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A French Ebonised and Boullework Table Top Drinks Cabinet, mid 19th century, of rectangular form, the hinged cover, fascia and side panels opening to reveal a lift-out display stand with gilt metal mounts and sliding side panels, all set with four decanters and stoppers and sixteen liqueur glasses with gilt tendril decoration, 33cm (some damage)
An Oak Striking Table Clock with Half Hour Passing Strike, signed Chas Taylor & Son, London and Bristol, circa 1880, the case with architectural top, fluted side columns, side fret sides, shaped rectangular base with padded feet, 7-inch arched silvered dial with Roman numerals, finely engraved scroll decoration and depicting an eagle and snake, dial signed, twin fusee movement with anchor escapement, half hour passing strike on a bell and striking a gong for the hours, movement backplate numbered "4330", movement secured by brackets, 65cm high see illustration
A Large 19th Century Oak Centre or Dining Table, the rectangular top with an egg-and-dart edge over a frieze corbelled and panelled in the Mannerist style, supported on two central pillars and with a carved lion sejant at each corner, on a moulded double Y plinth, 280cm by 138cm by 75cm
A Satinwood and Painted Dressing Table, the kidney-shaped top painted with a central reserve of 18th century figures surrounded by swags, ribbons, etc., over one long and two short frieze drawers, on curved X end supports joined by a turned stretcher, with brass caps and castors, 101cm by 60cm by 68cm See illustration
An Edwardian Rosewood Pembroke Table, the rectangular top over a frieze drawer to each end, on square tapered legs with castors, joined by rising X stretcher with rectangular galleried undertier, bears the trade label of Johnson and Appleyards, Manufacturers and Merchants, Sheffield, 76cm by 53cm by 75cm See illustration
A George IV Mahogany and Crossbanded Card Table, the D shape swivel top enclosing a green baize lined interior, above a plain frieze on turned column support united by quadruped scrolling supports and platform base, raised on scrolling legs, brass claw feet and castors, 90cm by 45cm by 75cm
A Victorian Rosewood Card Table, the rectangular rounded top enclosing a green baize lined interior above a moulded frieze, supported by a plain column and carved leaf collar, on circular moulded base raised on three claw feet and castors, 90cm by 45cm by 70cm See illustration
A Small Directoire Mahogany and Brass Moulded Table Cabinet, German, attributed to David Roentgen, having sliding trays over a brass-ribbed drawer enclosed by a tambour slide, between pilasters with ribbed brass panels, on a plinth, 55cm by 24cm by 27cm See illustration David Roentgen (1743-1807) was one of the finest, most innovative and commercially driven cabinet makers of the 18th century. He perfected the standardisation of parts of his elegant furniture that allowed it to be taken apart, shipped safely to clients, and then easily reassembled. See Miller (Judith): Furniture, page 142.
A Sheraton Revival Satinwood and Inlaid Bedroom Suite, comprising a three-part wardrobe of arc-en-arbalette form, having a moulded and inlaid cornice over two bowed doors enclosing hanging space, flanking a central coved door enclosing trays and drawers, on a moulded plinth with gadrooned toupie feet, 222cm by 94cm by 222cm, a kidney-shaped dressing table, 94cm by 147cm by 75cm, a bedside cupboard, two chairs, a dressing stool, and two single beds, joined together with a headboard (7)
A Robert "Mouseman" Thompson Panelled Alcove Table, the shaped rectangular adzed top above a castellated frieze, fitted with two drawers above two fitted sliding filing drawers, each with two turned octagonal handles, with carved mouse signature, 152cm by 75cm, 79cm high
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