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Click here to subscribeA 19thC ebonised mahogany Aesthetic Movement squared table with fretted lattice panelled sides and brass pierced detail to corners supported by squared supports and legs having three dot detail to each side and tapering brass cup feet with pierced sphere detail. 18 7/8 sq x 28 3/8 high . Detail on legs similar to the ebonised and gilded side table and drawing room cabinet designed by Dr Christopher Dresser .
A mahogany dining suite, comprising a mahogany extending dining table, the cross banded D ended top with one leaf on twin pedestals having line incised down swept legs with brass paws and castors, 35 1/2" high x 84" wide, together with six chairs with tablet crest rail on line incised frames, 20th Century (7)
After E Nickol (19th Century), figures in an interior around a table strewn with papers, black and white engraving, published 1888 by Arthur Tooth & Sons, London, signed in pencil by the artist, 18 1/4" x 23", stained wood frame, together with an earlier 19th Century black and white print (2)
A Worcester polychrome teapot and cover, painted in the Mandarin palette with two oval panels showing two oriental women in a garden, one seated at a table, within black line rims and red scaled borders, the cover with leaf and flowers finial, 21.5cm wide, circa 1775 (cracked) Ex. Zorensky collection
A Continental Gilt Metal Mounted and Parcel Gilt Glass Table Casket, French or Bohemian, circa 1860, of rounded rectangular form with flat hinged lid and ropetwist effect shaped side handles, with overall "Paisley" inspired strapwork pattern, on scroll outswept gilt metal feet, 13cm wide, 11cm high, complete with key See illustration
A Gilt Metal Mounted and Parcel Gilt Glass Dressing Table Casket, French or Bohemian, circa 1860, of concave sided rectangular form, with allover "Paisley" pattern in gilt, with decorative scroll edged escutcheon, internally with applied label with handwritten inscription in ink "This casket belonged to Miss Gladstone, sister of the Prime Minister", 12.7cm wide, 9cm high See illustration
A Doulton Lambeth Glazed Stoneware Bodied Table Oil Lamp, Mark V Marshall, 1882, in a brass mount with quatre-concave plinth supporting a floret over the ovoid body with integral reservoir, decorated with banded registers of flowers and stylised animals including rabbits, stoats and owls, Hinks & Sons Patent burner mounts and later glass chimney, the reservoir with impressed cog mark and "1882", initials incised on the side "MVM AEB 868", 63.5cm overall See illustration
A Figural Table Centrepiece Stand, Modelled as Pan, Minton, 1870, the athletic god holding a shallow dish (to receive a larger dish or basket now missing), upon a glazed pierced tripod scroll form base, impressed "Mintons", shape 2734", date cypher, 42cm high (upper dish lacking); and Another Figural Table Centrepiece Stand, possibly Minton, circa 1859, as three swag conjoined maidens about a palm tree, indistinct impressed marks, 33.5cm high; on An Associated Copeland Cylindrical Stand, impressed marks, 21.5cm diameter (3)
A Figural Tazza, Minton, circa 1870, the shallow circular top supported by a stooping classical maiden, on an oval repeat leaf motif moulded base, picked out in gilt throughout, incised ermine mark, 4.5cm high (the top probably a later replacement); A Table Centrepiece Dish, probably Minton, circa 1870, the pierced shallow circular vessel on three dolphin supporters, tri-concave base, 24cm high; and A Tazza, possibly Minton, circa 1870, of fluted circular panelled form, on three caryatid supporters to a circular base, picked out in gilt throughout, 13.5cm high (3) See illustration
A Triple-Division Figural Table Centrepiece, Minton, circa 1860, as an infant scholar holding a globe of the Earth, standing beside a pile of books, on a mask moulded upswept stand from three shell form dishes, circular base, impressed "Mintons", shape "906", 27cm high; A Glazed Porcelain Centrepiece Bowl, Royal Worcester, circa 1890, of shallow "urchin moulded" form, on three dolphin supporters and tri-concave base, with pink lustre, blue and red enamel detail overall, impressed crown and wheel mark, 17.5cm high; and A Part Glazed Figural Centrepiece Bowl, Copeland, for The Ceramic and Crystal Palace Art Union, circa 1875, as an infant seated on rocks holding a basket, from a fern moulded circular dish, impressed "Copeland 075", 23cm high (incomplete) (3)
