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Adams
Lot 485

A GEORGE III MAHOGANY RECTANGULAR FOLDING TOP TEA TABLE, in the manner of James Hick of Dublin, the plain top raised on gate leg supports and a carved shaped central apron, on claw and ball feet. 92 x 45cm

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Adams
Lot 253

A FINE GEORGE III INLAID ROSEWOOD DOUBLE DROP LEAF METAMORPHIC / GAMES TABLE ATTRIBUTED TO GILLOWS OF LANCASTER, the top banded in satinwood, the central section sliding to reverse as a chessboard and to reveal a plushlined backgammon board, having false frieze drawer facia and two shortside drawers, raised on parcel turned side supports and outswept scroll legs with castors, with turned stretcher. 147cm wide, 71cm high x 65cm deep

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Adams
Lot 587

A WILLIAM IV ROSEWOOD FOLD TOP TEA TABLE, c.1830, stamped 'Jack Patterson & Co.', the rectangular top with rounded fore corners, on turned centre column, and concave platform base with up-scrolled feet. 74cm high, 107cm wide, 49cm deep

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Adams
Lot 565

AN IRISH GEORGE III CARD TABLE, with frieze drawer, on cabriole legs, pointed feet. 75cm wide x 36cm deep

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Adams
Lot 442

A 19TH CENTURY GEORGE III STYLE IRISH SIDE TABLE, in the manner of Butler, the later grey marble top above a heavy carved frieze, centred by a lion mask and flanking swags, raised on central legs with paw feet.

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Adams
Lot 566

A REGENCY INLAID ROSEWOOD DOUBLE DROP LEAF SOFA TABLE, with frieze drawers, with bone handles on square tapering end supports, with bowed stretcher on outswept legs, with brass toe caps and castors. 150cm long x 61cm deep

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Adams
Lot 578

ALBERT ANKER (1831-1910)A woman seated at a table stirring a cup on a saucerCrayon, 24 x 31.5cmProvenance: Acquired in Switzerland by the vendors grandfather, attached is a copy of a note from Marie Guinche Anker Le dessin, au fusain, représentant une Bernoise, en bonnet, remuant son café, assise a une table de face dimensions 32.24 est une oeuvre de mon père le peintre Alb Anker.

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Adams
Lot 161

A GEORGE III MAHOGANY SMALL DOUBLE DROP LEAF OCCASSIONAL TABLE, with serpentine leaves, on turned and block supports. 89 x 90cmProvenance: Purchased from William Bedford, London

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Adams
Lot 513

A VICTORIAN OAK FRAME GOTHIC SIDE TABLE, with circular white marble top.

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Adams
Lot 208

AN IRISH GEORGE III TRIPLE TOP FOLDING TEA / CARD/ GAMES TABLE, the hinged top opening to reveal a plain tea table and folding once again to a baise lined interior with sunken counter wells and candle stand roundels, lastly a chessboard and an inlaid bridge/gammon board, raised on plain cabriole legs with paw front feet. 94cm wide x 45cm deep

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Adams
Lot 452

A FINE REGENCY INLAID ROSEWOOD SHAPED RECTANGULAR LIBRARY TABLE, the cross-banded top above twin frieze drawers with brass ring handles, raised on shaped end supports, cross stretcher and splayed legs with brass toe caps. 121 x 60cm

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Adams
Lot 113

A 19TH CENTURY DIAMOND CUT GLASS PIGGIN, of circular form, with short stave handle and star-cut base. 13cm wide over handle.At the close of the 18th century, due the ability to export glass, which was made possible by the excise duties placed on glass produced in Great Britain, new glass-houses were set up in Cork, Waterford, Belfast, Dublin and Newry. Before the 19th century it was difficult to tell the difference between Irish and English glass shapes and cuts as they employed very similar styles- on account of the large number of English glass makers working in Ireland. Equally glassmakers, similar to other crafts of the period were following the lines of London fashion. However, with individual objects it becomes easier to tell the differences and subtleties of design. With this present example of a glass piggin considerable changes occurred in its style and function. It was not until end of 18th century that piggins made from glass or silver were produced in Ireland. Previous to this they had been formed out of wood and in keeping with this earlier material some glass piggins from this period were cut to simulate the staves and horizontal rings as to resemble the wooden pails. These wooden piggins were used mostly in the more rural homes functioning as miniature pails. However, their status gradually changed, moving from quaint cottage life to the upper echelons of the 19th century ‘big house’ to be used for more elegant purposes. The survival of glass piggins with serving ladles indicates they were used for serving at the table. Equally the rarity of glass piggins seems to indicate that they were not a domestic necessity but rather an object of design. Cut motifs decorated the rim - as they were no longer used for drinking - similar to glass decanters or fruit bowls. The body of the piggin was formed from cut pillar flutes, a pattern much favoured by the Waterford glassworks in the 1820s while others were cut all over with prismatic rings or sharp diamonds.

