We found 1181390 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 1181390 item(s)
    /page

Lot 1393

A large painted black wooden desk/buffet table with 2 drawers and pull out rests. Brass handles to front. Obtained from a local public house. Approx. 77 x 155 x 69 cm.

Lot 13

A FINE LATE 19TH CENTURY DIAMOND PENDANT, CIRCA 1890Composed of a central old cushion-shaped diamond weighing approximately 2.00cts, with similarly-cut diamond frame and bale, mounted in silver and gold, remaining diamonds approximately 8.00cts total, length (including bale): 3.7cmCondition Report: All gauged mountedPrincipal diamond: approx. 2.00cts, estimated colour I/J, estimated clarity SI (due to a minor crystal located on the table, a couple of minor pits on the girdle)Remaining diamonds: approx. 7.50-8.00cts total, similar colour + a couple of K, estimated clarity VS-SI (one of the smaller diamond has a minor chip visible under a bright light source)Normal signs of wear, overall in good conditionTotal gross weight approx. 7.7g

Lot 156

A DIAMOND SINGLE-STONE RINGSet with a brilliant-cut diamond within a six-claw setting weighing approximately 2.00cts, between similarly-cut diamond shoulders, mounted in platinum, remaining diamond approximately 0.25ct total, maker's mark 'WR', ring size MCondition Report: Principal diamond: approx. 2.00cts, estimated colour H/I, estimated clarity SI1 due to minor black pin points and a black needle located on the table (Strong blue fluo)Remaining diamonds: approx. 0.25ct total, overall bright and well matchedNormal signs of wear, overall in good conditionTotal gross weight approx. 7.62g

Lot 193

A DIAMOND DRESS RINGThe central collet-set old marquise shaped diamond weighing approximately 0.70ct, within a surround of brilliant and European-cut diamonds, mounted in 18K gold, remaining diamonds approximately 1.80cts total, ring size NCondition Report: Principal diamond: weight very approximate due to collet-setting - approx. 0.70ct (10.98x5.81x1.96), estimated colour J/K, estimated clarity SI (due to a small chip located on one point and one nick located on the table, otherwise clean stone)Remaining diamonds approx. 1.80ct, estimated colour H/I, estimated clarity VS-SIStamped 750 inside hoop for 18K goldNormal signs of wear, overall in good condition

Lot 72

A RUBY-SET 'ATLAS' BANGLE, BY TIFFANY & CO., 1995The hinged bangle with Roman numerals in relief, the frontispiece set with calibré-cut ruby borders, mounted in 18K gold, signed Tiffany & Co. 1995, inner diameter 5.8cm Condition Report: Rubies: of red hue, medium tone, bright and overall well matched in colour, table facets are smoothSome normal wear scratches (can be repolished)Normal signs of wear, overall in good conditionTotal gross weight approx. 54.10g

Lot 102

SILVER DRESSING TABLE SETS FOR SCRAP SILVER

Lot 305

CHEST OF DRAWERS, POT CUPBOARD, BOOKCASE, TROLLEY TABLE AND TOWEL RAIL

Lot 398

LARGE OAK REFECTORY STYLE TABLE AND 8 CHAIRS

Lot 446

ANTIQUE PHEASANT TABLE LIGHTER

Lot 465

ANTIQUE DROP LEAF TABLE AND 2 POT CUPBOARDS

Lot 480

NEST OF TABLES AND MODERN PHONE TABLE

Lot 493

EDWARDIAN INLAID CIRCULAR TABLE

Lot 309

J* Molnarj (Hungarian 20th Century)Still life on a table,signed,oil on canvas 48 x 58cms, in swept gilt frame.

Lot 663

A late 19th Century gold-painted pier table and mirror, in the Rococo style, the mirror plate contained within foliate and surmounted by a rocaille cresting rail, raised on base with a later marble top, pierced frieze, raised on cabochon clasped cabriole legs, united by a scrolled undertier, 248 x 126 x 52cms.

Lot 678

A Regency mahogany fold over card table, the hinged rectangular top with beaded edge, enclosing a green baize lined playing surface, the underside stamped 'Gillows' above an acanthus clasped column, gadrooned socle and quadripartite base, raised on reeded bun feet, terminating is concealed castors, 75 x 92 x 45.5cms.

