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Lot 84

Devon. Donn (Benjamin), A Map of the County of Devon with the City & County of Exeter Delineated from an actual Survey on Twelve Sheets..., by Benjamin Donn. Engraved by Thos. Jefferys Geographer to His Majesty..., Printed for the Author, and sold by the Booksellers of Devon; by Mr Johnston, Mr Law & Mr Baldwin, 1765, printed title with a contemporary manuscript ownership signature, 8 index pages including the list of subscribers, key map with slight spotting and staining and 12 (complete) double-page engraved map sheets, all with contemporary wash colouring, elaborate cartouche and compass rose, table of explanation, inset town plans of Plymouth, Exeter, Lundy Island and Stoke Town, each sheet approx. 620 x 490 mm, some offsetting, later endpapers with an old library stamp, modern half morocco with gilt title to spine, slim upright folio, binding size 535 x 380QTY: (1)NOTE:Batten and Bennett. The Printed maps of Devon, number 44. Arguably the best known of all the large-scale county maps due to the 100 Guineas award from the Royal Society of Arts. Donn's map of Devon was the first map to receive the award which had been conceived by the society in 1762. Donn had taken five years to survey the county and claimed to have measured over 6000 miles of roads and rivers. Highly accurate and exhaustively detailed, the map clearly benefits from Donn's training as a mathematician, but the skill of Thomas Jefferys as an engraver cannot be understated. The map was sold in a simple twelve-sheet format for one and a half guineas and with an extra five shillings for colouring. It was also available (as in this example) in a de-luxe state with a title page, printed index, subscribers list and index map for two guineas plus extra for colouring.

Lot 600

Rackham (Arthur, illustrator). Peter Pan in Kensington Gardens, by J. M. Barrie, London: Hodder & Stoughton, 1906, 50 tipped-in colour plates (including frontispiece) with captioned tissue guards, some spotting mostly to initial leaves, original cloth gilt, some wear at head and foot of spine, 4to, together with:Rackham (Arthur, illustrator), The Rhinegold & The Valkyrie, by Richard Wagner, translated by Margaret Armour, 2nd impression, London: William Heinemann; New York: Doubleday, Page & Co., November 1910, 34 tipped-in colour plates (including frontispiece) with captioned tissue guards, some spotting and toning, pictorial endpapers, original cloth gilt, slightly rubbed, 4to,Rackham (Arthur, illustrator), Undine, by De la Motte Fouqué, adapted from the German by W. L. Courtney, London: William Heinemann; New York: Doubleday, Page & Co., 1909, 15 tipped-in colour plates (including frontispiece) with captioned tissue guards, toning and scattered spotting, pictorial endpapers browned, original cloth gilt, upper joint split and two closed tears to spine, board fore-edges worn, 4to, plus others illustrated by Rackham including Alice's Adventures in Wonderland by Lewis Carroll ... with a Poem by Austin Dobson, London: William Heinemann: New York: Doubleday, Page & Co., [1907], A Midsummer-Night's Dream, by William Shakespeare, London: William Heinemann; New York: Doubleday, Page & Co., 1908, The Ingoldsby Legends or Mirth & Marvels, by Thomas Ingoldsby, London: William Heinemann, 1909, Tales from Shakespeare, by Charles & Mary Lamb, London: J. M. Dent; New York: E. P. Dutton & Co., 1909, Arthur Rackham's Book of Pictures, with an introduction by Sir Arthur Quiller-Couch, London: William Heinemann, 1913, The Romance of King Arthur and His Knights of the Round Table, abridged from Malory's Morte d'Arthur by Alfred W. Pollard, London: Macmillan & Co., 1917, The Springtide of Life, Poems of Childhood by Algernon Charles Swinburne, London: William Heinemann, 1918, The Sleeping Beauty, told by C. S. Evans, London: William Heinemann; Philadelphia: J. B. Lippincott Co., 1920, The Compleat Angler, by Izaak Walton, London: George G. Harrap & Co. Ltd., 1931, QTY: (12)

