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Subbuteo - Three boxed Subbuteo sets with some boxed accessories and ephemera. Lot includes Subbuteo Continental Club Edition which contains mainly parts unassociated with the set; Subbuteo Table Rugby International Edition which appears Good overall in a Fair box; and Subbuteo Test Match Cricket which appears to be in Good condition overall in a Poor box with tearing, missing parts and imperfections. Boxed accessories include C126 Passing Tee and Dribbling Posts; C125 Training Kit and similar. All items show signs of play and use and are all unchecked for completeness. (4)
Chloe Cheese Toys on my Kitchen Table, 2021 Printing Ink, Pencil and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Have worked as a freelance illustrator and latterly mainly as a printmaker my subjects are often still lives or scenes of city life where people are placed living their lives in an often historic environment. Education Cambridge Art School and Royal College of Art 1973-1976 Exhibitions/Awards Many exhibitions in London with The Curwen and Thumb galleries and Bloomsbury Gallery Lloyd's Bank Printmaking Prize and recently a small prize from the RWS for a watercolour in their annual show. Gallery Representation St Jude, The Emma Mason Gallery Eastbourne. About the postcard artwork A personal still life and a street scene in London.
Kavel Rafferty White Tulip Display, 2021 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) I was raised by hippy parents. My dad named me Kavel; more than likely he picked the name up whilst travelling in India. Kavel is actually a Hindi boy's name meaning lotus flower, which is lovely - thank you for that, Dad! We moved and travelled a lot as a family and I'm sure this lifestyle has encouraged my love of adventure. I have lived all over; a couple of years in Sweden and almost a decade in Barcelona. I feel I have (finally?) settled, in the vibrant sea-side town of Margate. I came out as a lesbian quite late in life, at the age of 43. This has been so liberating for me; it has definitely been a catalyst for stronger and more confident work. I'm happy and comfortable in myself now, as an out queer woman. About the postcard artworks Queer flower. In my most recent work I explore the artistic tropes of the floral still life and flowers to examine ideas of remembrance, femininity and queerness in it's modern sense as well as it's original meaning of something strange and or peculiar. I'm looking to reclaiming flowers from their somewhat domestic life, after all, historically (until relatively recently) female artists were not permitted to paint much else. I am decontextualizing and subverting photographic flowers by redacting with paint and collage. Sometimes blocking out the detail and delicacy completely with ink brush marks, making shadows and silhouettes; an absence of light. These images can be ethereal or much darker with a gothic undercurrent, others are given a sense of joy with bright yellows and fleshy pinks. Some are trippy bodies paired with psychedelic hybrids, club lights and late nights. Other reminiscent of double exposed photos or the end of a roll of film, women in summer meadows... naked, half hidden, intertwined with painted camouflage. Some become large ice sculptures or frosted ornaments, pink fluffy clouds on table tops, dark gushing fountains or sinister squawking crows. Flowers for the dead and for the still living. Some are the darkest bouquet ever received, others glow and feel like they might continue to grow. I am continually pushing for more ways to corrupt the flowers, their meaning as well as their charms.
Lorna Robertson An Afternoon in Bergen, 2021 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Lorna Robertson was born in Ayr on the west coast of Scotland in 1967. She studied at Duncan of Jordanstone College of Art in Dundee and currently lives and works in Glasgow. Her densely coloured paintings, often made with a combination of oil paint and collage, have a distinctly nostalgic tone; shimmering female forms with swinging skirts from the 1950's or bonneted bathers from the 1920's jostle with richly described interiors; and crowded table- tops. ""My paintings"" she says ""sit somewhere between abstraction and figuration, a tangled game of hide- and-seek that plays with the visibility and readability of an image. I often paint to find out what to paint, creating harmonies and tensions through placement of shape, specificity of colour - the process itself becoming an act of revealing". The characters in her work are at once