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A 1920s stained oak dining table, the top with a thumb moulded edge and canted corners, raised on block, tapered legs 28''h 78''L; and a matching set of six contemporary stained oak and floral carved dining chairs, the caned splats flanked by bobbin turned supports with a fabric upholstered drop in seat, raised on block, turned legs comprising four standard/two open arm RAB
Cruikshank (George, 1792-1878). Hold your Bawling you good for nothing feller & get on with your work. The right end of life's to be jolly, be jolly &c.', pencil on paper, showing a chaotic domestic scene, with a woman wearing a bonnet and apron shaking her fist at a man who lolls on a table raising a tankard aloft in one hand and a clay pipe in the other, with disporting children and animals, browned, captioned in ink in the artist's hand on verso (with additional faint pencilled notes), 16 x 11.5 cm (6.5 x 4.5 ins), mounted, pencilled note on mount 'Ex. Coll. G.[erald] Reitlinger', together with Dumbarton Rock, Sept. 8th. 1856, pencil sketch on paper, titled in pencil to lower margin, and signed in pencil lower right, some minor spotting and marks, 25 x 35.5 cm (9.75 x 14 ins), mounted, plus Cruikshank (Robert Isaac, 1789-1856) , Family group with donkey, pencil and wash with some ink outlines, on paper, depicting a young couple with two small children, walking in a landscape with a donkey carrying loaded pannier baskets and a dog chasing along beside, initialled in pen lower right below image, browned, 20 x 34 cm (8 x 13.25 ins), mounted (Qty: 3)Gerald Roberts Reitlinger (1900-1978) was an art historian, painter and collector, who was particularly interested in changing tastes in the art market, and consequent price fluctuation.
Tenniel (John, 1820-1914). On the "Quay Vive"!, 1898, pencil on paper, depicting foreign sailors queuing up with baskets in front of a British sailor on a quay, beneath a sign 'British Coaling Station', monogrammed and dated lower left, image size 20.5 x 16 cm (8 x 6.25 ins), with signature and caption in pencil on card beneath in the artist's hand: 'On the "Quay Vive"! John Bull "What, maties! Want some o' my coal to get to China! Right you are!" (to himself) "I can always stop the supplies!" Punch. Jan. 22. 1898.', both laid down in mount (manuscript title not visible through aperture), together with A New Departure, pencil on paper, showing William Edward Forster's departure as Chief Secretary for Ireland after resigning from Gladstone's government, against a background of cheering crowds, monogrammed lower left, 20 x 15.5cm (8 x 6 ins), mounted, with printed Punch cartoon dated 1882 for which the sketch was drawn mounted on verso, plus Leech (John, 1817-1864) , Pleasures of Housekeeping, [published in Punch, 1849], pencil sketch on card, depicting a lady laying the table with a gentleman standing with his back to the fire reading a newspaper, titled in pencil above and captioned in pencil below (in the artist's hand): 'The cook says that she thinks there's a slate loose on the roof of his house for the water comes into the servants' bedroom. Mr. Briggs replies that the sooner it is put to rights the better, before it goes further - and he will see about it', lightly toned, image size 9 x 12.5 cm (3.75 x 4.75 ins), mounted (Qty: 3)
Wain (Louis, 1860-1939). Home Sweet Home, Raphael Tuck and Sons, copyright 1901, colour lithograph showing a family of cats in their home, father sitting by a piano and smoking a long pipe, mother sitting at the table dressmaking, the children variously playing musical instruments, drinking milk, dancing etc., a smart visitor in top hat and monocle walking through the open door, title printed beneath image, generally toned with a few spots, framed and glazed, image size 32.5 x 42.5cm (12.75 x 16.75ins), sheet size 49 x 58.3cm (19.25 x 23ins) (Qty: 1)
Barnes (Julian). Metroland, 1st edition,1980, original cloth, dust jacket, 8vo, together with seven others by the author including The Porcupine, 1992, The Pedant in the Kitchen, 2003, The Lemon Table, 2004 and Arthur and George, 2005, all signed by the author (Qty: 8)
Graves (Robert). I Claudius, 1st edition, 1934, folding genealogical table at end, Book Society bookplate to front endpaper, original cloth (covers with some light mottled stains), price-clipped dust jacket, tears and losses to spine at ends, a few chips and some light toning, 8vo (Qty: 1)
A fine late 17th century verge table clock by James Hunt, London the 7 inch brass dial signed on the silvered chapter ring, the matted centre with pendulum aperture, ringed winding holes and date aperture. At 12 o`clock the sliding strike control marked S and N , mask spandrels, the two-train five pillar movement signed on the engraved backplate Jams Hunt London, pull quarter repeating on two bells. The ebony case is later and accommodates the added arch dial although the carrying handle would appear to be 17th century, height excluding handle 43cm. Note:- There is a James Hunt recorded as being an apprentice to Joseph Knibb.(See illustration)
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1181627 item(s)/page