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Lot 1541

An Early XX Century Walnut Dressing Table, with a central drawer, jewel drawers, two top drawers over twin pedestals, with three drawers, plinth bases, 122cm wide.

Lot 1543

An Early XX Century Oak Dressing Table, with central mirror, turned supports and shaped shelves, the base with two small and three long drawers.

Lot 1549

An XVIII Oak-Elm Pedestal Table, with a circular top, small drawer to underneath, turned pedestal, on cabriole legs.

Lot 1550

A Large Oak Refectory Table, with rectangular top, on heavy cup and cover carved supports, 240 cm wide; A Set of Eight Matching Chairs, two carver and six single, with shaped top rails, upholstered backs and seats, on turned and block supports. (9)

Lot 1552

An XVIII Century Joined Oak Gateleg Table, with single drawer on turned and block supports.

Lot 1556

An Early XX Century Oak Continental Table, with draw leaves, painted cabriole legs, scroll feet 196cm overall.

Lot 1558

A White & Chromed Four Drawer Chest, with glass top, 50cm wide, glass coffee table, two leather storage boxes. (4).

Lot 1560

An Indian Hardwood Folding Coffee Table, of square form, heavily carved with leaves and berries, 49cm high x 45cm wide.

Lot 1567

A Stylish Glass and Chrome Dining Suite, comprising table, small chest, and four chairs, the chairs upholsted in white faux leather.

Lot 1573

A XIX Century Mahogany Dressing Table, with a central mirror, shaped supports, jewel drawers, central drawer on forefront, cabriole legs with undershelf. 120cm wide.

Lot 1576

Early XX Century Mahogany Dressing Table, with central mirror and tapering supports, the base with two short and one long drawer on chamfered supports.

Lot 1580

A 1920's Oak Gate Leg Table, on barley twist supports, united by stretchers.

Lot 1583

A XIX Century Oak Occasional Table, with a rectangular top, moulded edge, on reeded supports, under shelf,on scroll supports, 72cms.

Lot 1599

A Pair of Contemporary Glass Table Lamps, (untested sold for parts only).

Lot 1600

A XIX Century Mahogany Bow Fronted Side Table, with central drawer, flanking drawers on tapering supports, 84cm wide.

Lot 1613

A Mid XIX Century Inlaid Walnut Table, with a moulded edge, quarter veneered inlaid top, on four turned supports, on swept legs.

Lot 1615

A XIX Century Dressing Table Mirror, with an oval mirror, turned supports, with a hinged compartment on bun feet.

Lot 1036

Handbags, evening bags, pair of table lamps, adjustable lamp:- One Box.

Lot 1040

Doulton Pale Blue & Gilt Table Ware, of twenty pieces, copper warming pan.

Lot 1058

Hornsea Green Coffee Service, of twenty two pieces. Poole table ware of nineteen pieces:- One Box.

Lot 1091

BHS 'Valencia' Table Ware, Worcester 'Evesham':- One Box.

Lot 1113

Spencer Stevenons & St Michael Melrose Table China, meat plate, three walking canes:- One Box.

Lot 1125

the War Illustrated - 7 volumes, three tripods, shoe lasts, dressing table set, dolls, etc:- Two Boxes.

Lot 1138

Royal Albert 'Lavender Rose' Table China, of approximately seventy one pieces.

Lot 1145

Grafton 'Jacobean' Table China, of approximately twenty seven pieces.

Lot 1153

Royal Grafton Majestic Table China, in green and gilt, of approximately seventy seven pieces.

Lot 1157

Mason's XIX Century Table Plates (11).

Lot 130

Y Finn Juhl (Danish 1912-1989) for Bovirke BO-101 Bench / Coffee Table, designed circa 1953 rosewood, enamelled steel and brass(41cm high, 150cm wide, 45.5cm deep (16.1in high, 59in wide, 17.9in deep))Footnote: Note: Sold in compliance with CITES regulations, with (non-transferable) Transaction Specific Certificate no. 613295/01. Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

Lot 151

Fornasetti and Nigel Coates 'Lei' Table Lamp 2/300, engraved 'COATES / FORNASETTI 2/300', transparent glass shade etched with Fornasetti's female muse, on metal 'touchtronic' lamp base(68.5cm high, 23cm diameter (26.75in high, 9in diameter))

Lot 20

Finn Juhl (Danish 1912-1989) for France & Søn Coffee Table, 1950s model FD531/45, teak(45cm high, 175.3cm wide, 60.3cm deep (17.7in high, 69in wide, 23.7in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-27 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.

