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A George III Chippendale style serving table, the plain top above a carved pointed arch frieze to square legs with carved decoration and fretwork carved brackets to square feet, 160 cm wide CONDITION REPORTS Splits to the top including one running from this edge to pretty much the centre and another running from the other edge about a quarter of the way along the length of the table. The table is heavily scratched and marked with dark marks, ring marks, scratches and scuffs throughout and the table is very slightly bowed. One side of the table is missing two of the decorative fretwork carved pieces, one leg is missing a section of the ring around the foot. Various marks, scratches etc throughout. the one side of the table is missing a substantial amount of applied moulding and veneer - see images. Looking underneath the table we can see some old nails, nail heads protruding from the ends, the split can also be seen from beneath, table appears to be mouldy. The inside of the legs are missing sections of veneer with various splits - see images. Various signs of wear and tear throughout to include woodworm holes etc - unknown if it is post or pre 1800 and will consult with Partner in charge next week
A 19th Century rosewood centre table, the plain rectangular top with rounded corners above two frieze drawers with beaded edging and carved roundels, raised on two turned tapering supports with beaded decoration united by a turned stretcher and raised on four scroll feet to brass castors, 137 cm wide
A 19th Century mahogany dining table, the rounded rectangular top in three sections with two extra leaves, raised on three turned and ringed pillar supports to square tapered tripod bases, brass caps and castors, 121.5 cm x 370 cm long max CONDITION REPORTS Table is missing some of the brass clips and screws holding the tops to the bases. Various splits etc to the table top in various locations and the tops are bowed, some losses of veneer to the edges. Various scratches, impressed marks, ring marks and various other marks throughout and some chips to edges also. Various knocks and scratches to the legs. All over various signs of wear and tear through age and use etc throughout
DAVID BERESFORD (AKA BERESOFSKY) An Art Deco walnut and cross banded dining table on twin pedestal supports, the rectangular top with double rounded corners, rectangular single door pedestals curving inwards to the platform base raised on ogee bracket feet, 152 cm wide
An Anglo-Indian square topped two tier occasional table, the top carved in high relief with central figure of a deity holding two snakes amongst foliage with a border of various houses / palaces above a carved and pierced frame, with simple galleried undertier, raised on four square sectioned carved legs, 49 cm wide x 59 cm high
A pair of George III mahogany card tables in the manner of Thomas Chippendale, the plain fold-over tops with flower head carved carved egg and dart edging opening to reveal a plain red baize lined interior over a plain frieze with ribbon-carved edging and concertina action raised on moulded and chamfered square supports with acanthus carved spandrels to shaped block feet, 96 cm wide (Provenance: the property of the Raymond Barker family late of Fairford Park Gloucestershire) CONDITION REPORTS 96 cm x 47 cm and 73.5 cm tall. The first table is bowed on the top with various splits to it, repaired section to the back at the top - see images. Baize with some stains and small rips, the edges with some small chips. some cracks to the veneer on the sides, a small piece of moulding missing to the back right edge and some damage to the moulding on the front edge. some moulding missing to the back left edge, damage to the veneer on the sliding mechanism. Various general signs of wear and tear throughout. the next table again with bowed top, various small scratches, impressed marks etc throughout. Repaired section to the back edge and some moulding missing to the sides in various places including heavily to one side in particular
A 17th Century and later oak side table, the plank top above a single frieze drawer, flanked by mask carved panels over a starcut frieze on bobbin turned supports united by stretchers, 80 cm wide CONDITION REPORTS The top has two large splits together with a large hole in the bottom right-hand corner as well as various other repairs and pin marks, water marks etc. The drawer liner is split, the handles do not appear to be original and there is a repair where the central handle would have been. There is a nail protruding from the right-hand bottom section of the drawer and there are several splits to the moulding around the entire table, there is also a section of moulding missing from the right-hand side of the table and the right-hand back corner has been off and repaired. There are splits throughout on the bobbin turning and all the feet are scuffed, marked and discoloured - see images for further details
A George III mahogany side table, the plain top above a single drawer with brass handles and escutcheon above lotus leaf carved shoulders to turned tapering legs to pad feet, approx 65.5 cm wide CONDITION REPORTS Top has several large scratches, water mark/burn marks. There is a section of the moulding worn from the front middle section of the drawer and there is a chunk missing from the bottom left-hand corner below the drawer. The pad feet all show signs of repair. There is a chunk missing from the back right-hand leg and crack to the wood on the left-hand side of the drawer support - see images for further details. Has general wear and tear conducive with age and use. There are some holes which have been filled around the key hole possibly where an escutcheon has previously been and also there is a crack and repair running on the back of the table on the right-hand side support
A 19th Century mahogany dressing table with applied moulded edge with single brushing slide above a long drawer, over a central kneehole cupboard flanked by two banks of three drawers with brass handles and escutcheons, the whole upon panelled bracket feet, 94.5 cm wide CONDITION REPORTS The top moulding off but present. From the left hand side, large crack/split to top, various other splits to top. Top is bowed, various marks, scratches, impressed marks, small chips etc throughout. Large loss to the right hand side moulding and resulting split.. All over various scratches, scuffs and minor chips throughout. To one of the the front legs ;large loss/chip to the drawers, base panels split and need attention. Large split running down the right hand side. Large split running down the left hand side. Various general signs of wear and tear through age and use throughout. Damages to the veneer throughout.
