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Click here to subscribeGeorge IIi silver double ended counter box of cylindrical form, with slip on covers (Birmingham 1791/1803) Samuel Pemberton, together with a Victorian silver table lighter with snake handle (London 1888) Frank Courthope and an Edwardian silver miniature watering can (Birmingham 1909) makers mark rubbed. All at approximately 6ozs. Table lighter 12cm across. (3)
Fine quality Victorian neoclassical silver and cut glass table centrepiece, on an ornate base, with three mythical winged creatures and anthemion, bead and scroll decoration, the circular top holding a hobnail and fan cut glass dish.(Birmingham 1892) Elkington & Co Ld. All at approximately 25ozs. Overall height 25cm. Bowl possible replacement
Pair George III silver scissor action candle snuffers, with engraved floral decoration and pierced scroll handles, on three turned legs (London 1770) Maker IB, together with a pair of silver Hannovarian pattern table spoons, later converted to berry spoons, with embossed fruit bowls and foliate engraved stems (marks distorted) All at approximately 7ozs.
Fine quality late Victorian silver plated table centre with three cut glass bowls with shaped flared rims, a conical stem, mounted with two cast female heads, and two branches with sea monster brackets, on a circular base, with four decorative feet. Underside with plater's marks for John Round Sheffieid. 31cm overall height.Condition report: General overall condition good, some surface scratching and minor wear. No major damage. Glass dishes all have chipping and nibbling to top edges. No major cracks.
Selection of miscellaneous silver, including six Silver topped dressing table bottles, two sterling pin dishes with inset coins, pair grape scissors, silver toast rack and other silver and silver plated items (Various dates and makers) Approximately 14ozs weighable silver. (qty)
Elliot Hall enamelled cylindrical box and cover, decorated with a continuous frieze of wolves, maker's marks and numbered 4/25, 11cm high, together with Elliot Hall enamelled egg form paperweight signed Christopher Hughes and numbered 7/25, vase enamelled internally and externally with a bird, numbered 23 /25 and a Halcyon days enamelled watch in the form of a table globe
*Lucinda Douglas-Menzies (b. 1956), signed limited edition black and white bromide fibre based print - Dame Alix Meynell at her kitchen table, 1990, signed and titled verso, 2/12, unframed, 50.5cm x 40.5cm (another from this edition is in the collection of the National Portrait Gallery). N.B. Dame Alix Meynell (1903 - 1999), lived at Cobbolds Mill, Monks Eleigh, with her husband Sir Francis Meynell. She was responsible for introducing utility furniture during the Second World War, which she is surrounded by in her kitchen in this image
A Milbro 0 Gauge LNER Teak Corridor 1st/3rd Restaurant Car, made in authentic teak with cast 'compensating' bogies, as no 8052, overall length 17½in over buffers, with fine yellow lining, interior table details with dummy lamps (but no seats!), G, some wear/damages to transfers and varnished finish, roof a little grubby with some flaking to paint, roof fixing screws missing
A French porcelain and gilt metal box, 20th century, painted with a floral reserve with gilt borders, painted factory marks, 4½in. (11.5cm.) long; together with two enamelled Bohemian glass and gilt brass table boxes, first half 20th century, the taller 4¾in. (12cm.) high. (3) * Condition: - Porcelain box: Good condition with no faults. - Circular Bohemian casket: Good condition with no faults. - Blue glass box: Some gilt wear to edges. Glue marks around base where is has been reattached.
A 19th century violin, the inside of the body labelled 'Carlo Antonio Testore figlio Maggiore del fu Carlo Giuseppe in Contrada larga al segno dell'Aquila 1749', with two piece back with faint line curl, similar wood to the sides, neck and head, the table of medium width grain widening to the sides, inlaid purfling, light reddish-brown varnish, 14 1/8in. (35.9cm.), in early 20th century case with similar period bow. * Condition: Modern chin rest, stringing and bridge. Heavy worn patch to varnish beneath chin rest and heavy wear elsewhere to neck, top, centre and bottom of back and upper right of table. Some wear to edges throughout and particularly heavy wear and small, worn-smooth chips to the right hand upper edge from extensive use. Table has scattered small scratches and nicks to varnish throughout. Old, hairline crack to table at upper left from top edge to F-hole. Shorter similar crack to right hand side of fingerboard from top edge, with possible old glued repair to top edge.
Second World War German Trench Art interest - German U-Boat table lighter, the table / desk lighter fashion as submarine U-566, the U-Boat turret is the removable lighter with applied crown inscribed ' GOTT MIT UNS ', this fits snuggly in to the void on the twin bullet tube, the main body with two applied badges and inscribed ' U-566 OELT.Z.S. REMUS DECEHBER 1942 MAAT. F.TOHLEN ', raised on bullet supports and sitting on hardwood base, 11in. (28cm.) long. * Originally from a world-renowned collection ** German submarine U-566 was a type VIIC U-Boat of Nazi Germany's Kregsmarine during World War II, She was scuttled by her crew on 24th October 1943 after being damaged by six depth charges from British Wellington aircraft in the North Atlantic, West of Portugal. * Condition: Good, needs light polish, nothing to note.
