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Click here to subscribeAn 18th century continental walnut centre table, the rectangular top with moulded edge over single interlocking flowerhead carved frieze drawer with iron key escutcheon flanked by leaf carved plank ends on four spiral turned and tapering legs terminating in a block and short turned foot, 98cm wide, 79.5cm high, 55.5cm deep
A Victorian figured walnut and marquetry writing/work table, the marquetry top with bowed ends, opening to reveal an easel supported writing surface and stationery wells along with vacant ink wells over a fitted frieze drawer and pull-out work basket on twin turned and tapering end supports united by a turned stretcher on four short scroll feet and brown salt glazed castors, 64cm wide, 74cm high, 41cm deep
A George III mahogany D-end dining table with re-polished top over a plain frieze the centre drop-leaf section on six slender turned and tapering legs terminating in a pad foot, the two D-ends each on four conforming legs (restored) 302cm long, 122cm wide, 71cm high
Group of Chinese porcelain, mostly damaged: large blue and white vase and cover painted with bands of figures and foliage, six character reign mark of Kangxi but later, height 47cm; famille verte vase table lamp with slab sides ht 35cm on painted wood base; wucai bowl , Qianlong period, painted with panels of figures in a garden, diameter 30cm; famille verterouleau vase , height 24cm. (4).
Art deco silver and guilloche enamel dressing table set , boxed, of three bottles, three jars, pin box, and manicure set (scissors lacking) with white and blue decoration, Birmingham 1933 - 1935 (enamel removed from one jar lid); also a cased set of a silver backed hand mirror , pair of hair brushes, one (of two) cloth brushes, comb and a button hook, Hamilton & Inches, Edingurgh 1924 . (2 cases)
Mid Victorian folk art parquetry inlaid centre table, circular top supported on octagonal section single column with platform base, diameter 85cm (33in). Made by John Gaunt, together with a photograph of the maker and the 1892 County Borough of St Helens Summer Exhibition Catalogue which lists the table (no.545a)
An eight piece silver and enamel lady’s dressing table set each piece painted with a spray of red roses on a cream guilloche enamel ground, comprising a hand mirror, a pair of hairbrushes, a pair of clothes brushes, a comb, a circular ring box and a circular glass powder bowl, Birmingham, 1959, 1961 and 1962, maker’s HCD, retailer ‘Winsor, Bishop & Co. Ltd. of Norwich’.
A First Period Worcester porcelain dish of leaf shaped form enamelled in colours in the ‘Magician’ pattern with a Chinaman with arm raised before a table of blooms before a pair of attendant ladies, within a gilt embellished loop line and dot border, 21cm high, circa. 1765, slight wear to surface.
A pair of Meissen porcelain figures modelled after Acier and Schonheit as a boy officer stood before marble pillar in frock coat and tricorn hat sporting a sword and pocket watch, his female companion in dress, coat and feather bonnet playing cards before a small table, both on circular scroll moulded bases, under glaze blue crossed swords marks, incised F.64 with press numbers, good professional restoration to her forehand and back of bonnet.
A late 18th/early 19th century silkwork collage portrait of Lady Mary Dudley, with printed paper hands and face, silkwork bodice and dress with applied pearls, paste stones, holding a prayer book in one hand and gloves in the other, a basket of fruit beside her on the table, 26 x 20cm. contained in an ebonised frame.
A 17th Century style oak refectory table with cleated plank top and inverted baluster legs, with block feet joined by an H stretcher, 85cm (2ft 11½in) x 230cm (7ft 6in), together with a set of eight ash ladderback chairs, with rush seats, including two armchairs (9).
A George IV brass mounted rosewood games table of elongated octagonal form, the fossilised marble top centred by an inlaid specimen marble chessboard, the square cabriole corner supports headed by lotus leaves, united by a platform stretcher and ending in anthemion moulded brass sabots, with castors, 66cm (2ft 2in) wide.