Lot 462

* Belgian playing cards. Provincial variant of the Paris pattern, Belgium?, unknown maker, circa 1810, a complete deck of 52 stencil coloured woodcut playing cards (French suits), double-ended courts, kings and queens named, jack of clubs with letter 'B' centrally, king of diamonds with turban and crescent moons, most courts with fleur de lis, dusty and lightly browned, some light spotting, few pip cards more browned and spotted with some minor stains, one pip cards with corner crease, versos blue floral & foliate pattern, each card 89 x 57 mm, together with: Family of the Paris pattern, Brussels: Kessman-Servaes, circa 1830, a complete deck of 52 stencil coloured woodcut playing cards (French suits), double-ended courts, king of clubs with Brussel, queen of hearts with maker's name, jack of diamonds with J.P. on halberd, somewhat browned and dusty, few minor marks, versos red dots and dotted flowers, each card 88 x 57 mm, plus: Family of the Paris pattern, Liege: J.J. Dubois, circa 1820, 49 (of 52, without queen and 7 of hearts, and ace of clubs) stencil coloured woodcut playing cards, king of spades with maker's name, jack of clubs with A Liege, soiled and worn, 10 of hearts with small loss to one corner, ace of spades corner chipped, versos red stars and wavy dotted lines, each card 84 x 56 mm, 16 cards from each deck mounted with photo corners onto 3 display boards, encapsulated in clear plastic (not examined out of boards), the remainder contained in 3 plastic bags, the boards 54.5 x 40.5 cmQTY: (3)NOTE:Provenance: Collection of Dudley Ollis.First item: Mann, All Cards on the Table, #133, and World of Playing Cards for similar decks, but lacking the fleur de lis. The WoPC copy also lacks the turban and crescent moons on the king of diamonds (this card not illustrated or described in Mann). This pack is likely to be a type of Provincial Variant F-1.32, a rare example of an intermediate stage between PV1 & PV2.Second item: Cartorama 62 #18 (later example from an unknown maker); Cremers, Cartiers en Wallonie, #50.

Lot 99

A painting of a prince, Jaipur, North India, circa 1890, gouache on paper heightened with gold, shown on a terrace under a columned pavilion hung with pink fabric, seated on a European style chair and wearing a black robe trimmed with gold embroidery, the table behind him with a mirror and before him a table with blue floral tablecloth, books and a vase of flowers, 25.5 x 20.5cm. and a modern manuscript illustration of polo players (2) (VAT charged on hammer price)

Lot 42

Lovers on a terrace, Oudh, North India, late 18th century, opaque pigments on paper heightened with gold and silver, depicted wrapped in each other arms on a canopied bed, with gold patterned jamas adorning their entwined legs, he holds a flower in one hand and they both turn their heads to speak to the servant who brings them a cup and saucer, the moon above reflects in the lake behind them, jewelled vessels on a table below them contain food and drink and the terrace is lit with candles, outer border with repeated pattern of gold flowers, glazed and framed, painting 35.2 x 18.5cm., with border 34 x 25cm.Provenance: Private collection, LondonCondition Report: Glued down on card 

Lot 344

A burr walnut circular pedestal side table, Dia. 56cm H. 72cm together with a carved mahogany two-tier side table, H. 69cm.

Lot 341

An inlaid folding games table with floral decoration and brass feet, folded 84 x 79 x 43cm. Slightly A/F to top.

Lot 424

A bronzed metal and cut glass column table lamp with shade, H. 72cm.

Lot 339

A carved, gilt composition rococo style console table with a serpentine fronted marble top, 128 x 90 x 60cm.

Lot 342

A Savoy, George II style, single drawer burr walnut and walnut side table, 67 x 56 x 44cm. Featured in 'The Savoy Sale' by Bonhams (page 252 room 837, 2507).

Lot 372

A Stag mahogany mirror backed dressing table with stool, 135 x 134cm.

Lot 343

A Prada stained teak and metal hexagonal side table with a brass 'Prada Milano' plaque, 52 x 39cm.

