Sign in
Register
notifications_none notifications Alerts

We found 1181390 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 1181390 item(s)
    /page

Ewbank's
Lot 3542

Ten George III Old English pattern table forks, four Joseph Hicks, Exeter, 1802, two Robert Clarke, London, 1787/8, and four Josiah & George Piercy, London, 1815, (10), 20oz, 622g,

More details

Ewbank's
Lot 3547

Silver backed dressing table items, comprising mirror, brush and three combs,

More details

Ewbank's
Lot 3565

Modern part canteen of silver cutlery by United Cutlers, comprising 6 table knives with stainless steel blades, 6 side knives with stainless steel blades, 6 table forks, 6 side forks, 6 table spoons, 6 soup spoons, 6 fish knives, 6 fish forks, and 6 silver plated side knives, Sheffield 1997-1998, total weighable silver 66oz 2058gm

More details

Ewbank's
Lot 3566

Silver backed hair brush, dressing table jar, various spoons and forks together with plated cutlery and serviette rings, weighable silver 4.75oz 148gm

More details

Ewbank's
Lot 3570

Five piece silver cruet set, Sheffield 1926, 4oz 124.5gm ( 1 glass liner broken ) pair of bon-bon dishes, pedestal stand, cigarette case, card tray, three dressing table jars, two brushes, trumpet vase, decanter label and a napkin ring, weighable silver 11.15oz 347.5gm

More details

Ewbank's
Lot 3573

Three silver topped dressing table jars, three teaspoons, silver handled pickle fork and a two pepperettes with filled bases,

More details

Ewbank's
Lot 3579

George III silver ladle, London 1814, pair of table spoons and napkin ring, 14oz 436gm, various silver handled tea knifes

More details

Ewbank's
Lot 3587

George V silver pedestal tazza with pierced foliate border, by Elkington & Co Ltd. Birmingham 1918, 10.29oz 320gm, silver framed mirror, pair of hair brushes, pair of clothes brushes, silver topped dressing table jar and an egg cup.

More details

Ewbank's
Lot 3596

Victorian silver table snuff box with engine turned decoration and engraved scroll corners, by Nathaniel Mills, Birmingham, 1846, 3.8oz, 119g, 8.7cm wide,

More details

Ewbank's
Lot 3600

German oval silver table snuff box the cover embossed with a battle scene, marked 930, import marks for 1899, 11cm x 7.5cm x 4cm, 5.17oz 160.8gm

More details

Fieldings Auctioneers
Lot 101

A double bottle coaster table cart, twin hallmarked silver bottle coasters each with gadroon and foliate detail to borders to a silver plated four wheel cart terminating in turned wooden handle, length 50cm, Birmingham 1992, Peter John Doherty.

More details

Fieldings Auctioneers
Lot 11

Two pairs of hallmarked silver table spoons, fiddle and old English pattern, total weight 5.5oz, London 1838 and 1811/12 respectively. (2)

More details

Fieldings Auctioneers
Lot 12

A parcel lot of assorted hallmarked silver items to include two napkin rings, a cigarette case, a five piece dressing table set, a photograph frame, an ashtray etc, total weight of weighable silver 9oz, various styles and dates, S/D.

More details

Fieldings Auctioneers
Lot 124

A parcel lot of Georgian and later fiddle patter flatware, four table spoons, nine dessert spoons and nine tea spoons, total weight 28oz, various dates and makers. (22)

More details

Fieldings Auctioneers
Lot 141

A contemporary Reprodux mahogany canteen table, with hinged fold-over top and three drawers, fitted with an eight place setting (seventy five piece) canteen of Arthur Price silver plated cutlery, the table height 82cm, width when closed 61cm, width when open 122cm and depth 45cm.

More details

Fieldings Auctioneers
Lot 175

A hallmarked silver hexagonal shaped table lighter with scroll handle and four conforming ashtrays, total weight 8oz, Birmingham 1942, Hukin & Heath Ltd.

More details

Fieldings Auctioneers
Lot 50

Two Spanish silver table decorations each modelled as an ivy branch supporting two candle sconces, lengths 25cm and 30cm, with a silver plated bottle holder. (3)

More details

Fieldings Auctioneers
Lot 69

A hallmarked silver part canteen of old English pattern cutlery comprising twelve table spoons, twelve dessert forks, eleven dinner forks, eleven dessert spoons, six tea spoons, a soup ladle and two sauce ladles, total weight 107oz, Edinburgh 1897/98, Hamilton & Inches, with a set of twelve Kings pattern tea spoons, weight 12oz, London 1859, S/D, all to an oak case.

More details

Fieldings Auctioneers
Lot 73

An early 20th Century hallmarked silver table centre piece, square base supporting boat shaped bowl of plain form detailed with acanthus leaf border and terminating in twin Griffin figures, weight 62oz, length 33cm, height 29cm, Sheffield 1914, Walker and Hall.

