We found 1181390 price guide item(s) matching your search
There are 1181390 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
1181390 item(s)/page
An early 19th century wrought iron and oak table rushnip with candle socket counterweight, Welsh, circa 1820 Having rectangular jaws on a square-section stem, the U-shaped arms terminal in a rolled conical candle socket, on a rhomboid oak base with angled edges, height 21.3cm
A good Charles II oak side table, circa 1670 The top of two ovolo-moulded boards, the frieze drawer with two applied mitre-moulded reserves, on unusual ball and slender-fillet turned legs, joined all round by matching stretchers, on turned feet, 87cm wide, 73cm high,53cm deep.
A William & Mary oak side or dressing table, circa 1690 Having a triple boarded and ovolo-moulded top, the frieze with ogee profiles centred by a high arch, enclosing a small drawer flanked by a deeper drawer, on slender baluster over ball-turned legs, joined by a wavy X-form stretcher, on turned feet, height 67cm, width 71.5cm, depth 49.5cm
A George III wrought iron and oak table rushnip, Denbighshire With a twist-work stem and arm, a rolled socket formed at the end of the long arm, on a spreading square-section base, height 28.2cm Literature: For a similar example see R. Ashley, ’The Rushlight & Related Holders: A Regional View’ (2001), p.79
A Charles I oak table-stool, West Country, circa 1640 Having a twin-boarded top, with double-reeded edges and chip-carved ends, bicuspid-profiled long rails, and flattened-arched end rails, on baluster over reel-turned legs, joined by plain stretchers all round, height 54cm, width 56.5cm, depth 44cm
A William & Mary oak gateleg table, circa 1690 Having an oval drop-leaf top, formed mainly from broad single boards, on baluster and ball-turned legs, and matching gates, with plain stretchers and tall 'pear-shaped’ feet, dimensions open, height 71cm, width 114cm, depth 92.7cm, width closed 37.5cm
A William & Mary oak side table, circa 1690 The top of two boards with ovolo-moulded edge, above a frieze drawer with two mitre-moulded drawers, on baluster-turned legs, joined by a wavy X-form stretcher, centred by a turned finial, on ball-turned feet, height 73.5cm, width 80.5cm, depth 54cm
An early 18th century table-top oak spice cupboard, circa 1710-30 Having a fielded panelled cupboard door, enclosing an arrangement of seven small drawers around an open arch-headed recess, on a slender cut-away plinth base, height 38cm, width 39.5cm, depth 22.5cm
A Charles II oak gateleg occasional table, with rare cut-out platform stretcher, circa 1680 Having an oval drop leaf top, opening on simple run-moulded rail gates, with spiral-turned end supports, on sledge-type feet, joined by a wide platform stretcher, with large oval-shaped cut-out to centre, 64cm wide, 76cm deep when opened, 61cm high
An unusual and strikingly designed Victorian cast and repouseé brass double-barrelled goffering iron, circa 1840 The two barrels, of different size, threaded into the length of the cast multiple-baluster stem, the sheet brass domed circular base ornately designed with cartouche-scrolls over original pine base, to add weight and protect the table, height 37cm
A part Elizabeth I oak and inlaid drop-leaf centre table, circa 1580 and later The top geometric inlaid and with end-flaps, held open by paired lopers to the underside, with flattened-arched and dentilated rails, on raising-baluster over ovoid-turned legs, joined by flat run-moulded stretchers all round, on turned feet, height 68cm, width open 98.5cm, depth 46.5cm The rails and legs appear late 16th century.The top later. The stretchers later,No reason to belief it was ever a drop-leaf, could have simply been a centre table base.
A mid to late 18th century wrought iron crown-based table rushlight, Irish, probably County Kildare, circa 1800 Having a short rectangular jaw, the rectangular-section curving arm terminating in a cone-shaped socket, the square-section stem encircled by four hipped and downswept ‘legs' welded to a flat base ring, height 23.5cm Provenance: Former Danny Robinson Collection. Label to underside records ‘Exhibition 16 October 1999’ Literature: The plain design of this rushlight, without typical Irish twist-work, is unusual. See Robert Ashley, ‘The Rushlight and Related Holders’ (2001), p. 130, fig. 89C for a similar un-embellished example
A rare mid-16th century walnut centre table, French, with a fabulous 'Mandale' Derbyshire fossil limestone top, circa 1550 and later The trestle base with bold end-supports, each carved with a stepped tapering fluted column, with an Iconic capital extending to pairs of arcades, with end pendants, the scroll downswept sledge foot centred by a lion sejant erect cartouche, joined by a central arcade raised on four fluted columns, 244cm wide, 112cm deep, 78cm high For comparable tables, all with a central arcade and trestle-end base, dated to the mid-16th century and attributed to France, see the Victoria & Albert Museum Collection, London, acc. nos. 572-1893; W.212-1910 and The Metropolitan Museum, New York, acc. no. 32.100.329.
Harry Barr (1896-1987)Still life – yellow and orange chrysanthemums in a terracotta vase upon a table, signed, oil on canvas, 75 x 54.5cm Chrysanthemum – paint flaking and cracks especially to upper area. Horizontal scratch approximately 2 inches left of vase. Light surface scratches to upper right centre edge.
FOLLOWER OF WILLEM CLAESZ HEDA A STILL LIFE WITH A RUMMER, A TAZZA, A LEMON AND OTHER OBJECTS ON A TABLE Oil on panel 52 x 78cm (20¼ x 30½ in.) Condition Report: The panel has split and been re-joined using glue and wooden supports. This split is also visible recto including retouching/overpaint which can be seen in natural light. There are two spots of discoloured varnish to the lower left and right edges. Small spots of paint loss and abrasions to the lower right quadrant. There is an uneven varnish which is most notable in natural light to the upper right quadrant. Layer of surface dirt. Inspection under UV reveals the aforementioned line of repair. Further retouching is presumed but hard to read due to the applied heavy varnish. Condition Report Disclaimer
Svaja - a contemporary Studio Art glass sculptural table centre bowl of abstract form, the irregular curved body of clear, red, aubergine and white lattice glass, original label, 41cm diameter, a graduated pair of Rosenthal Classic plates, 31cm and 17.5cm diameters (3)
A Chinoiserie style Liberty’s table-top stand/ bonsai table, caved to the top with Flag Iris, incurved legs, 16.5cm high x 26.5cm x 26cm; a small walnut occasional table, carved to one leg with initials K. H. J. H., a low, Egyptian revival games table/coffee table, (3).
-
1181390 item(s)/page