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Adams
Lot 437

A GEORGE III MAHOGANY WINE TABLE, with pie crust rim on turned centre pillar and tripod base. 50cm wide, 68cm tall

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Adams
Lot 319

AN IRISH GEORGE III MAHOGANY DOUBLE DROP LEAF SUPPER TABLE, of octagonal form, raised on cabriole legs, with acanthus carved knees, on claw and ball feet. 129cm wide x 135cm deep

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Adams
Lot 463

THE TOWNLEY HALL ESTATE CABINET, an Irish country-made oak estate cabinet, 18th Century, the top part with a pair of doors concealing pigeon holes, the table base with a moulded rim above a pair of deep frieze drawers, on square grooved and chamfered legs brass handles and lock plates and preserving paper labels with letters and dates such as letters 1794. 129cm wide x 83cm deep x 207cm high

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Adams
Lot 223

AN IRISH GEORGE III MAHOGANY BOWFRONT TRIPLE FOLDING TOP CARD TABLE / TEA TABLE, the plain hinged top with baise lined interior and sunken counter wells with single frieze drawer, on slender cabriole legs with acanthus carved knees, raised on pad feet. 77 x 41cm

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Adams
Lot 549

AN IRISH KILLARNEY WORK TILT-TOP OCCASIONAL TABLE, 19th century, the wavy circular top inlaid with feather plume within an ebon reserve on a panelled centre column and trefoil base. 72cm high x 62cm diameterNote: Made to coincide with the visit of the Prince of Wales to the Killarney workshop.

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Adams
Lot 86

AN IRISH GEORGE III OVAL DOUBLE DROP LEAF SUPPER TABLE, the top with moulded rim, raised on four cabriole legs, with carved hoof feet. 109cm highProvenance: Burrow Hall, Burrow-with-Burrow, Lancashire, England.

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Adams
Lot 214

A VICTORIAN KILLARNEY WORK SHAPED CIRCULAR SNAP-TOP TEA TABLE, the inlaid arbutus wood decorated with boxwood plaques depicting Killarney views and with sprays of ferns raised on centre triple pillar supports and a triangular platform base, on similarly decorated carved paw feet. 71cm diameterThe Killarney Woodwork IndustryBy the middle of the 18th Century Killarney and its hinterland was emerging as a 'tourist centre'. Early visitors related their experiences of awesome lakes, mountains and wildlife in guidebooks and by 1853 Killarney was accessible by rail, allowing even greater numbers to reach the area. Roughly 30 years before the arrival of the railroad, enterprising men such as Jeremiah O'Connor established factories for the production of handcrafted souvenirs such as chessboards, snuff boxes, card cases - even jewellery.The items were made from a variety of beautiful local timbers - arbutus, elm, ash, holly, yew, bog oak and bog yew which grew in abundance on the mountainside surrounding the Lakes of Killarney. Arabutus and bog oak were used prolifically and became particular to the Killarney wares. As momentos of the area, the items mentioned were inlaid with marquetry images of the most popular local sites: Muckross Abbey, Ross Castle, Glena Cottage, Old Weir Bridge, Innisfallen, Aghadoe, Dunloe Castle and Killarney House, several of which can be identified on the Davenport desk illustrated.The images were largely taken from a book of engravings 'Ireland: Its Scenery, Character and History' (1841) by Mr and Mrs S.C. Hall. In addition the wares were decorated with symbolic motifs of shamrock, harp, ivy, ferns, mountain eagles and deer.The depiction of wreaths, shamrock, rose and thistle together symbolised the union of Ireland with England, Scotland and Wales. It is possible that producers obtained the notion for such souvenir articles from other tourist resorts such as Tunbridge Wells in Kent as there are records of similar items being manufactured earlier than those at Killarney. The sale of these small, portable, often exquisitely carved items was seasonal and by the mid-nineteenth century manufacturers had turned their hand at creating fine quality pieces of furniture such as writing desks, sofas and cabinets aimed at the gentry, both locally and nationally/internationally.Good producers such as James Egan displayed wares at exhibitions as far away as Paris and New York. Around 1860 Egan was commissioned by Lord Castlerosse to manufacture a fine arbutus cabinet and desk as a gift for Queen Victoria and many of the manufacturers both gifted and sold pieces to members of the royal family giving further status to the wares. The decline in production of Killarney woodwork came in the late 1800s. The lack of innovation in design and competitive pricing from outside manufacturers assisted in the demise of the industry. The production of items in bog oak lasted longer than that of arbutus but by the early 1900s Killarney was better known for its lace than its woodwork. Now only woodwork museums in Kerry and the items themselves remain.