A Victorian burr walnut veneer and inlaid rectangular combined Games and Work table the hinged top decorated with a band of Tunbridgeware centred by a panel of a bird on a leafy branch, inlaid on the underside for chess and backgammon, having a shaped sliding well below, on turned column end and carved dual splayed supports, united by a turned stretcher, terminating in castors, 58.5cm. (1ft 11in) wide.
A mid 18th Century Italian giltwood console table of serpentine outline, the verde antico marble top within a broad band of specimen marbles, the frieze and apron carved with foliate cartouches, husk swags and scrolls and continuing into moulded cabriole legs with knurl feet, 101cm (3ft 4in) wide.
A French gilt brass mounted tulipwood and parquetry bonheur du jour in the Louis XVI manner and outlined throughout with amaranth, the superstructure with white marble top above two doors, each applied with a Sevres style oval plaque, three short drawers below, the table base with a long drawer fitted with a tooled leather writing slide and on tapering square legs with acanthus moulded sabots, 80cm (2ft 7in) wide, 136cm (4ft 5½in) high.
Alfred James-A Cotswold School composite part bedroom suite comprising a secretaire chest with hinged divided panelled top, enclosing compartments and an arrangement of five drawers below, all with chamfered octagonal knob handles, 94cm (3ft 1in) wide, a pedestal dressing table with swing mirror and ten drawers, 104cm (3ft 5in) wide, a washstand with two panelled doors, 90cm (2ft 11½in) wide, a dressing stool on chamfered legs and a single bedstead with panelled head and footboards, 92cm (3ft 0in) wide (5). * The secretaire chest stamped A James 8.8.31 The dressing table stamped A James 12.12.31 The Stool stamped A James 20.1.32 The washstand stamped A James 6/9/35
Alfred James-A Cotswold School oak side table with rectangular top, fielded panel frieze drawer, chamfered serpentine underframe and on square legs, 101cm (3ft 4in) wide, the drawer stamped A James 1923, together with a matching chair with arcaded back, stamped A James 1923 (2).
Peter Van Der Waals-A solid English walnut extending dining table the rectangular top with gently angled ends and edged with solid figured walnut outlined with holly and ebony chequer lines, each section on four knopped and chamfered legs joined by a shaped and chamfered ‘hayrake’ stretcher, 106cm (3ft 5½in) x 274cm (9ft 0in) including one extension leaf.* Entry on Peter Van Der Waals Client Ledger, page 72-‘Squire Alfred James, Edgeworth Manor, Nr Stroud, Gloucestershire-1929 Febr-walnut expanding dining table 63-10-00-1929 March 4 by cash 63-10-00’. This is a virtual duplicate of the entry on page 66 ‘A James Esq .....’. We are grateful to the Gloucester Archives for images of the above entries (Ref. no. D2876/1)
Robert Russell-A Rare Tunbridgeware rosewood and marquetry tripod wine table the top with stylised leaf banding, the hexagonal stem with alternating stylised coral marquetry faces and on three down turned splayed legs, 45cm (1ft 5¾in) diameter, 74cm (2ft 5in) high.* The Tunbridgeware manufacturer Robert Russell was born in Tunbridge Wells in 1812. At first he probably produced Tundridge ware pieces with conventional tesserae mosaic and perspective cube work. At the Great Exhibition of 1851, he exhibited a Tunbridge ware marqueterie inlay lady’s work box fitted with a till. This distinctive style of marquetry can be seen on the border and the supporting column of this wine table. Rather aptly, Russell advertised his work as Tunbridge Wells marquetry.....analogous to the Tunbridge ware, but of a superior character. His technique involved cutting lobe shaped sections of contrasting wood veneers to form a central block, or in the case of this table, to form chains for border decoration, sometimes in combination with conventional mosaic bandings and blocks. In 1863, he included among his clients the Duchess of Kent, Baroness de Spith, Lady Ann Marie Dawson, Lady Mary Rose, Lady Franklin, Lady Cornwallis and Lady Harding. In 1871 his work force consisted of his daughter and unusually four women. Production seems to have continued until his death in 1873. see Brian Austen, Tunbridgeware and Related European Decorative Woodwares, Foulsham 2001, Third Extended edition, page 155-156, for the source of this information.
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