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Lot 922

German 1910-30s dolls’ house furniture with applied ink decoration, a upright piano with silver Art Deco decoration —4 1/2in. (11.5cm.) high, an oak buffet with mirrored back, a washstand, octagonal table, three bedside cabinets and an oak fireplace

Lot 930

1930s German metal dolls’ house chattels, an electric table lamp with shade —3 1/2in. (9cm.) high, a telephone; an unusual waffle maker, a jam and cruet stand (both missing vessels); an iron; two glasses with metal holders and a tea set on tray

Lot 809

A large late 19th century painted wooden dolls' house, stone facade with central front door and porch, two large bay windows to ground floor, three windows to front and two to each side to 1st floor, two ornate gables, black slate roof and two large chimneys, on black painted base, front opening in two parts to reveal four rooms, hall, stairs and landing, large mirrored "window" to stairwell, fully furnished with eight shoulder-head dolls, Devres yellow and blue coffee set on tray decorated with pink roses and three pieces of Waltershausen furniture --43 3/4in. (111cm.) wide x 47in. (119.5cm.) high x 28 3/4in. (73cm.) deep (some restoration) -- this house is known as Field House, built by the estate carpenter for a Yorkshire family around 1880; design believed to be base on a house used for family holidays at Filey, Yorks. Passed through three generations of the family. Furniture original to the house includes most of that in the Nursery and dining table, chairs and cupboards - from the Mary Milnes Collection

Lot 961

Dolls’ house furniture, a wire, straw and material garden chair, possibly Westacre —2 1/2in. (6.5cm.) high, two card and material armchairs, a recent rag rug, three lampshades, an eiderdown, a wooden table with inlaid middle and other items

Lot 795

Barton Tudor style dolls' house furniture, comprising a wardrobe -4½in. (11.5cm.) high, a refrectory table, four chairs, a side table, dressing table, chest of drawers, blanket chest and bench; and a few suitable accessories - being sold in aid of Cancer Research UK

Lot 973

Pit-a-Pat and other makers dolls’ house items, Pit-a-Pat - a printed picture of a cottage garden with red square label —2 3/4in. (7cm.) high, a turned wooden table lamp with red shade and folding screen, both with ink stamps and ironing board; a Tri-ang wooden cake stand, unknown tin peddle bin, table lamp and carpet sweeper

Lot 1401

A doll’s green painted wooden garden furniture set, comprising two seater —10in. (25.5cm.) wide, chair and folding table, the later with Lady Lindsay written in pencil on underside

Lot 322

A French manivelle musical cat automaton late 19th century, with two rabbit fur covered carton cats with glass eyes and whiskers, one cat plays the cello and moves his head, the other is standing on a table conducting, wearing glasses and open mouth makes an occasional meow, on square velvet covered base with green pattern paper to sides —17 1/2in. (44.5cm.) high (a little worn and dusty, fur loss to cellist’s forehead)

Lot 934

German 1930s Art Deco dolls’ house furniture, a metal framed simulated grain wooden sideboard —3 1/2in. (9cm.) wide; two simulated grain wooden single beds (missing two feet) with bedside cabinets and matching wardrobe; and smaller scale sofa, two armchairs, table and clock

Lot 1007

A 19th century Whitby jet dolls’ house occasional table, the top carved with a scene of Whitby Abbey on tripod legs —1 1/2in. (4cm.) high

Lot 917

German wooden dolls’ house furniture and chattels, six pieces with grained finish including mirrored —4in. (10cm.) high, dressing table and two chest of drawers; dresser; a gold painted tea set on tray and other items

Lot 1019

Schneegas dolls’ house chest of drawers, and marble topped washstand —4 1/2in. (11.5cm.) high; a leather studded chair; a black oil-cloth armchair and oak breakfast table

Lot 968

Clive Felton dolls’ house Rennie Mackintosh miniatures, four Argyle chairs stained black —4 1/2in. (11cm.) high, two plain wood armed chairs, a dinning table and oval occasional table, all signed; and two pieces of Mackintosh furniture unsigned

