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A Sitzendorf figure of Madame Recamier, 20th century, reclining on a Regency day bed, 22.5cm, a 19th century Staffordshire figure of Queen Victoria, an early 19th century Walton style putti, a putti pulling a cornucopia, a Plaue porcelain cherubic table lamp on gilt metal base, 29cm excluding light fitting, a Dresden porcelain figural three branch candelabra, 32.5cm, a Sitzendorf recumbent sheep and 'The Parasol House' by CoalportQty: 8Condition report: Madame Recamier has some discolouration to the base but has no apparent major defectsThe small porcelain figure of Spring is damagedFigural candelabra has the right-hand branch repaired and the figures right hand is repairedStaffordshire figure of Queen Victoria has old repairs to both hands and cracks to the baseMetal mounted figural table lamp has some leafage missing from its trunk and the figure emblematic of Summer has a replacement legThe reproduction pastile cottage is OKThe Cherub towing a huge cornucopia figure seems OK
A 19th-century Russian gilt brass and beadwork table candlestick with tooled neoclassical decoration 20 cm high Together with a 19th-century mother of pearl inlaid blonde tortoiseshell calling card case with hinged top, 18th H. Bell of Prescot, Lancashire mahogany cased folding guinea scaleFootnote: The candlestick was formerly the property of the Manager of the Russian state bankCondition report: The scale is OKThe candlestick is OKThe card case has a slight crack near the hinge.
Sir David Wilkie R.A.(1785-1841) figures around a table in a cottage interior, ink sketch. and a small oil painting of horse and rider. Bearing a JS Maas & Co Ltd label verso 10.5 x 9 cm. Together with a 19th century English school oil on wooden panel painting of a gentleman with a pair of Chestnut horses in harness outside an inn (The Swan?) 12.5 cm x 15.6 cmQty: 2
A Victorian Japonesque lacquer sewing table, inlaid with mother of pearl and abalone shell, depicting Manchurian cranes, flowers and bamboo in a fenced garden, with fitted interior with lift out tray, above a sewing bag, decorated throughout with inlaid shell birds and flowers, 57cm wide, 73.5cm high & 37cm deep
A part early 17th-century oak refectory table. With clamped plank top over a Vitruvian scroll carved frieze, the box stretchered base with carved bulbous cup and cover supports. 196 cm long 74 cm wide x 75 cm high to the top. 61 cm knee roomCondition report: The table has had elments replaced over the course of its lifeThe table is stable and structurally sound and of good colour
Various silver and silver plate: two handheld hallmarked silver dressing table mirrors, a matching clothes brush to one of the mirrors, one other clothes brush and a circular silver capstan inkwell. The silver plate to include a three-pronged bread fork, spoons, and an Aesthetic-style napkin ring modelled as pierced openwork bamboo. (13)
A mid-Victorian gem-set bee/insect brooch, the four outstretched wings set with rose-cut diamonds, ruby collet-set eyes and abdomen, sapphire collet thorax, mounted in silver and yellow gold (maximum width 2.8cm)Condition Report: Overall condition fair commensurate with age, could be later 19th century or every possibility early 20th century. Principal ruby: 6.3mm x 4.3mm x 2.8mm approx.) as collet-set. Has surface-reaching fracture in table facet (8 o'clock to 2 o'clock) visible in photo, inclusions as per fracture details. Ruby eyes: each a slight angle. Each with a chip to the table/crown facets. Diamonds: rose-cuts, generally face up though two longest in upper wings draw colour (as per photo) would benefit from a cleanClasp: works but pin does not fit/hold firmly in scrolling hookTotal weight 3.0g
An aquamarine and diamond-set ring; the three graduated rectangular aquamarines each separated by a line of four diamonds, 9 carat yellow gold setting, size M (gross weight 3.1g)Condition Report: Overall condition good; minor chips to outer edge of largest stone and very small chips to table/crown (Aquamarines: largest 8.9mm x 7.0mm x 4.1mm, smallest 5.9mm x 4.0mm x 2.5mm)
A 19th century cut-glass and silver-mounted claret jug of globe and shaft form with handle; the squat, cylindrical body finely engraved with alternating star and hobnail panels, the faceted neck leading to the hinged lid decorated in relief with an exterior tavern style scene with seated figures at a table with flagons and tankards etc., two birds flying above and a building visible at the far left, all within shaped and foliate-style borders, the neck with cast spout and also decorated repoussé style with C-scrolls and vertical lozenges in rocaille style, the neck with maker's mark W.C and assayed London 1892 (19cm high)
A J. Robert Scott, Inc. 'Harlow' tea table: designed by Sally Serkin Lewis, circular top and bottom shelf with sunburst pattern supported on three dark elephant lacquer high polish legs, designer's label to underside of circular top (diameter 15" (38.1cm) x height 19" (48.3cm)
A J. Robert Scott, Inc. 'Prince Charles' coffee table; designed by Sally Sirkin Lewis, US Patent #D406969. Finish: free form parchment, matt polish. Colour: ivory. The slab top with radius ends, supported by two slab legs, label to underside of top (width 40" (101.6cm) x depth 16" (40.6cm) x height 19" (48.4cm)
A good mid-18th century George II period mahogany architect's table; the hinged rising top with re-entrant corners and ratchet mechanism and 'pushout' bookrest to the front with pull-out circular candle stands flanking, the pull-out front compartmentalised drawer section with hinged quadrant-shaped stationery compartment opening to the right-hand side, raised on square section chamfered Marlborough-style legs concealing recessed brass castors, the sides with original brass swan-neck handles (91cm wide x 60cm deep x 75.5cm high)This has come privately from a local Solicitor’s office. As far as we are aware there are no keys with the item. It looks as though there may have been some “strengthening” to the underside of the top flap including butterfly shaped hinges etc., see several images. The brass catch on the back is spring loaded and appears to work. There is some minor splitting to the insides of the piece when the top is lifted (see images). It is noted that the front right leg does not locate flush with the receptacle leg and is bowing slightly outwards. The top of the piece appears to be darker at the back than the front. Pulling the slide forward it is obviously compartmentalised and there is a very small, almost a “secret” drawer to the lefty hand section. The lock appears to be good and original and the whole of the piece appears to be very dusty and dirty overall. Some of the boards are parting inside the drawer lining at the bottom and there is a small hole at the back. General scuffs and marks mostly around the bottom of the legs as expected commensurate with age. The colour is quite nice around cleating near the re-entrant corners. In the Auctioneer’s opinion it is not without faults but is mostly original and could do with sympathetic restoration.
A 19th century French vernacular wooden wine table; the galleried slatted wooden top above a single full-width drawer with geometric lozenge, the sides and back similarly replicated and above the four square supports with applied mouldings and united by a conforming platform stretcher, the lower legs of square tapering form (56.5cm wide x 56cm deep x 96.5cm high)
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1181390 item(s)/page