Lot 653

A mid 20th Century Robert 'Mouseman' Thompson oak dining table, the rectangular adzed top, raised on octagonal baluster legs with trademark high relief mouse carved to one leg, raised on trestle ends, united by a stretcher, 74 x 168 x 82.5cms.

Lot 634

A 19th Century mahogany and inlaid bijouterie table, the octagonal hinged and glazed top, enclosing a mustard baize lined interior, the sides inlaid with twisted ribbon and foliate sides, raised on lyre shaped supports, outswept legs with scroll feet, united by a double ring turned stretcher, 74 x 50 x 36cms.

Lot 614

A Victorian rosewood library table, the shaped rectangular top, above two frieze drawers, raised on shaped trestle ends, terminating in bun feet and concealed castors, 73 x 86 x 50.5cms.

Lot 677

A William IV rosewood library table, the rectangular top with beaded edge, above a pair of frieze drawers, one stamped 'Gillows Lancaster' to the drawer, raised on tapering columns and acanthus carved socles, raised on egg and dart moulded trestle ends, terminating in lions paw feet and concealed castors, 74 x 137 x 69cms.

Lot 650

A Victorian oak side table, the rectangular top with geometrically carved edge, above a lunette carved frieze drawer, raised on bobbin turned legs and bun feet, united by a stretcher, 77 x 92 x 60cms.

Lot 611

An early Victorian mahogany serving table, with raised tablet superstructure and carved fruiting vines, above a rectangular top and three reeded cushion moulded drawers, raised on acanthus clasped reeded tapering legs and bulb feet, 123 x 183 x 73.5cms.

Lot 615

A late 19th Century cherry wood secessionist occasional table, of two tiers, the rectangular top above an undertier on geometric supports, raised on turned, tapering and outswept legs, 70 x 48 x 38cms.

Lot 715

Richardson (M.A.), The Local Historian's Table Book, Historical and Legendary, five plus three vols, half calf and marbled boards, Newcastle 1841-1846, including a letter to Lord Tweedmouth from J. Noble concerning these books dated 1st September 1891.

Lot 628

A Chippendale style mahogany breakfast/supper table, the rectangular top with two drop-down leaves, raised above a single frieze drawer and dummy drawer with a pair of pierced Chinese lattice doors, raised on square legs and terminating in brass caps and castors, 75 x 105 (open) x 54cms.

Lot 525

A 19th Century Meissen table salt of trefoil shape, outside decorated with flower sprays and sprigs within gilt dentil rim and cornflower moulded border, crossed swords mark in blue (cancelled), 8cms; a late 19th Century Dresden leaf shaped pickle dish with floral decoration 15cms; and a small German figure of a cockatoo, R mark in blue, 7.5cms. (3)

Lot 636

A Victorian mahogany and boxwood banded Pembroke table, the shaped top with two drop leaves, above a single frieze drawer with opposing dummy drawer, raised on square tapering legs, terminating in brass caps and castors, 71 x 99 (open) x 80cms.

Lot 742

Adamson (John), An Account of the Discovery at Hexham of a Brass Vessel, Anglo-Saxon coins, etc, 4to, boards, illus, 1834; an album of original photographs entitled 'Hexham Abbey Church', probably by J.P. Gibson, 4to, gilt morocco binding; together with 'Joseph Fairless' Table-Book', an album of manuscript observations and writings concerning the antiquities of Northumberland by Henry Brandreth, with press-cuttings, prints and ephemera, Joseph Fairless' Guide to Hexham Abbey, 1853, etc., all in large 4to leather bindings. (3)

Lot 673

A William IV rosewood fold-over card table, stamped Gillows, the shaped top with beaded edge, enclosing a green baize lined playing surface, the underside stamped 'Gillows' above a tapering acanthus clasped column, beaded quadripartite base, raised on lions paw feet, and concealed castors, 72.5 x 91 x 45cms.

Lot 666

An early 20th Century mahogany triple pedestal dining table, in the Regency style, with two additional leaves, the shaped top above central columns, raised on quadripartite bases acanthus carved and hipped outswept legs, terminating in brass caps and castors, 73.5 x 354(extended) x 130cms.