Lot 1022

Elgin and similar dolls’ house furniture, Elgin - a sideboard —3 3/4in. (9.5cm.) wide, dinning table, four chairs and two carvers, Barton and Tri-ang pieces; and four velvet rugs

Lot 1004

A card and velvet dolls’ house sofa and chairs, burgundy velvet sofa —6 1/4in. (16cm.) wide and four chairs, two with applied ribbon; a porcelain toilet with seat, probably a mustard pot; a table and bamboo furniture (slight damage)

Lot 1014

Post-war dolls’ house furniture, three Grecon dolls with labels —3 1/2in. (9cm.) high; two mesh and wire garden chairs; a garden chaise longue, side table and occasional table; a wooden telephone; nine pictures and other items

Lot 1471

A hand-cracked musical cat sewing group automaton, five fur cats sat around a circular table with red table cloth, each doing a different task including wool winding, seated one three legged chairs, paper covered wooden base —13 1/4in. (34cm.) (to restore, not working, damage and animal activity)

Lot 394

Three Derby coffee cups, circa 1760-70Two of ribbed form with scrolled handles, painted with Mandarin figures including a lady seated at a table, one with a boy holding a wand-like object, 6.5cm high, the last of plain form with an angular handle, the Mandarin figural panels divided by dense gilded scrollwork, 5.9cm high (3)Footnotes:ProvenanceWatney Collection, Phillips 22 September 1999 lot 391 and Bonhams 10 May 2000, lots 762 and 768.For further information on this lot please visit Bonhams.com

Lot 377

A rare Derby saucer dish, circa 1765Finely painted in blue with a group of three Chinese figures by a table, chair, vases and a tall stand, a diaper border to the rim, 19.6cm diamFootnotes:ProvenanceWith Simon Spero, 2009A Derby milk jug in this pattern was sold by Bonhams on 22 June 2022, lot 522.For further information on this lot please visit Bonhams.com

Lot 3

A small façon de Venise tazza, 17th centuryCircular with a flat top upturned slightly at the rim, decorated with a trailed turquoise-blue glass chain between thin milled clear glass trails, the spreading foot with a thin trailed collar and folded footrim, 20.3cm diam, 5.6cm highFootnotes:ProvenanceBagnasco Collection, Lugano, Christie's, 28 March 2000, lot 126Chris Crabtree CollectionTazzas of this type, copied from Venetian prototypes, were popular productions in the Netherlands and have also been attributed to Spain (Catalonia). They are illustrated and discussed in detail by Anna-Elisabeth Theuerkauff-Liederwald, Venezianisches Glas der Veste Coburg (1994), pp.111-6, nos.53-9. Similar tazzas are depicted as salvers for drinks or sweetmeats in contemporary paintings and the varying sizes in which tazzas with this decoration are found may indicate that some were intended to form tiered table centrepieces. The consistency of the form and chain-link decoration suggests that they may be products of one specialist workshop. Three related examples from the Lady 'Lili' Cartwright Collection were sold by Bonhams on 29 September 2020, lots 20-22.For further information on this lot please visit Bonhams.com

Lot 26

An exceptionally rare 'Shaft and Globe' serving bottle, circa 1670 Of dark olive-green tint, the bulbous body narrowing inwards towards the base, the long tapering neck with a prominent string rim, the loop handle with a pronounced thumbrest and scrolled terminal, with a 'kick-up' base, 21.8cm high Footnotes: Provenance Bonhams, 13 December 2006, lot 92 A C Hubbard Jr Collection Literature Andy McConnell, The Decanter: Ancient to Modern (2018), p.47, fig.5 This extremely rare bottle was probably used at a table as a serving bottle. A sealed half size 'Shaft and Globe' serving bottle with a handle of similar shape is illustrated by Burton (2015), pp.1315-6. This bottle holds the current record for the highest price achieved at auction by any vernacular bottle, sealed or unsealed, when it sold at Bonhams in 2006. This lot is subject to the following lot symbols: * * VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium. For further information on this lot please visit Bonhams.com