deeply evocative, and yet strangely anonymous. They conjure an unreliable sense of time and place, flitting between decades and moods from one moment to the next. Hints and glimpses of something tangible - a fashion model, for example, or a vase of flowers, appear and then fragment into painterly patterns and explosions of colour. Lives and works in Glasgow Education 1990 BA (Hons) in Fine Art, Duncan of Jordanstone College of Art, Dundee, UK 1991 Post-Graduate Diploma, Duncan of Jordanstone College of Art, Dundee, UK Exhibitions/Awards Selected Solo Exhibitions 2013 Kodachroma, Glasgow Project Room, Glasgow, UK 2008 This Dark Ceiling, Intermedia Gallery, C.C.A, Glasgow, UK 2 2006 The Overlooked, Atelier Am Eck, Dusseldorf, Germany 2005 New Paintings, 64 Osborne Street, Glasgow, UK 1997 Air Gallery, London, UK Selected Group Exhibitions 2020 In Situ, Marianne Boesky Gallery, New York, USA 2019 Brexit: Mail Art from a Small Island, Sipgate Shows, Düsseldorf, Germany Lorna Robertson and Robert MacBryde, Kingsgate Project Space, London, UK 2011 Psychopathology of Everyday life, Glasgow Project Room, Glasgow, UK 2003 Vistas, Glasgow Project Room, Glasgow, UK 1990 Seagate Gallery, Dundee, UK 1991 Dick Institute, Kilmarnock, UK Selected Awards 1990 John Kinross Traveling Scholarship to Florence 1989 Summer Scholarship, Hospitalfield School of Art, Arbroath"
Lorna Robertson In A Glasgow Tenement, 2021 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Lorna Robertson was born in Ayr on the west coast of Scotland in 1967. She studied at Duncan of Jordanstone College of Art in Dundee and currently lives and works in Glasgow. Her densely coloured paintings, often made with a combination of oil paint and collage, have a distinctly nostalgic tone; shimmering female forms with swinging skirts from the 1950's or bonneted bathers from the 1920's jostle with richly described interiors; and crowded table- tops. ""My paintings"" she says ""sit somewhere between abstraction and figuration, a tangled game of hide- and-seek that plays with the visibility and readability of an image. I often paint to find out what to paint, creating harmonies and tensions through placement of shape, specificity of colour - the process itself becoming an act of revealing". The characters in her work are at once deeply evocative, and yet strangely anonymous. They conjure an unreliable sense of time and place, flitting between decades and moods from one moment to the next. Hints and glimpses of something tangible - a fashion model, for example, or a vase of flowers, appear and then fragment into painterly patterns and explosions of colour. Lives and works in Glasgow Education 1990 BA (Hons) in Fine Art, Duncan of Jordanstone College of Art, Dundee, UK 1991 Post-Graduate Diploma, Duncan of Jordanstone College of Art, Dundee, UK Exhibitions/Awards Selected Solo Exhibitions 2013 Kodachroma, Glasgow Project Room, Glasgow, UK 2008 This Dark Ceiling, Intermedia Gallery, C.C.A, Glasgow, UK 2 2006 The Overlooked, Atelier Am Eck, Dusseldorf, Germany 2005 New Paintings, 64 Osborne Street, Glasgow, UK 1997 Air Gallery, London, UK Selected Group Exhibitions 2020 In Situ, Marianne Boesky Gallery, New York, USA 2019 Brexit: Mail Art from a Small Island, Sipgate Shows, Düsseldorf, Germany Lorna Robertson and Robert MacBryde, Kingsgate Project Space, London, UK 2011 Psychopathology of Everyday life, Glasgow Project Room, Glasgow, UK 2003 Vistas, Glasgow Project Room, Glasgow, UK 1990 Seagate Gallery, Dundee, UK 1991 Dick Institute, Kilmarnock, UK Selected Awards 1990 John Kinross Traveling Scholarship to Florence 1989 Summer Scholarship, Hospitalfield School of Art, Arbroath"
Lorna Robertson Paper Caravan, 2021 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Lorna Robertson was born in Ayr on the west coast of Scotland in 1967. She studied at Duncan of Jordanstone College of Art in Dundee and currently lives and works in Glasgow. Her densely coloured paintings, often made with a combination of oil paint and collage, have a distinctly nostalgic tone; shimmering female forms with swinging skirts from the 1950's or bonneted bathers from the 1920's jostle with richly described interiors; and crowded table- tops. ""My paintings"" she says ""sit somewhere between abstraction and figuration, a tangled game of hide- and-seek that plays with the visibility and readability of an image. I often paint to find out what to paint, creating harmonies and tensions through placement of shape, specificity of colour - the process itself becoming an act of revealing". The characters in her work are at