More details

Hampel Fine Art Auctions
Lot 118

Exklusiver Empfangstisch82 x 200 x 98 cm.19. Jahrhundert.Oblonge malachitbelegte Platte mit Randkehlung und eingelegter vergoldeter Bronzezier. Die Platte gestützt von gegossenen und ziselierten Bronzen zwei stehende Putti zeigend die zentral durch eine Standplatte verbunden sind. (1340228) (13)Exclusive reception table82 x 200 x 98 cm.19th century.

More details

Hampel Fine Art Auctions
Lot 72

Salontisch im Louis XVI-StilHöhe: 79 cm.Durchmesser: 94 cm.Signiert „MILLET“ (Maison Millet).Frankreich, um 1880.Dieser Tisch, der nach einem Modell von Adam Weisweiler und Pierre-Philippe Thomire entstanden ist, zeigt einen quadratischen Stand mit eingezogenen Seiten und zentraler überhöhender Ziervase, darüber vier geschwungene Beine in vergoldeter Bronze mit figürlicher Zier in brünierten Bronzen. Runde eingelegte Marmordeckplatte. Das Vorbild wurde 1810 für das Château de Fontainebleau geschaffen.Literatur:Vgl. Jean-Pierre Samoyault, Catalogue des collections de mobilier. Meubles entrés sous le Premier Empire. Meubles d´architecture, de rangement, de travail, d´agrément et de confort, Paris 2004, S. 248, Nr. 176.Vgl. Christopher Mackley Payne, François Linke, 1855-1946. The Belle Epoque of French furniture, Woodbridge 2003, S. 208, Tafel 228. (1330135) (13)Salon table in the style of Louis XVIHeight: 79 cm.Diameter: 94 cm.Signed “MILLET” (Maison Millet).France, ca. 1880.This table made after a model by Adam Weisweiler and Pierre-Philippe Thomire, shows a square stand with drawn-in sides and a central ornamental vase, surmounted by four curved gilt-bronze legs with figural décor in burnished bronze. Round inlaid marble table top. The model was created in 1810 for the Château de Fontainebleau.Literature:cf. Jean-Pierre Samoyault, Catalogue des collections de mobilier. Meubles entrés sous le Premier Empire. Meubles d´architecture, de rangement, de travail, d´agrément et de confort, Paris 2004, S. 248, no. 176.cf. Christopher Mackley Payne, François Linke, 1855-1946. The Belle Epoque of French Furniture, Woodbridge 2003, p. 208, panel 228.

