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Lot 932

A Regency period inlaid rosewood and assimilated rosewood rectangular Sofa Table, of narrow proportions, the two large carved lyre shaped supports united by plain stretcher, 150cms (59") long, 70cms (26 1/2") deep ; 74cms (29") high. (1)Provenance: Humewood, Co. Wicklow.

Lot 934

A Regency style brass inlaid mahogany Tricoteuse Table, with three shelves on outsplayed feet. (1)

Lot 939

A good 19th Century D-end mahogany Economy Table, the crossbanded edges with herringbone design on square tapering legs, approx. 112cms wide x 290cms long (44" x 114"). (1)Provenance : The Aske, Shankill, Co. Dublin.

Lot 953

A small French style kingwood and marquetry Bedside Table with raised gallery, over a frieze drawer and enclosed press with two small doors leather book spines attached. (1)

Lot 964

An unusual brass and gilded glass Table Oil Lamp (converted), with shade, and a pair of tall brass Table Lamps and shades. (3)

Lot 1128

IRISH EIGHTEENTH-CENTURY MAHOGANY SIDE-TABLE, CIRCA 1760the rectangular top with a moulded edge and rounded corners, above a scallop shell centred frieze raised on cabriole legs, terminating on pad feet 75 cm. high; 90 cm. wide; 45 cm. deep

Lot 922

REGENCY PERIOD MAHOGANY AND ROSEWOOD CROSSBANDED TABLE, CIRCA 1820the rectangular shaped top, with rounded corners, above two real and opposing faux drawers, raised on reeded turned legs, terminating on brass cup castors74 cm. high; 58 cm. wide; 40 cm. deep

Lot 369

EIGHTEENTH-CENTURY CHIPPENDALE SIDE TABLE, CIRCA 1780the rectangular moulded edge top ,above a conforming frieze with drawer, furnished with a brass scroll handles, raised on moulded square chamfered legs, joined by pierced X stretcher rail70 cm. high; 77 cm. wide, 43 cm. deep

Lot 365

REGENCY PERIOD ROSEWOOD LIBRARY TABLE, CIRCA 1820the rectangular rich grained top with rounded corners, above a real and opposing faux drawer, raised on curvaceous X-scroll ends, joined by a turned stretcher rail, terminating on brass cup castors74 cm. high; 136 cm. wide; 71 cm. deep

Lot 399

VICTORIAN PERIOD BURR WALNUT FOLD OVER GAMES TABLE, CIRCA 1870the rich rectangular moulded edged top, opening to a baize lined interior, above a conforming frieze, raised on turned reeded pillar and scroll ends, joined by a stretcher rail74 cm. high; 93 cm. wide; 47 cm. deep

Lot 224

PAIR OF SPIRAL STEMMED BRASS TABLE LAMPS AND SHADES47 cm. high (without shade) (2)

Lot 916

GEORGE II PERIOD MAHOGANY GATE LEG TABLE, CIRCA 1760the rectangular shaped top with D-shaped drop leaves, raised on tapered turned legs terminating on paw feet70 cm. high; 120 cm. wide; 128 cm,. deep

Lot 473

GEORGE II PERIOD MAHOGANY GAMES TABLE, CIRCA 1750 the rectangular inverted break front top, opening to a baize lined interior, above a conforming frieze 73 cm. high; 81 cm. wide; 41 cm. deepKing George II and his consort Queen Caroline were ardent card players. They played each evening for high stakes: a place at the royal card table required a prerequisite minimum entry fund of £200.The Countess of Hartford, in a letter dated 1741, noted: ‘Assemblies are now so much in fashion that most persons fancy themselves under a necessity of inviting all their acquaintances three or four times to their houses, not in small parties, which would be supportable, but they are all to come at once, nor is it enough to engage married people, but the boys and girls sit down as gravely at whist tables as fellows of colleges used to formerly; it is actually a ridiculous, though I think a mortifying sight, that  play should become the business of the nation from the age of fifteen to fourscore’The love of gambling remained unabated throughout the eighteenth-century and inspired a morality painting by William Hogarth.  ‘The Lady’s last Stake,’ now at the Albright-Knox Art Gallery, Buffalo, NY, USA, painted in 1759, addressed the evils of gambling.

