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A VIENNA PORCELAIN FIGURE OF A SEATED LADY, 19th CENTURY, she in 18th century dress, a bible in her right hand beside a spinning wheel resting on a table, on a cartouche base moulded with rococo scrolls, impressed "beehive" mark and impressed numerals "844" and "15". 15.5cm Note: The same model was produced by Meissen c. 1860
A Continental porcelain framed dressing table mirror, circa 1900, of arched form, the frame encrusted with flowers and leaves overall, each side with a musical amorino, the ebonised wood backplate with hinged strut support, 45cm high, 32cm wide Condition Report:** Some damage to the silvering of the mirror glass. Gilding worn to button feet and small chips to the flowers of the usual type
A Victorian mahogany and satinwood marquetry inset table top correspondence cabinet, late 19th century, the hinged top and hinged front both with central patera and conforming spandrels, the fully fitted interior with hinged writing slope, racks and drawers, 31cm high, 42cm wide
A pair of patinated and parcel gilt metal table oil lamps, circa 1900, each with glass flue and pink glass shade, above a burner and dished reservoir, on three monopodia descending to a triform base, 62cm high overall; and a pair of rose glass mounted brass table oil lamps, circa 1900, the shades above MESSENGER’S PATENT burners, the reservoirs below on circular bases, 34cm high
A pair of Victorian brass and cut glass mounted columnar table oil lamps, late 19th century, each with flue and etched opaque glass spherical shade, with burner above a faceted and dished reservoir, the Corinthian capitals on reeded shafts and stepped bases, 91cm high overall
A pair of brass five light adjustable candelabra, late 19th century, the sockets and drip pans on knopped shafts and domed bases, 38.5cm high; and a brass mounted variegated pink marble table oil lamp, circa 1900, with DUPLEX burner and cut glass reservoir, above a Composite capital, octagonal section shaft and stepped base, 64cm high
An oak refectory table in 17th century style, of recent manufacture, the triple plank top with cleated ends, on twin turned pillar trestle supports, on shaped plinth feet, 77cm high, the top 88 x 214cm Condition Report:** Marks, scratches and abrasions consistent with age and use. The top may require some minor refixing
An oak refectory table, late 17th/early 18th century, the triple plank rectangular top with cleated ends, the plain frieze on square section and baluster turned legs joined by an H stretcher, 76cm high, the top 80 x 183cm overall Condition report:** Marks, scratches and abrasions consistent with age and use. Old closed splits. Some sections of replacement in various shapes and sizes to top. Evidence of old worm. Top and base possibly associated. Top not fixed and no definite evidence of long term position. Dowel joints of base likely re-done/replaced and some added to secure. Some later sections of timber put in to replace split areas, particularly to upper joint of legs.
A Charles II oyster olivewood and floral parquetry chest on stand, circa 1680-5, the rectangular top above two short and three long drawers, the stand with an additional drawer above turned legs and shaped peripheral stretchers, on turned feet, 122cm high, 95cm wide, 61cm deep. An early reference to English furniture with floral marquetry of this type was made by the diarist John Evelyn in Silva (1670) edition, in which he explained the staining and colouring of woods by inlayers: ‘when they would imitate the natural turning of Leaves in their curious Compartiments and bordures of Flower-works, they effect it by dipping the pieces (first cut into shape and ready to In-Lay) so far into hot Sand’ (sic). The marquetry decoration projected against dark reserves separated by oyster veneering on this chest is related to a table in the Victoria and Albert Museum (W.53-1984, illustrated John F. Hayward, Tables in the Victoria and Albert Museum, 1968, fig.11). This table can be dated to 1674 as it uniquely portrays Wingerworth Hall in the marquetry decoration of the top and appears to commemorate a marriage - in heraldic devices in the marquetry - between Sir Henry Hunloke and Katherine Tyrwhitt. Thomas Pistor, a leading furniture maker in London during the second half of the 17th century, is credited with making a similar group of floral marquetry furniture at Levens Hall, Westmoreland. Amongst his clients was James Grahme, a courtier of significant stature in the Royal Household of James II. Known for his fashionable taste and well-appointed house, in 1685 Grahme purchased several pieces of furniture from Pistor, including `a Large wall flowr’d Looking glass & Table and stands flowr’d’. A similar oyster olivewood and marquetry chest on stand was sold by Sotheby’s, The Age of Oak and Walnut sale, 28th September 2004, Lot 5. Condition Report:** Marks, scratches and abrasions consistent with age and use. Some old closed splits, lifting, chips, losses to to veneers. Some detached sections of moulding. Replacements to some sections of veneer and moulding. Handles, escutcheons and locks replaced. Holes from previous handles visible to interior of drawer fronts. Some fading in patches. Some warping to moulding around drawers causing some lifting. Some evidence of old worm and filler.Stand except drawer later reconstructed with elements of various dates. Bleached colour possibly due to sun fading, varnish blooming or cleaning with incorrect product.