once deeply evocative, and yet strangely anonymous. They conjure an unreliable sense of time and place, flitting between decades and moods from one moment to the next. Hints and glimpses of something tangible - a fashion model, for example, or a vase of flowers, appear and then fragment into painterly patterns and explosions of colour. Lives and works in Glasgow Education 1990 BA (Hons) in Fine Art, Duncan of Jordanstone College of Art, Dundee, UK 1991 Post-Graduate Diploma, Duncan of Jordanstone College of Art, Dundee, UK Exhibitions/Awards Selected Solo Exhibitions 2013 Kodachroma, Glasgow Project Room, Glasgow, UK 2008 This Dark Ceiling, Intermedia Gallery, C.C.A, Glasgow, UK 2 2006 The Overlooked, Atelier Am Eck, Dusseldorf, Germany 2005 New Paintings, 64 Osborne Street, Glasgow, UK 1997 Air Gallery, London, UK Selected Group Exhibitions 2020 In Situ, Marianne Boesky Gallery, New York, USA 2019 Brexit: Mail Art from a Small Island, Sipgate Shows, Düsseldorf, Germany Lorna Robertson and Robert MacBryde, Kingsgate Project Space, London, UK 2011 Psychopathology of Everyday life, Glasgow Project Room, Glasgow, UK 2003 Vistas, Glasgow Project Room, Glasgow, UK 1990 Seagate Gallery, Dundee, UK 1991 Dick Institute, Kilmarnock, UK Selected Awards 1990 John Kinross Traveling Scholarship to Florence 1989 Summer Scholarship, Hospitalfield School of Art, Arbroath"
Diana Savostaite I'll Take A Hot Bath, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Diana Savostaite (b.1983) was born and raised in a small Lithuanian village. She is a graduate of Vilnius Academy of Arts (2006) and holds a BA honours degree in Fine Arts / Painting. Diana moved to London in 2006, where she has been actively participating in group and solo exhibitions across the UK. Diana uses oil painting as a primary medium to create colourful and expressive paintings. Her artworks combine lots of colour tones (from light and airy to dark and gloomy) and variety of brush strokes. The painting process is especially important to Diana. She begins her artwork with applying thin transparent colour washes, then progresses it with texture and bold brush strokes, then finishes it by adding any detailed touches. All of this creates a unique and vibrant atmosphere in her paintings. Diana is inspired by her closest surroundings, observation of daily experiences and especially - nature and a personal connection with it. In her latest work, Diana experiments with new shapes and combines them together in a various ways, so paintings interconnect with each other and create a visual story on the wall. This practice has allowed her artwork to break free from the traditional painting format or rules and has encouraged her to search for a new form of expression. Through this, Diana discovered an interesting combination between painting and shape. Exhibition/Awards Diana has had several solo shows in UK - Cole's Gallery, Leeds (2020), Thames Side Studios, London (2019 and 2017), Art Fix Gallery, London (2017), ASC - Unit 3, London (2013), London Regatta Centre, London (2013). Diana's work has been selected for variety group exhibitions across the UK in venues like Royal Academy of Arts (London), Sunny Art Centre (London), Mall Galleries (London), Peterborough Museum (UK), The Bishop's Palace in Wells (UK), The Old Truman's Brewery (London), Penarth Pier Pavilion Gallery (UK), Hundred Years Gallery (London), Unit-3 Gallery (London), Arch Gallery (London), Saatchi Screen in Saatchi Gallery (London). In 2017 Diana was awarded with Winsor and Newton Young Artist Award while exhibiting her work in Mall Galleries (London). Recently, Diana won an artist's open call with Colle's Gallery in Leeds and has been awarded a solo exhibition. Diana's artworks are held in several private art collections across the UK, Europe and USA. 2019 - Digital Marketing Strategy, UAL, online short course. 2001- 2006 Vilnius Academy of Arts, Kaunas Faculty of Arts, Lithuania. Bachelor of Fine Arts, Study programme - Painting. Solo Exhibitions: 2020 - Cole's Gallery, Leeds, UK 2019 - Private Spaces,Viewing Room, Thames-Side studios, London 2017 - Lounge, Thames-Side Studios, London, UK 2017 - Art Fix Gallery, Woolwich, London, UK 2013 - Paintings, ASC Unit-3, London, UK 2013 - City Signs, London Regatta Centre, London, UK 2006 - Underground, degree show - Vilnius Academy of Arts, Kaunas, Lithuania Group Exhibitions: 2020 - Summer Exhibition 2020, Royal Academy of Arts, London, UK 2020 - Sunny Art Prize 2020, Sunny Art Centre, London, UK 2020 - House Bound, Chapel Arts Studios, selected for an online group exhibition 