John Bell (1811-1895) 'Armed Science', a heroic female figure wearing a spiked antique helmet and demi-armour, with a short sword at her side and holding a sponge or rammer for canonry, signed J BELL Sc, marble, 225cm high; on a plinth base, 84cm 225cm (88in) Provenance: Provenance: Commissioned in 1853 by Robert Adair, Lord Waveney, for his home Flixton Hall in Suffolk, a copy of his commission for the Royal Military Academy at Woolwich. John Bell (1811-1895) was a British sculptor. He was born at Hopton Hall, Suffolk before moving to London aged 16 to study drawing, and eventually sculpture, at the Royal Academy. He was a sculptor of considerable success during his lifetime. He first exhibited at the Royal Academy aged 21 and continued to do so for 47 years. He exhibited at the Great Exhibition of 1851 including his cast iron model of the Eagle-Slayer, (now at the V&A Museum of Childhood in Bethnal Green). Queen Victoria bought his work, Andromeda, from the Great Exhibition which is now set in the fountain gardens of Osborne House, Isle of Wight. Arguably his most famous sculpture is the marble group representing "America" on the Albert Memorial in London. Stylistically, Bell's influences were deeply rooted in England. He lived at a time when, following the French Revolution and Napoleonic wars, there was little contact with Paris and Rome. His chief influence was the sculptor Francis Chantry who had never crossed the English Channel. Bell also wrote that he was inspired by John Flaxman, friend of William Blake, and his sketches and drawings reflect this influence in their style. Bell lived and worked at a time of great tension and debate between the advocates of classicism and the new Gothic revival lead by artists such as Pugin. The Gothic revival was not so accommodating for a sculptor, but Bell found he could use the industrial revolution to his advantage, creating some of the first ever sculpture to be cast in iron and by designing for the Coalbrookdale Company, including the Deerhound Hall Table. In 1855, Bell exhibited the statue, Armed Science. The subject was conceived and commissioned by Robert Adair, Lord Waveney, who served with the Suffolk Regiment during the Crimea and wished to commemorate his education at the Royal Artillery Barracks at Woolwich. The statue was placed in the Officers' Mess Hall, but has since been moved to Larkhill, Wiltshire. The female figure, clad in armour, holds a sponge or rammer for canonry. Waveney was so pleased with Bell's interpretation of his statue that he commissioned further copies to be made, including one for his estate in Ballymena, County Antrim and this statue for the gardens of his house, Flixton Hall in Suffolk. general weathered condition; see photos for more details of localised bruises and losses
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A Victorian silver mounted cigar lighter modelled as a fish, maker's mark indisitinct, London 1883, the cow horn body with silver head mount and central match aperture, tail mount missing, 35cm long, a/f, together with another table cigar lighter modelled as a grenade by A&J Zimmermann, Birmingham 1972 with flambe finial.
A Victorian matched silver 'Lily' pattern part flatware service, principally by George Adams, London (unless otherwise stated) comprising:- nine table forks (6 x 1871, 1 x 1867, 2 x Elkington, Birmingham 1904); twelve dessert spoons (6 x 1854, 6 x 1870); seven soup or tablespoons (2 x 1853, 5 x 1871); eight dessert forks (1 x 1853, 1 x 1858, 6 x 1870); two sauce ladles 1871; one gravy spoon by George Maudsley Jackson, London 1892; ten teaspoons (6 by Henry Holland, London 1878, 6 by Samuel Whitford or Susan Whittaker, London 1872); a fish serving knife with pierced blade and hollow handle possibly by John Gammage, Birmingham 1857; a salt spoon, 1868; a pair of modern silver grape shears by David Mills, London 1991; and a small child's spoon and fork by Joseph Rodgers, Shefffield 1903 & 1914 respectively, 123oz (54 pce)
A pair of Victorian silver table comports, by Stephen Smith, London 1865, each raised from a circular fluted base standing on three leaf capped scrolled feet supporting a triangular, pierced and foliate scrolled tapering column with ornate capital supporting an etched glass shallow bowl, 21.5cm high, glass 21.5cm diameter, 28.47oz (2)
A 19th century mahogany library table, leather lined top, fitted two frieze drawers and dummy verso, on turned column legs and brass casters 75½ x 142 x 92cm (29 x 55 x 36in) Leather is marked and holed, some veneer losses to top and inset repairs, benefit from a repolish, two legs with moulding losses, knob handles replaced
An Edwardian silver mounted photograph frame, by William Comyns, London 1902, the rectangular pierced and embossed silver mount with heart shaped aperture, 19cm high; another similar Victorian frame also by William Comyns, London 1891, 19cm and a small silver mounted dressing table mirror by Levi & Salaman, Birmingham 1905, rectangular with bevelled plate, 26.75cm (3) All intact, easels all complete but all a little shabby
A Blue John table lamp, the lamp socket supported on the white flared neck and wide shoulders above a purple band inset into the ovoid body on a marble socle with black stone square foot topping a square column of blue john, the stepped base ending in a gilt metal foot 27cm (10.5 in) high to the base of the lamp socket
A fine Regency rosewood and cut brass inlaid sofa table, crossbanded in coromandel wood, with split round border mouldings, relief carved and cut brass inlaid anthemion motif, fitted a blind drawer, on a twist carved column, shaped base and lion paw feet 72 x 146 x 70cm (28 x 57 x 27in) The condition is considered to be very good
VICTORIAN COROMANDEL LADY'S BRASS MOUNTED VANITY BOX revealing fitted interior containing assorted glass and silver topped dressing table jars, hallmarked London 1872, maker's mark: J.V (possibly Joshua Vander), together with assorted mother-of-pearl handled vanity instruments with lift out drawer revealing secret drawer to base. 29.5cm wide x 16.5 cm high x 22cm deep. CONDITION REPORT: Secret drawer and mechanism is not functioning properly and drawer is therefore stuck. The Coromandel is slightly faded in places with surface wear, scratches etc as commensurate with age. Vanity set is incomplete. One glass dressing table jar missing glass but top present. Some of the silver topped lids are bent and dented. Hallmarks are legible but with some rubbed areas to different pieces.