More details

Hampel Fine Art Auctions
Lot 142

Jacopo Tintoretto, 1518 Venedig – 1594 ebendaDas letzte AbendmahlÖl auf Leinwand. Doubliert.142 x 220 cm.Ungerahmt.Das hier angebotene Werk des Tintoretto ist nicht nur ein kompositorisches Meisterwerk, sondern auch von höchstem Interesse, was die Arbeitsabläufe des großen venezianischen Malers angeht. So ist die vorliegende Leinwand der erste Entwurf für das große Gemälde Tintorettos (221 x 413 cm), welches sich heute in der Kirche San Trovaso am gleichnamigen Platz im Sestiere von Dorsoduro in Venedig befindet und bereits 1584 von Borghini erwähnt wurde: „Nelle cappella del Sacramento di detta chiesa vi sono due quadri, nell'uno quando Cristo lava i piedi agli apostoli, e nell'altro quando cena con quelli...“ Die in der Frühzeit Venedigs, im Jahr 1028, gegründete Kirche stützte in ihrer gotischen Form 1583 ein. Heute befindet sich gegenüber dem Eingang vom Rio de San Trovaso das letzte Abendmahl, das Tintoretto 1559 schuf und das Jacob Burckhardt als zum „gemeinsten Schmaus entwürdigt“ bezeichnete. Es ist die wohl gewagteste Komposition des Themas aus seiner Hand mit schräg in den Raum gesetztem Tisch, umgekipptem Stuhl, gewagten Verkürzungen der in den Raum hineingreifende, wohl vom Wein nicht mehr ganz nüchterne Körper und effektreicher Beleuchtung. Um einen rechteckigen Tisch, auf dem Essen und Wein stehen, sind die zwölf Apostel angeordnet. Jesus, gekleidet in eine rosa-violette Tunika, hat soeben den Verrat durch einen von ihnen aufgedeckt. Die Apostel reagieren auf die Ankündigung und suchen untereinander nach einem Zeichen, das den Verräter zeigt (Mt 26,21; Mk 14,18; Lk 22,21; Joh 13,21). Johannes trägt die gleiche Tunika wie Christus und sitzt neben ihm, den Kopf müde auf den Tisch gestützt. Petrus wendet sich im Stehen an Jesus und erklärt ihm seine Treue. Judas ist vielleicht wohl rechts auf dem Gemälde dargestellt, auf einem Schemel sitzend, einen Teller in der Hand. Im Hintergrund, zwischen den Bögen, stehen zwei flüchtige Figuren, eine Frau und ein bärtiger Mann. Sie sind in lange Gewänder gekleidet und scheinen eine Sibylle und ein Prophet zu sein. In unserer Vorstudie ist ihre Gewandung der Farbigkeit der restlichen Kleider angeglichen, sodass ihre Entrücktheit erst in der vergrößerten Fassung voranschreiten wird. Von der realen Welt des Betrachters, die durch die Offenbarung des Wortes Christi erhellt wird, gehen wir in eine Zeit ante gratiam über, die gerade durch die beiden Figuren verkörpert wird, die die Zukunft erwarten, die sie selbst prophezeit haben.Der Pilaster links der Kapelle ist datiert MDLVI (1556), sodass sich auch für die Kapelle eine Weihung um diese Zeit, vielleicht 1560 bis 1565 ergibt, und somit auch einen Entstehungszeitpunkt für das Abendmahl in der Kirche und auch für unser Gemälde markiert, wobei das hier angebotene Gemälde – zumal eine Vorstudie – etwas früher enstanden sein wird.Ausstellung:Das hier angebotene Gemälde war ausgestellt in: El Greco e l'Italia. Metamorfosi di un genio, Casa de Carraresi, Treviso, April 2016.Literatur:Maria Letizia Paoletti, La prima redazione dell'Ultima Cena di San Trovaso di Jacopo Tintoretto, in: Arte Documento, 35, 2019, S. 52, Nr. 1.Vgl. Michel Hochmann, La giovinezza del Tintoretto: qualche riflessione sullo stato della questione in: La Giovinezza di Tintoretto, hrsg. von Guillaume Cassegrain, Augusto Gentili, Michel Hochmann, Valentina Sapienza, Konferenzschrift, Venedig 2017, S. 3-17.Vgl. Michael Matile, „Quadri laterali“ ovvero conseguenze di una collacazione ingrata. Sui dipinti di storie sacre nell'opera di Jacopo Tintoretto, in: Venezia Cinquecento, VI, 1996, Nr. 12.Vgl. Raffaello Borghini, Il Riposo, Florenz 1584, Nachdruck Florenz 1730.Vgl. Terisio Pignatti, Tintoretto, Mailand 1985, S. 102, Abb. 19.Vgl. Rodolfo Pallucchini, Paola Rossi, Tintoretto. Le opere sacre e profane, Mailand 1982.Vgl. Rodolfo Pallucchini, Inediti di Jacopo Tintoretto, in: Arte Veneta, XXIII, 1970.Vgl. Rodolfo Pallucchini, La giovinezza del Tintoretto, Mailand 1950.Vgl. Adriana Augusti Ruggeri, Jacopo Tintoretto. Portraits, Ausstellungskatalog, Gallerie dell‘Accademia, Venedig, 25. März-10. Juli 1994, Kunsthistorisches Museum Wien/ Gemäldegalerie, Wien, 31. Juli-30. Oktober 1994, Mailand 1994.Vgl. Rosa Joyce Plesters, Lorenzo Lazzarini, I materiali e la tecnica dei Tintoretto della Scuola di San Rocco, in : Paola Rossi, Lionello Puppi, Jacopo Tintoretto nel quarto centenario della morte, Quaderni di Venezia arti, 3,1996, S. 275-280.Anmerkung 1: Druckgrafik: Nach dem letzten Abendmahl von Tintoretto exitiert ein Kupferstich von Aegidius Sadeler, der zum Beispiel im Museum Boijmans van Beuningen, Inv.Nr. L1977/3 verwahrt wird, siehe Vergleichsabb.Anmerkung 2:Eine Vorzeichung Tintorettos für einen der Apostel wird im Kupferstichmuseum Berlin verwahrt (Inv.nr. KDZ5084). (1341011) (3) (13)Jacopo Tintoretto, 1518 Venice – 1594 ibid.THE LAST SUPPER Oil on canvas. Relined.142 x 220 cm.The painting by Tintoretto on offer for sale in this lot is not only a compositional masterpiece but is also of the greatest interest in terms of the working processes of the great Venetian painter. The present canvas is in fact the first sketch for the large painting by Tintoretto (221 x 413 cm), which is now in the church of San Trovaso in the eponymous campo in the Sestiere of Dorsoduro neighbourhood in Venice and was already mentioned by Borghini in 1584: “Nelle cappella del Sacramento di detta chiesa vi sono due quadri, nell’uno quando Cristo lava i piedi agli apostoli, e nell’altro quando cena con quelli...”. The Gothic church, founded in Venice’s early days in 1028, collapsed in 1583. Today, opposite the entrance to the Rio de San Trovaso, is The Last Supper, which Tintoretto created in 1559 and which Jacob Burckhardt described as degraded to the meanest feast. It is probably the artist’s most daring composition of the subject with a table placed at an angle in the room, an overturned chair, daring foreshortening of the bodies reaching into the room, which are no longer quite sober from the wine, and effective lighting. The 12 apostles are arranged around a rectangular table on which food and wine are laid out. Jesus, dressed in a pink and violet tunic, has just uncovered the betrayal of one of them. Responding to the announcement, the apostles search among themselves for a sign of the traitor (Matthew 26:21; Mark 14:18; Luke 22:21; John 13:21). Wearing the same tunic as Christ, John sits next to him, his head resting wearily on the table. Standing, Peter turns to Jesus and declares his loyalty to him. Judas is possibly depicted on the right of the painting, seated on a stool, and holding a plate. In the background, between the arches, are two cursory figures of a woman and a bearded man. They are dressed in long robes and appear to be a sibyl and a prophet. In our preliminary study, her robes match the colours of the rest of the clothes, so that her otherworldliness will only progress in the enlarged version. From the viewer’s real world, illuminated by the revelation of Christ’s word, we pass into a time ante gratiam, embodied precisely by the two characters awaiting the future they themselves predicted. The pilaster on the left of the chapel is dated MDLVI (1556), revealing a dedication of the chapel around the same time, perhaps 1560-1565, and thereby also giving a date of the creation of The Last Supper in the church and for the present painting, whereby the latter – especially as a preliminary study – would have been created a little earlier.Provenance:The painting on offer for sale here exhibited at: El Greco e l’Italia. Metamorfosi di un genio, Casa de Carraresi, Treviso, April 2016.Liter...