Lot 960

REGENCY PERIOD MAHOGANY AND EBONY STRING INLAID CARD TABLE, CIRCA 1820the rectangular top, with round corners to the fore, opening to a baize lined interior, above a leaf carved and bobbin decorated bateau shaped frieze, raised on a tapered stem and sabre legged pod, terminating on ornate brass castors74 cm. high; 92 cm. wide; 45 cm. deep

Lot 1068

SMALL REGENCY PERIOD MAHOGANY SOFA TABLE, CIRCA 1810the square top, with rounded rectangular shaped leaves, raised on turned pillar and sabre ends, terminating on ornate brass feet and castors72 cm. high; 52 cm. wide; 52 cm. deep

Lot 930

NINETEENTH-CENTURY IRISH MAHOGANY GRAND TOUR SPECIMEN MARBLE TABLE, BY MACK, WILLIAMS AND GIBTON the circular chequered marble inset top, raised on a turned stem and platform base, terminating on bun feet with sunken brass castors 72 cm. high; 64 cm. diameterAn aristocrat on the Grand Tour most likely acquired this fine example of a Pietra Dura (hard stone) marble top. It is inlaid with a selection of specimen Italian marbles in checkerboard form. The common practise upon return to Ireland was to commission a bespoke table to showcase the top. The quality of the supporting pedestal is consistent with the work of the outstanding Dublin firm Mack, Williams and Gibton (1810 – 1829), arguably Ireland’s finest ever cabinetmakers. The firm was responsible for furnishing country houses and important buildings including Dublin Castle and the Viceregal Lodge, now Áras an Uachtaráin, the official residence of the President of Ireland.  The Grand Tour was an essential part of the education of the Irish and British aristocracy. It was a cultural tour of Europe formally undertaken by young men especially in the eighteenth-century. It was hugely influential in terms of the accrual of the cultural capital of both kingdoms, a development that paved the way for Neo-classicism and with it gave birth to the rich Georgian legacy that is ours today.

Lot 988

WILLIAM IV PERIOD MAHOGANY TEA TABLE, CIRCA 1830the rectangular shaped top, with rounded corners to the fore, opening to a polished interior, above a bateau shaped frieze, raised on a chamfered stem and platform base, terminating on leaf draped bun feet75 cm. high; 92 cm. wide; 45.5 cm. deep

Lot 385

EIGHTEENTH-CENTURY FRENCH HEPPLEWHITE SILVER TABLE, CIRCA 1790the rectangular tray top with serpentine sides, above a conforming serpentine frieze, raised on cabriole legs74 cm. high; 86 cm. wide; 60 cm. deep

Lot 1044

GEORGE III PERIOD SHERATON SATINWOOD AND CROSSBANDED DRUM TABLE, CIRCA 1800the oval shaped top, above a series of real and faux drawers, raised on square tapered legs, joined by stretcher rails71 cm. high; 30 cm. wide; 30 cm. deep

Lot 1114

NINETEENTH-CENTURY FRENCH KINGWOOD AND MARQUETRY GAMES TABLE the profusely inlaid serpentine shaped top opening to a baize lined interior, above a similarly inlaid frieze raised on cabriole legs, terminating on brass sabots 76 cm. high; 76 cm. wide; 40 cm. deep

Lot 949

PAIR OF ROYAL WORCESTER VASE STEMMED TABLE LAMPSwith parcel gilt decoration33 cm. high (2)

Lot 363

NINETEENTH-CENTURY ORMOLU MOUNTED SATINWOOD LADIES WRITING TABLE, CIRCA 1890the inverted breakfront serpentine shaped top, above two frieze drawers, raised on cabriole legs, terminating on scroll sabots. The lock inscribed R. Langebear & Co. Birmingham73 cm. high; 80 cm. wide; 46 cm. deep

