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Lot 2452

19th century mahogany tilt-top table, the base with birdcage, on column support and tripod base, diam. 64 cm x 73 cm. .

Lot 2453

19th century rosewood games table, the top inset with a chess board, above a faux and a single drawer, on column support to shaped base on scroll feet, 72 x 46 cm . .

Lot 2461

19th century mahogany and satinwood strung folding card table on turned reeded tapering legs. 76cm x 92cm . .

Lot 2468

Victorian burr walnut music stand / reading tilt top table, with brass plaque for T.H.Filmer and Sons Cabinet, Upholstery, Bedding and Carpet Manufactory, London, max height 95cm. .

Lot 2471

19th century mahogany extending dining table, on turned and carved supports, with two extra leaves, 240cm fully extended,. .

Lot 136

Royal Crown Derby Imari style table bell and a Waterford desk clock set in octagonal glass frame

Lot 17

An oriental circular side table on three outswept legs

Lot 18

A Victorian mahogany octagonal games table the top inlaid with a chequer board, on a baluster stem and three outswept legs

Lot 2

An Edwardian oak square envelope card table with single drawer on four tapering rectangular legs

Lot 237

A glass and gilt metal dressing table jewellery casket from the Court Of Honour Franco-British Exhibition 1908

Lot 434

A pair of silver table candlesticks, leaf engraved knopped stems on shaped rectangular bases, London 1930

Lot 435

A pair of silver table candlesticks, tapering cylindrical with vase form nozzles on raised circular bases, Birmingham 1936

Lot 45

A Chinese 19th century green ground pear shaped vase decorated with figures in a landscape on carved hardwood base converted to a table lamp

Lot 46

A Chinese Ge type crackle glaze baluster vase converted to a table lamp mounted on a pierced hardwood stand

Lot 460

A quantity of silver to include a hip flask, a glass flagon with silver mounts, an Aspeys tortoiseshell letter opener with magnifying glass, Birmingham 1926 and a glass dressing table bottle with silver cover

Lot 47

A Chinese famille rose baluster vase and cover converted to a table lamp on raised hardwood stand

Lot 48

A pair of Chinese style bronze table lamps on raised wooden plinths with silk shades

Lot 491

A canteen of Kings pattern flatware for twelve place settings in a fitted two drawer serving table

Lot 53

A continental porcelain table lamp figural group amidst flowers and leaves on circular base

Lot 54

A Lladro table lamp figural group on naturalistic base

Lot 55

A pair of 1970s porcelain green glazed table lamps with silk shades

Lot 137

A silver three piece dressing table set and three silver topped jars

Lot 173

A lacework table cloth and a bedspread

Lot 373

A brass miniature tripod table pin cushion. 3½' high

Lot 392

A Japanese lacquer table cabinet, the interior with seven drawers enclosed by a pair of doors. 14' high

Lot 501

A 17th century joined oak side table, the moulded top over frieze drawer on turned supports with half-height stretcher. 33' wide

Lot 503

An early Victorian mahogany reading table, the rising top with two ratchet bookrests, on baluster column and quadripartite base with volute feet. 37' wide

Lot 550

A pine towel rail, an oak magazine rack and a barleytwist occasional table

Lot 556

A pine kitchen table on painted turned legs. 54' long

Lot 559

An oak wardrobe, tallboy, dressing table and dressing mirror

Lot 564

An oak cheval glass, a work table, a stool and an occasional table

Lot 569

A gilt framed dressing table mirror with strut back. 19' high

Lot 571

A George IV mahogany Pembroke table with frieze drawer. 35' wide

Lot 576

A 1920s oak gateleg table on barleytwist legs

Lot 577

A cane conservatory suite comprising a pair of armchairs, an occasional table and a stool

Lot 591

An Indian pouffe decorated with cowrie shells and a painted Moroccan occasional table

Lot 598

A brass tray-top table on folding base, together with an oak box

Lot 603

A drop-side table, an occasional table and a 19th century convex looking glass

Lot 613

A dartboard, a dropleaf occasional table and a wicker log basket

Lot 627

A teak garden table with two armchairs

Lot 632

An early Victorian mahogany dropleaf dining table on lappet moulded legs. 42' wide. One castor lacking

Lot 2

HALL CHARLES.  A Concise Treatise on the Most Effectual Method of Destroying Heath & Turning the Soil into Good Pasture. Subscriber's list, eng. vignette & fldg. table. Concludes with Catalogue of Flowers & Flower-Roots, That Gentlemen can be Supplied With by Sending Their Orders to the Author. Calf. Edinburgh, 1802.