Lot 685

A 19th Century mahogany tripod table, the shaped pie crust top, above a birdcage action and fluted acanthus carved column, raised on acanthus and harebell carved outswept legs, terminating in pad feet, 71.5 x 64cms diameter.

Lot 613

An early Victorian mahogany tea table, the rectangular hinged top, enclosing a plain surface, above a foliate scroll carved frieze, octagonal column, quadripartite concave base and raised on scrolled feet and squat castors, 74.5 x 93 x 47cms.

Lot 638

A Victorian oak writing table, circa 1880, the rectangular top with inset green tooled leather writing surface and line and dot carved edge, above two frieze drawers, raised on turned, tapering and reeded legs, terminating in brass caps and porcelain castors, united by a ring turned stretchers, 72.5 x 92 x 55cms.

Lot 669

A Regency mahogany Pembroke table, the rectangular top with two shaped drop leaves, above a single frieze drawer and opposing dummy drawer, raised on turned and reeded legs terminating in brass caps and ceramic castors, 74 x 105(open) x 106cms.

Lot 637

An 18th Century and later Rococo oak console table, the later rectangular oak top above a rocaille pierced and carved frieze and sides, raised on shell and foliate carved cabriole legs, dolphin carved undertier, terminating in scroll feet, 86 x 125.5 x 63cms.

Lot 633

A 20th Century mahogany bijouterie table in the 19th Century style, the shaped and glazed top and sides, enclosing a baize lined interior, raised on slender cabriole legs and pad feet, united by a shaped undertier, 68.5 x 44 x 31cms.

Lot 545

A 19th century green glass table bell. with cold painted silver coloured metal finial in the form of a cockerel, with claw and egg shaped beater, 11cms; and a white and pink cut cane table ruler, 25cms. (2)

Lot 746

Ridley (Joseph), The Hexham Chronicle...Thirty-Nine Articles contributed to the Local Historian's Table Book, 8vo, half-calf, illus with original photograph frontispiece, Hexham 1862; and White (A.B.), A History of Hexham, in three parts, 1 vol, full gilt calf, illus with fold-out chart, Alnwick 1823. (2)

Lot 104

JOHNSTONE (J.W.D.)Gwalior 1905, inscribed 'From M.[aharajah] S.[cindia] 1908', 24 photogravure plates, dampstain to spine, J. & E. Bumpus, [1907]--Marriage Album ['Souvenir of June 24 1925 with love from Chemmajammannni'], 2 gelatin silver prints of the festivities, original wrappers, [1925]--The Historical Record of the Imperial Visit to India 1911, numerous photographic plates, spine dampstained, John Murray, 1914--RAFIULLAH (MOHAMMAD) Gwalior's Part in the War, upwards of 60 photogravure plates, paint splash on spine, Published by Authority, 1920--Pictures. Government House, Madras, 16 photogravure plates, inscribed 'For Sir Hugh Daly's bookshelf, 10 January 1916', [1916]--SRIKANTAIYA (S.) The Scri Krishmaraja Silver Jubilee Souvenir, numerous photographic illustrations, folding table, Bangalore, Trades Publicity Co., 1927--RAMAKRISHNA ROW (B., Place Controller, Mysore) Bangalore Past & Present, AUTHOR'S PRESENTATION COPY INSCRIBED TO LADY DALY, Mysore, G.T.A. Press, 1916--PRESTON (SIDNEY, of Ajmeer College) Lecture [on the subject of irrigation], AUTHOR'S PRESENTATION COPY TO HUGH DALY, 8 folding hand-coloured lithographed plates and one map of India 'showing the distribution of the drainage... by the rivers flowing from the Himalayas', all loosely inserted, publisher's wrappers, Allahabad, Pioneer Press, 1908--The Kings Emperor and his Dominions. Souvenir of the Coronation Durbar of H.I.M. George V... 1911, numerous photographic illustrations, original red calf, g.e., lettered in gilt, Burrough's Wellcome & Co., [1911]--Coronation Durbar. Delhi 1911. Official Directory with Maps, 2 folding maps in pocket at end, Calcutta, Government Printing, 1911--Delhi Coronation Durbar December 1911, 3 folding maps in pocket at end, photographic illustrations, publisher's gilt printed boards, soiled, Army and Navy Co-operative, 1911, unless otherwise mentioned publisher's cloth, rubbed, 8vo and 4to; and 2 other books, and three original watercolour portrait studies of Indian subjects including soldier and road sweeper by M.A. Azeez, 350 x 140mm., signed and dated 1915 and 1916 (group)Footnotes:Provenance: Sir Hugh Daly (1860-1939), Agent to the Governor-General in Central India (1905-1910); by family descent to present owner.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 86

