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Click here to subscribeA GEORGE II MAHOGANY COMBINED TEA AND GAMES TABLE C.1740 the twin-hinged demi-lune top revealing a baize lined playing surface, with dished counter wells, on a single gate support, the interior with apertures for inkwells and a pen tray, on turned legs and pad feet 72.2cm high, 80.2cm wide, 40cm deep
A GEORGE II MAHOGANY HARLEQUIN TABLE IN THE MANNER OF THOMAS POTTER, C.1740 the crossbanded hinged fold-over top revealing an interior, with a rising cartonnier fitted with pigeonholes and drawers, the interior probably originally with a lined writing surface, on lappet carved legs and pad feet, on sunken leather roller castors 74.7cm high, 79.2cm wide, 41.3cm deep Catalogue Note The harlequin multi-purpose mechanical table was named after the master-of-disguises in the 18th Century Commedia dell'Arte theatre. A related design for a harlequin table of this form is included on the trade card of Thomas Potter (d.1782), cabinet-maker of High Holborn (now in the Victoria and Albert Museum, ref. no. E.2320-1889). See Adam Bowett, Early Georgian Furniture 1715-1740, p.265, pl.5 for a similar example.
A GEORGE III KINGWOOD AND MARQUETRY SIDE TABLE ATTRIBUTED TO PIERRE LANGLOIS, THIRD QUARTER 18TH CENTURY with ormolu mounts, the shaped top with harewood panels flanking a burr elm oval panel inlaid with ribbon tied flowers in various fruitwoods, the serpentine frieze with a conforming panel of flowers and leaves, on cabriole legs 73.3cm high, 105.5cm wide, 58cm deep Catalogue Note Pierre Langlois (1718-1767) of Tottenham Court Road, London, was one of the leading cabinet makers of the mid-18th century. He produced a wide range of furniture in the French manner, specializing in commodes in the Louis XV / XVI styles, inlaid with floral marquetry and with gilt bronze mounts. His clients included the Duke of Bedford at Woburn Abbey, the Earl of Coventry at Croome Court and the Duchess of Northumberland at Woburn. See Ralph Edwards, The Dictionary of English Furniture, vol.III, p.298, fig.72 for a similar table.
AN EARLY GEORGE III MAHOGANY TRIPOD TABLE C.1760 the circular tilt-top above a fluted stem and a spiral ribbed bowl, on scroll decorated legs and feet, on brass roller castors 73.7cm high, 86.5cm diameter Provenance Property from a Sibyl Colefax & John Fowler Interior, London. Dreweatts, Fine Furniture, 10th December 2020, lot 602.
A GEORGE III MAHOGANY SILVER TABLE IN THE MANNER OF THOMAS CHIPPENDALE, C.1760-70 the serpentine top with a pierced gallery, above a plain frieze, on leaf and fishscale carved legs united by a pierced stretcher, stamped to one rail 'crown R' 73.7cm high, 74cm wide, 49.5cm deep Provenance Private Collection, Berkshire. Dreweatts, Fine Furniture, 10th December 2020, lot 580.
λ A GEORGE III HAREWOOD AND MARQUETRY CARD TABLE IN THE MANNER OF MAYHEW & INCE, C.1780-90 with rosewood and kingwood crossbanding, the fold-over demi-lune top inlaid with scrolling leaves and flowers, and centred with a ribbon tied laurel leaf surrounding a coat of arms for William Masterman of Leyton, revealing a later baize lined playing surface, on twin gate supports, the flowerhead guilloche decorated frieze centred with a female blackamoor bust crest, on square tapering legs inlaid with flowers and leaves 75.8cm high, 99.5cm wide, 49.5cm deep Catalogue Note William Masterman (1759-1845) was a banker of Quaker origins, he married Lydia (1756-1819), daughter of Daniel Mildred, a merchant of London. He purchased Leyton House from the Bertie family in 1788 which subsequently became Barclay Park. The banking firm of Masterman, Peters, Mildred and Masterman was based in Lombard St. London between 1779 and 1865.For a Pembroke table from the suite, see Christie's, New York, 15th April 2005, lot 250.
A VICTORIAN WALNUT AND COROMANDEL BUREAU PLAT IN LOUIS XV STYLE C.1870 - 80 with ormolu mounts and inlaid with floral marquetry, the quarter veneered top above a pair of frieze drawers 75.4cm high, 102cm wide, 57cm deep Catalogue Note See Christopher Gilbert, Furniture at Temple Newsam House and Lotherton Hall, vol.11, p.435, pl.434 for a very similar table.