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Adams
Lot 39

A GEORGE III PAINTED AND PARCEL GILT DECORATED SNAP-TOP OCCASIONAL TABLE, the oblong octagonal top painted with a seated figure by an urn within a neo-classical banded border, raised on a spiral turned centre pillar and splayed tripod base. 40 x 32.4 x 71cm high

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Adams
Lot 172

AN IRISH GEORGE III MAHOGANY TRIPLE FOLDING TOP CARD/TEA TABLE, the top with rounded corners opening to reveal a card table with candle stand and sunken counter well, below a plain tea table with one pull out and hinged side drawer, raised on slender tapering legs with pad feet. 83 x 41cm

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Adams
Lot 362

A LARGE VICTORIAN GILTWOOD CONSOLE TABLE AND PIER MIRROR, surmounted with foliate scrolls and with moulded foliate banded frame, raised above a rectangular table with white veined marble top above a moulded frieze and raised on leaf carved cabriole legs with scroll feet. 46cm deep x 316cm high x 171cm wide

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Adams
Lot 409

A GEORGE IV MAHOGANY SHAPED RECTANGULAR DINING TABLE, raised on triple pillar supports, the reeded pillars terminating on scroll quadruped feet and brass castors (four additional leaves). 481cm long x 132cm wide

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Adams
Lot 555

A WILLIAM IV MAHOGANY AND ROSEWOOD SHAPED RECTANGULAR LIBRARY TABLE, c.1835, having twin frieze drawers, with brass drop handles, on twin fluted column supports, the platform base on short downswept fluted legs. 134cm wide

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Adams
Lot 115

A PAIR OF 19TH CENTURY PUGH GLASS CELERY VASES IN THE MANNER OF FRANZ TIEZE, of trumpet form decorated with wheel cut continuous landscapes of deer in woodland. 25.5cm tall In 1855 Thomas and Richard Pugh left the glassworks firm Irwin's of Potters' Alley to set up a small glassworks at Lower Liffey Street. The business expanded quickly and by 1863 the Pughs had taken over the historic premises at Potters' Alley where glass had been manufactured since the middle of the 18th Century. The firm produced a wide range of domestic and industrial glass and when it closed its doors in 1890 no led glass was manufactured in Ireland until the establishment of Waterford Glass in 1947. In an effort to meet the growing popularity of good quality table glass the Pughs recruited accomplished bohemian glass engravers, among them was Franz Tieze. Here Tieze developed an elegant, highly individual style focusing on naturalistic and Celtic revival motifs. He was one of the only engravers brought over by the firm who settled in Dublin, remaining here long after the Pugh's glassworks had closed.