INDIAN BOTANY[The Table Fruits of India], bound in 4 parts, FIRST EDITION, 16 hand-coloured lithographed plates, each with letterpress description, lacks the original printed wrappers, later cloth, folio (395 x 270mm.), [Calcutta, Printed and Published by Ballin & Co., 1842]Footnotes:EXTREMELY RARE, with sixteen plates of fruit after drawings by anonymous Indian artists. The fruits are listed under their common names, with Latin, Hindu and Bengali equivalents. Subjects comprise: Pineapple; Custard Apple; Mango; Loquat; Plantain; Lichi: Pumplenose; Papaya; Sour Sop; Bair or Egg Plum; Jack; Star-Apple; Pomegranate; Guava; Melon; Jamarol.Three copies located in institutional libraries: Kew Gardens, Natural History Museum (lacking 4 plates), and the British Library (like ours lacking the original parts wrappers).This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 198

William Pope (British/Canadian, 1811-1902)An extensive archive of fifty-four Canadian animal studies, comprised of forty ornithological studies and fourteen ichthyological studies most signed with initials 'W.P.', dated between 1834-47 and inscribed with an identification of the animal depictedwatercolour, bodycolour and pen and ink50 x 33.8cm (19 3/4 x 13 1/4in) and smaller. (54)unframedFootnotes:ProvenanceThe artist's family and thence by descent.ExhibitedSimcoe, Ontario, Lynnwood Art Centre, Birds of a Feather, 3-31 May 1987 (a selection).Simcoe, Ontario, Eva Brook Donly Museum, May-7 June 1987 (a selection).Simcoe, Ontario, Lynnwood Art Centre, 4 August-3 September 1989 (a selection).William Pope has been described as the 'Canadian Audubon' in reference to his ornithological studies and their connection with the work of his contemporary, the great American artist and naturalist, John James Audubon. Both men had a passion for the birds of North America, their difference, however, lies in the approach to their work. Audubon was a professional whose greatest artistic achievement was the publication of his The Birds of America between the years 1827-38. On the other hand, Pope's artistic endeavours were of a highly personal nature and there is no evidence that he ever sought their publication or sale. Instead, his drawings were left to his family, and a large number are subsequently in the collection of the Toronto Public Library. The present collection comes from his direct descendants and represent the first of Pope's work to have ever been offered at auction. Born in Kent in 1811 to a wealthy family, Pope was able to indulge in his two great passions of painting and shooting. In 1834 he made his first journey to Canada to explore what he understood to be a place of great natural beauty, but also opportunity. In his journals from the time, he outlines his excitement upon setting sail from the UK:'...thoughts of a brighter hue rose quickly in my breast while fancy and imagination were busy picturing scenes and objects of the country I am going to visit'Although an arduous journey plagued with extreme weather, Pope recalls with great humour the delights to be found in these more difficult situations:'One other great source of fun and amusement was created by the total disarray of the eatables and drinkables at mealtimes, it being almost impossible sometimes to keep anything on the table... Sometimes legs of mutton and pork would all at once have the life instilled into them again, would quit their respective places and scrape an acquaintanceship with your person by bounding into your lap from which curious freak your dress would assuredly receive most sad and lasting remembrances of their close embrace.'These journals not only shed light on the realities of travel during this time, but they also highlight Pope's knowledge of birds, as from the moment of setting sail and throughout his travels, he lists the various species that he sights. Belonging to a different time, we also receive a first-hand account of how Pope came to get such a close look at these animals: 'To help pass away the time which hung heavily and wearily in travelling by tow boat at the rate of two miles per hour I got my gun out and amused myself in shooting some small birds. I killed a yellow bird a species of gold finch very similar to the European. I also shot a bird called the brown thrush. I saw several of both sorts of these birds and many others, robins, blue jays, kingfishers, crows and woodpeckers. I also observed some of the pretty little blue bird and some sand pipers.' He goes on to describe in greater detail his observations and interactions with some species:'I also saw many other sorts of birds, most of which were quite new to me (...) One (...) called the red headed woodpecker is a very beautiful and brilliant bird, its colours are bright scarlet upon the head and neck, back wings and tail black rump, secondaries of the wings and breast white. It is a very conspicuous and sprightly bird flying and sitting upon fences having but little fear or regard for man.'Returning to England in 1835, Pope would go on to make several more trips to North America before settling permanently near Port Ryerse, Ontario, in 1859 until his death in 1902. Throughout this time, he continued to document with great artistry the wildlife of North America. He summarises this passion in his journal:'[I]n the morning I went out shooting the rest of the day I was occupied in painting a bird – these were my two principal amusements during the [time in Upper Canada].'For further information on this lot please visit Bonhams.com