2020 - A World Without End, no barking aRt gallery, selected for an online group exhibition 2019 - 'Dinner Table' painting chosen for Saatchi Screen, Saatchi Gallery, London, UK 2019 - New English Art Club Annual Exhibition, Mall Galleries, London, UK 2019 - Open exhibition, Peterborough Museum Gallery, Peterborough, UK 2018 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2018 - Wells Art Contemporary, The Bishop's Palace, Wells, UK 2018 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2018 - 'Sunday Morning in the Bed' selected for Saatchi Screen, Saatchi Gallery, London, UK 2018 - Royal Society of British Artists Annual Exhibition, Mall Galleries, London, UK 2017 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2017 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2016 - Summer Exhibition, New Artist Fair, The Old Truman's Brewery, London, UK 2016 - Pavilion Open Art Exhibition, Penarth Pier Pavilion-The Esplanade, Penarth, UK 2016 - Le Dame Gallery, Melia White House Hotel, London, UK 2016 - Open Art Exhibition, City Gallery, Peterborough, UK 2015 - Bells from the Deep, Hundred Years Gallery, London, UK 2015 - Pastel Society Annual Exhibition, Mall Galleries, London, UK 2013 - On Site, ASC Unit-3, London, UK 2013 - Dazed and Refused, Arch Gallery, London, UK Awards: 2020 - Winner of a solo exhibition with Cole's Gallery, Leeds, UK 2020 - Selected for RA Summer Exhibition 2017 - Winsor and Newton Young Artist Award, Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London Condition Report: Condition Report Disclaimer
Diana Savostaite In the Bedroom, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Diana Savostaite (b.1983) was born and raised in a small Lithuanian village. She is a graduate of Vilnius Academy of Arts (2006) and holds a BA honours degree in Fine Arts / Painting. Diana moved to London in 2006, where she has been actively participating in group and solo exhibitions across the UK. Diana uses oil painting as a primary medium to create colourful and expressive paintings. Her artworks combine lots of colour tones (from light and airy to dark and gloomy) and variety of brush strokes. The painting process is especially important to Diana. She begins her artwork with applying thin transparent colour washes, then progresses it with texture and bold brush strokes, then finishes it by adding any detailed touches. All of this creates a unique and vibrant atmosphere in her paintings. Diana is inspired by her closest surroundings, observation of daily experiences and especially - nature and a personal connection with it. In her latest work, Diana experiments with new shapes and combines them together in a various ways, so paintings interconnect with each other and create a visual story on the wall. This practice has allowed her artwork to break free from the traditional painting format or rules and has encouraged her to search for a new form of expression. Through this, Diana discovered an interesting combination between painting and shape. Exhibition/Awards Diana has had several solo shows in UK - Cole's Gallery, Leeds (2020), Thames Side Studios, London (2019 and 2017), Art Fix Gallery, London (2017), ASC - Unit 3, London (2013), London Regatta Centre, London (2013). Diana's work has been selected for variety group exhibitions across the UK in venues like Royal Academy of Arts (London), Sunny Art Centre (London), Mall Galleries (London), Peterborough Museum (UK), The Bishop's Palace in Wells (UK), The Old Truman's Brewery (London), Penarth Pier Pavilion Gallery (UK), Hundred Years Gallery (London), Unit-3 Gallery (London), Arch Gallery (London), Saatchi Screen in Saatchi Gallery (London). In 2017 Diana was awarded with Winsor and Newton Young Artist Award while exhibiting her work in Mall Galleries (London). Recently, Diana won an artist's open call with Colle's Gallery in Leeds and has been awarded a solo exhibition. Diana's artworks are held in several private art collections across the UK, Europe and USA. 2019 - Digital Marketing Strategy, UAL, online short course. 