A mahogany and amboyna crossbanded sofa table, in George III style, circa 1810 and later, the rounded rectangular top with additional kingwood banding with ebony and boxwood stringing, above two frieze drawers and two opposing false drawers, on square upright supports and outswept legs, 72cm high, the top 61 x 151cm overall
A mahogany twin pedestal dining table, early 19th century and later, the rectangular top with moulded edge incorporating an additional leaf, each baluster turned stem on triple reeded and downswept legs, acanthus cast brass caps and castors, 74cm high, the top 99 x 184cm overall (top and pedestals possibly associated)
A mahogany wind-out oval dining table, in George III style, circa 1930, with two additional leaf insertions each 44cm wide, on carved cabriole legs and castors, each 44cm wide, 74cm high, the top 110 x 223cm overall; and six mahogany dining chairs en-suite, with carved shaped toprail, centred by a pierced interlaced splat, outswept arms terminating in scrolls, needlework drop-in seats, on acanthus carved cabriole legs, claw and ball feet (see illustration on website)
A mahogany triple pedestal dining table in George III style, 20th century, with two additional leaf insertions, the top with crossbanded border and reeded edge, each baluster stem, on moulded downswept legs, brass lion paw caps and castors, 74cm high, the top 114.5 x 258.5 & leaves
A George III mahogany sofa table, circa 1805, the rectangular shaped top with reeded edge and rounded corners, above two drawers and two opposing false drawers, baluster stem on four hipped and downswept legs, brass caps and castors, 74cm high, 146cm wide overall, 66cm deep
A George III mahogany bowfront side table, circa 1800, the rectangular shaped top above a drawer, square section tapering legs, 77cm high, 89.5cm wide, 56.5cm deep Condition report** Usual minor knocks and scuffs overall consistent with age and use. Top is rather light in colour and might have been exposed to too much light. Top is loose and needs re-attaching. The front, sides and legs have a rather blackened patina. Handles are probably original
A William IV rosewood games table, circa 1835, with folding top opening to baize inset and marquetry games board, above a drawer with Bramah lock, on trestle supports united by a turned stretcher, on scroll feet and castors, 76cm high, 57cm wide, 40.5cm deep Condition Report:** Marks, scratches and abrasions consistent with age and useCleaned, restored highly polished appearance
A Regency partridgewood, ebonised oak and gilt metal mounted sofa table, circa 1815, the rectangular top incorporating a pair of hinged leaves, X form trestle supports centred by gilt metal lion masks, turned pole stretcher, on later ceramic castors, 73cm high, the top 91.5 x 156cm overall
A mahogany circular dining table by William Tillman, of recent manufacture, the top on a base with four downswept legs, brass lions paw caps and castors, bearing maker’s/retailer’s plaque, 75cm high, the top approximately 200cm diameter Condition Report:** Marks, scratches and abrasions consistent with age and useNo obvious significant damage, tidy overall
A Regency rosewood centre table, circa 1815, in the manner of Gillows, the rectangular top with beaded edge, above two drawers, on turned supports carved with stylised lotus flower, on downswept lappet carved legs terminating in scroll feet, and castors, 75cm high, 108cm wide, 62cm deep Condition Report:** Marks, scratches and abrasions consistent with age and use. Cleaned appearance. No obvious significant damage tidy overall
A George IV mahogany ‘deception’ table, circa 1825, the rectangular top incorporating a hinged leaf to one side, the opposing side with fall front cupboard section, on turned tapering legs, 76cm high, 95cm wide, 45cm deep Condition report** Usual minor knocks, scuffs and abrasions, overall as is consistent with age and use. Two or three more siginficant scratches to the top, one being fresh. It measures 1.5 inches but is circa 1/4 inch wide. Stem, legs and castors appear to be in satisfactory shape.