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Adams
Lot 207

A GEORGE III MAHOGANY RECTANGULAR LIBRARY DESK ATTRIBUTED TO GILLOWS OF LANCASTER, the hinged top folding to reveal a double adjustable drawing table, above a pull-out secretaire, with fall front false drawer fascia, the interior with hinged lift top compartment, inlaid and painted with ovals and letter pairs V X and W Y etc., above a cupboard base with fitted deep drawers. 124cm wide x 69cm deepThis handsome example of Georgian library furniture closely follows the pattern that Gillows produced in 1782 designed by Richard Gillow to a commission from his brother Robert, and is most likely to have been made by that firm. They called it a writing or library table 'of New Construction and Plan of our Invention'. It was the most expensive piece of furniture that the firm had made to date and they guarded its design, insisting it could only be sold to 'gentlemen'.They stressed the quality of the wood, the arrangement of internal drawers with lettered compartments and the double-ratcheted top enabling writing to be done standing up, if desired, and other 'innovations', most of which are present in the current lot.

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Adams
Lot 384

AN EARLY 19TH CENTURY SPODE PORCELAIN PART TABLE SERVICE, comprising a large two handle centre bowl, four oval serving dishes, three scallop shape bowls and eight dessert plates, each painted with floral sprays and scattered insects against a white ground within a gilt edged border, impressed factory mark verso. (18)

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Adams
Lot 544

A GEORGE III MAHOGANY RECTANGULAR WRITING TABLE, with pull out central section on legs with fitted interior and candle slides

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Adams
Lot 354

A GEORGE IV INLAID MAHOGANY RECTANGULAR WORK TABLE, the top crossbanded with rosewood above pull-out adjustable writing slide and an assortment of cockbeaded drawers, the opposing side with false drawer fascia, raised on turned centre pillar quadruped supports. 53.5 x 38 x 76cm high

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Adams
Lot 369

A GEORGE III IRISH MAHOGANY SIDE TABLE, the moulded rectangular top raised above a shaped apron centred with a scallop shell and raised on leaf carved cabriole legs and paw feet. 153cm wide x 73cm deep

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Adams
Lot 288

A FINE LARGE IRISH MAHOGANY SIDE TABLE, c.1740, with Irish moulded green marble top, with wave shaped apron centred by a scallop shell and raised on shell and leaf capped cabriole legs with paw feet. 188cm wide x 91cm deep x 78cm highProvenance: From the collection of the late Willie Dillon.

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Adams
Lot 173

A GEORGE IV MAHOGANY SERPENTINE FRONT DRESSING TABLE IN THE MANNER OF GILLOWS, the central frieze drawer flanked by two deep drawers in a four drawer facia, raised on reverse fluted tapering legs. 112 x 54

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Eldreds Auctioneers & Valuers
Lot 597

A quantity of white-work table linen, lace mats, a large wool plaid shawl and other items.

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Eldreds Auctioneers & Valuers
Lot 526

Dolls house furniture, including an Art Deco metal fireplace, clock, settee, chairs, dining table and radio, and four tinplate stacking chairs.

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Eldreds Auctioneers & Valuers
Lot 550

'The Trenches on the Table - An Impression of Actual Trenches Somewhere in France Designed by an Officer in the Rifle Brigade', a composite model of W-shaped trenches, with gun emplacements, sand bags and barbed wire, 35cm x 50.5cm x 7cm, in original box, marked 'Instructive-Unbreakable-Inexpensive, prev. patent no.12 0 60/1916, W. B. & Sons, Finsbury Park N'.

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Eldreds Auctioneers & Valuers
Lot 235

Two John Morris & Sons Ltd copper and brass fire hose nozzles, both marked 5/8, now converted to table lamps, 54cm high, (2).

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Hampstead Auctions
Lot 13

An early 20th century 18 carat gold, split pearl and diamond half hoop ring, the three 5.5 – 5.2mm split pearls with pairs of old cut brilliants between, above a scrolling gallery mount, finger size H/I, 4.4gms Condition reportnice silver lustre to pearls, chip to one diamond table

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Hampstead Auctions
Lot 218

A miscellaneous group of jewellery boxes and cases including 2 pen boxes, cases for necklaces, bracelets, rings, brooches, ear rings etc., two dressing table jewellery boxes, velvet-lined, one with interior mirror a/f, also includes a box for a Patek Philippe watch, a Ciro of Bond St. case, another by Graff and two Avakian boxes (approx. 38) Condition reportMost are in reasonable to good order taking into account they are second-hand, viewing recommended.

