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A Regency rosewood, ebony strung and gilt metal mounted sofa table, early 19th century, with two rounded drop leaves and reeded edge above two real and two sham drawers, on four spindle turned legs with a platform base, sabre legs and later dolphin capped feet with castors, 91cm by 76cm by 71cm
A silver Old English pattern soup ladle, Manoah Rhodes, London 1929; a pair of George III silver table spoons, Batemans, London 1804, one other, Samuel Godbehere, Edward Wigan & James Boult, London 1814; and a George III Toddy Ladle, circa 1810, with baleen handle, 13.1ozt (5)
A 19th Century clear crystal drinking glass by John Northwood, the slender round funnel bowl acid etched with a Greek Warrior with shield and spear between repeat borders, mounted to a slender slice cut stem abov e a circular spread foot. Etching glass by drawing a pattern in a layer of wax on the surface of the glass and then plunging it into hydrofluoric acid was first practised in the late 18th century. The process was developed commercially in the 1840s. By 1861 John Northwood (1836-1909) and James Northwood (1839-1915) at Wordsley, West Midlands, were among the first major producers to use it extensively. They had earlier invented the template etching machine for inscribing the pattern through the wax. With the invention in 1864 of a gear-driven, geometric etching machine, interlocking patterns such as loops or the ever-popular 'Greek key' border patterns were applied to virtually all table glass. They were used especially on the new paper-thin glass that appeared in the 1870s.
An early 20th Century Tiffany Studios, New York, Bronze D'ore and Favrile glass table lamp, the domed cased glass shade with a damascene pattern of gold ripple wave lines over a citron iridescence within an arched frame with adjustable swing action above a slender column support raised above a moulded spreading base, stamped maker's marks to base with number 419, etched maker's marks to shade, height 34cm.
Natural sapphire and diamond set Art Nouveau ring with the 18ct gold original setting and restored shank. A/f scratches can be seen to the table of stone. Approx 11.73mm x 10.31mm x 10.31mm oval cut sapphire. 8x single and round brilliant diamonds. Total weight 5.7 grams, ring size N. Valuation report available
Burmese ivory tusk table gong circa 1930 comprising of a bronze gong supported on chains by 2 carved ivory tusks mounted on an ebonised wooden stand. The tusks with carved tips depicting Buddhist standing Nat spirit figures (loss to top of one). Each tusk is further carved with several cartouche depicting animals that feature in Buddhist myths and stylised lotus leaf bands to top and bottom ends.Approximate dimensions: Tusk lengths 75cm & 72cm, circumference at bases 23cm and 22cm, gong diameter 35cm, total height 67cm, total width 71cm.Provenance: Purchased by Roland Hatt-Cook in Burma 1930. Roland, an engineer, was in the last generation of the British Raj in India. Whilst in Burma he was the head of Burmese Railways when he purchased this item. Passed down by descent to the vendor.
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1181627 item(s)/page