Lot 225

PAIR OF VASE STEMMED BRASS TABLE LAMPS WITH SHADES59 cm. high (without shades) (2)

Lot 1064

GEORGE III PERIOD MAHOGANY AND SATINWOOD INLAID WORK TABLE, CIRCA 1790the oval shaped lift up top, opening to a silk lined work basket, above a conforming frieze, raised on square tapered legs, joined by stretcher rails, terminating on spade feet72 cm. high; 46 cm. wide; 39 cm. deep

Lot 661

CHINESE QING PERIOD FAMILLE ROSE VASE STEMMED TABLE LAMPwith ornate brass base36 cm. high

Lot 507

EIGHTEENTH-CENTURY PERIOD FRENCH TRANSITIONAL SIDE TABLE, CIRCA 1760the heavy rectangular veined grey marble top, with chamfered corners, above a series of three drawers, furnished with brass ring handles, raised on cabriole legs, terminating on leaf scroll sabots82 cm. high; 115 cm. wide; 34 cm. deep

Lot 254

IRISH EIGHTEENTH-CENTURY PERIOD SILVER TABLE, CIRCA 1760 the rectangular dished top, above a conforming frieze and serpentine apron, centred by a scallop shell, raised on acanthus leaf carved cabriole legs, terminating on claw feet 67 cm. high; 77 cm. wide; 55 cm. deep

Lot 735

CHINESE CLOISONNE BALUSTER VASE STEMMED TABLE LAMPyellow ground with polychrome decoration39 cm. high

Lot 923

GEORGE III PERIOD SATINWOOD, ROSEWOOD AND BOXWOOD INLAID GAMES TABLE, CIRCA 1790the paterae and segmented sunray semi elliptical shaped top opening to a baize lined interior, above a conforming frieze, raised on square tapered legs74 cm. high; 116 cm. wide; 50 cm. deep

Lot 580

NINETEENTH-CENTURY PARIS PARCEL GILT PORCELAIN VASE STEMMED TABLE LAMPa noir ground decorated with leaf and floral sprays, mounted either side by a moulded sphinx scroll handle48 cm. high

Lot 361

REGENCY PERIOD WALNUT AND MAHOGANY WRITING TABLE, CIRCA 1820the rectangular tooled leather inset top, above a scroll cornered frieze with egg and dart moulded decoration, raised on turned pillar and sabre legs, joined by an anthemion leaf carved turned stretcher rail, terminating on brass feet and castors76 cm. high; 100 cm. wide; 56 cm. deep

Lot 1062

REGENCY PERIOD MAHOGANY AND EBONY STRING INLAID TABLE, CIRCA 1800the rectangular shaped top, above two faux drawers, raised on square tapered legs77 cm. high; 44 cm. wide; 30 cm. deep

Lot 518

SET OF EIGHT NINETEENTH-CENTURY GLASS TABLE MATSeach with a hand coloured exotic bird engraving

Lot 229

NINETEENTH-CENTURY PARIS PARCEL GILT AND PAINTED VASE STEMMED TABLE LAMP43 cm. high (with shade)

Lot 303

LARGE WILLIAM IV PERIOD MAHOGANY DINING TABLE, CIRCA 1830the rectangular shaped top with rounded corners (five extending leaves) raised on two telescopic turned legged stands, terminating on brass cup castors. Provenance: Property of the late Elizabeth O_Kelly, formerly of The Dower House, Emo Court73 cm. high; 360 cm. long

Lot 1164

Attributed to Rundell, Bridge & Rundell, London (1778-1845). Possibly supplied by Alexis Decaix (fl. 1778-1811).  The surtout de table is adorned with finely chased, draped armorial plaques: the whole divided in five mirrored sections with an anthemion frieze pierced gallery punctuated by related anthemion supports on paw feet each below a cast double-coronet and interspaced by plaques each bearing the coat of arms for the Walter Butler, 1st Marquess of Ormonde KP (1770-1820). 10 cm. high, 255 cm. long, 46 cm. deep