Lot 56

A mid-20th Century South American circular wooden table decorated with butterfly wings, Dia. 54cm. H. 67cm.

Lot 384

A French style painted upholstered salon chair with painted marble topped table, table H. 51cm Dia. 48cm.

Lot 383

A square coffee table with floral carved decoration and plate glass top, 96 x 96 x 45cm together with a matching side table, H. 58cm. Slight damage to coffee table.

Lot 356

An extendable dining table with two leaves, together with eight dining chairs, 240 x 112cm.

Lot 229

A bronze four faced Chinese table weight, H. 11cm.

Lot 70

A group of four hallmarked silver mounted cut glass dressing table bottles, tallest 13.5cm.

Lot 361

A circular mahogany tilt top breakfast table with cross banded decoration and brass feet and castors, 107 x 74cm. Tilt not in working order due to being glued into fixed position.

Lot 483

A Vespa scooter style table lamp, H. 34cm.

Lot 58

A large hallmarked silver top cut crystal dressing table bottle, H. 15cm.

Lot 554

A mid-20th Century Dunhill gilt brass table lighter in the form of a tankard.

Lot 431

An unusual coffee grinder table lamp with shade, H. 83cm.

Lot 362

A two-tier kidney shaped occasional/ hall table, 72 x 56cm.

Lot 336

An extendable 1960's G-Plan dining table with one leaf together with a set of six G-Plan dining chairs, table 117 x 137cm, leaf W. 51cm.

Lot 532

A metal plant holder, W. 51cm. Together with a hammered metal covered wooden table.

Lot 15

A G-Plan oval table 74cm x 162cm x 106cm (extra leaf 47cm)

Lot 22

An Art Deco low coffee table with shaped top, fluted legs and inlaid top and under tier 50cm x 72cm x 50cm.

Lot 10

An oak bedside table. Modern. 57cm x 50cm x 41cm.

Lot 21

An Edwardian mahogany two-tier side table with string banded inlay to top and legs. 72cm x 71cm x 49cm.

Lot 19

Circular pedestal table with five pale green upholstered chairs; three of which are balloon-back (one broken back, one damaged back). Table 70cm x 130 cm diameter

Lot 28

A two-part pedestal octagonal table. 80cm x 152cm x 152cm.

Lot 5

A mahogany side table. With drop leaves. 70cm x 38cm x 56cm when (extended Width 68cm)

Lot 4

A 19th century Mahogany work table. 75cm x 48cm x 48cm.

Lot 203

Assorted Sterling silver Dressing table brushes. various dates and makers. Circa 1900.

Lot 122

A Royal Worcester cake stand, cake slice, two small dishes, and Aynsley 'Pembroke' pattern table wares and glasses (21).

Lot 20

A walnut rectangular coffee table with claw and ball feet. 90cm x 45cm x 45cm

Lot 1

A Early Victorian Walnut needlework table. Circa 1840. Some damage to veneer. 72cm x 50cm x 47cm.

Lot 278

A large collection of Hornby 00-gauge model railway rolling stock, coaches, an operating turn-table set and other items, all boxed.

Lot 235

A collection of German Black Forrest carved bears, including a brush stand, a barrel jar, table salts, a pipe tamper, a pin tray and figures standing and on all fours, the largest bear 19.5cms high; and a carved wall mounting dear trophy, 38cms wide.

Lot 72

Early 20th Century French folding table top Stereoscope viewer, in maple veneered case, with additional magnifying glass to view cabinet cards, 44cm high when fully open

Lot 230

An early 20th Century cast iron table bell, probably German, pressing head or tail to ring, 18cms long.

