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A German Quarter Striking Junghans Table Clock, circa 1900, 54cm highCase faded in parts, top urn shaped finial with one mount missing, metal mounts are very slightly discoloured, end of the hour hand is broken, dial is slightly discoloured in parts, both movement spring barrels are fully wound, movement not working and not striking, with pendulum and key.
A Group of Occasional Furniture, to include: An Edwardian Dwarf Revolving Bookcase, bearing label for Frank Smythson, 27cm by 28cm, A Small Inlaid Jewellery Box, A 19th Century Export Stool, A Later Leather Topped Oak Stool, A Georgian Fretwork Mirror, A Similar Dressing Table Mirror, A Gilt and Painted Standard Lamp, A Book Stand, A Barometer, A Brass Inlaid Coffee Table, and A Modern Painted Plastic Dumbwaiter (11)
Miscellaneous A1 Queens pattern silver plated flatware, comprising fifteen large forks, eleven small knives, eleven small forks, eleven dessert spoons, thirteen soup spoons, eight fish knives, eight fish forks, three table spoons, eight cake knives, eight cake forks, eight escargot forks, ten tea spoons, twelve egg spoons, eleven coffee spoons, sugar spoon, butter knife, six other spoons, two pickle forks, jam spoon, sugar shovel, butter knife, salad servers, two gilded sugar spoons and a bread fork.
Ercol Burford 954 light elm extending dining table, having a pull-out action and three extra drop-in leaves, raised on faceted square-end supports united by stretchers, approx 160.5 cms (closed) and with two leaves 252 cms x 92 x 73 h cms together with four Wheatsheaf chairs 49 cms x 58.5 d x 106 cms h and a single carver approx 60 cms w x 58 cms d x 106 cms h.
Regency satinwood inlaid sewing table, the inlaid top opens to reveal a plaited silk well, with chamfered corners and decorative inlay to the drawer front and legs, raised on tapering legs, approx 45 x 35 x 71 cms. Condition ReportSome light staining to the silk well.
Includes 5 small round ashtrays, 1 round pin tray, 1 table lighter, 1 matchstick holder, and 1 covered box. Wedgwood backstamps. Ashtray: 4.25"W x 0.5"H. Pin tray: 4.25"W x 0.5"H. Table lighter: 2.5"W x 2.25"H. Box: 4.5"L x 3.25"W x 1.75"H. Manufacturer: WedgwoodCountry of Origin: EnglandCondition: Age related wear.
Frans Floris, Cornelis Cort - Hercules fights the centaurs / Description: Hercules Prevents the Centaurs from abducting Hippodamia; Hercules fights the centaurs with his club and overturns a table with a vine archway behind; a figure at left has an arrow through his head and is pinned to a tree trunk. From the set of the labours of Hercules, engraved by Cornelis Cort after a lost serie of paintings of Frans Floris. Frans Floris composed the twelve works of Hercules into ten paintings. Fourth state with the publishers address of Hendrick Goltzius, 1563, New Hollstein Dutch 67, with watermark. / Dimensions: 22,30 x 28,50 cm / Condition: Good silvery impression on a full sheet of watermarked laid paper with good margins. Non-disruptive flattened fold bottom left corner. Good condition. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (67.IV) --- Bierens de Haan 1948 / L'oeuvre gravé de Cornelis Cort, graveur hollandais 1533-1578 (172) --- Van de Velde 1975 / Frans Floris (1519/20-1570), Leven en Werken (46) --- Riggs 1977 / Hieronymus Cock, Printmaker and Publisher (78) --- Wouk, Frans Floris / Frans Floris (1519/20-1570): Imagining a Northern Renaissance. (67) / Medium: Engraving /Circa: 1563 240
Hendrik Hondius (1573-1650) - Portrait of Hubert van Eyck Portrait of Hubert van Eyck, sitting at a table turned to the left, facing left; wearing a fur hat, and a fur-trimmed cloak; a painter's palette on the wall behind him, three viewers on top. A portrait from the series Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies made and published by the Flemish born engraver Hendrik Hondius who moved to The Netherlands and established his own publishing business. The portrait dates from 1610 and goes bas go back to Domenicus Lampsonius' Pictorum Aliquot Celebrium Germaniae Inferioris Effigies, published by Hieronymus Cock's widow in 1572 and engraved by Cock, Johannes Wierix and Cornelis Cort. In many cases, Hondius elaborated the backgrounds. This is a first edition published by Hondius, a later edition was published in 1612and 1618 by Jansonius. 21,00 x 12,00 cm Excellent impression on watermarked laid paper, good plate tone and small margins. In top condition. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (82) --- Van Someren 1736 Etching 1610 280