Lot 223

PAIR OF VASE STEMMED BRASS TABLE LAMPS WITH SHADES65 cm. high (without shades) (2)

Lot 854

GEORGE III PERIOD SATINWOOD, FRUITWOOD, CROSSBANDED AND PATERAE INLAID GAMES TABLE, CIRCA 1790the rectangular top with serpentine sides and front, opening to a baize lined interior, above a conforming frieze, raised on square chamfered and tapered legs73 cm. high; 96 cm. wide; 43 cm. deep

Lot 331

EDWARDIAN PERIOD SATINWOOD AND CROSSBANDED OCCASIONAL TABLE, CIRCA 1900the cherub and floral painted oval shaped top, above a conforming frieze, raised on portrait miniature headed square tapered legs, terminating on spade feet75 cm. high; 86 cm. wide; 60 cm. deep

Lot 529

IRISH EIGHTEENTH-CENTURY PERIOD MAHOGANY SNAP TOP TABLE, CIRCA 1760the circular top with a pie crust border, raised on a turned and fluted stem, supported on a scroll legged pod, terminating on knuckled claw feet70 cm. high; 60 cm. diameter

Lot 221

PAIR OF BRASS AND PORCELAIN TABLE LAMPS WITH SHADES83 cm. high (without shades) (2)

Lot 545

IMPORTANT REGENCY PERIOD MAHOGANY TELESCOPIC DINING TABLE, CIRCA 1820the rich reeded edged rectangular shaped top with rounded corners, and four removable extending leaves, raised on turned and fluted legs, terminating on brass cup castors76 cm. high; 365 cm. wide; 148 cm. deep

Lot 1166

GEORGE III PERIOD MAHOGANY SNAP TOP WINE TABLE, CIRCA 1780the circular crust top raised on a turned pillar, terminating on scroll feet68 cm. high; 58 cm. diameter

Lot 599

EIGHTEENTH-CENTURY PERIOD MAHOGANY SILVER TABLE, CIRCA 1770the rectangular dished top, with serpentine corners, above a conforming frieze, raised on leaf capped cabriole legs, terminating on pad feet87 cm. high; 82 cm. wide; 56 cm. deep

Lot 579

GEORGE III PERIOD MAHOGANY CHIPPENDALE SILVER TABLE, CIRCA 1780 the rectangular shaped top, below a pierced fretwork gallery rail, above a blind fretwork carved frieze, raised on pierced fretwork bracket headed square chamfered legs, terminating on block feet, with inset brass castors 74 cm. high; 86 cm. wide; 54 cm. deepThe importance of the silver table in the late eighteenth-century is stemmed from the prevailing social hierarchy, and as a focal point in the tea-making ritual of the period. Evolved from a tray for silver on a stand, they originated in England where they were popular amongst the elite.Silver tables were used to display the ceramic tea set and as a tea table when it was time to take tea. Tea drinking was a signifier of wealth and of good taste. Because of this, well-to-do families proudly displayed the trappings associated with the ritual. Like tea, ceramics imported from China (the only country to give its name to a product) were expensive, indeed, very expensive. In a classic example of form following function, the precious china was protected from falling off the edge by a fence-like gallery rail that ran around the rim of the tabletop: the swishing of ladies’ petticoats being a particularly high risk factor. Chinoiserie was a style that developed on foot of the influence of exotic porcelain, lacquerware, bronzes and other forms of applied and decorative arts imported from China and Japan. Such was the fascination that Europeans began to create their own fanciful interpretations of oriental styles and motifs. This new style, derived from the French word chinois (Chinese), became known as Chinoiserie.Thomas Chippendale, 1718 – 1779, interpreted oriental motifs and transformed them into fretwork and carved decoration in his Chinoiserie designs. In 1754 he published a book of his designs, titled The Gentleman and Cabinet Maker’s Director, for which he gained fame and renown. He was one of England’s finest furniture makers. Harewood House, near Leeds, in his native Yorkshire represented his biggest commission. He is buried beneath the National Gallery in London. 