Lot 50

Trixon Floor Tom with original skin on top. (Phil Seamen) late 1950s/early 60s. Last remaining piece of the 'Seaman' drum kit.Legendary Drummer who even taught the great Ginger Baker.Phil Seamen English jazz and rock drummer, born 28 August 28 1926 in Burton-on-Trent, Staffordshire, England, died 13 October 1972 in London, England (aged 46).One of Britain's best bebop drummers, he later played a pivotal role in Joe Harriott's free quintet. Resident drummer at Ronnie Scott's between 1964 and 1968. Played with virtually every major British jazz figure, including Tubby Hayes, Kenny Baker, Stan Tracey, Ronnie Scott, Dick Morrissey, Harold McNair, Don Rendell, Victor Feldman, Dizzy Reece, Tony Coe, Tony Lee, and George Chisholm.In his later years he also played with blues and rock units led by Alexis Korner and Ginger Baker.Up for sale is the original Phil Seamen Floor Tom with original top skin still intact. Alas the decal of Trixon has been lost on the drum but is an original. The bottom skin has been replaced.Following is the vendors story in his own words of how he came to own this drum.English jazz and rock drummer, born 28 August 28 1926 in Burton-on-Trent, Staffordshire, England, died 13 October 1972 in London, England (aged 46).One of Britain's best bebop drummers, he later played a pivotal role in Joe Harriott's free quintet. Resident drummer at Ronnie Scott's between 1964 and 1968. Played with virtually every major British jazz figure, including Tubby Hayes, Kenny Baker, Stan Tracey, Ronnie Scott, Dick Morrissey, Harold McNair, Don Rendell, Victor Feldman, Dizzy Reece, Tony Coe, Tony Lee, and George Chisholm.In his later years he also played with blues and rock units led by Alexis Korner and Ginger Baker.Year 1973. I was 9 years old. My mum used to go to a local prize bingo at Burton on Trent Working Men's Club every Tuesday evening. I used to go with her most weeks.I diverse a little, from an early age (4-5) I loved watching people play drums (Top of the Pops etc). I used to put cushions on the floor, find a couple of pencils as sticks and off i'd go. I used to tap out rhythm's on absolutely anything, it used to drive my parents crazy. At the age of 9, my parents bought me an old drum kit. The manufacturer was 'President'. It consisted of Bass Drum, Tom Tom (on the bass), Snare drum, Hi-hat and 1 cymbal on the Bass drum, all pig skin drum heads. It didn't have a floor tom. Anyway, going forward again to 1973. Burton working mens club, Tuesday evening, as usual I went with mum to the bingo. We sat at a table. There was lady who had started to go a few months previous. She seemed a bit of a loner and seemed to always find a table to sit on her own. This particular week, there were no spare tables. She came and sat with me and mum. There wasn't much conversation between us until she saw me doing my usual 'tapping rhythms on the table'. This sparked conversation. She told us her son played drums. At this point we still had no clue who she was, just a lovely old lady. I told her i had a drum kit at home. She asked if I had a floor tom tom. As i mentioned earlier, the kit hadn't got a floor tom. She said 'I have one you can have if you'd like it? Of course, I said yes. My dad went to pick the tom tom up from Outwoods Street where she lived and brought it home on the cross bar of his bike. It was a Trixon tom. It was in a hard tom case with labels on which had 'Oslo, Frankfurt', two of the cities the drum had been. We were still none the wiser to who this drum belonged and who the lady was.The following Tuesday, i went to bingo with mum again. The old lady came and sat with us again. She took this brown crumpled up paper bag out of her shopping bag and gave it to me. Inside were 2 small chinese cymbals (about 8 inch i think they were). She said 'You can have these too if you can use them, but if not I'd like to keep them as they have a sentimental value'. I couldn't take them. They were obviously precious to her. Later that evening, a chap called Dave Farmer who organised the bingo each week came up to me and mum and said 'Do you know who that lady is? It's Mrs Seamen. Phil Seamens mum'. My mum was amazed, me at that stage not so much, as i was 9 years old and hadn't really heard much about him. We were told her Son, Phil had died in London(1972). This drum was part of a Trixon kit he toured with, and as drummers do, over time he had another kit. This kit was set up at his home for him to practice on.Over the next few years, i have to say the floor tom was a welcome addition to my President Kit. I played percussion with Stan Schofield's Accordion Band hence the orange labels of mine on the tom case. In 1975 after my grandfather died, i was bought a brand new kit. My president kit was sold on, but i kept Phil's drum as i'd promised Mrs Seamen i would. It sat in the spare room of my parents house for years.Over time, and doing some research into who Phil was, the importance of the tom started to sink in a little.Recently, i was made aware of a book launch of a biography on Phil's life written by a local chap called Peter Dawn from Woodville. I was asked if I could take the drum along to the launch for people to see. I took it. The response was amazing. People were touching the drum head, kissing their hand then touching it. Some were getting quite emotional. I can't explain how much this got to me. The penny dropped further of just how famous and important Phil actually was. It almost brought me to tears. Whilst at the launch I met another guy 'Arthur Roe' who also knew Mrs Seamen.We shared a few stories. There was one which was indentical. Phil's mum had almost begged both of our mums, not to allow us to go to London to play. This was where her beloved Phil had died of drug related illness. He also told me Mrs Seamen was so heart broken and angry that the thing which Phil loved doing the most, in her mind had led to his death', she threw the rest of his kit in the back of the weekly dust cart collections apart from it's floor tom.I also found out Phil's dad 'Joe' died the following year, in 1973 of cancer. Today, I realise just how hard it must have been for Mrs Seamen to part with the drum but It feels like it was meant to be that it came to me. She'd lost both her husband and son very close together. It kinda explained why she was so quiet at the bingo. Mrs Seamen passed away in 1981. My parents have now both passed away and i feel it's time to sell Phil's tom tom onto someone else who will enjoy it, owning a piece of Jazz music history. Thank you Mrs Seamen and Phil for allowing me to own and play your drum. It's been a privilege. Photocopy and an email can be sent of pictures of Phil playing this actual drum.