Lot 20

Two antique rings, the first centred with a glazed portrait of a lady within a table-cut garnet surround, together with a rose-cut diamond cluster ring, between trifurcated shoulders, both mounted in gold, ring sizes N½ and R. £120-£180

Lot 274

An Art Nouveau McVitie & Price copper and brass biscuit casket, 1904, the panels embossed with whiplash designs, inset with turquoise coloured Ruskin panels, with original key and two associated letters from M.J. Franklin, Archivist at United Biscuits (UB) Limited, later green velvet lining, dimensions 18.3 x 13.3 x 8.8cm. £300-£400 --- These brass and copper biscuit caskets were made for McVitie & Price in 1904 and were sold through grocers, at 25 shillings and 6d, intended as an “ornament for any mantle shelf or Toilet table” - M.J. Franklin (United Biscuits Archivist, 1982).

Lot 295

An Irish Victorian silver table vesta, 1895, the rectangular box with slide action, the cover engraved with crest and initials/date ‘F.M.B 1895’, maker’s mark for Edmond Johnson, Dublin hallmark, length 7.9cm. £100-£200 --- Edmond Johnson was a leading goldsmith and silversmith in Dublin, with premises at 94, Grafton Street and 46 Wicklow Street and was Master of the Goldsmiths Company of Dublin from 1883-1895.

Lot 296

A Scottish silver table bell, by Hamilton & Inches, modelled as an elderly Victorian lady, wearing a crinoline dress, shawl and bonnet, and carrying a Pekinese dog and walking stick, with maker’s mark ‘H&I’, hallmarked for Edinburgh, 1930, height 11.5cm. £300-£500

Lot 113

An Art Deco table top display cabinet in light oak and ebonised wood, concave glass display and light up "progress counter", stencilled area, 36 x 47cm

Lot 14

A circular Arts & Crafts copper plaque inset with pewter dragon, mono; alabaster holy water stoop; an ebonized dressing table set; collectables and silverplate etc

Lot 27

Three table lamps with glass shades; a door curtain with rail; an 18th century large pewter charger

Lot 377

A Japanese carved ivory Okimono figure of a seated artisan, 10.5cm.  Natural cracking to base, item missing from hand and another from the table, otherwise in good condition.

Lot 437

A Moorcroft baluster table lamp, hibiscus pattern, impressed mark, height 29 cm

Lot 59

A silver plated table centre/vase; a silver plated biscuit barrel; silver plate and pewter

Lot 685

A 1930's oak dining table with oval drop leaf top on barley twist gate legs

Lot 693

An early 19th century oak country made side table with frieze drawer and brass drop handles, width 82 cm

Lot 695

A reproduction oak coffee table; a reproduction oak nest of 3 tables

Lot 696

A Georgian style mahogany armchair; a reproduction mahogany wine table; a reproduction demi-lune hall table

Lot 705

A Victorian mahogany revolving piano stool; an Edwardian walnut Sutherland table

Lot 711

A G-Plan style ebonised easy chair and coffee table

Lot 712

A G-Plan dining suite in ebonised and sapele veneer comprising side cabinet, 122 cm, drop leaf table, 131 cm, and 4 chairs

Lot 715

A 1960's dining suite comprising G-Plan teak extending table with 2 leaves, extended length 260 cm, and a set of 8 chairs by Mackintosh with ladder backs and black leather effect seats.  In good condition, chairs all tight.

Loading...Loading...
  • 1181390 item(s)
    /page

Recently Viewed Lots