A 19th Century rosewood pedestal table, the rectangular top with rounded corners above a single drawer, raised on a turned tapering pedestal to acanthus carved base, raised on a quadruped platform with scroll feet to brass castors, 47 cm wide CONDITION REPORTS Water damage to the top. Chips around the edges, some ring marks also to the top and some darker stains. Various light scratches throughout. Some damage to the sides of the top, cracks in the veneer, chips, losses etc. The base slightly rocks. Some losses around the edges of the base, cracks to the veneer, impressed marks, chips etc throughout. General signs of wear and tear through age and use.
A 1920's French Art Deco card table of circular form by Dominique of Paris, the top with central green baize within a moulded edge, raised on four tapering facet carved supports, the top serving as counter dishes, united by a plain undertier to plated sabots, 97 cm diameter (Provenance: commissioned by and installed in Bibury Court Gloucestershire circa 1926), together with four matching extra legs
A six place setting canteen of silver cutlery by Emile Viner comprising table forks, salad forks, table knifes, side knives, soup spoons, dessert spoons, teaspoons, coffee spoons and four serving spoons (by Emile Viner, Sheffield, 1963), together with five further silver teaspoons, approx 67 oz total weighable silver, together with a collection of plated cutlery
19th Century kingwood writing table, the top with parquetry inlay opening out to reveal a beige leather interior, the top sliding out to reveal a writing compartment with pen rest and recesses for inkwells, also opening to reveal a compartmented interior and mirror to the flap, raised on square tapering legs to brass collared feet, 69.5 cm wide
A Märklin of Germany Brougham Series two seat horse carriage with driver seat, painted tin plate, box 16 cm long not including hames CONDITION REPORTS Carriage does not sit straight upon a table, pin holding the yoke to the carriage missing as a result the yoke is off, Various signs of rust throughout, damage throughout. Damage to the door handle on both sides, loss of paint throughout. Chips and knocks to the metal of the door - see images. Footstep on one side is missing, dent to the door, considerable signs of wear and tear throughout
An early 19th Century oak occasional table, the square, burr brown oak top with rounded corners, raised on slender baluster turned and ringed supports to block feet united by stretchers, 50 cm square CONDITION REPORTS The top is bowed in various directions. Some small thin splits to the top around the edges. Various scratches and marks and small chips to the edges throughout. Filler for the peg joint on one leg is missing, red and black stain to the centre. Some areas have fillered repair. Base with a small amount of "wobble" but could possibly do with attention. Various knocks, scratches, impressed marks etc throughout. One of the metal studs on the feet is missing. Top appears to be pegged to base - see images.