Lot 360

A Victorian part canteen of silver Fiddle pattern cutlery, comprising six tablespoons, nine table forks, five dessert spoons and four dessert forks, London 1847 and 1849 by Joseph & Albert Savory, together with three Scottish silver Fiddle pattern table forks, Edinburgh 1851 by James McKay, total weight 1830.9g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 327

A George V silver mounted Wedgwood blue jasperware biscuit barrel and cover with swing handle, Chester 1924 by Barker Brothers, total height 21.5cm, and a group of other silver and silver mounted items, including a pair of cut glass knife rests, Chester 1913, an egg cup with integral circular stand, Birmingham 1958, and a pair of cylindrical dressing table jars and screw tops, London 1903 by Drew & Sons, weighable items 262g, together with a square cut glass inkwell with hinged lid.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 384

A George V silver mounted three-piece dressing table set, engine turned with geometric decoration, comprising hand mirror, hairbrush and clothes brush, Birmingham 1932 by Charles S. Green & Co Ltd.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 365

A George III Irish harlequin part canteen of silver Fiddle pattern cutlery, comprising a set of four tablespoons, Dublin 1813 by Carden Terry & Jane Williams, a pair of tablespoons, Dublin 1804 by Samuel Neville, six table forks, seven dessert forks and six dessert spoons, Dublin 1805 by Gustavus Byrne, and six tablespoons, total weight 1418.7g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 343

A Mappin & Webb part canteen of plated Pembury pattern cutlery, comprising five tablespoons, twelve table forks, twelve dessert spoons and forks, twelve soup spoons, twelve teaspoons, twelve table knives and dessert knives and a three-piece carving set with faux ivory handles, within an oak canteen case and stand.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 344

An Edwardian silver mounted cut glass atomizer, the baluster body with pierced silver mounted shoulders, Birmingham 1906 by Levi & Salaman, height 18cm, a group of four silver mounted cut glass dressing table items, comprising powder jar, two scent bottles and hair tidy, three silver handled implements, a Bakelite hatpin stand and a matching hair tidy.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 341

A George V silver and blue enamelled ring tree, on a circular domed foot, Birmingham 1926, height 11cm, a silver mounted twin oval aperture photograph frame, London 1989, height 15cm, and a small group of other silver, including a Royal Mail six-inch ruler, Birmingham 2000, boxed, weighable items 145.3g, together with a small group of sterling silver, including a crumb brush and three hair ornaments, and a .835 silver five-piece dressing table set, cased.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 347