More details

Hampel Fine Art Auctions
Lot 28

Runde Tischuhr mit StundenschlagHöhe: 8,3 cm. Durchmesser: 10,9 cm.Süddeutschland, um 1600.Werk: Eisenuhrwerk mit Messingfederhäusern, eines davon erg. Spindelhemmung Darmsaite. Schlagwerk auf Glocke. Glocke vermutlich von unten nach oben konvertiert.Gehäuse: Feuervergoldet, zylindrisch, am Korpus teilweise à jour gearbeitet, mit Blüten und Ranken graviert. Die Bodenplatte ersetzt und durch drei Schrauben gehalten. Ein Schlüssel vorhanden. In hölzerner Aufbewahrungsbox. Funktionsfähiger Zustand. Professionell restauriert.Zifferblatt:Gravierte römische Stunden und arabische Minuten mit 24-Stunden-Zifferblatt, Tastknöpfen und zentralem Blatt. Die Zeiger erg.Anmerkung:Eine formalähnliche Uhr von Alphonse Greban, Paris um 1580, wurde in Genf im Hotel de Bergues am 14. November 1993 unter Lot 5 zu 50.000-60.000 Schweizer Franken angeboten.Literatur:Eine vergleichbare Dosentischuhr abgebildet in: Libuse Uresová, Alte Uhren, Prag 1986, Nr. 45. (1341381) (13)Round table clock with hour strike Height: 8.3 cm. Diameter: 10.9 cm.Southern Germany, ca. 1600.Movement: Iron clockwork with brass barrels, one of which replaced, verge escapement gut string. Strike on bell. Bell presumably converted from bottom to top.Case: Fire-gilt, cylindrical, the body in parts in openwork and with engraved flowers and vines. Replaced base plate, held in place with three screws. With key. In a wooden storage box. In working order. Professionally restored.Dial: Engraved Roman hours and Arabic minutes with 24-hour dial, pushbuttons and central dial. Hands replaced. Notes:A similarly shaped clock by Alphonse Greban, Paris ca. 1580, was offered for sale in Geneva at the Hotel de Bergues on 14 November 1993 under lot 5 for 50,000-60,000 Swiss francs.Literature:A similar table clock is illustrated in: Libuse Uresová, Alte Uhren, Prague 1986, no. 45.

More details

Hampel Fine Art Auctions
Lot 505

Christoph Jacobsz. van der Lamen, um 1606 Brüssel – um 1651 Antwerpen,Werkstatt desGesellschaft bei gedecktem TischÖl auf Kupfer.60 x 80 cm.In ebonisiertem Rahmen mit Wellenleistenprofil.Ein Innenraum, dessen grisaillehafte Gestalt sein gestalterisches Licht von einem links oben befindlichem Fenster empfängt, bietet Platz für sechs untereinander agierende Figuren, deren Zentrum ein gedeckter Tisch bildet.Provenienz:Bonhams, London, 21. April 2004, Lot 34 (als Werkstatt van der Lamen).Anmerkung:Christoph Jacobsz. van der Laemen war ein flämischer Maler, der sich auf Genreszenen spezialisiert hatte. Er war der Sohn des Malers Jacob van der Lamen (1584-1624). Er lernte bei ihm, bevor er ein Schüler von Frans Francken d.J. (1581-1642) wurde. Zwischen 1620 und 1634 ließ er sich in Amsterdam nieder, wo er seine Vorliebe für Szenen geselliger Zusammenkünfte zeigte, bei denen gespielt, getrunken oder getanzt wird, inspiriert von den niederländischen Malern Dirck Hals (1591-1656), Pieter Codde (1599-1678) und vor allem Anthonie Palamedes (1602-1673), von dem er einige seiner Kompositionen entlehnt hat. Zurück in Antwerpen, wurde er Professor der Lukasgilde im Jahr 1636. Danach nahm seine Karriere Fahrt auf und er schuf zahlreiche Gemälde. Seine Handschrift ist durch die häufige Verwendung von Charakteren mit manchmal stereotypen Haltungen leicht zu erkennen. Seine Werke finden sich heute in den Sammlungen der größten westlichen Museen, angefangen mit dem Musée du Louvre. (13403087) (13)Christoph Jacobsz. van der Lamen, ca. 1606 Brussels – ca. 1651 Antwerp, workshop ofPARTY AT LAID TABLE Oil on copper.60 x 80 cm.Provenance:Bonhams, London, 21 April 2004, lot 34 (as workshop of van der Lamen).