An early 19th Century mahogany sofa table, the rounded rectangular drop-leaf top cross banded and satinwood, strung over two bowed drawers opposite two further drawers, with shield shaped escutcheons, raised on turned, ringed and reeded, vase-shaped twin-pillar supports to a platform with rope twist edging on hipped acanthus carved and reeded square tapered legs, to brass lions paw caps and castors, 161 cm wide max x 72.3 cm CONDITION REPORTS Top is slightly bowed with some damage to the veneer inlay and missing and chipped with small losses in sections. all over various scratches, impressed marks, chips to the edges, cracks to the veneers on the sides and drawer fronts all over. some damage to one of the handles resulting in a loss. Legs with various scratches, scuffs and small chips etc throughout. All over general signs of wear and tear
A 19th Century Louis Phillipe style centre table by Wright & Mansfield , the mahogany circular top with centre medallion and brass edge, the plain frieze within four brass rings on four twin turned brass column supports united by a pierced mahogany and brass beaded 'X' stretcher on turned mahogany feet to brass caps and castors ( Stamped to underside of frieze x 2 "Wright & Mansfield , 104 Bond St. London" ) . 91.5 cm diameter CONDITION REPORTS Various scratches and impressed marks and ring marks and other dark marks to the top surface including some scratches to the inlay. Brass edge with some small dents and nicks and scratches throughout. The whole table is very wobbly and needs attention. Uprights with some scratches, roundel on the base is loose, one upright is broken - see images. Some of the brass binding to the base is loose. All over general signs of wear and tear throughout
ENGLISH SCHOOL "Grand Tour sketches", a sketchbook with contents of pencil sketches of views around Europe to include Berlin, Mount Vesuvius, Naples, etc, together with sketches of various cultural scenes within these countries, together with one further sketchbook with contents of pencil sketches and a sketchbook with contents of pencil sketches and watercolours, unsigned, various scenes including animals, figures, landscapes, etc(Provenance: the property of the Raymond Barker family late of Fairford Park Gloucestershire) CONDITION REPORTS First Folio: Pencil sketch "Goat" indistinctly signed "G. Gerrard?". Second watercolour ~"Raspberries". Third print. Second Folio: Pencil sketch "Landscape", indistinctly signed lower right. Another is a pencil sketch of "Table". A pen of "St Bernard" signed "D Hamilton". Pencil sketch of "House and Church". Pencil sketch of "Landscape" unsigned. Pencil sketch "Dog Study" unsigned. Watercolour of "Continental Scene" unsigned. Pen "Water in Landscape" inscribed "Eliot Yorke" dated Jan 15 1826. Sepia watercolour initialled "L.P.W." indistinctly titled. Pen "W. Gall Bridge of the Panaro 1853". Pencil sketch "Horse nd Dog" unsigned. Sepia watercolour "Donkey" initialled M.G.W. 1835. Watercolour "Two Revellers" unsigned. Pencil sketch "Retrievers" initialled "WBT 1850". Pencil sketch "Girl with Puppy" dated 1831. Pencil sketch "Landscape" unsigned. Pencil sketch "Girl with Dog" unsigned. "Wirral building" Continental Chapelle de Guillaume" indistinctly signed. Three miniature watercolours, one dated 1852. "Soldier" pencil, unsigned. "Town Scene" watercolour, unsigned. Remaining pages blank. Sketches are all cut out and stuck into this book with varying conditions of foxing, mould, yellowing etc throughout. Next Folio: Pencil sketch, unsigned of "Mountainous background, lake foreground". Watercolour "Continental Lake Scene" unsigned. Various unsigned pencil sketches, some heightened with watercolour, mostly unfinished and a large quantity of blank pages. Next Folio: Mostly pencil sketches, all unsigned, various scenes of "figures in landscapes", "Landscapes", some entitled "Genoa", "Mount Vesuvius", taken from the convent window on the island of Nonnenswherther?". another one of "Naples", "Livorno?", "A view from my indow at Naples", another one "Chateau de Chanteoallenburg, Berlin"? Another pencil sketch entitled "Hanovarian Peasants". A large quantity of blank pages at the back of the book. These are probably all drawn by the same hand, all unsigned, pages yellowing towards the edgies, some foxing. all folios show general signs of wear and tear throughout
A 19th Century brass tripod wine table with dished top, the rim in a petal design raised on a single turned column to tripod base, 41.5 cm wide CONDITION REPORTS Surface scratching and some pitting and small dents to the top and some of the petal design rim are bent through knocks etc. There are several splits to the petals and one has been repaired. The top also appears to be slightly pushed in around the support. The top has been re-attached to the pedestal which has larger knocks, corrosion, patination and verdigris marks on it. There is a screw thread at the base running through to the separate feet although this is worn and there is no nut or finial holding them together. More pitting verdigris, knocks and surface scratches to the base. The pedestal is hollow with a pole running through it and the legs are also hollow. See images for further details. Has general wear and tear conducive with age and use.
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1181390 item(s)/page