A VICTORIAN MAHOGANY PARTNER'S WRITING TABLE MID-19TH CENTURY the top inset with later gilt tooled green leather writing surface, above three frieze drawers to either side, one stamped 'W. Priest 1 & 2 Tudor St. Blackfriars', on turned tapering legs and brass caps and castors 74.8cm high, 167cm wide, 112cm deep Provenance From the estate of the late Marguerite Littman.
A VICTORIAN ARTS AND CRAFTS OAK TABLE IN GOTHIC STYLE LATE 19TH CENTURY with a pair of frieze drawers, on chamfered 'X' frame supports applied with trefoil brackets, united by a stretcher 74.9cm high, 137.5cm wide, 90cm deep Provenance From the estate of the late Marguerite Littman.
A REGENCY MAHOGANY DINING TABLE EARLY 19TH CENTURY inlaid with stringing, the top with a reeded edge, on ring turned tapering legs and brass caps and castors, comprising: a pair of 'D' ends and two additional leaves, the frame stamped '4788' 73.5cm high, 114.5cm wide, 222.5cm long
A REGENCY MAHOGANY PARTNER'S WRITING TABLE EARLY 19TH CENTURY the reeded edge top inset with a gilt tooled green leather writing surface, above a pair of frieze drawers to either side, on ring turned legs and brass spoke castors 77cm high, 120.5cm wide, 80.2cm deep Provenance The General Trading Company, 144 Sloane Street, London, 14th June 1994. A Private Collection, London.
λ A REGENCY ROSEWOOD SOFA TABLE EARLY 19TH CENTURY inlaid with satinwood stringing, the crossbanded drop-leaf top above a pair of cedar lined frieze drawers, with false fronts to the reverse, on a single pillar and brass lion's paw sabots and castors 74cm high, 73.7cm x 148.5cm (open) Provenance Dean's Farmhouse, Stratford-sub-Castle, Salisbury.
λ A REGENCY ROSEWOOD WRITING TABLE EARLY 19TH CENTURY inlaid with stringing and satinwood banding, the top inset with a later gilt tooled leather writing surface, above a pair of cedar lined frieze drawers, on trestle supports united by a stretcher and on brass castors 74.3cm high, 84cm wide, 58.6cm deep
A CHINESE PORCELAIN CELADON GLAZED VASE TABLE LAMP 19TH / 20TH CENTURY with moulded decoration, the neck with stiff leaves, the body with scrolling leaves and flowers, with bird's head handles with rings, on a hardwood base, together with a cloisonne lamp (2) 37cm high (max)
λ AN ANGLO-CHINESE HUANGHUALI AND PADOUK GAMES TABLE EARLY 19TH CENTURY inlaid with stringing and banding, the drop-leaf top with a reeded edge, with a sliding reversible centre inlaid with an ebony and boxwood chequer board to the underside, revealing a backgammon board inlaid with ebony and bone, with parquetry squares and lozenges, above a camphorwood double sided frieze drawer with divisions, on square tapering legs and later block feet 76.2cm high, 70.3cm wide, 56.2cm deep Catalogue Note See Carl L. Crossman, The Decorative Arts of the China Trade, pp. 236 and 237, pl.88 and 89, for two comparable examples with similar interiors. According to the author the interiors were based on a gaming box by Thomas Chippendale for Paxton House in 1774. See also Dreweatts, Fine Furniture, 30th June 2021, lot 265 for a similar example which sold for £15,000 (hammer),
DANISH TRIPOD TABLE 19TH CENTURY AND ASSCOIATED the circular ebonised and painted top decorated with four portrait miniatures of children, each named and with panels of scrolling leaves, with a German inscription and the date '1879', on an associated mahogany base 70.8cm high, 47.5cm diameter
A REGENCY PAPIER-MACHE TRAY TABLE EARLY 19TH CENTURY AND LATER black japanned, painted in red, gilt and green, with a central urn, ho-ho birds, scrolling leaves and butterflies, later mounted on a faux-bamboo base, with a plate glass top 47.3cm high, 62.5cm wide, 51.5cm deep
NAVAL INTEREST. AN EXOTIC HARDWOOD TRIPOD TABLE 19TH CENTURY the octagonal tilt-top inlaid with cube parquetry, the centre with a garter, inscribed 'H. M. S. Thetis' and a central parquerty star, on a turned stem and scroll supports 73.5cm high, 64.5cm wide Catalogue Note An H. M. S. Thetis was a forty-six gun frigate of thousand and eighty-six tons, built in Pembroke in 1817. She was wrecked on the coast of Brazil on the 5th December 1830.
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