Lot 481

A Synertek Systems Synertek SYM-1" and is a 6502 Development system, c.1975, in original case with original booklets including a copy of Microchess a chess playing Program by Peter Jennings, SYM Reference Manual; Programming Manual, Programming the 6502; 6502 Application Book, in original black plastic case. https://en.wikipedia.org/wiki/SYM-1 The SYM-1 was a single board "trainer" computer produced by Synertek Systems Corp in 1975. It was designed by Ray Holt who also designed the first microprocessor chip set used in the CADC for the F-14 Tomcat. Originally called the VIM-1 (Versatile Input Monitor), that name was later changed to SYM-1. The SYM-1 was a competitor to the popular MOS Technology KIM-1 system, with which it was compatible to a large extent. Compared to the KIM-1, enhancements included the ability to run on a single +5 volt power supply, an enhanced monitor ROM, three configurable ROM/EPROM sockets, RAM expandable on board to 4 KB, an RS-232 serial port, and a "high speed" (185 bytes/second, the KIM-1 supported about 8 bytes/second) audio cassette storage interface. It also featured on-board buffer circuits to ease interfacing to "high voltage or high current" devices. One rather distinctive capability of the SYM-1 was its ability to allow an oscilloscope to be added to provide a 32 character display under software control. As explained in Chapter 7 of the "SYM Reference Manual", the vertical input, ground and trigger input of the oscilloscope were to be connected to the "Scope Out" connector AA on the SYM-1 board. The "Oscilloscope Output Driver Software" code provided in this chapter of the manual was to be entered into the SYM-1's memory and executed to enable the oscilloscope display. This code provided control of the oscilloscope display, as well as a rudimentary character set. Resistors R42 and R45 were to be adjusted to refine the displayed image. Synertek sold ROMs which could be installed to add the BASIC programming language or a Resident Assembler/Editor (RAE). Synertek contracted with a company called Eastern House Software to port their Macro Assembler/Editor (MAE) into an 8 KB ROM. The author of MAE, RAE, and another version sold by Skyles Electric Works was Carl Moser. MAE was sold in various forms not only for the SYM-1 but also for other 6502-based computers including Commodore, Atari, KIM, and Apple. Other forms of MAE included a cross assembler for 6800 and 8085—and an offering of these cross assemblers was planned for RAE. One of the more subtle features of the SYM-1 was the use of a look up table in the low memory of the 6502. This provided a vectoring function in its operating system to redirect subroutine calls to various input and output drivers, including interrupt servicing. Users were able to develop their own interface routines, and substitute new vectors for the original vectors in the startup UV-EPROM. This seamlessly maintained the normal operation of the board's monitor and languages such as Synertek Systems BASIC. One of the later home/education computers that used this concept extensively was the BBC Micro produced by Acorn Computers in the UK. Some of the other computer designers of this era failed to grasp the significance of this elegant use of vectors to the software mapping of new developments in hardware.

Lot 580

HARRY AND LOU EPSTEIN: AN ART DECO BIRDSEYE SATIN MAPLE OCCASIONAL TABLE, the circular top with radial veneers, supported on twin in-scolling supports on a stepped rectangular base, 65 cm H x 75 cm dia

Lot 583

ART DECO STYLE BLACK LACQUERED AND BIRDS-EYE MAPLE VENEERED FURNITURE SUITE , in the manner of Jacques Adnet, the dining table with rectangular top, raised on two central pillars, matching sideboard and a set of six cantilever chairs, after Marcel Breuer, chair 84.5cm high x 46.5cm wide x 47cm deep; sideboard 153cm long x 106cm high x 51cm deep; table 145cm long x 91.5cm wide x 78cm high (extended)

Lot 591

IN THE MANNER OF MAISON BAGUES: A NEO-CLASSICAL STYLE LOW TABLE, the rectangular verde marble top supported by a gilt-metal and black painted frame, raised on cast hoof feet, 107.5cm long x 46cm wide x 49cm high

Lot 593

•PIER LUIGI COLLI: A GILT WROUGHT IRON, GLASS AND SIENNA MARBLE CONSOLE TABLE AND MIRROR, the serpentine fronted thick glass top supported by a stylised planished scrollwork frame, raised on a arched marble plinth, 91cm wide x 81.5cm high x 28cm deep; with associated mirror, 104.5cm highx 84cm wide x 3cm deep

Lot 606

TEAK LOW OCCASIONAL TABLE, the circular top supported on four arched legs, 85.5cm dia. x 48cm high

Lot 609

ERCOL: A "MINERVA" ELM COFFEE / SOFA TABLE, shaped rectangular top with two drawers and lower shelf, 39.5cm high x 123cm long x 53cm wide