19TH CENTURY MAHOGANY OCCASIONAL OR WORK TABLE with curved angles to the top over two cock beaded drawers with turned knobs, recessed undershelf below, on square tapering legs with 'X' framed sides and back. 52 x 40 x 70cm. CONDITION REPORT: In good condition commensurate with age, staining and marks, with wear and tear, but basically good.
VICTORIAN MAHOGANY TWO DRAWER LADY'S WORK TABLE with drop flaps, having curved angles on scroll moulded, hinged supports, two blind opposing drawers, standing on baluster turned, tapering pedestal with quatrefoil base, scroll moulded feet and recessed casters. 91 x 50 x 77cm. CONDITION REPORT: General stains and marks commensurate with age, missing veneer and areas of repaired veneer to base. Basically sound and usable.
18TH CENTURY MAHOGANY DEMI LUNE FOLD OVER TEA TABLE, the two section top over panelled front with interior well, standing on moulded cabriole legs with pointed toes, single gate action leg to the rear. 76 x 76 x 73cm. CONDITION REPORT: Toe broken off front leg, general wear and tear, stains and scratches, commensurate with age, missing moulding to left side of upper front leg noted.
19TH CENTURY MAHOGANY LADY'S WORK TABLE, having curved angles to the top over two cock beaded drawers (one double depth) having gilded knobs on baluster and ring turned legs with brass casters. 52.5 x 42 x 74cm. CONDITION REPORT: Good condition overall, minor wear and tear commensurate with age, no serious damage or losses.
REGENCY MAHOGANY RECTANGULAR PILLAR BREAKFAST TABLE, the well figured top with rosewood cross banding and moulded edge, on a spirally turned column and four scrolled outswept legs with brass paws and casters. 73 x 142 x 111cm. CONDITION REPORT: Overall good, some minor areas of loose and missing veneer around the edges, particularly edge beading missing in places. One crack evident to the top. General wear and tear commensurate with age.
LARGE OAK DOUBLE WARDROBE IN 18TH CENTURY WELSH STYLE, having moulded cornice over a pair of ogee arched panel doors, flanking centre panel and an arrangement of short dummy and real drawers below on bracket feet. 193 x 66cm. Together with a pair of matching oak bedside pot cupboards, and a matching dressing table toilet mirror. (4)
VICTORIAN MAHOGANY STRAIGHT FRONTED HALL OR CONSOLE TABLE, the moulded edge top with curved angles above three blind frieze drawers, on a pair of heavily moulded, scrolled legs with pad and stile feet. 205 x 54 x 76cm. CONDITION REPORT: The top is generally scratched overall, some stains and old cracking to surfaces, basically sound.
19TH CENTURY MAHOGANY WORK OR CUTLERY TABLE, the moulded edge top hinged to reveal lift out tray to the interior, two dummy cock beaded drawers with gilt brass handles to the front, standing on baluster and flute turned tapering legs with undershelf, on brass casters. 59 x 47 x 80cm. CONDITION REPORT: Good condition overall, may have been altered from its original form.
LATE VICTORIAN MAHOGANY SATINWOOD STRUNG AND BANDED LADY'S CAMPAIGN WORK AND WRITING TABLE, opening to reveal a Morocco leather lined writing desk and further opening to reveal similar Morocco lined sewing box with fabric well. The brass lock plate marked: 'Albert Barker Limited, Makers to the Queen, 5 New Bond Street, London, W', with similar label to stretcher. 62 x 62 x 72cm. CONDITION REPORT: The interior is generally quite badly worn in places although appearing complete externally, generally scuffed and worn with age but no obvious damage or losses.
LARGE 19TH CENTURY MINTON PATE PORCELAIN TABLE CENTRE NAUTILUS SHELL VASE, overall decorated with nude females, cherubs and seaweed, supported on a pair of mermen with oval base. Unmarked. 48.4cm high. CONDITION REPORT: Chips noted to the tail fin of one merman, otherwise no other obvious damage or restoration noted.
MID CENTURY ART DECO DESIGN BURR MAPLE DINING ROOM SUITE comprising break front cocktail centre sideboard, rectangular dining table and a set of six upholstered dining chairs. (8) CONDITION REPORT: A little dry but overall in good condition with nice upholstery and no obvious significant damage. Sideboard width 140cm, table measuring 153 x 84 x 77cm.
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