter figure/electric table lamp modelled in the form of the standing figure of Diana The Huntress with a dog at her feet and three flowers to background, the centre of the petals with electric fitment, on circular base, 36ins high
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1181390 item(s)/page