A late George II silver cream jug of low-bellied form with scroll handle, raised on scroll legs, embossed with a rural scene of a cottage, swan and dog, height 9.5cm, a silver buttershell on ball feet, Sheffield 1895, and a silver preserve spoon, total weight 199.6g, together with three silver mounted dressing table items and three plated items, including a vase with festoon decoration, height 23.2cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 66

A collection of lead figures, including Timpo Knights of the Round Table and Britains cowboys (playwear and damage).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 374

A group of silver and silver mounted dressing table items, including a circular powder jar and cover, London 1924, weight 193g, diameter 14cm, two jewellery boxes, two cut glass scent bottles, a cut glass oval jar, a cranberry glass scent bottle and a rectangular photograph frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 589

A ROBERT THOMPSON ADZED OAK DINING TABLE, the rounded oblong plank top raised on turned faceted trestle supports with square feet joined by a floor stretcher, carved mouse trademark in high relief, 72" x 34" x 29" (Illustrated) (Est. plus 24% premium inc. VAT)Good bar some minir fading and staining

Lot 595

A ROBERT THOMPSON ADZED OAK DRESSING TABLE, the bevelled oblong swing mirror on turned faceted supports, the moulded edged canted oblong top with ledge back, the panelled pedestals each with three drawers with turned wood handles flanking an arched kneehole, on turned faceted supports, carved mouse trademark in high relief, 54 1/4" x 20" x 52" (Illustrated) (Est. plus 24% premium inc. VAT)Very good bar minor fading and a couple of small stains to top.

Lot 111

A TABLE SERVICE FOR EIGHT PLACE SETTINGS, maker A. Haviland-Nye, London 1981, in Celtic Point pattern with bright cut engraved decoration enclosing a vacant eliptical panel, comprising table forks, dessert forks and spoons, soup, tea and coffee spoons, six table spoons, a pair of butter knives (London 1979), and eight pairs of fish knives and forks with silver blades, tines and hollow handles, 133ozs 13dwts total, together with eight each table and dessert forks, six piece carving set with stainless blades, cheese and bread knives and a cake slice (London 1979), in a baize lined fitted teak canteen retailed by "The Silver Club", Hatton Garden, 20" wide (99) (Part Illustrated) (Est. plus 24% premium inc. VAT)All matching marks except pair butter knives, cheese knives and cake slice (1979), no engraving, excellent

Lot 132

A SET OF SIX LATE GEORGE III TABLE FORKS, maker Smith & Fearn, London 1791, in Old English pattern, 13ozs 13dwts total (Est. plus 24% premium inc. VAT)Good, no engraving, clear matching marks

Lot 522

A CAST STONE TABLE, the circular top with ovolu rim on lion monopodiae supports and circular base, 31" x 30", ensuite with four circular stools (5) (Est. plus 24% premium inc. VAT)Very good

Lot 100

A SET OF TWELVE TABLE KNIVES, maker J.B. Chatterley, Sheffield 1971, with stainless blades (Est. plus 24% premium inc. VAT)

Lot 107

A TABLE SERVICE FOR TWELVE PLACE SETTINGS, maker Carrs, the majority Sheffield 1994, in Rat Tail pattern comprising dinner, dessert and fish forks, fish knives, soup, dessert, tea and coffee spoons and four table spoons, 179ozs 18dwts total, together with twelve each dinner and dessert knives with hollow handles and stainless blades, in original blue velvet lined and fitted mahogany canteen with lift-out compartment, 19" wide (124) (Illustrated) (Est. plus 24% premium inc. VAT)1 soup 1992, 7 soups 1993, 4 dessert spoons 1995 and 1993, 4 teaspoons 1995, 4 coffee spoons 1995, 3 fish forks 1995 and 1 1993, 3 fish knives 1995 and 1 1993, 3 dessert knives 1995 and 1 1996, 3 table knives 1995 and 2 1996. No engraving. Good, barely used

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