Lot 370

A Liverpool (William Reid) teabowl and saucer, a coffee can and a milk jug, circa 1756-60The first thinly potted, painted in blue with a highly stylised landscape of a vase on a table with a swan in the foreground, saucer 11.7cm diam, numeral 2 in blue to saucer, the can of cylindrical form with a scroll handle, painted in blue with two amusing Chinoiserie figures in a landscape, 6.1cm high, the jug of baluster shape with a sparrow beak and scroll handle, painted in blue with the 'Precipice Pagoda' pattern, 8.1cm high (4)Footnotes:ProvenancePaul Crane Collection, Bonhams, 31 March 2010, lot 128 (can)Paul and Bunny Davies Collection (jug)Exhibited at the Liverpool Porcelain Exhibition, Phillips, 1997 (jug). Illustrated by Bernard Watney, Liverpool Porcelain (1997), p.14, fig.19 (jug) and by Maurice Hillis, Liverpool Porcelain 1756-1804 (2011), p.41, fig.3.47 (can), p.47, fig.3.69 (teabowl and saucer) and p.52, fig.3.82 (jug).For further information on this lot please visit Bonhams.com

Lot 286

A Worcester teabowl and saucer, circa 1756-58 Pencilled in black enamel with a Chinese figure holding a bird in one hand and a parasol in the other, standing by a fence and a pine tree, a vase of flowers on a low table by his side, the reverse of the teabowl and the interior further painted with huts and fanciful rocks on islands, with lambrequin scroll borders, 12cm diam (2) Footnotes: Provenance Zorensky Collection, Bonhams, 22 February 2006, lot 50 Sylvia and Alan Low Collection The strong dark pigment used on many examples of this pattern allows the painted design to stand out rather more boldly compared with other Worcester pencilled pieces. For further information on this lot please visit Bonhams.com

Lot 159

An English delftware Popish Plot tile, circa 1680-1700Painted in manganese with 'Capt Bedlow examind by ye Secret Comitee of the House of Commons', William Bedloe standing before the Secret Committee, all seated around a table, 12.8cm squareFootnotes:ProvenanceFelton House, North SomersetThe King of Clubs playing card is the source for this tile.Both the Commons and the Lords had their secret committees investigating every aspect of the plot, not always in good faith. Bedloe went to the Commons 'Secret Committee' in early 1679 to accuse the lawyer Nathaniel Reading of attempting to bribe him. Reading had come to Bedloe's lodgings at Whitehall to persuade him not to incriminate his clients, some high-profile Catholic peers. Bedloe had witnesses in hiding in his chambers and on 16 April 1679 Reading was tried for 'a trespass and misdemeanour' by attempting to 'lessen and stifle' evidence. Reading was found guilty and the Knave of Clubs shows him in the pillory. The Queen of Clubs depicts 'Reddin endeavouring to Corrupt Capt Bedloe'. Bedloe did not come out of the trial untarnished; proceedings had hinted at his debauched lifestyle and even Justice Scroggs is reputed to have said 'at this rate that Mr Bedloe accuses men, none are safe, for he runs at the whole herd'. Doubts were being cast on the worthiness of evidence given by such a man.The Felton House Tiles: Important English delftware tiles depicting the Popish Plot, circa 1680-1700The 'discovery' of the Popish Plot in the autumn of 1678 and the subsequent trials, political upheaval and mass hysteria that erupted in England, reads like a modern-day soap opera. The supposed Catholic conspiracy to assassinate King Charles II, replace him with his papist brother James, Duke of York, and overthrow the Protestant establishment turned out to be the invention of a disreputable priest named Titus Oates, whose many lies and inventions appealed to the anti-Catholic sentiment of the time. Oates was eventually convicted of perjury, but not before over a dozen innocent men were executed and others imprisoned, as the flames of anti-Catholic hatred and suspicion were fanned throughout the country.A set of playing cards depicting various scenes from the plot, printed from engravings by Francis Barlow, was first advertised in the newspaper True Domestick Intelligence in December 1679. A complete set of these Popish Plot playing cards is in the British Museum (inv. no.1896,0501.915.1-52). These designs were subsequently copied onto some of the earliest delftware tiles produced in England. The timing of the plot coincides with a warrant granted to the Dutch potter, Jan Ariens van Hamme, who had come to London'to exercise his trade and calling of making Tiles...after the way practised in Holland...whichhath not been practised in this our kingdome'.Several distinct versions of Popish Plot tiles were produced. One of these is painted in blue and the scenes are reserved in circular panels. These blue and white tiles have corner motifs and include inscriptions copied directly from the playing cards. See Frank Britton, London Delftware (1987), p.176 where three such tiles are illustrated. Anthony Ray suggests that these blue painted tiles were probably made at Vauxhall by van Hamme, who died in 1680, see English Delftware Tiles (1973), p.35. When found in manganese, each scene fills the available space save for a rectangular reserve at the bottom of each tile. An extremely rare set of twenty-one manganese Popish Plot tiles, matching the Felton House Tiles, was sold by Sotheby's on 15 March 1971, lot 21. A single tile depicting 'The Consult at Somerset House' was sold by Bonhams on 21 May 2014, lot 21. It has been suggested that the manganese examples were made a few years after their blue counterparts. However, the discovery of the Felton House Tiles adds weight to the argument that these were produced much closer to 1680, whilst the satirical playing cards were still topical. Indeed, close examination of the tiles show that they were copied from a deck of the Popish Plot playing cards and not from the blue and white versions.Felton House in North Somerset is a late 17th century house, confirmed by a date stone for 1684. Recent restoration of the building involved the removal of a mid-18th century fireplace which revealed an earlier fireplace behind, retaining the remains of other Popish Plot tiles from this set. The seven tiles included in this sale were removed from the fireplace in the 1950s and were recently discovered tucked away in a box. Presumably they were installed around 1684 - the date inscribed on the datestone - when the furore of the plot was still fresh in the country's consciousness. King Charles II died just a year later and the fear upon which the fictitious plot was based came to be realised; Charles II was succeeded by his brother who became king James II of England and James VI of Scotland, a Catholic monarch.For further information on this lot please visit Bonhams.com