Lot 22

Finn Juhl (Danish 1912-1989) for France & Daverkosen Side Table, circa 1950s model FD531, teak, 'France and Son' label, 'FRANCE AND SON / DENMARK / 36060'(39.5cm high, 59.5cm wide, 42.5cm deep (15.5in high, 23.4in wide, 16.7in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-26 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.

Lot 260

Charles Jencks (American 1939-2019) for Aram Designs Limited Set of Six 'Dice Tables / Seats', 1985 painted wood(each 45cm high, 33.5cm wide (17.75in high, 13.25in wide))Footnote: Charles Jencks was an American landscape designer, architectural historian and cultural theorist, who published over thirty books and was famous as a theorist of Postmodernism in the 1980s. The current works were displayed in an exhibition of Symbolic Furniture by Charles Jencks at London’s Aram Designs in 1985, and clearly bears his Anglo-American signature style and the experimental and transitional nature of Post Modern architecture of its times. Jencks’ intention with symbolic furniture was to create works that were still somewhat general, but also capable of specific meaning and function, that might reassert its rightful place and give anonymous space a place and location. It was the completion of his London house that provided the major opportunity to design the furniture to fit with the programmatic system of the house, and the decoration of the house was basically about the Cosmos with rooms decorated to suggest five seasons (including the Indian Summer) around the Sun Stair and the Moonwell. In particular the dice table-seats were intended to relate to the Spring furniture, and were made to be reversible and flexible in use, with the proportions being the same as the Parthenon triglyphs.

Lot 261

Charles Jencks (American 1939-2019) for Aram Designs Limited 'Light Table', 1985 signed, dated and titled (to the base), unique, parchment paper and painted wood(50cm high, 43cm wide (19.75in high, 17in wide))Footnote: Charles Jencks was an American landscape designer, architectural historian and cultural theorist, who published over thirty books and was famous as a theorist of Postmodernism in the 1980s. The current works were displayed in an exhibition of Symbolic Furniture by Charles Jencks at London’s Aram Designs in 1985, and clearly bears his Anglo-American signature style and the experimental and transitional nature of Post Modern architecture of its times. Jencks’ intention with symbolic furniture was to create works that were still somewhat general, but also capable of specific meaning and function, that might reassert its rightful place and give anonymous space a place and location. It was the completion of his London house that provided the major opportunity to design the furniture to fit with the programmatic system of the house, and the decoration of the house was basically about the Cosmos with rooms decorated to suggest five seasons (including the Indian Summer) around the Sun Stair and the Moonwell.

Lot 263

§ Sir Peter Blake C.B.E. R.D.I. R.A. (British 1932-) for Aram Designs Limited Two 'Step' Lamps Finnish birch plywood(Taller lamp: 143cm high (56.25in high) (including shade); Smaller lamp: 110cm high (43.25in high) (including shade))Footnote: ‘When I was asked by Zeev Aram to design a piece of furniture for his exhibition, my first thought was, which is the ‘simplest’ furniture – a table. So I designed a table. I wanted it to be very basic, as though a child had drawn it, like a kitchen table. Then I chose to have it made from thick plywood, to make the legs from ply, and turn the ‘constructed’ surface to the front of the table, to show how it was made. The construction of the corners is always the same, as a table can be made to order by simply giving the size of the table top and the height. It can be plain wood, sealed, or stained white, black and primary colours, on their own or a combination – red, yellow and blue. Later I decided that a lamp which matched the table would be interesting, and designed that too.’ (Peter Blake, 1986 quoted in accompanying Aram Design Limited catalogue)

Lot 264

§ Sir Peter Blake C.B.E. R.D.I. R.A. (British 1932-) for Aram Designs Limited Two 'Simple' Tables comprising a dining table and low table, Finnish birch plywood, the low table painted(the dining table 71.5cm high, 90cm wide and 90cm deep (28.25in high, 35.5in wide, 35.5in deep); the low table 38cm high, 62.5cm wide and 62.5cm deep (15.25in high, 24in wide, 24in deep))Footnote: ‘When I was asked by Zeev Aram to design a piece of furniture for his exhibition, my first thought was, which is the ‘simplest’ furniture – a table. So I designed a table. I wanted it to be very basic, as though a child had drawn it, like a kitchen table. Then I chose to have it made from thick plywood, to make the legs from ply, and turn the ‘constructed’ surface to the front of the table, to show how it was made. The construction of the corners is always the same, as a table can be made to order by simply giving the size of the table top and the height. It can be plain wood, sealed, or stained white, black and primary colours, on their own or a combination – red, yellow and blue. Later I decided that a lamp which matched the table would be interesting, and designed that too.’ (Peter Blake, 1986 quoted in accompanying Aram Design Limited catalogue)