Lot 610

ERCOL: AN ASH DINING TABLE, 71cm high x 127cm deep x 114cm wide; four stickback chairs 77cm high x 41.5cm deep x 41.5cm wide; and two arched back chairs 85.5cm high x 40cm wide x 38.5cm deep (7)

Lot 616

FLORENCE KNOLL: AN OAK AND CHROME CONFERENCE TABLE DESK, the rectangular top supported on a chrome central column, ending on four splayed legs, 91.5cm wide x 183cm long x 73cm high

Lot 623

•MANNER OF ROMEO REGA: A CHROME AND FLAMED WALNUT VENEER COFFEE TABLE, 37cm high x 79cm wide x 119.5cm long

Lot 630

HUGHES BOLCKOW: A TEAK GARDEN TABLE AND CHAIRS, probably retailed by Heals, used from the timber of H.M.S Powerful, table 84cm sq x 71cm high, chairs 42.5cm sq x 70.5cm high (5)

Lot 634

ARCADE MANIA GAMING COFFEE TABLE, manufactured for Mightymast Leisure Ltd, no. 000285, 105 cm x 74 cm x 56 cm

Lot 79

•EDNA CLARKE HALL (1879-1979) Interior still life with numerous items on a dining table, signed and dated 1934 in pencil lower left, watercolour and pencil, 32.5cm x 49cm

Lot 29

Sir John Lavery (Irish 1856-1941) Hyde Park Corner, 29th vember 1934 Oil on board Signed and titled lower left 60.5 x 50cm (23¾ x 19½ in.) Provenance: Private Collection, France Exhibited: Liverpool, Walker Art Gallery, 1935 Glasgow, The Glasgow Art Club, 22 February 1935 - 30 March 1935, . 3 To celebrate the marriage of Princess Marina of Greece and Denmark and Prince George, Duke of Kent. Sir John Lavery was born in 1856 in rth Belfast but was brought up in Scotland. Lavery studied at Haldane Academy in Glasgow and moved to Paris in the 1880s to continue his studies at the Academie Julian. On his return to Glasgow in 1885 he became close friends with a group of artists dubbed the Glasgow Boys, which included James Guthrie (1859-1930), Arthur Melville (1855-1904) and Edward Arthur Walton (1860-1922). Lavery established himself as a prominent society portraitist after his move to London in 1896 where he also took a great interest in painting contemporary everyday scenes and events. In 1880 he was commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition. This Royal patronage continued and in 1913 Hugh Spottiswoode commissioned Lavery to paint the family portrait of King George V. The work was exhibited at the Royal Academy and later presented to Queen Mary by the artist. In 1921 Lavery was knighted and elected to the Royal Academy. The present lot captures the procession at Hyde Park corner to celebrate the wedding of Prince George, Duke of Kent and Princess Marina of Greece and Denmark. They were married in a Church of England ceremony at Westminster Abbey on vember 29, 1934. The ceremony was followed by a Greek Orthodox service at the Private Chapel in Buckingham Palace. The work was exhibited at the Glasgow Art Club in 1935 alongside other oil paintings by Glasgow Art Club members. The works were hung in the Club rooms in Bath Street. The exhibition was described as 'interesting, illustrating various approaches to art expression.' The present lot was described by one critic at the time as a picture with 'remarkable verve and dexterity. The great crowd is suggested by the merest articulation, and with a table effect of perspective, the Royal carriage and procession in the foreground.' The critic was recorded writing in the Scotsman on 26th February 1935, his name was never recorded. The wedding was the first royal wedding ceremony to be broadcast by wireless. The service was broadcast internationally and loudspeakers allowed spectators outside of Westminster Abbey to hear the proceedings. Princess Marina wore a white and silver silk brocade designed by Edward Molyneaux and the couple honeymooned at Himley Hall in Himley, Staffordshire, England, the country estate of William Ward, 3rd Earl of Dudley. Please note this work is oil on canvas laid down to board

Lot 1470

A PAIR OF ART DECO DESIGN CHROME TABLE LAMPS.

Lot 1811

A LARGE CANTEEN OF FIDDLE AND THREAD CUTLERY, comprising ten tablespoons, ten dessert spoons, eleven teaspoons, nine smaller teaspoons, six tiny teaspoons, soup ladle, twenty-four table forks and ten dessert forks. London 1873 and 1875. Weight 170ozs.

Lot 1027

A REGENCY DESIGN CIRCULAR MARBLE TOP SPECIMEN TABLE, on a black and gilt tripod base. 1ft 10ins diameter.

Lot 1035

AN 18TH CENTURY OAK RECTANGULAR TOP TABLE, three plank top with end supports and legs. 3ft 11ins long x 2ft 2ins wide.

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