Lot 725

CHINESE REPUBLICAN PERIOD VASE STEMMED TABLE LAMPof baluster form, with figural decoration28 cm. high

Lot 652

JAPANESE HIRADO BLUE AND WHITE VASE STEMMED TABLE LAMPdecorated with trees in a mountain landscape36 cm. high; 17 cm. diameter

Lot 856

EIGHTEENTH-CENTURY LOUIS XVI PERIOD CARVED GILTWOOD CONSOLE TABLE, CIRCA 1780the semi-elliptical shaped rouge royal marble top, above a reticulated frieze draped with bell petal swags, raised on fluted turned legs, joined by stretcher rails, centred by an urn, terminating on bun feet83 cm. high; 127 cm. wide; 60 cm. deep

Lot 976

NINETEENTH-CENTURY FRENCH BRASS MOUNTED KINGWOOD WRITING TABLE, CIRCA 1820the rectangular shaped top with rounded corners, above a series of drawers, furnished with asymmetrical scroll handles, raised on square tapered legs, terminating on castorsProvenance: Property of the late Elizabeth O_Kelly, formerly of The Dower House, Emo Court72 cm. high; 99 cm. wide; 52 cm. deep

Lot 551

EDWARDIAN PERIOD SATINWOOD AND MARQUETRY OCCASIONAL TABLE, CIRCA 1890the profusely inlaid oval shaped top, above a conforming frieze, raised on square tapered legs, joined by an undershelf72 cm. high; 73 cm. wide; 53 cm. deep

Lot 307

NINETEENTH-CENTURY CARVED GILTWOOD CENTRE TABLE, CIRCA 1870the rectangular serpentine shaped marble top, above a lattice and leaf decorated frieze, raised on cabochon headed cabriole legs, terminating on scroll feet74 cm. high; 43 cm. wide; 43 cm. deep

Lot 1032

GEORGE II WALNUT SIDE TABLE, CIRCA 1760the rectangular top with serpentine corners, above a conforming frieze, raised on leaf capped tapered legs, terminating on pad feet73 cm. high; 92 cm. wide; 54 cm. deep

Lot 753

EXTENSIVE SUITE OF 123 PIECES OF SILVER CUTLERY Maker: George William Adams, London 1860 Consisting of 24 large dinner forks, 18 small dinner forks , 12 tea spoons, 6 egg spoons, 4 salt ladles, 1 sugar tongs, 24 dessert spoons, 24 table spoons, 4 mustard spoons, 2 sauce ladles, 1 sugar ladle, 2 gravy spoons, 1 soup ladleMaker: George William Adams, London 18606.6 kilosProvenance: Property of the late Elizabeth O’Kelly, formerly of The Dower House, Emo Court

Lot 1136

NEO-CLASSICAL PAINTED ADAM STYLE SIDE TABLE the rectangular shaped top with curved ends to the fore, above a conforming frieze, raised on turned legs joined by curved X stretchers, terminating on leaf decorated pad feet 80 cm. high; 114 cm. wide; 37 cm. deep

Lot 328

LARGE WATERFORD CRYSTAL TABLE LAMP48 cm. high

Lot 1104

NINETEENTH-CENTURY MAHOGANY DINING TABLE the rectangular shaped top with rounded corners (two extending leaves), raised on two pedestal tables, each of four turned legs

Lot 15

Palissy part breakfast table service in the 'Game Series' pattern, comprising teapot, hot water jug, sugar bowl and cover, various jugs, bowls, plates, teacups and saucers, etc.

Lot 181

Two silver plated cruets each with three condiments, silver plated sugar basin with blue glass liner and a quantity of sundry table flatware and other items.

Lot 272

A pair of earthenware urns, a quantity of assorted Denby ware, some Spanish painted bowls, blue and white meat dish and other various china and a pottery studio table lamp

Lot 275

Quantity part dinner and tea service, Lawleys, a brass table lamp and a planter ( 2 boxes)

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