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* Rembrandt (Harmensz. van Rijn, 1606-1669). Christ at Emmaus: The Larger Plate, 1654, etching with drypoint on laid paper, with indistinct watermark, New Hollstein's 4th state (of 5), signed and dated in the plate 'Rembrandt f 1654' to lower left, several minor nicks to blank margins (except one small tear to right hand margin with minor loss, just touching engraved area), hairline closed tear within the image towards centre of lower margin, with minute loss (approximately 1mm square), traces of adhesive to verso, and two paper mounting tabs to upper and lower left corners verso, plate size 209 x 160 mm (8.25 x 6.25 ins), sheet size 214 x 164 mm (8.5 x 6.5 ins)Qty: (1)NOTESBartsch 87; New Hollstein, iv/v; Hind 282. Christ at Emmaus: The Larger Plate depicts the biblical episode following Christ's resurrection when the two disciples present with him, recognise Christ for the first time, as he breaks and blesses the bread at the dinner table.
* English School. 'Springtime', circa 1880-1900, young boy with curly blond hair wearing a white gown, gazing at a vase of daffodils on a side table, oil on canvas, signed with monogram to lower left 'F. s. P.' (unidentified), relined, 71.5 x 48cm (28 x 19ins), gilt moulded frameQty: (1)
* Irish School. Portrait of a young woman in evening gown and coloured shawl, seated by a marble top table, circa 1840s, watercolour on paper, heightened with white body colour, a couple of minor marks, 43 x33cm (17 x 13ins), gilt moulded frame and glazed, frame with label on verso 'From Cranfield's, 115 Grafton Street, Dublin'Qty: (1)NOTESThought to be a portrait of Oscar Wilde's mother.
* Naive School. A pair of Regency drawings of domestic scenes, circa 1810, pen, ink and watercolour with traces of pencil, the first depicting 3 women and a man preparing food at a kitchen table next to 3 women stooping or kneeling at a large half barrel on the floor, a water urn on the table beside, 9.1 x 13.1cm (3.5 x 5.25ins), the second depicting 6 female figures around a dining table set for dinner, several of them leaning with wine glass aloft towards a gentleman covering his eyes and holding a bottle of erupting liquid or vapour, a cork and corkscrew dropping to the floor at his feet, some light dust-soiling and minor marks, lower right corner excised (just clipping the gentleman's foot), 11.8 x 15.1cm (4.75 x 6ins), matching frames, glazedQty: (2)NOTESProvenance: Given to the owner by the late Martin Woolf Orskey. A charming and unusual pair of drawings, most probably sketches from real life by an older child. The slightly larger sketch is an entertaining comic tableau, whilst the smaller drawing shows the household engaged in some large culinary undertaking, possibly marmalade-making, with apparently both the ladies of the house and the servants pitching in with the task at hand.
* Osborne (Malcom, 1880-1963). "A Dieppe Café", Etching for Queen [Mary]'s Dolls' House, miniature etching on laid paper, depicting 2 conversing men in profile seated at a table in a café, one leaning across table with glass in hand, the other holding a cane, an archway beyond, a few fox spots, signed in pencil lower right below image, plate size 26 x 38mm (1 x 1.5ins), sheet size 63 x 78mm (2.5 x 3ins), mounted, with inscription in ink to mount 'With all best Wishes for a very Happy Christmas and New Year from Malcolm Osborne', and title beneath, framed and glazedQty: (1)NOTESThis minute print was commissioned for the library of Queen Mary's dolls' house, designed by Lutyens (see Royal Collection RCIN 927240). There can have been only a very few of these produced, and we have been unable to trace another copy sold at auction.
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