Lot 510

An impressive Minton table centrepiece and cover, circa 1835On a rich blue ground with elaborate raised and chased gilding, exuberantly modelled as three richly gilt putti emblematic of Earth, Air and Water standing around a tree trunk applied with fruiting vine, acorns and bulrushes, supporting a gadrooned bowl painted with alternating panels of 'Fancy' birds and flowers separated by bands of gilt caillouté, the rim moulded and gilt with scrollwork and anthemions, the domed cover with a band of flowers reserved on a gilt caillouté ground, the scroll-moulded top supporting a large gilt flamiform finial, all raised on a square pedestal base moulded with gilt dolphins at the corners, painted with landscape vignettes of Watteau figures within gilt scroll frames, and on a gilt caillouté ground, on a shaped square base gilt with borders of foliate scrollwork and diaper, 66cm high (2)Footnotes:ProvenanceGodden Reference Collection, Christie's, 12 October 1987, lot 252Illustrated Geoffrey A Godden, Minton Pottery and Porcelain (1965), col. pl.VII and pl.105, by Paul Atterbury and Maureen Batkin, The Dictionary of Minton (1990), p.53 and by Joan Jones, Minton (1993), p.81. This extraordinary centrepiece is recorded in the Minton factory shape book under design number 159, where it is described as a 'Large Table Ornament'. It cost a staggering £14 6s 6d which was, together with an ornate candelabra under design number 160, the most expensive piece recorded in the 1831-42 estimate book.For further information on this lot please visit Bonhams.com