A French onyx and ormolu Corinthian column table lamp, second quarter 20th century, with tapered octagonal column and foliate urn mount to the stepped square base with foliate border and feet, 20½in. (52cm.) high; together with another similar table lamp with gilt brass mounts, post-war, 25½in. (64.75cm.) high. (2) * Condition: Please note - The lamps have not been tested and are sold as decorative items only - they should be tested and/or rewired prior to use. - Octagonal column: Some gilt wear. Shallow chip to top of column and small bruise to column approx. 2.5in above urn mount. - Turned column: Very good with no faults.
An Edwardian novelty brass and silvered table vesta / match holder fashioned as a wise owl reading a book, the silvered owl with realistic features, hinged at the neck, opening to reveal void for match storage, having glass eyes and raised right leg, using his talons to change page, the left page roughened as the striker, raised on stepped circular brass socle, 4 3/8in. (11.2cm.) high. * Condition: The owl with slight movement from base, great patina, nothing else to note.
Three novelty table lighters, to include a plated Dunhill tankard with applied enamel 'Royal Thames Yacht Club' burgee, 3 3/8in. (8.5cm.) high; An Art Deco period spelter begging Scottie dog, seated upon a sphere, raised on rectangular base, 7in. (17.8cm.) high, and a version modelled as a mushroom, the stalk stamped 'DÉPOSÉ R L J PARIS'. (3) * Condition: All pieces in very good condition, slight pitting on the tankard.
A set of three George IV silver Old English pattern table spoons, William Eaton, London 1828; together with four Georgian silver Od English pattern dessert spoons; a Victorian fiddle pattern tea spoon; and one other; together with a silver Society Miniature Rifle Clubs prize spoon and another similar, plated; and a silver Celtic knot brooch, silver weight 11.8 tr.oz. (12) * Condition: - Table spoons: Clear marks. One in good condition, the other two with dings to bowl. - Four dessert spoons: One in good condition, the others with dings/crease to bowl. - Fiddle pattern teaspoon: Good condition. - Prize spoons: Good condition. - George V jam spoon: Dings/creasing to bowl.
A 6.5ct cushion cut loose tanzanite stone, with deep violet blue colour and accompanied by an International Gemological Institute certificate.* Condition: Sealed inside the capsule. There are a number of miniscule frits (approx. 10) visible to the facet edges to the table and girdle, when viewed through a 10x lens.
A 17.21ct loose tanzanite stone, the stone itself a cushion cut, in a vibrant and deep blue with excellent depth of colour. Accompanied by full International Gemological Institute certificate.* Condition: 15 x 12.5 x 10mm. There are no inclusions visible at all with a lens. There are two minute frits to the edge of the table. Lovely stone.
An antique diamond and sapphire plaque ring, featuring an inky blue cabochon sapphire to the centre, surrounded by an oval plaque inlaid with round, brilliant cut diamonds. Ring size J.Condition report: The sapphire measures 11 x 6.5mm. approx. The top of the sapphire has some miniscule pits and tiny scratches to the surface – these are visible to the naked eye as a very slight ‘matting’ to the shine on the top of the cabochon. There is also one larger (approx. 1.5mm) old surface scratch to the sapphire just off the top to one side – it is not particularly deep and is old so the edges are worn, but it can just about be felt with a fingernail. With a light shone from underneath the stone, some clear natural dark & light contrasting striations can be seen low down on one side just above the setting, along with a patch of silvery inclusions – this patch of inclusions are also visible from underneath with a light shone through the top of the stone. When worn, these inclusions are not visible. The diamonds all appear to be original – one of the larger side ones at one end has a small chip to the girdle (which is beneath a claw and was therefore presumably caused pre-mounting). That same stone also has two small chips to the edge of the table – one is very sharp and may in fact be an inaccurate cut from during the cutting. Our approximation is that the diamonds weigh approx. 0.5ct total. The millegrain setting is in good condition, with some wear as expected at either end. On the shoulders, one of the central ‘leaf’ pieces stretching from the millegrain edge to the shoulder has been off and has been reattached with tiny spots of clear glue). It seems secure but obviously it would be preferable to have a soldered repair. The shank does not appear to have been sized. There are no hallmarks. The metal tests as platinum of an electronic tester. We believe that the ring dates from the 1930s.
An 18ct white gold and ruby line bracelet, the rubies totalling approximately 19ct, of deep red to purple colour and accompanied by an International Gemmological Institute certificate.* Condition: In very good condition overall. There are three rubies with one or two minute frits to the table facets. One near the centre has a small chip to the girdle. The metal is in very good condition, with no faults and the clasp is working well. The rubies have some variance in colour but it is subtle and not particularly noticeable when on the wrist.
A William IV rosewood and marble console table, the inset white and grey marble top with bevelled edge, over a reel and rope twist bordered frieze, with central brass inlaid tablet, raised on two swept bracket supports carved with stiff leaves, berries, rosettes and scrolls, the rear stile supports with scroll brackets, to plinth bases with foliate borders, 44¼ x 20¼in. (112.5 x 51cm.), 29½in. (75cm.) high.
