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A group of silver, comprising: a Victorian silver card case, Birmingham, 1854, Alfred Taylor, with engine turned decoration and c-scroll border, having engraved monogram to cartouche to front, in associated leatherette case, 10cm high, 7cm wide; a horn cup with white metal band to top stamped Aitchison, band is snapped, with vacant white metal cartouche to side and glass base, 5.6cm high; a silver mounted hand mirror, Birmingham, 1920/1945, maker rubbed, with circular bevelled glass plate, 28.4cm high, a condiment spoon, London, 1880, Chawner & Co (George William Adams), with engraved crest to handle; three fiddle pattern teaspoons, Edinburgh, 1884, maker WM, with engraved monogram to handle; a pepper on four pad feet and a mustard pot with handle, hinged lid and blue glass liner, London, 1928, Robert Pringle & Sons, the pepper with associated cover; a small old English pattern condiment spoon, Sheffield, 1927, Robert Pringle & Sons; a hexagonal teaspoon, stem stamped London, 1976, maker RPE; and a Victorian fiddle pattern condiment spoon, Exeter, 1871, Josiah Williams & Co (James & Josiah Williams); a mustard of circular form on three ball feet, city mark rubbed, possibly Marston & Bayliss; a George IV fiddle pattern teaspoon, London, 1825, maker WE, break to bowl; three Scottish table forks by James & Walter Marshall, one 1821 and two 1822, with engraved crest and motto to reverse of handles, total weighable silver approx. 15.9oz, together with a pair of Indian wooden and white metal mounted footed bowls, 5cm high, 8.8cm dia., and another Indian wooden and white metal mounted bowl, 10cm dia., (lot) Please refer to department for condition report
Two Herend Queen Victoria pattern porcelain jardinieres, 20th century, each with scallop form lugs, printed factory marks to the underside, 20cm and 16cm high, together with a further selection of porcelain jardinieres and lidded dishes, various makers including Royal Worcester, Vista Alegre, Estee Lauder, J. Lourioux, etc. (10) The three oven-to-table lidded dishes have moderate wear to the undersides consistent with use. One dish has a crack and a loss to the underside rim. The cover of another dish has a loss and a hairline crack from the rim. The pink Dresden jardiniere has restoration to the rim and a visible hairline crack. All other pieces are in good overall condition with minor wear to undersides and gilding.
A Victorian set of mother-of-pearl handled cutlery, with silver acanthus chased collars and silver plated blades, bowls, and prongs, Sheffield, 1883, comprising four serving spoons with shell bowls, twelve dessert forks, and eleven table knives, together with a three Mappin & Webb mother-of-pearl handled knives with silver plated blades and six similar forks, and a horn handled candle holder, 19.5cm high Please refer to department for condition report
A Chinese famille rose teapot, late Qing dynasty, painted with a lady surrounded by nine boys in small groups at various pursuits, including sightseeing, learning music, and drama playing, all in a garden setting filled with a table with books and a vase atop, grasses, trees and flowers, iron red mark to the base, two parts of old labels to the base, 11cm high, 16cm diameter.清晚期 粉彩嬰戲圖紋茶蓋壺Please refer to department for condition report
Two Japanese red and black lacquer table top cabinets, Meiji period, early 20th century, each decorated with foliage and domestic birds, one of rectangular form with an arrangement of five short drawers above one long drawer with a hinged door opening to reveal two further short drawers, 24.5cm x 23.5cm x 11.5cm, the other with an arrangement of a box with cover to the top opening to reveal a six compartment interior, above two long drawers and two hinged doors opening to reveal four further short drawers, 27.5cm x 23.5cm x 11cm (2)Some drawers lacking handles. The two doors of the second cabinet described are loose and need re-fitting.
A Continental gilt metal table or desk-top centrepiece, 19th century, the tray with rococo style border and rail supporting five attributes including a letter holder, a candlestick, an oil lamp and a covered urn, surrounding a centrally placed tazza with a pierced rim featuring winged angels, knopped stem, and issuing scrolling volutes adorned with cherub heads, the candlestick and letter holder stems modelled as kneeling satyrs, the oil lamp and dish stems modelled as winged lions with paw resting on vacant shields, 30cm high, the tray 39cm x 40cm Please refer to department for condition report
A pair of brass candlestick table lamps, 20th century, of columnar form with tripod legs and claw feet, converted for electricity, with fabric shield lampshades decorated with foliate patterns, 67cm high overall (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report
A brass table lamp, 20th century, the faux candlestick electrical fittings with large sconce atop baluster neck, the body with central support and tripod scrolling legs, atop circular stepped base, 82cm high overall, together with a brass six light chandelier, issuing from an urn form stem with pierced foliate decoration, with cut glass sconces, approximately 39cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report
A French gilt-bronze twin-light candelabrum, late 19th century, converted to electricity, with tri-form base, 46cm high excluding fitment; together with a white metal oil lamp, late 19th century, converted to electricity, mark TW & S, modelled as a swan, with painted glass reservoir, 39cm high; a Chinese bronze table lamp, 23cm high; a small brass hanging lantern, 36cm high; and a gilt-bronze three-light wall applique, 20th century, the backplate 39cm high (5)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report
Two pairs of Corinthian column table lamps, American, of recent manufacture, one pair with black marble columns atop plinth bases, the other pair with green marble columns atop stepped bases, each stamped 'AW EP', the tallest pair 57cm high overall (4)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Both sets of lamps appear to be in good condition, some light scratches and tarnishing to the metal mounts.