Lot 156

An English delftware Popish Plot tile, circa 1680-1700Painted in manganese with 'The Consult at Wild House', two monks wearing habits standing at a table in discussion with two seated men, one in Jesuit robes, the other probably Edward Coleman, 12.8cm squareFootnotes:ProvenanceFelton House, North SomersetThe Eight of Diamonds playing card is the source for this tile. During the trial of Edward Coleman on 27 November 1678, Titus Oates spoke of a number of Jesuit meetings or 'consults' having occurred in April and May of that year where the plot was discussed. According to Oates, he witnessed Coleman at one such meeting at Wild House near the Strand and here he gave his approval to the regicidal plot.Wild (or Weld) House was a significant mansion and gardens owned by the recusant lawyer and MP Humfrey Weld. Oates reported that he had attended mass with him at Wild House and that Weld had then received a dispensation from the general of the Jesuits to 'take the oaths and the Test', so that he might defend Catholic interests in Parliament. Weld vehemently denied these accusations. The fact that a portion of Wild House was sublet to the Spanish ambassador did not help dispel rumours of it being a hotbed for popish treachery.The scene has been simplified slightly in its translation from playing card to tile. On the card, two further figures, probably another monk and a second Jesuit gather around the table.The Felton House Tiles: Important English delftware tiles depicting the Popish Plot, circa 1680-1700The 'discovery' of the Popish Plot in the autumn of 1678 and the subsequent trials, political upheaval and mass hysteria that erupted in England, reads like a modern-day soap opera. The supposed Catholic conspiracy to assassinate King Charles II, replace him with his papist brother James, Duke of York, and overthrow the Protestant establishment turned out to be the invention of a disreputable priest named Titus Oates, whose many lies and inventions appealed to the anti-Catholic sentiment of the time. Oates was eventually convicted of perjury, but not before over a dozen innocent men were executed and others imprisoned, as the flames of anti-Catholic hatred and suspicion were fanned throughout the country.A set of playing cards depicting various scenes from the plot, printed from engravings by Francis Barlow, was first advertised in the newspaper True Domestick Intelligence in December 1679. A complete set of these Popish Plot playing cards is in the British Museum (inv. no.1896,0501.915.1-52). These designs were subsequently copied onto some of the earliest delftware tiles produced in England. The timing of the plot coincides with a warrant granted to the Dutch potter, Jan Ariens van Hamme, who had come to London'to exercise his trade and calling of making Tiles...after the way practised in Holland...whichhath not been practised in this our kingdome'.Several distinct versions of Popish Plot tiles were produced. One of these is painted in blue and the scenes are reserved in circular panels. These blue and white tiles have corner motifs and include inscriptions copied directly from the playing cards. See Frank Britton, London Delftware (1987), p.176 where three such tiles are illustrated. Anthony Ray suggests that these blue painted tiles were probably made at Vauxhall by van Hamme, who died in 1680, see English Delftware Tiles (1973), p.35. When found in manganese, each scene fills the available space save for a rectangular reserve at the bottom of each tile. An extremely rare set of twenty-one manganese Popish Plot tiles, matching the Felton House Tiles, was sold by Sotheby's on 15 March 1971, lot 21. A single tile depicting 'The Consult at Somerset House' was sold by Bonhams on 21 May 2014, lot 21. It has been suggested that the manganese examples were made a few years after their blue counterparts. However, the discovery of the Felton House Tiles adds weight to the argument that these were produced much closer to 1680, whilst the satirical playing cards were still topical. Indeed, close examination of the tiles show that they were copied from a deck of the Popish Plot playing cards and not from the blue and white versions.Felton House in North Somerset is a late 17th century house, confirmed by a date stone for 1684. Recent restoration of the building involved the removal of a mid-18th century fireplace which revealed an earlier fireplace behind, retaining the remains of other Popish Plot tiles from this set. The seven tiles included in this sale were removed from the fireplace in the 1950s and were recently discovered tucked away in a box. Presumably they were installed around 1684 - the date inscribed on the datestone - when the furore of the plot was still fresh in the country's consciousness. King Charles II died just a year later and the fear upon which the fictitious plot was based came to be realised; Charles II was succeeded by his brother who became king James II of England and James VI of Scotland, a Catholic monarch.For further information on this lot please visit Bonhams.com