More details

Hampel Fine Art Auctions
Lot 89

Höchst dekorative vergoldete Tischuhr George III im Stil von Matthew BoultonHöhe: 48,5 cm. Seitenlänge: je 16 cm.Werkplatine in Gravur bezeichnet „Paul Rimbault, London“.London, letztes Viertel 18. Jahrhundert.An der Rückseite erweist sich die Zierkassette als Türchen zum Einblick ins Werk:Stundenschlag auf Glocke, Glockenarm vergoldet und ziseliert. Pendel mit Stellschraube, Schlag- und Ruhestellung, Zugfaden zur Repetition.Neoklassizistischer Aufbau in Form eines hohen Vierseitsockels auf Kugelfüßen, der eine Amphorenvase trägt, bekrönt durch einen Adler mit geöffneten Schwingen. Der Sockel in Anmutung eines antiken Altars, mit Widderköpfen an den oberen Ecken, verbunden durch Tuchfestons, an den Seiten quadratisch gerahmte Felder mit Applikationen, Kriegsembleme, Rutenbündel und Helm. Die doppelhenkelige Vase ebenfalls mit Tuchfestons dekoriert, über dem eingezogenen Fuß hochziehende Akanthusblätter. Die Zeitanzeige mittels eines unter dem Deckelrand das sich umlaufend drehenden, versilberten Ziffernbandes mit römischen Stunden und arabischen Minuten. Der mittig angebrachte stehende Zeiger gebläut.Nicht auf Funktionsfähigkeit geprüft. A.R. (†) (13220111) (11)Highly decorative gilt George III table clock in the style of Matthew BoultonHeight: 48.5 cm.Side length: 16 cm each.Clockwork plate engraved “Paul Rimbault, London”.London, last quarter of the 18th century. (†)

More details

Hampel Fine Art Auctions
Lot 592

Pablo Picasso, 1881 Málaga – 1973 MouginsKünstlerleben – ein Jahr im Atelier (Table des Eaux-Fortes), 1931Kaltnadelradierung auf Bütten.37,2 x 29,6 cm.Auflage 99 handsignierte Exemplare, rechts unten handsigniert in brauner Tinte und links unten Exemplar 98/99. In handversilberter Galerierahmung mit Museumsglas.Aus der Suite „Le Chef-d’Oeuvre Inconnu“, ediert von Vollard, Paris. Diese sehr seltene Arbeit ist wie ein Kalender aufgebaut: Für jeden Monat gibt es ein Bild.Literatur:Georges Bloch, Pablo Picasso. Katalog des graphischen Werkes 1904-1967, Bern 1968, S.94. (13405312) (18))

More details

Leo Spik KG Kunstversteigerungen
Lot 1197

Galaxy Side Table S R&Y Augousti/Kifu, Paris Die Platte mit Rochenhaut bezogen, das Gestell Bronze patiniert. Made in Philippines. 44,5×25×60 cm. (60108)

More details

Criterion Auctioneers Ltd
Lot 141

A 20th century Syrian style octagonal inlaid occasional table, with floral designs. H.48 Dia.38cm.

More details

Criterion Auctioneers Ltd
Lot 20

An Indian occasional table, with an octagonal pietra dura marble top, inlaid with birds and flowers on cabriole legs. H.48 W.31 D.31cm.

More details

Criterion Auctioneers Ltd
Lot 227

A Chippendale style 18th century and later mahogany side table, the rectangular crossbanded top over a blind fretwork frieze incorporating a long drawer, the legs joined by X stretchers on brass castors. H.70 W.91 D.55cm.

More details

Criterion Auctioneers Ltd
Lot 229

A 19th century mahogany drum table, with a crossbanded and quarter veneered top over four short drawers on a turned stem with a quatraform reeded base. H.71 Dia.64cm.

More details

Criterion Auctioneers Ltd
Lot 252

A contemporary limed oak metamorphic console table/dining table with a rectangular foldover top, the legs joined by brackets. H.76 W.140 D.80cm

More details

Criterion Auctioneers Ltd
Lot 268

A late 20th century rectangular coffee table, with an onyx top on a fruitwood base with cabriole legs. H.46 W.20 D.50cm.