Hendrick Gotzius, Workshop - Allegory of The Arts A woman with a pen in one hand and a writing table or plate in the other balances with one foot on a globe. Angels around her with symbols of the seven liberal arts. Above her head a dove (or heart with wings). Below four lines of Latin. This interesting design was made by Hendrick Goltzius and is signed bottom left 'HG Invent'. The engraving is attributed to his workshop and should be dated circa 1586-1590. 22,00 x 15,80 cm A good impression on a full sheet of watermarked laid paper with full plate border and margins. Good condition. Watermark: Fools head with bell's. The Illustrated Bartsch 17 (I/II) after Goltzius --- New Hollstein Dutch 715-2(3) ---- Hendrick Goltzius, Marjolein Leesberg, Huigen Leeflang, dl. IV, p. 136, cat.nr. 715 --- Goltzius-studies : Hendrick Goltzius (1558-1617), p. 210, cat.nr. 52 Engraving 1586-1590 320
Cornelis Visscher, Adriaen Van Ostade - The Ice Skaters Interior of an inn with boors relaxing around a large fireplace; a large, lofty room with boors smoking pipes; one of the boors stands by a wooden stool with a lidded flagon and clay pipe and engages in conversation with another man seated nearby; ice skates lie on the ground; at right is a table of food. Engraving and etching made by Cornelis Visscher. After the 1650 painting 'De Schaatsenrijders' by Adriaen van Ostade in the Rijksmuseum, Amsterdam (inv.no.SK-A-2332). 43,00 x 34,00 cm Good impression trimmed mostly on/inside the plate border. Invisibly flattened middle fold with some closed tears at this middle fold and some other near left margins. Generally good with no folds, disturbing tears or stains. Moderate age toning especially in text line. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (53) Engraving 1650-1660 240
EMI Abbey Road Studios: A Psychedelic Fibre Optic Illuminated Sign From The Famous Abbey Road Studios In London,circa 1970,comprising; a glass top, layered with acetate detailed with a psychedelic design spelling 'EMI Abbey Road', the underneath with numerous fibre optic strands, the reverse affixed with a motor which rotates a hand-painted coloured disc allowing the colour fed through the fibre optics to change from gold, to red, green, blue and yellow, housed in a metal frame with a wooden backboard, 24 1/2in x 24 1/2in (62cm x 62cm)Footnotes:Provenance:Offered by Mike Hedges who worked as a Producer at Abbey Road Studios from 1979 to 1989.The EMI Abbey Road logo was designed by ex-studio designer and special projects manager Alan Brown who – drawing on his interests in calligraphy and lettering - was tasked with designing a new logo for Abbey Road while working at the studios in the 1960s and 1970s. During his time in the role Alan was also responsible for redesigning the interior of Studio Three as well as installing his spiral artworks and murals in various locations around the studios.'Ken [Townsend, ex-Studios Manager] asked me to formulate a new logo embodying the words Abbey Road within it and so I set about preparing a sequence of designs. Being before the availability of computer aided design, it was a hands-on task involving pen and ink and paper, compasses and brushes. I have no record of the progressive stages involved, but I remember it taking me thirteen attempts to arrive at a design that Ken finally liked and approved. Despite having a sixties' feel about it, it felt right for the time with its spiral form and concentric rings, analogous to record grooves and rills.'– Alan BrownThis sign was installed in the reception area of the EMI Abbey Road Studios in around 1970, originally as a small table before then being displayed on the wall behind the reception desk. This is a special piece of history from the world-renowned recording studios and comes from a time when they were transitioning from EMI to Abbey Road.For further information on this lot please visit Bonhams.com
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1181627 item(s)/page