A Louis XV style gilt metal mounted rosewood and kingwood serpentine centre table, c.1900, the diamond parquetry kingwood top with broad rosewood cross banding and brass galleried edge, the frieze with single drawer, stamped '7657' to the top edge, raised on angular cabriole legs with foliate mounts and sabots, 40 x 22in. (101.5 x 56cm.), 30¾in. (78cm.) high.
A William IV mahogany metamorphic child's high chair, the chair with foliate and rosette carved back over a drop-in seat and swept scroll arms on turned supports, raised on sabre legs, mounted with a turned, threaded post onto a conforming table base, allowing the high chair to be converted into a child's chair and table, 36½in. (92.75cm.) high, the table 20½ x 17in. (52 x 43.2cm.).
A William IV rosewood games work table, the satinwood and rosewood games board top swivelling and unfolding to reveal a baize card table, over a single drawer and pleated silk waste basket beneath, within an angular frame, on a short gun barrel column with flared octagonal mount to the circular base with four cylinder feet, on castors, 18 7/8 x 15 5/8in. (47.8 x 39.8cm.), 29¼in. (74.5cm.) high.
A good joined oak 17th century style refectory table, made as a one-off commission for the current owner, second half 20th century, the heavy, cleated top on shaped trestle supports united by a central stretcher, 84 x 31½in. (213.5 x 80cm.), 30in. (76.2cm.) high, together with a set of eight oak ladderback chairs, including two carvers, with rush seats, on turned legs with pad feet. (9)
A South African hand crafted dining table by Mike Brown & Muller, in yellowwood and imbuia, the moulded top over a two-tone frieze, raised on turned tapered ebony legs with toupie feet, 78½ x 38in. (199.25 x 96.5cm.), 30in. (76.2cm.) high; together with a set of eight Victorian walnut dining chairs, with shaped top rails and ovolo carved bar backs, the drop-in seats in recent multicoloured striped upholstery, raised on turned tapered legs. (9)
A good quality mid Victorian shaped oval centre table, reputedly Swedish, the burr walnut quarter veneered top over a shaped foliate carved skirt, raised on cabriole legs with fruit carving to the knees and acanthus leaf carved toes, conjoined by a serpentine X stretcher with a large, carved central finial, 46 x 30in. (117 x 76.25cm.), 28in. (71cm.) high. * Provenance: Hatchwell Antiques Ltd., Kings Road, London, c.1999. A copy of original purchase invoice accompanies the lot.
A George IV inlaid mahogany D-shaped foldover card table, the rosewood cross banded top lined with green baize, over an ebony and boxwood strung keywork and lattice frieze, on a ring turned column to an incuse quatreform base raised on four hipped swept supports with brass hairy paw cap castors, 36 x 17¾in. (91.5 x 45cm.), 27½in. (69.8cm.) high.
A Victorian burr walnut games and work table, the serpentine fold-over top swivelling to reveal boxwood and ebony backgammon, cribbage and chess boards, over a serpentine fitted drawer with green silk waste basket beneath in later olive green velour, raised on baluster turned supports to arched cabriole legs with foliate carving and brass castors, united by two turned stretchers, 21½ x 16½in. (54.5 x 42cm.), 33in. (83.75cm.) long open, 28¾in. (73cm.) high.
A Biedermeier style bird's eye maple two-drawer work table, 20th century, the dropflap top over two end drawers and sliding U-shaped work basket beneath, on a semi-circular support to an incuse quatreform base with reeded scroll feet, 18¾ x 17in. (47.5 x 43.2cm.), 28¼in. (71.75cm.) high.
A late Regency mahogany sofa table, the rounded rectangular dropflap top with reeded edge, over a diamond strung tablet frieze with two drawers, raised on flat baluster form end supports and paired swept legs with reeded edges, united by a turned stretcher, on brass castors, 59½ x 25in. (151 x 63.5cm.) open, 28in. (71cm.) high.
An Edwardian inlaid walnut circular centre table, the moulded top quarter veneered with broad cross banding, centred by a shaped burr walnut reserve with burr amboyna eight pointed star, over a shaped apron, raised on four angular cabriole style supports united by a shaped cruciform under tier, on scroll toes, 35½in. (90cm.) diameter, 29¾in. (75.5cm.) high.
A Chinese late-Ming style blue and white porcelain dish, probably Jiajing, 16th century, painted with two scholars and a young attendant seated beside a table and tureen, within a densely painted ruyi and diaper border, 7 7/8in. (20cm.) diameter. * Condition: Some kiln dust and tiny bubbles to glaze. Glaze flaw to underside just beneath rim. Otherwise very good, with no damage or restoration.
AUBREY BEARDSLEY ILLUSTRATIONS. "The Birth Life & Acts of King Arthur of his Noble Knights of the Round Table... and the Dolourous Death and Departing Out of this World of Them All." by Sir Thomas Malory. 2 Vols limited to 1800 copies, etched & woodcut plates, illustrations & headings by Beardsley complete, original bevel edged cloth with gilt designs, uncut & partially unopened, teg, Dent, 1894 exceptional copy.
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