Lot 29

Børge Mogensen (Danish 1914-1972) for Fredericia Furniture Table, designed 1965 model 284, oak(70cm high, 180cm wide, 89cm deep (27.5in high, 70.8in wide, 35in deep))

Lot 322

Paolo Moschino for Nicholas Haslam Pair of 'Stela' Table Lamps verdigris bronze(59cm high to fitting (23.2in high))Provenance: Bought by the current vendor from Harrods approximately 30 years ago.

Lot 329

Pierre Cardin (French 1922-2020) Console Table / Desk brushed aluminium and laminated wood(80.5cm high, 97cm wide, 40cm deep (31.7in high, 38in wide, 15.7in deep))Provenance: Pierre Cardin Showroom, Germany; Modernes Auction, Munich, 15 April 2004, Lot 176; Private Collection, UK.

Lot 334

Angelo Lelii (Italian 1911-1979) for Arredoluce 'Altelana' Table Lamp model 14093, manufacturer's label, chromed metal(22cm high (8.75in high))

Lot 48

Arne Jacobsen (Danish 1902-1971) Table, designed 1958 ebonised wood and aluminium(47cm high, 58cm diameter (18.5in high, 22.8in diameter))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-17 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.

Lot 6

Hans Wegner (Danish 1914-2007) for Andreas Tuck Coffee Table, designed 1951 model AT10, oak, teak and cane, stamped 'FABRIKAT ANDR TUCK / ARKITEKT: HANS J. WEGNER / DENMARK'(51cm high, 130cm wide, 51cm deep (20in high, 51in wide, 20in deep))

Lot 65

Poul Kjaerholm (Danish 1929-1980) for E. Kold Christensen Table, designed 1956 model EKC-61, slate and chrome steel, the steel frame stamped with manufacturer's mark(33cm high, 84cm wide, 84cm deep (13in high, 33in wide, 33in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-42 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.

Lot 7

Hans Wegner (Danish 1914-2007) for Andreas Tuck Coffee Table, designed 1951 model AT10, oak, teak and cane, stamped 'FABRIKAT ANDR TUCK / ARKITEKT: HANS J WEGNER / DENMARK / MADE IN DENMARK'(50.3cm high, 160.5cm long, 50.3cm deep (19.8in high, 63.2in long, 19.8in deep))

Lot 71

§ Dame Laura Knight R.A. (British 1877-1970) Ballet Dressing Table Signed and inscribed with title (lower right), pencil and charcoal(25cm x 36cm (10in x 14in))Footnote: A fairly precise study for a fully worked up painting. The ballet dressing room was a favourite theme of Knight's which she explored in oil and print.

Lot 425

Rustic painted pine dropleaf kitchen table, approx. 107cm long

Lot 433

French oak contemporary dining table, approx. 6' long

Lot 503

Edwardian mahogany octagonal occasional table

Lot 519

19th c. mahogany snap top tripod table

Lot 63

Vintage board games inc. Soccerama, Waddingtons table soccer, etc.

Lot 8

Edwardian mahogany shaped top two-tier occasional table

Lot 325

Victorian pine kitchen table on turned legs, 25" x 39"

Lot 352

Late 19th c. inlaid mahogany envelope card table on square tapering legs

Lot 377

19th c. French Art Nouveau satinwood ladies dressing table with pink marble top and having carved gallery and mirror, single drawer and towel rail

Lot 393

WW2 leather wallet for Ration Cards, National Society Needlework and Knitting Instruction book with samples and a Young Ladies Guide to the Work Table and including several apprentice examples of stitching

Lot 10

Primitive cricket table, the circular top above three angled legs united by stretchers, 51cm wide, 51cm deep, 52.5cm high

Lot 62

19th Century bistro table, the circular marble top above an iron column and dolphin scroll legs, 72cm high, 45cm wide 

Lot 201

IAN GREGORY (1942-2021); a salt glazed model of a table, impressed IG mark, diameter 12cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

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