A William IV flame mahogany dressing table mirror, circa 1835, with rectangular plate flanked by turned supports surmounted by acanthus finials, each with gilt metal extending candle arm, the cylinder base with hinged cover, 88cm high, 69cm wide, 28cm deep Condition Report:** Marks, scratches and abrasions consistent with age and use. Some old closed splits to the veneer particular along the rear edge of top. Possible later elements to rear panel. Otherwise generally good condition no obvious significant damage
A William IV tortoiseshell, brass marquetry, ebonised and gilt metal mounted serpentine card table, circa 1835, with tooled gilt red leather inset top opening to a green baize inset within an elaborate brass marquetry and tortoiseshell border and rotating to reveal a well, above an overall decorated frieze centred by a gilt metal mask, on slender cabriole legs with figural metal mounts, 78cm high, 86cm wide, 43cm deep Condition Report:** Marks, scratches and abrasions consistent with age and use. Some wear and scratches to leather inste. Some chips to outermost edges. Some lifting and losses to brass marquetry mainly to legs
A Victorian walnut writing table, circa 1860, Elizabethan revival, in the manner of Holland & Sons, the rectangular top with tooled green leather inset, above two drawers and two opposing false drawers, pierced trestle supports and turned pole stretcher, scroll feet, 75cm high, 130cm wide, 63cm deep
A Victorian walnut, kingwood, marquetry, ebonised and giltwood serpentine mounted two-tier table, late 19th century, the hinged top centred by floral marquetry, opening to a divided interior, the frieze with trailing floral marquetry, on slender cabriole legs united by an undertier, 72cm high, 32.5cm wide, 25cm deep
A Victorian walnut and burr walnut serpentine fronted folding card table, circa 1870, the folding top with scalloped and carved edge opening to a baize inset interior, the carved baluster stem above four conforming downswept legs, scroll feet and castors, 80cm high, 98cm wide, 49cm deep
A Victorian walnut centre table, circa 1880, the top of serpentine outline with carved moulded border, on a heavily carved base with four scrolling legs centred by a squat finial and stylised acanthus, on scroll feet, 73cm high, the top 126 x 160cm overall Please note revised estimate
A Victorian mahogany lady’s writing table, circa 1890, in the manner of Shoolbred, the red leather inset top with two pedestals united by a spindle gallery, above an arrangement of three drawers, on ring turned legs and castors Condition Report:** Marks, scratches and abrasions consistent with age and use. Generally fair condition, tidy overall. Inset writing surface is dirty, stained. There are traces of old glue to each end of the balustrading beneath the right hand frieze drawer. Otherwise, though, the lot is in perfectly satisfactory shape. 96cm high, 102cm wide, 56cm deep
A Victorian birds eye maple combined games and work table, circa 1850, the folding rectangular top opening to a baize inset, cedar lined and divided drawer, solid sliding work bag, baluster stem and shaped plinth, turned feet, 72cm high, 59cm wide, 44cm deep
A late Victorian oak extending D-end dining table, circa 1880, bearing label for S.J Waring & Sons, with three additional leaves, the top with moulded edge, on a base with plain frieze and turned legs and ceramic castors, 75cm high, the top 120cm diameter closed, the additional leaves 44cm, 45cm, 29cm wide respectively, fully extended approximately 120 x 238cm overall
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1181627 item(s)/page