More details

Criterion Auctioneers Ltd
Lot 28

A George III mahogany demi-lune tea table, with a moulded edge and foldover top on square section tapering legs terminating in spade feet. H.76 Dia.99cm.

More details

Criterion Auctioneers Ltd
Lot 297

A small Victorian pine kitchen table, of rectangular form with an end drawers on turned legs. H.73 W.90 D.60cm.

More details

Criterion Auctioneers Ltd
Lot 301

A Victorian pine side table, of rectangular form with turned legs. H.73 W.91 D.43cm.

More details

Criterion Auctioneers Ltd
Lot 33

A Victorian pine writing table, of rectangular form with a single frieze drawer on square section legs. H.69 W.48 D.76cm.

More details

Criterion Auctioneers Ltd
Lot 345

A small Victorian pine kitchen table, of rectangular form with an end drawers on turned legs. H.73 W.92 D.60cm.

More details

Criterion Auctioneers Ltd
Lot 35

A 20th century Indonesian hardwood coffee table, the oval top ornately carved with a variety of animals and foliage over six smaller occasional tables or stools, the legs with carved paw feet. H.53 W.123 D.76cm.

More details

Criterion Auctioneers Ltd
Lot 382

A 1970s vintage Danish teak coffee table on shaped block end supports. H.40 W.135 D.75cm.

More details

Criterion Auctioneers Ltd
Lot 386

A pair of contemporary glass table lamps of slightly conical form with white shades. H.45cm

More details

Criterion Auctioneers Ltd
Lot 61

A Victorian mahogany writing table, with a tooled burgundy leather writing insert over two short drawers, on turned legs. H.74 W.122 D.67cm.

More details

Criterion Auctioneers Ltd
Lot 9

Two carved resin table lamps with Mayan symbol design. H.45 W.18 D.8cm. (each)

More details

Unique Auctions
Lot 533

A shelf of table/candle lamps etc.,

More details

Unique Auctions
Lot 620

An ormalu style plaster candlestick table lamp (67cm high)

More details

Unique Auctions
Lot 625

A Chinese style ginger jar table lamp

More details

Unique Auctions
Lot 682

A pair of tall ornate turned wood table lamps. COLLECT ONLY.

More details

Unique Auctions
Lot 725

Two table lamps, candleholder etc.,

More details

Unique Auctions
Lot 744

A red lacquered tea table with 2 slide out shelves

More details

Unique Auctions
Lot 768

An inlaid Edwardian mahogany Sutherland table

More details

Unique Auctions
Lot 780

A free standing triple dressing table mirror (COLLECT ONLY)

More details

Unique Auctions
Lot 790

An Edwardian oak fold over tea/card table on Queen Anne legs, COLLECT ONLY.

More details

Bonhams
Lot 21

Studio of Osias Beert the Elder (Antwerp circa 1580-1623)Tulips, narcissi, an iris and other flowers in a glass vase on a table top with a butterfly oil on panel46.7 x 35.8cm (18 3/8 x 14 1/8in).Footnotes:ProvenanceWith Gallery Eugene Slatter, London, before 1953With John Mitchell, London circa 1954 (as Osias Beert), where purchased by the present owner's parentsLiteratureM.L. Hairs, Les Peintres Flamands de Fleurs Au XVIIe Siècle, Brussels, 1983, pp. 341, 457 P. Mitchell, European Flower Painters, London, 1973, p. 44, ill., no. 86 (as Osias Beert)For further information on this lot please visit Bonhams.com

More details

Bonhams
Lot 5

Studio of Jan Brueghel the Younger (Antwerp 1601-1678)An iris, tulips, narcissi, roses and other flowers in a bloodstone vase with a beetle on a table-top oil on panel66.7 x 51.5cm (26 1/4 x 20 1/4in).Footnotes:ProvenanceAcquired by the present owners' grandmother in the 1940sThe present composition combines elements of works by Jan Brueghel and Ambrosius Bosschaert, and in the past paintings in this group have been attributed by Dr. Sam Segal to 'the Pseudo Bosschaert'. Dr. Fred Meijer, however, has since argued that those paintings ascribed to the 'Pseudo Bosschaert' are by several hands and he believes that the present work, as is the case with the others in the group identified by Sam Segal, should be more correctly described as 'Studio of Jan Brueghel'. Indeed, current scholarship now takes a more cautious approach to the output of this artist and his studio in general, from which the extent of the master's participation cannot be known with certainty in those works which are not signed.We are grateful to Dr. Fred Meijer for his assistance in the cataloguing of this lot.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