A 16th century style oak refectory table, early 20th century, 73cm high, 170cm wide, 90cm deep, together with a set of six Victorian oak Jacobean style dining chairs, to include two carved and four single chairs with red damask upholstery (7)table - scratched, structurally sound, chairs - scratched and knocks to wood, structurally sound
A near pair of George III mahogany rectangular drop-leaf tables, circa 1770, on square legs, 71cm high, 142cm wide, 91cm deep (2) Table 1: Signs of old woodworm across the gateleg supports and underside, dents and marks to legs, signs of usual wear, minor dents and chips to edge, dents, scratches and cuts to top. Structurally soundTable 2: Signs of old woodworm to underside, dents and marks to legs, signs of usual wear, dents, marks and scratches to top. Structurally sound
A Regency mahogany fold over tea table, the rectangular top with rounded edges, above trapezium column support, raised on four sabre legs to brass caps and castors, 74cm high, 92cm wide, 45cm deep, together with half of a mahogany D-end dining table, 19th century, raised on square tapering legs, 72cm high, 107cm wide, 54cm deep (2)tea table: very sun bleached, top with scratches, multiple ring marks, wood in good colour when opened out, scratches and knock to wood, other table: scratches and old gouges to top, split to veneer round frieze, scratches and knocks to wood.
A William IV rosewood library table, the rectangular top above two frieze drawers and two dummy drawers, raised on pierced volute trestle supports to carved paw feet, 73cm high, 122cm wide, 61cm deepProvenance:Peter Jones, London, January 1995.The Geoffrey and Fay Elliot collection.Please refer to department for condition report
A Victorian Aesthetic mahogany envelope card table, with single drawer, raised on turned reeded supports and scroll feet, joined by stretchers, 72cm high, 52cm wide, 52cm deepsplits to top, felt would need replacing, carved frieze below drawer is loose, scratches and knocks to wood
A late Victorian mahogany wind out dining table, with one extra leaf, raised on turned legs and castors, 71cm high, 175cm wide, 103cm deepProvenance: Property of Future PLC, removed from the offices of Country Life magazine.top with splits, scratches and stains, piece of molding on one end is loose but present, scuffs and knocks to legs, no winder key
A Victorian pine marble top dressing table, the gallery top set with tiles, above three drawers and two cupboard doors, 98cm high, 126cm wide, 58cm deepscratches and stains to marble, beading missing from right side panel, piece of wood peeling on back right hand corner, scratches and knock to wood
An Art Deco burr walnut dressing table, with triptych mirror above central long drawer flanked by six small drawers, with part Bakelite handles, 165cm high, 122cm wide, 54cm deepscratches and knocks to wood all over, the front of the top right drawer is loose but present, lifting to veneer
A French burr wood boudoir table, late19th/early 20th century, hinged lid enclosing mirror and fitted compartment, raised on reeded and turned supports, 68cm high, 53cm wide, 37cm deeptop with split to left side, veneer missing from back panel, left side support need regluing, scratches and knocks to wood,
An Italian gilt and grey painted console table, 20th century, with painted faux marble top above carved and pierced frieze, raised on carved fluted legs, 85cm high, 119cm wide, 41cm deepthe frieze carvings are either repaired or loose but present, loss of paint, scratches and knocks all over
A Chinese elm painters table, 19th century, later painted black, the rectangular top with round edges, raised on cylindrical supports to pad feet, 83cm high, 176cm wide, 82cm deepSplits to top, loss of paint all over most severe on legs and edge, knocks to edge, scratches and marks all over, splits to top and sides, large crack to support strut on underside, wear to joint on other strut, the top is rustic and undulates with the grain and surface of the wood, larger dent toward border on top.
‡Annapia Antonini (Italian b.1942) Nature morte à la table Signed and inscribed E/A I/X Nature morte à la table A. Antonini (in pencil to margin) Etching and aquatint 24.9 x 32.5cm Together with F. M. Garrett Brown; Landscape with a caravan by a farm; Signed F.M. Garrett Brown (in pencil to margin); Etching; 15 x 25.4cm (plate); Unframed; British School Early 20th Century; Windmill; Indistinctly signed (in pencil to margin); Etching; 16.3 x 18.9cm (plate); Unframed; J. Willis; Windmill at Cley; Signed, inscribed and dated Cley JerWillis 34; Etching; 22.9 x 27.9cm (sheet); Unframed; and British School 1925; The Moot Hall Aldeburgh; Indistinctly signed, inscribed and dated The Moot Hall/Aldeburgh 1924/XY (in pencil); Engraving; 23.4 x 20.3cm (plate) (5)
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1181390 item(s)/page