Lot 392

Three Derby coffee cups, circa 1760Two of square section with indented corners and tau handles, painted with a cock fight, a bright yellow vase and two Mandarin figures beside a table, 6cm high, the third of plain U-shape, delicately painted with three Mandarin figures and a boy in a round window, 6.6cm high (3)For further information on this lot please visit Bonhams.com

Lot 56

A rare 'Squat Mallet' serving bottle, circa 1730 Of dark olive-green tint, the wide body with sloping shoulders and slightly tapered sides, wider at the base, applied with a flattened loop handle with a pronounced thumbrest, the long tapering neck with a pouring lip, with a deep basal 'kick-up', 19.5cm high Footnotes: Provenance Sheelah Ruggles-Brise Collection and thence by family descent At the time this bottle was made, decanters in clear glass had begun to replace bottles at the table. The pouring lip reflects this transitional period in drinking habits, and is a feature rarely seen on serving bottles. A virtually identical serving bottle is illustrated by Ward Lloyd, A Wine Lover's Glasses (2000), p.110, pl.162 (right). see also the example illustrated by Willy Van den Bossche, Antique Glass Bottles (2001), p.72, pl.12. For further information on this lot please visit Bonhams.com

Lot 147

A Windsor Castle Line Tourist Lounge circular beech tea table, maker Heaton Tabb & Co,Ltd, London: the dished top with inset black and white dotted laminate and raised on square tapering legs, the underside of the table stamped 'Windsor Castle Tourist Lounge' and with maker's nameplate to subframe, 61cm diameter, 53.5cm high

Lot 186

A mahogany cabin table: the fold down top raised on a central pedestal fitted three short drawers, fitted brass bail handles to either side, 85cm wide.

Lot 130

An Art Deco chrome sailing boat table lamp: unsigned the central bulb forming a mast with two sail shaped reflectors on a cast iron hull, registration stamp No. 875880 20cm long.

Lot 384

A four piece P&O white Bakelite dressing table set: comprising two brushes, a rectangular box and cover and a circular box and cover, all with P&O crest decoration , together with ten P&O menus from SS 'Stratheden' circa 1956-57.

Lot 4029

Subbuteo Table Soccer a boxed group of C.120 Footballer Statuettes to include Ref 301 "Panarol", Ref 306 "possibly Paris Football Club" along with others. Please note some of these statuettes may have reference numbers missing. Conditions of the statuettes do generally appear to be Good in generally Good outer boxes. (7)

Lot 4027

Subbuteo Table Soccer a boxed group of C.120 Footballer Statuettes to include Ref 205 "Cardiff City" Ref 128 "Bochum" along with others. Please note some of the statuettes may have reference numbers missing. Condition of the statuettes do generally appear to be Good in generally Good outer boxes. (7)

Lot 4030

Subbuteo Table Soccer a boxed group of Ref C.120 Footballer Statuettes to include Ref 288 "Djurjarden", Ref 309 "Bradford City" along with others. Please note some of the statuettes may have reference numbers missing. Condition of the statuettes do generally appear to be Good Plus to Excellent and are all in generally Good outer boxes. (7)

Lot 4026

Subbuteo Table Soccer a boxed group of C.120 Footballer Statuettes to include Ref 85 "Feyenoord" (Holland), Ref 120 "Durban City" along with others. Please note some of the statuettes may have reference numbers missing. Condition of the statuettes do generally appear to be Good and are all in generally Good outer boxes. (8)

Lot 4033

Subbuteo Table Soccer a boxed group of C.120 Footballer Statuettes to include Ref 325 "Manchester United 2nd Strip", Ref 311 "Forfar" along with others. Please note some of the statuettes may have reference numbers missing. Condition of the statuettes do generally appear to be Good in generally Good outer boxes. (7)

Lot 4028

Subbuteo Table Soccer a boxed group of C.120 Footballer Statuettes to include Ref 344 "Bezieres", Ref 233 "Vard" along with others. Please note some of these statuettes may have reference numbers missing. Conditions of the statuettes do generally appear to be Good in generally Good outer boxes. (7)