2001- 2006 Vilnius Academy of Arts, Kaunas Faculty of Arts, Lithuania. Bachelor of Fine Arts, Study programme - Painting. Solo Exhibitions: 2020 - Cole's Gallery, Leeds, UK 2019 - Private Spaces,Viewing Room, Thames-Side studios, London 2017 - Lounge, Thames-Side Studios, London, UK 2017 - Art Fix Gallery, Woolwich, London, UK 2013 - Paintings, ASC Unit-3, London, UK 2013 - City Signs, London Regatta Centre, London, UK 2006 - Underground, degree show - Vilnius Academy of Arts, Kaunas, Lithuania Group Exhibitions: 2020 - Summer Exhibition 2020, Royal Academy of Arts, London, UK 2020 - Sunny Art Prize 2020, Sunny Art Centre, London, UK 2020 - House Bound, Chapel Arts Studios, selected for an online group exhibition 2020 - A World Without End, no barking aRt gallery, selected for an online group exhibition 2019 - 'Dinner Table' painting chosen for Saatchi Screen, Saatchi Gallery, London, UK 2019 - New English Art Club Annual Exhibition, Mall Galleries, London, UK 2019 - Open exhibition, Peterborough Museum Gallery, Peterborough, UK 2018 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2018 - Wells Art Contemporary, The Bishop's Palace, Wells, UK 2018 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2018 - 'Sunday Morning in the Bed' selected for Saatchi Screen, Saatchi Gallery, London, UK 2018 - Royal Society of British Artists Annual Exhibition, Mall Galleries, London, UK 2017 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2017 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2016 - Summer Exhibition, New Artist Fair, The Old Truman's Brewery, London, UK 2016 - Pavilion Open Art Exhibition, Penarth Pier Pavilion-The Esplanade, Penarth, UK 2016 - Le Dame Gallery, Melia White House Hotel, London, UK 2016 - Open Art Exhibition, City Gallery, Peterborough, UK 2015 - Bells from the Deep, Hundred Years Gallery, London, UK 2015 - Pastel Society Annual Exhibition, Mall Galleries, London, UK 2013 - On Site, ASC Unit-3, London, UK 2013 - Dazed and Refused, Arch Gallery, London, UK Awards: 2020 - Winner of a solo exhibition with Cole's Gallery, Leeds, UK 2020 - Selected for RA Summer Exhibition 2017 - Winsor and Newton Young Artist Award, Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London
Diana Savostaite Warming Hands, 2021 Watercolour and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Diana Savostaite (b.1983) was born and raised in a small Lithuanian village. She is a graduate of Vilnius Academy of Arts (2006) and holds a BA honours degree in Fine Arts / Painting. Diana moved to London in 2006, where she has been actively participating in group and solo exhibitions across the UK. Diana uses oil painting as a primary medium to create colourful and expressive paintings. Her artworks combine lots of colour tones (from light and airy to dark and gloomy) and variety of brush strokes. The painting process is especially important to Diana. She begins her artwork with applying thin transparent colour washes, then progresses it with texture and bold brush strokes, then finishes it by adding any detailed touches. All of this creates a unique and vibrant atmosphere in her paintings. Diana is inspired by her closest surroundings, observation of daily experiences and especially - nature and a personal connection with it. In her latest work, Diana experiments with new shapes and combines them together in a various ways, so paintings interconnect with each other and create a visual story on the wall. This practice has allowed her artwork to break free from the traditional painting format or rules and has encouraged her to search for a new form of expression. Through this, Diana discovered an interesting combination between painting and shape. Exhibition/Awards Diana has had several solo shows in UK - Cole's Gallery, Leeds (2020), Thames Side Studios, London (2019 and 2017), Art Fix Gallery, London (2017), ASC - Unit 3, London (2013), London Regatta Centre, London (2013). Diana's work has been selected for variety group exhibitions across the UK in venues like Royal Academy of Arts (London), Sunny Art Centre (London), Mall Galleries (London), Peterborough Museum (UK), The Bishop's Palace in Wells (UK), The Old Truman's Brewery (London), Penarth Pier Pavilion Gallery (UK), Hundred Years Gallery (London), Unit-3 Gallery (London), Arch Gallery (London), Saatchi Screen in Saatchi Gallery (London). In 2017 Diana was awarded with Winsor and Newton Young Artist Award while exhibiting her work in Mall Galleries (London). Recently, Diana won an artist's open call with Colle's Gallery in Leeds and has been awarded a solo exhibition. Diana's artworks are held in several private art collections across the UK, Europe and USA. 2019 - Digital Marketing Strategy, UAL, online short course. 