A Glazed and Tinted Parian Pierrot Group, unknown factory, circa 1890, as a cross-legged Pierriot being given a drink by a naked infant perched on his shoulders, on a tasselled cushion, indistinct impressed mark "... & C", 18.5cm high; A Glazed Parian "Hand and Basket" Table Ornament, unknown factory, circa 1885, on an oval plinth, impressed lozenge registration mark, 12.5cm high; A Bone China Seashell Vase, Royal Worcester, circa 1908, Shape 2351, issuing from a bed of seaweed and other shells, green printed crown and wheel mark, shape number, 22.5cm high; and Two Similar Recumbent Maiden Candlesticks, unknown factory, circa 1890, one tinted, one plain, as half-naked maidens recumbent on cushions, on rectangular bases with canted angles, 11cm high (5)
A Pair of Figural Tazzae, unknown factory, circa 1870, each shallow shape circular basket-weave vessel raised on a banana leaf stem flanked by three infants on a tri-lobed leaf edged base, 21cm high; A Figure of a Young Boy, circa 1890, carrying a basket of fruit and gazing downwards, 24cm high; and Four Other Figures, including a pair of praying children, 21cm, a shepherd and shepherdess group, 15cm high, and a naked young child (formerly a table centrepiece), 26cm high (7)
A Figural Partly Glazed Candlestick, John Rose & Co (Coalport), circa 1870, the central beaded upraised nozzle flanked by four seated classical maidens including Justice, on a guilloché edged concave sided base, apparently unmarked, 16.5cm high; A Parcel Gilt Parian Dwarf Table Candlestick, Copeland, circa 1870, of foliate moulded quatrelobed form with lion masks to the squat nozzle, impressed "Copeland", 3.5cm high; A Parian Swan Jug, unknown factory, circa 1875, the handle as a double-neck swan, the webbed feet forming the base, 30.5cm high; and A Green Tinted Parian Trumpet Vase, unknown factory, circa 1880, as a child grappling with a large flared bunch of bulrushes, circular moulded base, 26.5cm high (4)
A Gilded Parian Table Inkwell, Copeland, circa 1870, of swept triangular form, the pierced cover with pine cone finial on a lift-out reservoir, inserting into a base with ram mask angles moulded with swags in relief and on fluted bun feet, impressed "Copeland", 21.5cm high; and A Pierced Pedestal Trumpet Vase, unknown factory, circa 1870, with flared petalled rim and strapwork pierced body to a knopped swept circular foot, 28.5cm high (2)
A Matched Pair of Derby Encrusted Porcelain Figural Table Candlesticks, circa 1790, she sits playing the lute, a sheep at her side, he plays the pipes, a dog at his side, against flowering bushes, decorated in polychrome enamels and gilt throughout, on scroll form bases, with (later) campana petalled nozzles, 21.5cm and 19.5cm high respectively (restored)
A Pair of Derby Encrusted Porcelain Figural Table Candlesticks, circa 1790, she sits playing the lute, a sheep at her side, he sits playing the pipes, a dog at his side, against flowering encrusted bushes, in polychrome enamels and gilt throughout, with (later) campana nozzles, on scroll form bases, 19cm and 19.3cm high respectively (restored)
A Pair of Chinese Imari Porcelain Plates, early Qianlong, circa 1740, circular, centrally painted with peonies growing amongst rocks near a fence (one of the peony heads painted in famille rose enamels), trellis cavettos, three floral sprigs to the rims, 23cm diameter; and Another Pair, circular, painted with pomegranates and finger citrons in a vase on a table near peonies within a floral border, 22.7cm diameter
A Pair of Electroplated Three-Branch Four-Light Table Candelabra, retailed by Z Barraclough & Sons, Leeds, circa 1910, of neo-classical form, the raised campana centre light within three reeded S scroll branches, from conforming candlestick bases enriched with ram masks, ribbons and swags, the swept square weighted bases embossed with vases, 45.5cm high
A Pair of Electroplated Two-Branch Three-Light Table Candelabra, 19th century, with central slightly raised fluted campana nozzle and pan flanked by conjoined C scroll outswept branches, on "candlestick" stems and weighted bases with beaded rims, bell mark (Sheffield), 53.5cm high See illustration
An Elizabeth II King's Pattern Table Service for Eight Place Settings, maker's mark WDA, Sheffield 1968, comprising table forks, table knives (with plated blades), dessert forks, dessert knives (with plated blades), dessert spoons, soup spoons, teaspoons, and four table spoons, weighable silver 90oz approx Each piece carries a special hallmark to commemorate the bicentenary of the Sheffield Assay Office, a copy of the date letter of cycle beginning 1773 was used (in a shield shape field to avoid confusion).