Lot 4032

Subbuteo Table Soccer a boxed group of C.120 Footballer Statuettes to include Ref 121 "Vienna", Ref 132 "Borussia M'Gladbach" along with others. Please note some of the statuettes may have reference numbers missing. Condition of the statuettes do generally Good in generally Good outer boxes. (7)

Lot 4031

Subbuteo Table Soccer a boxed group of C.120 Footballer Statuettes to include Ref 281 "Walsall", Reference 251 "Paris Saint Germaine" along with others. Please note some of these statuettes may have reference numbers missing. Conditions of the statuettes do generally Good in generally Good outer boxes. (7)

Lot 4034

Subbuteo Table Soccer a boxed group of C.120 Footballer Statuettes to include Ref 285 "Oster", Ref 280 "Olhanense" along with others. Please note some of these statuettes may have reference numbers missing. Conditions of the statuettes do generally appear to be Good in generally Good outer boxes. (7)

Lot 375

Victorian mahogany dressing table, raised back, drawers and recessed cupboard, plinth base, width 127cm, depth 62cm, height 89cm.

Lot 333

Three reproduction pedestal tables, and an oak side table (as found).Qty: 4

Lot 334

Victorian mahogany drop-leaf work table, two drawers, turned legs on casters, 51x32cm, height 74cm.

Lot 363

Mahogany standard lamp, turned column with central table, circular base, with "indenture" shade, height overall 178cm.

Lot 385

Victorian mahogany side table, with drop leaves. two frieze drawers, turnes legs on casters, width 89cm, depth 67cm, height 73cm.

Lot 313

Modern conservatory suite comprising six chairs with yellow chequered upholstered seat pads, plate-glass dining table, a matching occasional table, and a standard lamp.Qty: 9

Lot 383

Reproduction oak breakfast table, circular top diameter 99cm, height 75cm. and four beech wood comb-back kitchen chairs.Qty: 5

Lot 166

Small quantity of plated wares including a cruet stand with four cut glass bottles, German plate and ebony crucifix, table lighter, flatware, etc.Qty: 1 box

Lot 184

Large silver plated table centre/ epergne, the flared acanthus leaf coulmn supporting a clear glass liner with posy centre, possibly matched, 36.5cm.

Lot 339

George IV mahogany dressing table, with three-quarter gallery, kneehole surrounded by three drawers, turned legs, width 108cm, depth 48cm, height 86cm.Condition report:The top is scratched and heavily stained. There are horizontal cracks to both side panels. All three drawer bases have cracks. The right drawer base is also heavily stained. None of the drawers sit entirely flush. There is a small chip to the front of the left drawer. Please see additional uploaded images.

Lot 188

Fluted brass table lamp, on an onyx plinth; and two others.Qty: 3

Lot 401

Victorian mahogany side table, shallow back, two drawers with turned handles, turned legs, width 91cm, depth 46cm, height 76cm.

Lot 86

A large quantity of Mason's Regency table ware, including large tureens, pedestal soup serving bowls, breakfast ware, etc.

Lot 350

Gilt metal pedestal table, circular gold painted wood top, figural column, tripod legs, diameter 38cm, height 90cm.

Lot 21

Small quantity of Waterford Crystal vase, jug, bowl, and dressing table set with ring stand, tray, and covered pot, tray 21cm wide.

Lot 311

Mid-century formica-top kitchen table, shaped top with blue floral patterned formica, spreading beech supports, 121cm, width 68cm, height 75cm.

Lot 75

Collection of decorative and table glassware including an Edinburgh Crystal desk clock, pair of iridescent glass spill vases, two large pedestal bowls/ vases with sea-green bowls, raised on clear twisted stems, Swarovski Cat and Mouse figures, etc.

Lot 394

Victorian mahogany windout dining table, oval top with moulded edge, 132x103cm, two 36cm leaves, turned and fluted legs on casters, height 72cm, with winding handle.

Lot 403

Oak monks seat, 20th Century, circular foldover top with carved decoration, boarded seat, turned legs joined by stretchers, diameter 68cm, height (as a table) 78cm.Qty: verver

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