2001- 2006 Vilnius Academy of Arts, Kaunas Faculty of Arts, Lithuania. Bachelor of Fine Arts, Study programme - Painting. Solo Exhibitions: 2020 - Cole's Gallery, Leeds, UK 2019 - Private Spaces,Viewing Room, Thames-Side studios, London 2017 - Lounge, Thames-Side Studios, London, UK 2017 - Art Fix Gallery, Woolwich, London, UK 2013 - Paintings, ASC Unit-3, London, UK 2013 - City Signs, London Regatta Centre, London, UK 2006 - Underground, degree show - Vilnius Academy of Arts, Kaunas, Lithuania Group Exhibitions: 2020 - Summer Exhibition 2020, Royal Academy of Arts, London, UK 2020 - Sunny Art Prize 2020, Sunny Art Centre, London, UK 2020 - House Bound, Chapel Arts Studios, selected for an online group exhibition 2020 - A World Without End, no barking aRt gallery, selected for an online group exhibition 2019 - 'Dinner Table' painting chosen for Saatchi Screen, Saatchi Gallery, London, UK 2019 - New English Art Club Annual Exhibition, Mall Galleries, London, UK 2019 - Open exhibition, Peterborough Museum Gallery, Peterborough, UK 2018 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2018 - Wells Art Contemporary, The Bishop's Palace, Wells, UK 2018 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2018 - 'Sunday Morning in the Bed' selected for Saatchi Screen, Saatchi Gallery, London, UK 2018 - Royal Society of British Artists Annual Exhibition, Mall Galleries, London, UK 2017 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2017 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2016 - Summer Exhibition, New Artist Fair, The Old Truman's Brewery, London, UK 2016 - Pavilion Open Art Exhibition, Penarth Pier Pavilion-The Esplanade, Penarth, UK 2016 - Le Dame Gallery, Melia White House Hotel, London, UK 2016 - Open Art Exhibition, City Gallery, Peterborough, UK 2015 - Bells from the Deep, Hundred Years Gallery, London, UK 2015 - Pastel Society Annual Exhibition, Mall Galleries, London, UK 2013 - On Site, ASC Unit-3, London, UK 2013 - Dazed and Refused, Arch Gallery, London, UK Awards: 2020 - Winner of a solo exhibition with Cole's Gallery, Leeds, UK 2020 - Selected for RA Summer Exhibition 2017 - Winsor and Newton Young Artist Award, Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London
Hannah Tilson Life Painting Landscape 1, 2021 Homemade Paint with Pigment on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Hannah Tilson (b.1995) is currently attending a scholarship programme at the Royal Drawing School, since completing her Bachelors in Painting from the Slade School of Fine Art in 2018. Education Currently on a scholarship programme at the Royal Drawing School, BA Slade School of Fine Art '19, exchange at New York Studio School '162020 Exhibitions/Awards Cure3, Bonhams, 5th-8th September, London The London Art Fair, Business Design Centre, London The Amber Room 2 curated by Rosie Reed, Notting Hill, London In Response, The Viewing Room, Blue Shop Cottage, London Curated for Covid, Online Exhibition Tankers and Pumpers, OXO tower, London 2019 Royal Academy Summer Exhibition, Royal Academy of Arts, London Guts Gallery Opening Exhibition, Guts Gallery, London A High Hang, Eccleston Place, London 18/11/1, PMQ, Hong Kong Voi rubate del tempo alla fretta a noi il mare ci impone lentezza, Castro Projects, Ansedonia, Rome, Italy The Amber Room curated by Rosie Reed, Notting Hill, London If you know you know, Eccleston Place, London Time Cannibal, Brockley Gardens, London Paperweight, Late Works, Vardaxoglu, Mallord's, London Fresh Air, Hot Sauce, Eccleston Place, London Hannah Tilson, Zetter, London 2018 Paper Cuts, The Saatchi Gallery, London The Lotus Eaters, Aindrea Contemporary, London Oh SHE does like to be beside the Seeside, Shelf London, Spanish City Gift Table, Exhibition Laboratory, Helsinki Bridge, Izo Gallery, Moscow BA Degree Show, Slade School of Fine Art, London Hot Milk, Post Institute, London Art on a Postcard, The Other Art Fair, London Gift Shop, Exmouth Market, London The Pink Panther Show, Gallery 46, London JUICE, 5th Base Gallery, London A View with a Room, Mercer Chance, London 2017 Tongue and Chic, Peckham Pelican, London From Cornucopia, Centre for Recent Drawing, London 2016 Art is The Highest Form of Hope, New York Topless Palaces, New York Hannah Tilson and Marco Palli, New York Legumes, 4 Malden Road, London About the postcard artworks I have recently started buying pigment and making my own paint in the studio. This approach to making has opened different doors for me, and I am excited to see where it takes me. These two paintings were painted from a life model (in times when we could have life classes!). And are exploring the human body as a landscape. "
