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16th century AD. A circular glass panel with lead-alloy frame, etched image of a feasting scene with a rich merchant and his wife at table with cupbearers and other attendants, musician with a wind instrument, two dogs looking for scraps; a youthful servant to the right addressing a barefoot traveller with a staff; two smaller scenes adjacent depicting the tortures of hell; all in the manner of Albrecht Dürer. 437 grams, 27.5cm (10 3/4"). Ex central London gallery; acquired from Chiswick Auctions, 21 March 2018, lot 13; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10917-181013. [No Reserve] Fine condition.
Early 2nd millennium BC. A ceramic model offering table with discoid top and short tripod legs, the upper face with a circlet of fish around a central flower in relief, pellets around. See a terracotta dish with the same decorative rosette in Woolley, L., Ur excavations volume IX, the Neo-Babylonian and Persian Periods, London, 1962, fig.U.16214. 91.7 grams, 82mm (3 1/4"). From an important collection, by descent; seen by Professor Lambert in the 1980-1990s. The small artefact was presumably a votive for the gods. The rosette motif is interesting as it was widely used by the Babylonians on all the objects of their material culture. The image of a fish is linked with the fish god Dagon, originally a Babylonian fertility god who evolved into a major Northwest Semitic god, reportedly of fish and fishing, a symbol of multiplying. Fine condition.
An emerald and diamond bar brooch,with two emerald and diamond flower head clusters, later mounted to a bar brooch. Each slightly oval mixed cut emerald claw set to a border of five petals, each one grain set with an old Swiss cut diamond. The flat section bar brooch with a lever catch. Tested as approximately 14ct and 18ct gold. 40.00 x 15.20mm, 5.42gCondition report: Bar tested as approximately 18ct gold. Flower heads as approximately 14ct gold.Soft solder at the marriage join. Tarnished.Scratches and marks are consistent with its age. Visible inclusions to the naked eye.Minor marks to the table or crown facet edges under 10x magnification. Surface reaching inclusions, some significant.Lends itself to an earring conversion.The dimensions in the catalogue catalogue description 40 x 15.20mm relate to the length and the width, the flower cluster heads are 15.20mm diameter. Depth not obtainable. On the emerald - mount limitations apply, but dimensions are: 5.51 x 5.10mm, 5.30 x 5.00mm approximately.Diamonds approximately 10.08ct each, 0.96ct total.
A French Renaissance Revival style gemstone and enamel ring,with an emerald cut emerald, rub set to the centre. An arched band of channel set calibré cut rubies at each side, with a pear cut sapphire, rub set to the top and bottom. Fine twisted wire borders with a blue enamelled crescent. A square calibré cut emerald, rub set in an offset position to white and green enamel scrolls, a red enamel fleur-de-lys, continual enamel in green and blue with a chased shank. French poinçon. Tested as approximately 18ct gold. Head 13.20mm, 6.65g.Finger size K-L approximatelyCondition report: Scratches and marks consistent with its age. Has been sized in the past. Surface reaching inclusions in the principal emerald. Crown facet edge wear.Two rubies chipped.Table facet edge wear .Facet edge wear to the shoulder emeralds. Some loss of enamel.Tarnished.Emerald 8.40 x 5.60mm depth not obtainable - mount limitations apply.
A chrysoberyl cat's eye and diamond ring,with an oval, high domed chrysoberyl cat's eye, estimated as approximately 21.30ct, surrounded by a row of old European cut diamonds in silver cut down collets. A shallow pierced yellow gallery with a later underbezel, to three row wire shoulders and shank. Tested as approximately 18ct gold and silver. 9.53g. A ring case by Garrard & Co. Ltd., 112 Regent Street, W1.Finger size PCondition report: Originally an earring, c.1900, probably converted c.1970 and possibly carried out by Garrard when the case was supplied.Minor marks to the table or crown facet edges under 10x magnification.The line is slightly at an angle across. Please view additional images and video.
A sapphire and diamond oval cluster ring,with an oval mixed cut sapphire, claw set to the centre. A border of brilliant cut diamonds, milligrain set to a scalloped border, all set in white to a shallow yellow gallery, open shoulder and a plain shank. Tested as approximately 18ct gold and platinum. Head 15.02 x 13.73mm, 3.23g.Finger size L½Condition report: Minor marks to the table or crown facet edges under 10x magnification.Substantial abrasion to the facets and facet edges. Abrasion at the girdle.Diamonds bright and lively.Light surface marks commensurate with its age - to the mount.
A pair of sapphire and diamond cluster drop earrings,with a square off set cluster. A French cut sapphire, milligrain set to the centre, with a border of graduated eight cut diamonds, milligrain set to the border. The cluster suspended below two milligrain set diamonds in articulated collets, below hook and lock fittings. Marked 18CT PT. 23mm long, 3.78g (2)Condition report: Minor marks to the table or crown facet edges of the sapphires under 10x magnification.Would benefit from rhodium plating.No obvious faults or damage.
An Italian tanzanite and diamond cluster wishbone necklace,with a tapered and ridged centrepiece. An oval mixed cut tanzanite, surrounded by brilliant cut diamonds, claw set to the centre of the wishbone, with ridged end caps to a bismark chain, with a lobster claw clasp. Signed Italy OPO. Marked 14K. 450mm long, 10.03gCondition report: Clasp in working order.Minor marks to the table or crown facet edges under 10x magnification.
An Edwardian synthetic sapphire and diamond 'Edna May' pendant, c.1910,believed to have been made by the vendor's great grandfather. A cushion cut synthetic sapphire, milligrain set to a shallow collet with a crossover gallery, suspended below an articulated blade edge bar. Four old European cut diamonds, milligrain set to the bar in white faced collets, to a trace link chain with an engraved box clasp. Tested as approximately 18ct gold, 9ct gold and platinum. Centrepiece 45mm long, 4.72gThe vendor has stated that the pendant 'was made by my maternal grandfather's father, Solomon Weitzman (1859 'Krakam, Austria'), for his daughter who died prematurely, and has been in our family to date'.Condition report: Table and crown facet edge wear. Substantial abrasion to the facet and facet edges.Later underbezel to the synthetic sapphire collet. Light surface marks commensurate with its age.
A fine Regency style mahogany dressing table, in the manner of Gillows, the inverted curved apron, fitted with five drawers with mahogany handles, four further false drawers to the reverse, on reeded tapered legs with brass cappings and castors, height 89 cm, width 127 cm, depth 70 cm. CONDITION REPORT: ** Please note catalogue amendment, we believe this to be circa 1900 **
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1181390 item(s)/page