More details

Bonhams
Lot 104

A composite Meissen part table service, third quarter 18th centuryEach with a spirally moulded, gilt-edged rim of alternating trellis and floral motif panels (Neubrandenstein) and painted with bird vignettes and scattered insects and butterflies, comprising:twenty-nine plates, nine soup plates and three circular dishes; together with a Meissen soup plate and a circular dish, 19th century, similarly moulded and decorated, and two Meissen plates, 19th century, with 'Altozier-' and 'Altbrandenstein'-moulded rims, respectively, the plates: 24.3cm diam.; the soup plates: 23.2cm diam.; the dishes: 30.3cm (two) and 34.6cm (one) diam., crossed swords marks, a few with dot or asterisk, in underglaze-blue, impressed numerals (some with chips or minor damage, some wear) (45)Footnotes:Provenance:Catalina von Pannwitz Collection, 'De Hartekamp', Heemstede, The NetherlandsFor further information on this lot please visit Bonhams.com

More details

Bonhams
Lot 153

A large Vincennes/Sèvres oval green-ground dish (plat à groseilles) from the Frederick V of Denmark service, dated 1757Painted by Pierre-Joseph Rosset with a loose bouquet of flowers in the centre, the green-ground border around the shaped and moulded rim reserved with oval panels of flowers within gilt scrollwork and floral cartouches, 38.8cm long, interlaced LL monograms enclosing date letter D, painter's mark RossetFootnotes:Provenance:Purchased by Lazare Duvaux between 1757 and 1758, supplied to Louis XV and delivered to the abbé comte de Bernis, ministre des affaires étrangères (Minister for Foreign Affairs) as intermediary for the gift to Frederik V, King of Denkmark and Norway;With Dragesco-Cramoisan, Paris;Private CollectionThe service was in response to a gift of stallions, according to surviving correspondence, where it is described as Porcelaines de Vincennes, and was made up of green-ground pieces with a variety of decoration: flowers, fruit and flowers, birds and also figural scenes. For a detailed discussion about the service, see David Peters, Sèvres Plates and Services (2005, revised edition 2015), vol. II, no. 57-2, pp. 301-305. The records list eight plats d'entrées which were made in different sizes at a cost of either 144 or 192 livres each. It is not specified which exact shapes were used for the smaller and larger plats d'entrées, but the present lot (together with another dish of the same shape) seems to have been one of the eight, likely one of the four larger ones at a cost of 192 livres. A circular dish dated D (plat de pot à oille du roi) from a Paris private collection, mentioned by Peters, may also have been one of the larger plats d'entrées. He suggests the smaller plats may have included plat à raves, including one dated D sold at Sotheby's Monte Carlo, 27 June 1984, lot 1570.The shape known as 'plat à groseilles' is based on a design drawing by Jean-Claude Duplessis, which still survives in the archives at Sèvres and is annotated 'grand plat du Rôt pour le bout de table'. The shape was also used for dishes in the Louis XV service, see Tamara Préaud and Antoine d'Albis, La Porcelaine de Vincennes (1991), p.74, no. 15.For further information on this lot please visit Bonhams.com

More details

Bonhams
Lot 172

A Sèvres plate from the 'service de dessert marly rouge' for Emperor Napoleon I, dated 1809Decorated in the centre with a butterfly reserved against a pale-blue ground within a colourful floral wreath bound with gilt ribbons against a burnished gilt band, the gilt-edged, red-ground rim with a border of formal gilt foliage within two gilt lines, 23.8cm diam., 'M.Imp.le/ de Sevres/ 1809' stencilled in iron-red, gilt Gje(?) and incised 8 and T (minor scratches)Footnotes:Provenance:Delivered to Emperor Napoleon I at the Palais de Fontainebleau in October 1809For a discussion of the dessert service 'fond rouge, papillons et fleurs', commissioned for Compiègne but delivered in October 1809 to Fontainebleau, shortly before the Emperor's arrival there on 26th October for a stay of a little over two weeks; see Camille Le Prince, Napoléon Ier & la Manufacture de Sèvres (2016), p. 72, and p. 278 for the entry of 11 October 1809 in the Magasin de vente, including the composition of the service, which had a total value of 18,580 francs. Other table and coffee services were delivered to Fontainebleau at the same time, including a service with beau bleu ground that was also originally intended for Compiègne (S. Wittwer, Raffinesse & Eleganz (2007), cat. no. 64). In the imperial hierarchy, Fontainebleau ranked second among the country estates, just after Saint Cloud, and required furnishings commensurate with its importance (Le Prince, p. 72).The service comprised 180 plates, thirty-six plates (without the butterfly and floral wreath in the centre) for mounting as fruit plates, sixteen compotiers (of which half had dolphin feet), four footed bowls, four sugar bowls with eagle heads, two ice pails with elephant heads, two ice coolers of 'forme Olympique', four baskets 'forme Jasmin' and four shallower baskets. An additional four sugar bowls 'à dauphin olympique' were listed separately as a cost of 1400 francs, and four more plates were listed on 18 October 1809, and another on 25 March 1811 (Wittwer, ibid.).Two other plates from the service were sold in these Rooms, 3 December 2008, lots 371 and 372, the first of which was acquired by the Château de Fontainebleau. Another plate was sold in these rooms 25 May 2011, lot 363, and two more on 12 December 2012, lots 238 and 240. A group of pieces from the service hitherto unrecorded in the literature and including one of the ice pails with elephant heads, two of the sugar bowls with eagle heads, one footed bowl, six compotiers, as well as twelve plates, was recently sold from the estate of David Rockefeller (Christie's New York, 9 May 2018, lot 118), apparently having been acquired by his mother, Abby Aldrich Rockefeller, around 1940. A group of twelve plates were sold in these rooms on 5 July 2018, lot 223, and another set of twelve, 6 July 2021, lot 201.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

