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A GOOD QUALITY REPRODUCTION MAHOGANY FINISHED DINING SUITE, comprising oval crossbanded topped table, supported on twin turned columns, having extending central leaf, together with A SET OF EIGHT REGENCY DESIGN BAR BACKED CHAIRS, with upholstered dro p-in seat pads and sabre legs below
A Walker & Hall A1 plate canteen of Hanoverian rattail cutlery for 12 place settings (incomplete) two drawers, housed in a mahogany side table. 1 Mustard spoon1 Pickle fork1 set of beef carvers1 set of game carvers1 set of fish carvers1 steeler1 butter knife1 sugar cube tongs1 gravy spoon2 sauce ladles5 table spoons9 dessert spoons10 table knives11 dessert forks12 table forks12 soup spoons.
Neapolitan mandolin by and labelled Cav Giov de Meglio...Napoli 1911, Mod. 1, no. 17065; also signed by four different luthiers on the label, stamped again below the bridge on the spruce table and with Art Nouveau style silver and mother of pearl inlay to the scratchplate and fretboard, original case (good old repairs to the top of the neck)
Good Neapolitan mandolin by and labelled George La Foley, Maker of the Mandoline & Guitar, London... no. 1244, 1905, with rosewood bowl back, spruce table, unusual vertical oval sound hole and De Meglio style faux tortoiseshell scratchplate, in original wooden case with brass handle and hinges *George La Foley was one of the best English luthiers of the 1900s - see 'The Mandolin, a History' by Graham McDonald, page 278, for a description of this mandolin
Good Neapolitan mandolin by and labelled Figli Vinaccia fu P. le & Nipote C. Munier Fabbricanti di Strumenti Armonio...Napoli S. Maria la Nova, 25-Napoli, anno 1900 with rosewood back, spruce table, mother of pearl inlaid sound hole and faux tortoiseshell scratchplate, within a modern case *This is the 'Carlo Munier' design model. Munier was a famous Italian mandolinist and was the grandson (or great-nephew) of Pasquale Vinaccia See 'The Classical Mandolin' by Paul Sparkes, page 31 and 'The Mandolin, a History' by Graham McDonald, page 65
Guitar shaped mandolin (mandolinetto) labelled Neapolitan College of Music, Patent no. 2272..., decorated to the back with a seated lady playing a tambourine, spruce table and inlaid faux tortoiseshell scratchplate, padded gig bag *These mandolins were made in England between 1902 and 1911 - see 'The Mandolin a History' by Graham McDonald, pages 278 and 279 for a description and image of this mandolin
Fine contemporary lute labelled Arnold Dolmetsch Ltd, Hazelmere, Surrey and inscribed No. 849, 1975 RR (possibly Roger Rose), the satinwood back with eleven segments and the spruce table with geometric pierced soundhole, with twelve frets with three short frets extending over the table, within original plush lined case
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