Hannah Tilson Life Painting Landscape 2, 2021 Homemade Paint with Pigment on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Hannah Tilson (b.1995) is currently attending a scholarship programme at the Royal Drawing School, since completing her Bachelors in Painting from the Slade School of Fine Art in 2018. Education Currently on a scholarship programme at the Royal Drawing School, BA Slade School of Fine Art '19, exchange at New York Studio School '162020 Exhibitions/Awards Cure3, Bonhams, 5th-8th September, London The London Art Fair, Business Design Centre, London The Amber Room 2 curated by Rosie Reed, Notting Hill, London In Response, The Viewing Room, Blue Shop Cottage, London Curated for Covid, Online Exhibition Tankers and Pumpers, OXO tower, London 2019 Royal Academy Summer Exhibition, Royal Academy of Arts, London Guts Gallery Opening Exhibition, Guts Gallery, London A High Hang, Eccleston Place, London 18/11/1, PMQ, Hong Kong Voi rubate del tempo alla fretta a noi il mare ci impone lentezza, Castro Projects, Ansedonia, Rome, Italy The Amber Room curated by Rosie Reed, Notting Hill, London If you know you know, Eccleston Place, London Time Cannibal, Brockley Gardens, London Paperweight, Late Works, Vardaxoglu, Mallord's, London Fresh Air, Hot Sauce, Eccleston Place, London Hannah Tilson, Zetter, London 2018 Paper Cuts, The Saatchi Gallery, London The Lotus Eaters, Aindrea Contemporary, London Oh SHE does like to be beside the Seeside, Shelf London, Spanish City Gift Table, Exhibition Laboratory, Helsinki Bridge, Izo Gallery, Moscow BA Degree Show, Slade School of Fine Art, London Hot Milk, Post Institute, London Art on a Postcard, The Other Art Fair, London Gift Shop, Exmouth Market, London The Pink Panther Show, Gallery 46, London JUICE, 5th Base Gallery, London A View with a Room, Mercer Chance, London 2017 Tongue and Chic, Peckham Pelican, London From Cornucopia, Centre for Recent Drawing, London 2016 Art is The Highest Form of Hope, New York Topless Palaces, New York Hannah Tilson and Marco Palli, New York Legumes, 4 Malden Road, London About the postcard artworks I have recently started buying pigment and making my own paint in the studio. This approach to making has opened different doors for me, and I am excited to see where it takes me. These two paintings were painted from a life model (in times when we could have life classes!). And are exploring the human body as a landscape. "
Angela A'Court From Here To There, 2021 Screenprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "I am an artist and printmaker who works predominantly in soft pastel, whether painting, printing, collaging or paper making.
Originally from London, New York has been home for the last thirteen years, with a recent break of eighteen months spent in Tokyo.
My evolution has been influenced by living in and experiencing different cultures, which have offered up a visual and emotional dimension to the work. As an onlooker, I have observed in each the routines and customs that provide a structure for day to day interactions and our need for connection. I am interested in re-defining soft pastel as a modern medium for reflecting contemporary life by distilling and exalting its intrinsic immediacy and tactile distinctiveness. I move slowly in the studio, so that ideas can free-float. There is a rhythm and pace here that enables me to feel my way around a painting. With a sensibility rather than an single idea, I'll begin painting so that randomness and equilibrium work along side each other. My working process is an explorative, intuitive mix borrowed from several disciplines, combining and alternating pastel with print or collage. My information comes from careful observation, from reflecting on a familiar scene and drawing a narrative from it. The scenes are not staged but usually stumbled upon, perhaps a friend's window sill, kitchen table or a glimpse of two people engaged in conversation. It is the overlooked aspects of everyday life that draw me in, a stolen glance of another's day to day and the rhythm of routine that we all share. My experience in Japan is evident in my more recent work. Prompted by curiosity and a need to adapt to a different culture, I tentatively explore the surrounding new, in contrast with older recollections. I place a beloved cup next to a chicken wire lantern, unearthed at a Japanese flea market, and a new conversation begins. It's about absorbing change and finding a way through, using the spaces in between. The resolution comes in recognizing when a balance is found and there is a connection between the contrary: the new and old, the unfamiliar and familiar. I gather my visual language from the grace of everyday ordinariness, private worlds, unguarded moments, the unsaid - the trace of human presence. I paint what makes me curious and seek to render the truest emotional response that made me first stop and take note."
