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AFTER ERNEST GIMSON LARGE ARTS & CRAFTS CENTRE TABLE, CONTEMPORARY oak, with English walnut and sycamore chequer inlay, bears label under top MATTHEW POMFRET/ POMFRET FURNITURE STUDIO/ CIRENCESTER(175cm diameter, 73.5cm high)Footnote: Literature: Carruthers A., Greensted M., Roscoe B. Ernest Gimson: Arts & Crafts Designer and Architect, Yale 2019, p.89, pl.77 where Gimson's own example is illustrated in situ at Sapperton, circa 1905 Note: The original design for this table is held at The Wilson, Cheltenham (1941.222:401) and is inscribed ‘Dining or Hall Table in English Oak’, signed and dated ‘Ernest W. Gimson / Daneway House Nr Cirencester / Aug – 1909’. An earlier, larger table in walnut was sold by Mellors & Kirk in March 2013. This table which has an ebony-inlaid edge was made for the designer’s brother Mentor Gimson (1851–1925) and measures 153 cm diameter, slightly smaller than the present contemporary copy.
Y R.D. RUSSELL (1903 - 1981) AND EDEN MINNS (1906-1998) FOR GORDON RUSSELL LTD TABLE, DATED 1930 rosewood and English walnut, bears original label FOREMAN: FRED SHILTON/ CABINET MAKER: W. MARKS/ MADE 30 JUNE 1930(253cm long, 76.3cm high, 121cm deep)Footnote: Note: To face the challenges of the changing market in design in the early 1930s Gordon Russell suggested that his youngest brother R.D. (Dick) Russell should train as an architect. Once he had qualified Dick returned to Broadway, at which point Gordon Russell relinquished his role as designer, passing the mantle to his brother and a team of designers including David Booth and Eden Minns who had trained with Dick as an architect. Minns went on to design radio cabinets for Murphy, with whom he later took up the position of Head of Cabinet Design. Note: Please be aware that this lot contains material that may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
SID POLLARD, BAGBY ARTS & CRAFTS DINING SUITE, CIRCA 1950 comprising a DINING TABLE, oak, 135.5cm long, 75cm high, 75.5cm deep; and a SET OF FOUR CHAIRS, oak, with close-nailed leather upholstery, 43cm wide, 87.5cm high, 42cm deepFootnote: Note: Sid Pollard was one of Robert 'Mouseman' Thompson's craftsmen in the early days. He went on to produce his own work at Bagby in Yorkshire, all unsigned but characterised by the quality of the craftsmanship and the characteristic Mouseman features.
ENGLISH, MANNER OF E.W. GODWIN AESTHETIC MOVEMENT OCCASIONAL TABLE, CIRCA 1880 mahogany, with brass capped feet, stamped H576 to the underside(50.2cm diameter, 61cm high)Footnote: Literature: Aslin E. E.W. Godwin: Furniture and Interior Decoration John Murray 1986, p.79, pl. 59 and 60. Note: Sketches by Godwin of around 1881, held at the V&A, show designs with hipped cabriole legs and metal sabots.
ELENA POLENOVA (1850-1898) AT THE ABRAMTSEVO WORKSHOPS, MOSCOW OBLAST, RUSSIA TABLE, CIRCA 1890 carved and stained birch(89cm wide, 76cm high, 65.3cm deep)Footnote: Note: Elena Polenova was an accomplished, painter, illustrator and designer, having initially taken an interest in drawing from her mother, herself an amateur artist and children’s author. By 1870, she took further classes in watercolours and ceramics, and enjoyed an educational year abroad in Paris. However, the Russo-Turkish War had a profound effect on her and she abandoned her studies to focus on a nursing career, providing essential care to the wounded. In 1877, family tragedy and a devastating personal heartbreak prompted a move to Moscow to live with her older brother, the renowned painter Vasilii Polenov. With so much loss and tragedy surrounding her, Elena reverted back to her youthful interests and devoted herself entirely to art. Shortly after, she was introduced to Savva Mamontov, a wealthy businessman and patron of the arts. He had fostered a community of artists, musicians and designers on his estate and encouraged them to study traditional Russian culture as inspiration for their creative output. Elena immersed herself in this flourishing environment and by 1885 she had taken over management of the furniture workshops, a pivotal point in her career. Under her leadership, students at the Abramtsevo workshop enjoyed widespread critical acclaim across the globe; a table similar to the present lot was shown in the Russian Pavilion during the 1900 Paris Universal Exhibition. Elena is thought to have produced over 100 furniture designs during her time at the workshops and the influence from traditional Russian crafts is clear; boldly carved forms and patterns are sensitively reworked with her own intention of creating a captivating style that both striking and functional.
A nine stone diamond cluster ring, the cluster measuring approx. 11.96mm in diameter, engraved shoulders, the band marked 'c1.14', hallmarked 18ct gold, sponsor's mark 'C-R', Birmingham 1977, gross wt. 5.41g, size O. Condition - sold without certificate, however, central stone weighing approx. 0.33 carats, appears with inclusions just off table facet visible with 10x loupe only, other stones with minor inclusions, no yellowness visible in stones, general wear to band.
A good collection of Nottingham tokens, to include traders' and market tokens issued by J. Crossland 9, Clumber St., Royal Arsenal Co-operative Society uniface tin 2d, Holroyd Woollen Emporium, 22 South Pde.; Charles Napier 3d brass uniface; numerous Beecroft (& Sons) fancy depository brass tokens, some with imitation spade guinea obverses; Severn & Co. aluminium shilling; two Dixon & Parker 3-9 Lister Gate, outfitters tokens (one brass, one white metal); three John Player bronze uniface (two halfpenny, one penny); Wray Bros., Market Place, brass shillings (two different); two LMSR Nottingham brass uniface tallies; J. T. Soar, fruit market; W Bradley& Co.; Beeston table Pb rectangular uniface; Charles Elliot, Hockley tea mart bronze; also pubs: Old Royal Oak, Broad Marsh brass penny halfpenny, also Belvoir Inn, Kirkby St, 3d, 2d, and penny halfpenny, Nottingham Corporation Transport: fourteen assorted plastic tokens, various shapes and colours (qty)
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1177565 item(s)/page