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Hampstead Auctions
Lot 31

An 18 carat gold and sapphire ring, the extended curved oblong bezel set with five rows of 2mm round cut stones, the squared shank fully hallmarked, finger size L, 13.9gms Condition reportone stone with chip to table facet edge, otherwise no losses, stones bright, marks clear

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Hampstead Auctions
Lot 415

A George III silver fiddle and thread pattern table spoon by Paul Storr, London, 1818, engraved with crest coronet with Prince of Wales’s feathers, 21.6 cm. long, wt. 78 gm.

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Hampstead Auctions
Lot 458

A set of 12 modern table knives and a set of 12 cheese knives en suite, by William Yates Ltd., Sheffield, 1973, with tapering faceted handles and stainless steel blades (24) Condition reportIn excellent condition, virtually as new

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Hampstead Auctions
Lot 507

A small George III cylindrical silver dressing table box by Phipps and Robinson, London, 1808, with pull-off cover, later chased with flowers and scrolls, gilt interior, 3.6 cm. high, wt. 36 gm. Condition reportOverall good order, fully marked inside base, makers, lion passant and date letter in cover

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Duke's Avenue Auctions
Lot 611

A PAIR OF GREY PAINTED BEDSIDE CABINETS, each bowfronted with three short drawers and a similar work table

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Duke's Avenue Auctions
Lot 535

A CONTEMPORARY SMOKED GLASS AND TUBULAR CHROMED METAL COFFEE TABLE

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Duke's Avenue Auctions
Lot 579

A REGENCY ROSEWOOD SOFA TABLE, with rectangular top with drop-flap ends above two short frieze drawers, on a turned column and platform base

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Duke's Avenue Auctions
Lot 541

AN EDWARDIAN MAHOGANY FRAME TRIPLE DRESSING TABLE MIRROR

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Duke's Avenue Auctions
Lot 603

A VICTORIAN WALNUT VENEERED SEWING TABLE, with octagonal top above a tapering base with three downswept cabriole legs

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Duke's Avenue Auctions
Lot 559

A VICTORIAN SHERATON REVIVAL SERVING TABLE with rectangular mahogany top with satinwood crossbanding above two frieze drawers, on square tapering legs with brass castors and an early 20th century bedroom chest of two drawers

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Duke's Avenue Auctions
Lot 591

AN EDWARDIAN WALNUT WINDOW TABLE, with octagonal top on turned legs with similar stretcher

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Duke's Avenue Auctions
Lot 523

ERCOL: A PALE ELM AND BEECH DINING SUITE comprising extending table, 88" (fully extended), four side chairs, two carvers, three door sideboard, 51" wide and plate rack, 42" wide

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Duke's Avenue Auctions
Lot 598

A MODERN OAK DINING TABLE with a rectangular top on trestle type base with six matching chairs and other matching pieces

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Duke's Avenue Auctions
Lot 518

A STAINED PINE COFFEE TABLE, a similar television stand and a pine cupboard fitted with drawers

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Duke's Avenue Auctions
Lot 610

A MARBLE TOPPED OCCASIONAL TABLE, the circular top on three columns and platform base

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Duke's Avenue Auctions
Lot 600

AN INDIAN BRASS TOPPED OCCASIONAL TABLE, the engraved top on a folding turned base

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Duke's Avenue Auctions
Lot 613

A REPRODUCTION BOWFRONT CHEST of four short drawers and a side table

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Duke's Avenue Auctions
Lot 509

A GOTHIC REVIVAL STAINED PINE CHURCH TABLE, with plain top above open columns on chamfered supports

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Duke's Avenue Auctions
Lot 241

A COLLECTION OF ASSORTED LINEN including table mats and other items

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Duke's Avenue Auctions
Lot 560

A 19TH CENTURY MAHOGANY DROP-FLAP TABLE with moulded legs and brass castors, 36" long

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Duke's Avenue Auctions
Lot 158

AN ART DECO GREEN GLASS TABLE LAMP (Base) and two table lamps

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Duke's Avenue Auctions
Lot 538

A TWO TIER TEA TROLLEY, an occasional table and other items of small furniture (as lotted)

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