Angela A'Court Tokyo Days, 2021 Screenprint on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "I am an artist and printmaker who works predominantly in soft pastel, whether painting, printing, collaging or paper making.
Originally from London, New York has been home for the last thirteen years, with a recent break of eighteen months spent in Tokyo.
My evolution has been influenced by living in and experiencing different cultures, which have offered up a visual and emotional dimension to the work. As an onlooker, I have observed in each the routines and customs that provide a structure for day to day interactions and our need for connection. I am interested in re-defining soft pastel as a modern medium for reflecting contemporary life by distilling and exalting its intrinsic immediacy and tactile distinctiveness. I move slowly in the studio, so that ideas can free-float. There is a rhythm and pace here that enables me to feel my way around a painting. With a sensibility rather than an single idea, I'll begin painting so that randomness and equilibrium work along side each other. My working process is an explorative, intuitive mix borrowed from several disciplines, combining and alternating pastel with print or collage. My information comes from careful observation, from reflecting on a familiar scene and drawing a narrative from it. The scenes are not staged but usually stumbled upon, perhaps a friend's window sill, kitchen table or a glimpse of two people engaged in conversation. It is the overlooked aspects of everyday life that draw me in, a stolen glance of another's day to day and the rhythm of routine that we all share. My experience in Japan is evident in my more recent work. Prompted by curiosity and a need to adapt to a different culture, I tentatively explore the surrounding new, in contrast with older recollections. I place a beloved cup next to a chicken wire lantern, unearthed at a Japanese flea market, and a new conversation begins. It's about absorbing change and finding a way through, using the spaces in between. The resolution comes in recognizing when a balance is found and there is a connection between the contrary: the new and old, the unfamiliar and familiar. I gather my visual language from the grace of everyday ordinariness, private worlds, unguarded moments, the unsaid - the trace of human presence. I paint what makes me curious and seek to render the truest emotional response that made me first stop and take note."
Angela A'Court Trois Fois, 2021 Mixed Media on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "I am an artist and printmaker who works predominantly in soft pastel, whether painting, printing, collaging or paper making.
Originally from London, New York has been home for the last thirteen years, with a recent break of eighteen months spent in Tokyo.
My evolution has been influenced by living in and experiencing different cultures, which have offered up a visual and emotional dimension to the work. As an onlooker, I have observed in each the routines and customs that provide a structure for day to day interactions and our need for connection. I am interested in re-defining soft pastel as a modern medium for reflecting contemporary life by distilling and exalting its intrinsic immediacy and tactile distinctiveness. I move slowly in the studio, so that ideas can free-float. There is a rhythm and pace here that enables me to feel my way around a painting. With a sensibility rather than an single idea, I'll begin painting so that randomness and equilibrium work along side each other. My working process is an explorative, intuitive mix borrowed from several disciplines, combining and alternating pastel with print or collage. My information comes from careful observation, from reflecting on a familiar scene and drawing a narrative from it. The scenes are not staged but usually stumbled upon, perhaps a friend's window sill, kitchen table or a glimpse of two people engaged in conversation. It is the overlooked aspects of everyday life that draw me in, a stolen glance of another's day to day and the rhythm of routine that we all share. My experience in Japan is evident in my more recent work. Prompted by curiosity and a need to adapt to a different culture, I tentatively explore the surrounding new, in contrast with older recollections. I place a beloved cup next to a chicken wire lantern, unearthed at a Japanese flea market, and a new conversation begins. It's about absorbing change and finding a way through, using the spaces in between. The resolution comes in recognizing when a balance is found and there is a connection between the contrary: the new and old, the unfamiliar and familiar. I gather my visual language from the grace of everyday ordinariness, private worlds, unguarded moments, the unsaid - the trace of human presence. I paint what makes me curious and seek to render the truest emotional response that made me first stop and take note."
Two George III silver serving spoons, old English pattern by Richard Crossley, London 1786 and two similar silver table spoons by James Beebe, London 1818, approx 7.2ozClick here to view further images, condition reports, sale times & delivery costs for this lot.
A collector's lot to include: Cricket - a miniature cricket bat - the Keith Miller autograph Australians 1941 bearing various facsimile signaturesTwo glass decantersA wall paper blockTwo pair of opera glassesscraperTwo various copper traysa brass conical measuring juga linen table cloth and two Victorian style skirts (Q)
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