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A triple pedestal dining table, 84" long x 39" deep x 28" highCondition:The 'D' ends are sun faded and have some general surface scratches commensurate with age.Leaf also has some surface scratches but is in pretty good condition.The edges of the legs and table tops have some general scuffs, dings and dents, there's one 1" long chip to the edge of one 'D' end.Despite the mentionable issues, the table is in generally good condition.
An antique Italian chestnut refectory table, on splay stretchered supports, 67 1/2" long x 23 1/2" wide x 29 1/2" highCondition:The table is very sturdy and solid and in pretty good condition.There's a few surface scratches to the table top, some nibbles to the edges of legs and stretchers but no major damages.
Franz porcelain table wares to include a Dragonfly porcelain tea for one teaset comprising teapot, cream jug and covered sugar bowl and a cup and saucer, a Butterfly teaset comprising a twin handled tray, a teapot, a cream jug and covered sugar spoon, cup and saucer with spoon, along with ten cups and saucers and seven spoons in different patterns, all items with boxes
A Faarup Mobelfabrik deign for by ib Kofod Larsen - a teak extending dining table with two extending leaves, the circular top resting on four shaped legs, 120cm dia, when unextended, each leaf 50cm wide, along with a set of eight slat back dining chairs with cushion upholstered seats, paper label and stamped marks to the metal work to underside of table top, chairs apparently unmarked
JOHN WILSON CARMICHAEL (BRITISH 1800-1868)FISHING OFF THE MOUTH OF THE SCHELDT; AND OFF TO THE FISHING GROUNDSOil on canvasBoth signed and dated 1845 and 1849 respectively (lower right)44.2 x 59.2cm (17¼ x 23¼ in.) and 41,5 x 62,5 cm (2)Provenance:Sale, Christie's, London, 25 November 2008, lot 237 and lot 182;John Nicholson Fine ArtsCondition Report: Both canvases have been relined, paint layers appears table. Both canvases appear to have been recently cleaned and restored. A few areas of craquelure. UV reveals a significant amount of scattered retouching. One with two restored vertical tears above the boat on the right and a large restoration in the sky above the boat on the left. Condition Report Disclaimer
CIRCLE OF LORENZO LIPPI (ITALIAN 1606-1685)ALLEGORY OF FORTUNEOil on canvas53 x 56cm (20¾ x 22 in.)Provenance:Private collection, Blaisdon Hall, GloucestershireA near-contemporary version of a picture by Lippi in the collection of the Ulster Museum in Belfast.The young woman in this painting is an allegory of fortune and the monkey, who appears to be selecting playing cards, symbolises chance. The association of fortune with man's ability to shape his destiny by swift, decisive action was a popular concept during the Renaissance. It derived from the classical idea of fortune being an unpredictable force which must be seized to ensure success. Condition Report: The canvas has been relined. The stretcher is slightly visible. Traces of a painted oval shape around the figure. Some surface dirt and discolouration of the varnish. Some abrasions around the edges from contact with the frame. UV reveals scattered retouching including in the figure's face and larger areas in the table below. Condition Report Disclaimer
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1181390 item(s)/page