More details

Bonhams
Lot 216

An extensive Royal Copenhagen Flora Danica table service, 20th centuryEach finely painted with botanical specimen, the moulded rims with gilt beaded borders, titled in black on reverse, comprising:A large oval soup tureen, cover and stand (the stand: 40cm across)A circular soup tureen, cover and stand (the stand: 33.5cm diam.)A large oval dish with a domed cover (39cm across)An oval bottle cooler (16.7cm high; 27cm across handles)Two footed bowls (20.5cm diam., 14cm high)An oval pierced basket with branch handles (26cm across handles)A Saucière on a fixed stand (22cm across stand)A round deep saucepan and cover with wooden handle (23.5cm diam.)Two large circular dishes (35.7cm diam.)A circular dish (33.2cm diam.)A large oval dish (40cm across)Two medium oval dishes (35.8cm across)A shaped rectangular dish (29.7cm across)Two shaped square dishes (24cm across)Two triangular shallow dishes (26.5cm across)Four oval dishes with branch handles to one side (three 24cm across and one 22cm across)Two boat-shaped dishes with handles (18cm across)Two medium oval shallow dishes (27.5cm across)Two small oval shallow dishes (24.5cm across)One small flat oval dish (24.7cm across)One large deep circular bowl (24cm diam.; 10cm high)Two shaped square bowls (22.5cm across)Two circular shallow bowls (20.8cm diam.)Forty-one large circular plates (25.7cm diam.)Thirty-two medium plates (22.5cm diam.)Thirty-six small plates (19.5cm diam.)Eight soup plates (22.4cm diam.)Eight large lobed plates with pierced rims (27cm across)Eight lobed and pierced soup plates (24.5cm across)Nine small circular plates (17cm diam.)Eight small circular plates (14.5cm diam.)Eight very small circular salts/plates (7.7cm)Eight small circular shallow dishes (14.5cm diam.)Six oval salts (10.5cm across)Eight egg cups (6cm high)One triangular box, cover and stand (ca. 11cm across)Twenty-two two-handled bowls and saucers (17cm across handles)Eighteen covered cups and saucersOne small round two-handled pot and cover with branch handles (11cm across handles)A teapot and cover (15cm high)An oval sugar bowl and cover (15.5cm high)Eight teacups and saucersEight small cups and saucersEight large cups and saucersEight coffee cans and saucer wave marks in underglaze-blue, factory marks stencilled in green, various numerals and letters in green (some very minor damage) (393)This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

More details

Bonhams
Lot 29

A very rare Meissen underglaze-blue-decorated large pewter-mounted cylindrical tankard, circa 1720-23Painted probably by J.G. Höroldt in underglaze-blue with a chinoiserie scene depicting a standing and a seated figure flanking a table, with further figures, including a woman holding a baby, to the sides, flanked by flowering plants, trees and rockwork, birds and insects in flight overhead, a seeded trellis band reserved with quatrelobe flower panels around the foot, the handle with a flower between two leaves, the pewter cover with ball thumbpiece, 23cm high including coverFootnotes:See U. Pietsch/C. Banz, Triumph der blauen Schwerter (2010), nos. 68-76, for vessels and dishes decorated in underglaze-blue and polychrome enamels with chinoiserie scenes in the distinctive style attributed to Johann Gregorius Höroldt and Johann Christoph Horn; the physiognomy of the figures and the hanging foliage on the tree, in particular, are closely similar.For further information on this lot please visit Bonhams.com

More details

Bonhams
Lot 30

An early Meissen saucer, circa 1723Painted with a chinoiserie scene of a man seated at a table smoking a pipe in a landscape, within two circular iron-red concentric lines, the rim gilt, 12.6cm diam., incised / inside footrim (three small chips to underside of rim)Footnotes:The style of painting closely resembles that on an early teapot formerly in the collections of the Princes von Thurn und Taxis (published by U. Pietsch/K. Jacobsen, Frühes Meissener Porzellan (1997), no. 2) and may be from the same service. The decoration on the saucer can be traced to a drawing from the Schulz Codex, Plate 3, where the seated man at a table filled with tea wares can be found (transposed) on the right-hand side.For further information on this lot please visit Bonhams.com

More details
Loading...Loading...
  • 1181390 item(s)
    /page

Recently Viewed Lots