A Set of Eight George V Corinthian Column Table Candlesticks, by James Dixon & Sons, Sheffield 1928, each with stepped (and weighted) square bases and inscriptions "Presented to No.3 Flying Training School by F/Lt G Archer, F/Lt A W Fletcher, F/O B C Mason, each with removable silver plated flambeau finial, 37cm high (excluding finial), 33cm high (including finial) See illustration
An Edward VII Table Inkstandish, by Elkington & Co Ltd, Birmingham 1905, rounded rectangular, with ribbon tied reeded rim, concave sided square section integral ink with flat hinged lid, cusped pen rack, on bun feet, 32cm wide, gross weight 51oz; and A Victorian Silver Mounted Ivory Letter Opener, Birmingham 1897, with foliate embossed handle and plain blade, 30.8cm long (2)
A Pair of Edward VII Table Candlesticks, maker's mark WL&S, Sheffield 1906 and 1909, in neo-classical style, with urn shape nozzles and removable pans, the tapering square stems and shaped square weighted bases repousse with classical motifs including ram masks, husks, vases and acanthus leaves, 25.3cm high (repairs)
A Pair of Victorian Table Candlesticks, maker's mark WCJL, London 1899, of neo-classical Corinthian column form, the concave sided pans with gadrooned rims, the shafts encircled with acorns and leaves, on acanthus leaf and classical vase embossed weighted square bases with gadrooned rims, 25cm high See illustration
A Composite Fiddle and Shell Pattern Canteen of Flatware, George IV and later, majority bearing diverse crests, comprising eighteen table forks, London 1825, maker's mark MEME (14), London 1842 (2) and 1849 (2); fifteen table spoons, London 1826 (9) and 1842 (6); eighteen dessert spoons, London 1825 (9), 1842 (6), 1849 (3); eighteen dessert forks, London 1825 (9), 1844 (6) and 1849 (3); twelve teaspoons, London 1825; twelve table knives (modern, plated blades); twelve dessert knives similar; two sauce ladles, London 1834 and 1860; two pairs of mustard spoons, London 1824 and Glasgow 1832, by Alexander Mitchell; and one gravy spoon, London 1825, overall weighable silver 195oz
A Composite Canteen of Fiddle Pattern Cutlery, various makers, 1820-1866, comprising twelve table spoons (maker's mark AW, Edinburgh 1826, 26oz), twelve dessert spoons (6-maker's mark HH, London 1866, 6-maker's mark TS, London 1858, combined weight 17 1/2oz), a gravy spoon (maker's mark AW, Edinburgh 1826, 3oz), a soup ladle (maker's mark AW, Edinburgh 1826, 7oz), twelve table forks (6-London 1837, 6-by James Williams, Exeter 1855, combined weight 30oz), twelve dessert forks (6-by James Williams, Exeter 1855, 6-by Henry Lias, London 1845, combined weight 19oz), seven assorted teaspoons (various London and Edinburgh, 5 1/2oz), a pair of sauce ladles (maker's mark WH, Edinburgh 1823, 2 1/2oz), a soup ladle, engraved with initial "C" (by James Williams, Exeter 1847, 8oz), and a sifter spoon, no engraved letter (maker's mark WE, London 1820, 2oz), overall weight 120 1/2oz approx
A Group of Eleven Hanoverian Pattern Table Forks, each engraved with a gauntlet hand or armoured leg crest, comprising London 1812 and 1813, by William Eley, William Fearn & William Chawner (5), London 1806 and 1810, maker's mark TB (5), and London 1799, maker's mark HN (1), combined weight 20 1/2oz
A Composite Canteen of Old English Pattern Flatware, London 1797 and later, comprising twelve table knives with plated blades (date marks worn), twelve dessert knives with plated blades, (date marks worn), twelve table forks (10-1786, 2-1813, combined weight 27 1/2oz), twelve dessert forks (London 1815, 16 1/2oz), twelve table spoons (London 1815, 29oz), twelve dessert spoons (10-1815, 2-1786, 15oz), twelve teaspoons (various 1797, 1809 and 1813, combined weight 7oz), two sauce ladles (London 1798, 3oz), and a soup ladle (London 1802, 6oz), total weighable silver 75oz; contained in a two-drawer lidded green baize lined mahogany canteen, retained by Burfitt Ltd, 1b Albemarle Street, London W1
A George III Table Inkstandish, by John Emes, London 1801, of boat shape with reeded rim and fluted outswept feet, supporting a central square box, the cover as a chamber candlestick with ring lift, conical snuffer (bearing later London hallmark, 1842, by the Barnards), flanked by cut glass panelled pounce pots with silver mounts, 26cm wide
Three Old English Pattern Gravy Spoons, feather edge, comprising London 1789 by George Smith & William Fearn, another by the same maker 1793, and London 1772, maker's JD; A Group of Six George III Old English Pattern Table Spoons, mainly London circa 1771, feather edge, each engraved with a gauntlet arm crest; and Two Similar Pairs of Table Spoons, maker's mark RR, London 1773 and Thomas & William Chawner, 1770, overall weight 30oz (13)
A Set of Six George II Old English Pattern Table Spoons, maker's mark WP, Newcastle 1743, each engraved "GRG" on the handle, 11oz; A Set of Five George II Dessert Spoons, by Elias Cachart, London 1752, engraved with crest, 12 1/2oz; and A George III Table Spoon, maker's mark JW, London 1794 (12)
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